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	<id>https://music-ir.org/mirex/w/index.php?action=history&amp;feed=atom&amp;title=2009%3AMIREX_2009_Poster_List</id>
	<title>2009:MIREX 2009 Poster List - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://music-ir.org/mirex/w/index.php?action=history&amp;feed=atom&amp;title=2009%3AMIREX_2009_Poster_List"/>
	<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2009:MIREX_2009_Poster_List&amp;action=history"/>
	<updated>2026-05-20T18:18:35Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.31.1</generator>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2009:MIREX_2009_Poster_List&amp;diff=5554&amp;oldid=prev</id>
		<title>Gtzan: /* Add your name here, once for each poster along with &quot;title of some sort&quot; and (Task(s) covered) */</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2009:MIREX_2009_Poster_List&amp;diff=5554&amp;oldid=prev"/>
		<updated>2009-10-26T03:31:56Z</updated>

		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Add your name here, once for each poster along with &amp;quot;title of some sort&amp;quot; and (Task(s) covered)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 03:31, 26 October 2009&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l19&quot; &gt;Line 19:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 19:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Joan Serr├á, Massimiliano Zanin, Ralph G Andrzejak ''Cover song retrieval by recurrence quantification and unsupervised set detection'' H90cm x W130cm (Cover Song Identification)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Joan Serr├á, Massimiliano Zanin, Ralph G Andrzejak ''Cover song retrieval by recurrence quantification and unsupervised set detection'' H90cm x W130cm (Cover Song Identification)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# MTG Team, &amp;quot;Music Type Groupers (MTG): Generic Music Classification Algorithms&amp;quot; (Audio Genre Classification, Mood Classification, Artist Identification, Classical Composer Identification)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# MTG Team, &amp;quot;Music Type Groupers (MTG): Generic Music Classification Algorithms&amp;quot; (Audio Genre Classification, Mood Classification, Artist Identification, Classical Composer Identification)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Marsyas Team, George Tzanetakis, Steven Ness, Fabien Gouyon, Joao Lobato Oliveira: (Audio Classification Tasks, Onset Detection, Beat and Tags)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Marