Difference between revisions of "2025:RenCon Results"
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+ | = 2025:RenCon Results = | ||
+ | == Preliminary (Audition) Round Results == | ||
+ | |||
+ | === Evaluation Methodology === | ||
+ | The preliminary round was evaluated through an online listening test with '''25 expert evaluators'''. The evaluation used a weighted voting system where participants self-rated their expertise level from 1-5 stars, with responses weighted accordingly. | ||
+ | |||
+ | === Participant Demographics === | ||
+ | Our evaluation panel consisted of highly qualified judges: | ||
+ | |||
+ | '''Expertise Distribution:''' | ||
+ | * Expert evaluators (5 stars): 7 participants (29.2%) | ||
+ | * High confidence (4 stars): 5 participants (20.8%) | ||
+ | * Moderate confidence (3 stars): 10 participants (41.7%) | ||
+ | * Lower confidence (1-2 stars): 2 participants (8.4%) | ||
+ | * '''Average expertise weight:''' 3.67/5.0 | ||
+ | |||
+ | '''Professional Background:''' | ||
+ | * Music researchers: 12 (54.5%) | ||
+ | * Music technologists: 10 (45.5%) | ||
+ | * Active performers: 8 (36.4%) | ||
+ | * Conservatory students: 6 (27.3%) | ||
+ | * Music lovers: 15 (68.2%) | ||
+ | * Concert-goers: 8 (36.4%) | ||
+ | |||
+ | '''Musical Experience:''' | ||
+ | * Strong representation of classical music expertise | ||
+ | * Diverse musical preferences spanning classical, jazz, pop, and rock | ||
+ | * Substantial piano experience among evaluators | ||
+ | * Mix of academic researchers and practicing musicians | ||
+ | |||
+ | === System Rankings === | ||
+ | |||
+ | The following table shows the final rankings based on weighted average scores from the preliminary round evaluation: | ||
+ | {| class="wikitable sortable" | ||
+ | ! Rank | ||
+ | ! Anonymous Name | ||
+ | ! Real System Name | ||
+ | ! Authors/Institution | ||
+ | ! Weighted Score | ||
+ | ! PDF | ||
+ | |- | ||
+ | | 1 | ||
+ | | MidnightOpal | ||
+ | | DirectorMusices | ||
+ | | Anders Friberg, Gabriel Jones | ||
+ | | 4.33/5.0 | ||
+ | | [https://futuremirex.com/portal/wp-content/uploads/2025/rencon/DirectorMusices.pdf PDF] | ||
+ | |- | ||
+ | | 2 | ||
+ | | CrystalEcho | ||
+ | | VirtuosoNet | ||
+ | | Dasaem Jeong, Taegyun Kwon, Yoojin Kim, Kyogu Lee, Juhan Nam | ||
+ | | 3.54/5.0 | ||
+ | | [https://futuremirex.com/portal/wp-content/uploads/2025/rencon/VirtuosoNet.pdf PDF] | ||
+ | |- | ||
+ | | 3 | ||
+ | | FrozenRiver | ||
+ | | Midihum | ||
+ | | Erich Grunewald | ||
+ | | 3.32/5.0 | ||
+ | | [https://futuremirex.com/portal/wp-content/uploads/2025/rencon/Midihum.pdf PDF] | ||
+ | |- | ||
+ | | 4 | ||
+ | | VelvetStorm | ||
+ | | ElegantAIPianist | ||
+ | | Leduo Chen, Xinrui Su, Yuqiang Li, Honyu Andy Shing, Junchuan Zhao, Zihan Chai, Kunyang Zhang, Shengchen Li | ||
+ | | 3.19/5.0 | ||
+ | | [https://futuremirex.com/portal/wp-content/uploads/2025/rencon/ElegantAIPianist.pdf PDF] | ||
+ | |- | ||
+ | | 5 | ||
+ | | SilverWave | ||
+ | | Contin-U | ||
+ | | Jongmin Jung, Dongmin Kim, Sihun Lee, Seola Cho, Hyungjoon Soh, Irmak Bukey, Chris Donahue, Dasaem Jeong | ||
+ | | 3.00/5.0 | ||
+ | | [https://futuremirex.com/portal/wp-content/uploads/2025/rencon/Contin-U.pdf PDF] | ||
+ | |- | ||
+ | | 6 | ||
+ | | EmberSky | ||
+ | | YQX+ | ||
+ | | Jinwen Zhou, Yuncong Xie, Haochen Wang, Huan Zhang, Aidan Hogg, Simon Dixon | ||
+ | | 2.83/5.0 | ||
+ | | [https://futuremirex.com/portal/wp-content/uploads/2025/rencon/YQX+.pdf PDF] | ||
+ | |- | ||
+ | | | ||
+ | | CrimsonDawn | ||
+ | | ScorePerLockNAR | ||
+ | | Weixi Zhai | ||
+ | | 2.53/5.0 | ||
+ | | [https://futuremirex.com/portal/wp-content/uploads/2025/rencon/ScorePerLockNAR.pdf PDF] | ||
+ | |- | ||
+ | | | ||
+ | | AzureThunder | ||
+ | | RenConnoisseur | ||
+ | | Silvan Peter | ||
+ | | 2.53/5.0 | ||
+ | | [https://futuremirex.com/portal/wp-content/uploads/2025/rencon/RenConnoisseur.pdf PDF] | ||
+ | |- | ||
+ | | | ||
+ | | GoldenMist | ||
+ | | CueFreeExpressPedal | ||
+ | | Kyle Worrall, Tom Collins | ||
+ | | 2.31/5.0 | ||
+ | | [https://futuremirex.com/portal/wp-content/uploads/2025/rencon/CueFreeExpressPedal.pdf PDF] | ||
+ | |} | ||
+ | |||
+ | ''Note: Complete rankings and system details will be updated following the live contest and final results announcement.'' | ||
+ | |||
+ | === Qualitative Feedback === | ||
+ | |||
+ | Evaluators provided extensive qualitative feedback on the systems' performances: | ||
+ | |||
+ | '''Common Positive Attributes:''' | ||
+ | * Natural expressiveness and human-like phrasing | ||
+ | * Appropriate tempo variations and rubato | ||
+ | * Musical sensitivity to harmonic structure | ||
+ | * Dynamic expression and articulation | ||
+ | |||
+ | '''Areas for Improvement:''' | ||
+ | * Consistency across different musical styles | ||
+ | * Handling of complex rhythmic patterns | ||
+ | * Balance between technical accuracy and musical expression | ||
+ | |||
+ | |||
+ | == Live Contest Results == | ||
+ | |||
+ | The live contest was held on September 25, 2025, at the Daejeon Convention Center during ISMIR 2025. All systems rendered a surprise piece in real-time, with audience voting determining the final rankings. A total of '''50 evaluators''' participated in the live evaluation. | ||
+ | |||
+ | === Surprise Piece === | ||
+ | * '''Title:''' Variation on "Mother and Sister" | ||
+ | * '''Composer:''' Hayeon Bang | ||
+ | * '''Duration:''' ~3 minutes | ||
+ | |||
+ | |||
+ | === Live Contest Rankings === | ||
+ | |||
+ | {| class="wikitable sortable" | ||
+ | ! Rank | ||
+ | ! System Index | ||
+ | ! Model Name | ||
+ | ! Authors | ||
+ | ! Live Score | ||
+ | ! Preliminary Rank | ||
+ | ! Score Change | ||
+ | |- | ||
+ | | 1st | ||
+ | | #8 | ||
+ | | VirtuosoNet | ||
+ | | Dasaem Jeong et al. | ||
+ | | 3.62/5.0 | ||
+ | | 2nd | ||
+ | | ↑1 | ||
+ | |- | ||
+ | | 2nd | ||
+ | | #1 | ||
+ | | DirectorMusices | ||
+ | | Anders Friberg et al. | ||
+ | | 3.06/5.0 | ||
+ | | 1st | ||
+ | | ↓1 | ||
+ | |- | ||
+ | | 3rd | ||
+ | | #2 | ||
+ | | Midihum | ||
+ | | Erich Grunewald | ||
+ | | 2.90/5.0 | ||
+ | | 3rd | ||
+ | | — | ||
+ | |- | ||
+ | | 4th | ||
+ | | #4 | ||
+ | | Contin-U | ||
+ | | Jongmin Jung et al. | ||
+ | | 2.90/5.0 | ||
+ | | 5th | ||
+ | | ↑1 | ||
+ | |- | ||
+ | | 5th | ||
+ | | #6 | ||
+ | | ScorePerLockNAR | ||
+ | | Weixi Zhai | ||
+ | | 2.52/5.0 | ||
+ | | 7th | ||
+ | | ↑2 | ||
+ | |- | ||
+ | | 6th | ||
+ | | #3 | ||
+ | | RenConnoisseur | ||
+ | | Silvan Peter | ||
+ | | 2.40/5.0 | ||
+ | | 8th | ||
+ | | ↑2 | ||
+ | |- | ||
+ | | 7th | ||
+ | | #9 | ||
+ | | ElegantAIPianist | ||
+ | | Leduo Chen et al. | ||
+ | | 2.08/5.0 | ||
+ | | 4th | ||
+ | | ↓3 | ||
+ | |- | ||
+ | | 8th | ||
+ | | #5 | ||
+ | | YQX+ | ||
+ | | Jinwen Zhou et al. | ||
+ | | 1.79/5.0 | ||
+ | | 6th | ||
+ | | ↓2 | ||
+ | |} | ||
+ | |||
+ | === Human Baseline Performance === | ||
+ | A human performance of the same surprise piece was also evaluated by the audience as a reference point: | ||
+ | |||
+ | {| class="wikitable" | ||
+ | ! Performance Type | ||
+ | ! Score | ||
+ | ! Rank Among All Performances | ||
+ | |- | ||
+ | | Human Performance | ||
+ | | 4.40/5.0 | ||
+ | | 1st (Overall) | ||
+ | |} | ||
+ | |||
+ | === Performance Analysis === | ||
+ | |||
+ | '''Top Performers:''' | ||
+ | * '''VirtuosoNet''' achieved the highest AI system score (3.62/5.0), improving from 2nd place in the preliminary round | ||
+ | * '''DirectorMusices''' maintained strong performance (3.06/5.0) but dropped from 1st to 2nd place | ||
+ | * '''Midihum''' showed consistency, maintaining 3rd place across both rounds | ||
+ | |||
+ | '''Notable Changes:''' | ||
+ | * '''ScorePerLockNAR''' and '''RenConnoisseur''' both improved by 2 positions in the live contest | ||
+ | * '''ElegantAIPianist''' experienced the largest drop, falling from 4th to 7th place | ||
+ | * '''Contin-U''' improved from 5th to 4th place in live evaluation | ||
+ | |||
+ | '''Human vs. AI Performance:''' | ||
+ | * The human performance scored 4.40/5.0, significantly higher than the top AI system | ||
+ | * This represents a performance gap of 0.78 points between human and best AI performance | ||
+ | * All AI systems scored below the human baseline, indicating continued room for improvement | ||
+ | |||
+ | === Final Winner === | ||
+ | |||
+ | '''🏆 RenCon 2025 Winner: VirtuosoNet''' | ||
+ | * '''Team:''' Dasaem Jeong, Taegyun Kwon, Yoojin Kim, Kyogu Lee, Juhan Nam | ||
+ | * '''Final Score:''' 3.62/5.0 | ||
+ | * '''Achievement:''' Highest-scoring AI system in live contest evaluation | ||
+ | |||
+ | The winner was announced at the closing ceremony of ISMIR 2025 on September 25, 2025. | ||
+ | |||
+ | |||
+ | |||
+ | |||
+ | == External Links == | ||
+ | |||
+ | * [https://ren-con2025.vercel.app/ Official RenCon 2025 Website] | ||
+ | * [https://ismir2025.ismir.net/ ISMIR 2025 Conference Website] | ||
+ | * [https://www.music-ir.org/mirex/wiki/2025:RenCon RenCon 2025 MIREX Task Page] | ||
+ | |||
+ | [[Category:MIREX]] | ||
+ | [[Category:ISMIR 2025]] | ||
+ | [[Category:Performance Rendering]] | ||
+ | [[Category:Competition Results]] |
Latest revision as of 10:22, 27 September 2025
Contents
2025:RenCon Results
Preliminary (Audition) Round Results
Evaluation Methodology
The preliminary round was evaluated through an online listening test with 25 expert evaluators. The evaluation used a weighted voting system where participants self-rated their expertise level from 1-5 stars, with responses weighted accordingly.
Participant Demographics
Our evaluation panel consisted of highly qualified judges:
Expertise Distribution:
- Expert evaluators (5 stars): 7 participants (29.2%)
- High confidence (4 stars): 5 participants (20.8%)
- Moderate confidence (3 stars): 10 participants (41.7%)
- Lower confidence (1-2 stars): 2 participants (8.4%)
- Average expertise weight: 3.67/5.0
Professional Background:
- Music researchers: 12 (54.5%)
- Music technologists: 10 (45.5%)
- Active performers: 8 (36.4%)
- Conservatory students: 6 (27.3%)
- Music lovers: 15 (68.2%)
- Concert-goers: 8 (36.4%)
Musical Experience:
- Strong representation of classical music expertise
- Diverse musical preferences spanning classical, jazz, pop, and rock
- Substantial piano experience among evaluators
- Mix of academic researchers and practicing musicians
System Rankings
The following table shows the final rankings based on weighted average scores from the preliminary round evaluation:
Rank | Anonymous Name | Real System Name | Authors/Institution | Weighted Score | |
---|---|---|---|---|---|
1 | MidnightOpal | DirectorMusices | Anders Friberg, Gabriel Jones | 4.33/5.0 | |
2 | CrystalEcho | VirtuosoNet | Dasaem Jeong, Taegyun Kwon, Yoojin Kim, Kyogu Lee, Juhan Nam | 3.54/5.0 | |
3 | FrozenRiver | Midihum | Erich Grunewald | 3.32/5.0 | |
4 | VelvetStorm | ElegantAIPianist | Leduo Chen, Xinrui Su, Yuqiang Li, Honyu Andy Shing, Junchuan Zhao, Zihan Chai, Kunyang Zhang, Shengchen Li | 3.19/5.0 | |
5 | SilverWave | Contin-U | Jongmin Jung, Dongmin Kim, Sihun Lee, Seola Cho, Hyungjoon Soh, Irmak Bukey, Chris Donahue, Dasaem Jeong | 3.00/5.0 | |
6 | EmberSky | YQX+ | Jinwen Zhou, Yuncong Xie, Haochen Wang, Huan Zhang, Aidan Hogg, Simon Dixon | 2.83/5.0 | |
CrimsonDawn | ScorePerLockNAR | Weixi Zhai | 2.53/5.0 | ||
AzureThunder | RenConnoisseur | Silvan Peter | 2.53/5.0 | ||
GoldenMist | CueFreeExpressPedal | Kyle Worrall, Tom Collins | 2.31/5.0 |
Note: Complete rankings and system details will be updated following the live contest and final results announcement.
Qualitative Feedback
Evaluators provided extensive qualitative feedback on the systems' performances:
Common Positive Attributes:
- Natural expressiveness and human-like phrasing
- Appropriate tempo variations and rubato
- Musical sensitivity to harmonic structure
- Dynamic expression and articulation
Areas for Improvement:
- Consistency across different musical styles
- Handling of complex rhythmic patterns
- Balance between technical accuracy and musical expression
Live Contest Results
The live contest was held on September 25, 2025, at the Daejeon Convention Center during ISMIR 2025. All systems rendered a surprise piece in real-time, with audience voting determining the final rankings. A total of 50 evaluators participated in the live evaluation.
Surprise Piece
- Title: Variation on "Mother and Sister"
- Composer: Hayeon Bang
- Duration: ~3 minutes
Live Contest Rankings
Rank | System Index | Model Name | Authors | Live Score | Preliminary Rank | Score Change |
---|---|---|---|---|---|---|
1st | #8 | VirtuosoNet | Dasaem Jeong et al. | 3.62/5.0 | 2nd | ↑1 |
2nd | #1 | DirectorMusices | Anders Friberg et al. | 3.06/5.0 | 1st | ↓1 |
3rd | #2 | Midihum | Erich Grunewald | 2.90/5.0 | 3rd | — |
4th | #4 | Contin-U | Jongmin Jung et al. | 2.90/5.0 | 5th | ↑1 |
5th | #6 | ScorePerLockNAR | Weixi Zhai | 2.52/5.0 | 7th | ↑2 |
6th | #3 | RenConnoisseur | Silvan Peter | 2.40/5.0 | 8th | ↑2 |
7th | #9 | ElegantAIPianist | Leduo Chen et al. | 2.08/5.0 | 4th | ↓3 |
8th | #5 | YQX+ | Jinwen Zhou et al. | 1.79/5.0 | 6th | ↓2 |
Human Baseline Performance
A human performance of the same surprise piece was also evaluated by the audience as a reference point:
Performance Type | Score | Rank Among All Performances |
---|---|---|
Human Performance | 4.40/5.0 | 1st (Overall) |
Performance Analysis
Top Performers:
- VirtuosoNet achieved the highest AI system score (3.62/5.0), improving from 2nd place in the preliminary round
- DirectorMusices maintained strong performance (3.06/5.0) but dropped from 1st to 2nd place
- Midihum showed consistency, maintaining 3rd place across both rounds
Notable Changes:
- ScorePerLockNAR and RenConnoisseur both improved by 2 positions in the live contest
- ElegantAIPianist experienced the largest drop, falling from 4th to 7th place
- Contin-U improved from 5th to 4th place in live evaluation
Human vs. AI Performance:
- The human performance scored 4.40/5.0, significantly higher than the top AI system
- This represents a performance gap of 0.78 points between human and best AI performance
- All AI systems scored below the human baseline, indicating continued room for improvement
Final Winner
🏆 RenCon 2025 Winner: VirtuosoNet
- Team: Dasaem Jeong, Taegyun Kwon, Yoojin Kim, Kyogu Lee, Juhan Nam
- Final Score: 3.62/5.0
- Achievement: Highest-scoring AI system in live contest evaluation
The winner was announced at the closing ceremony of ISMIR 2025 on September 25, 2025.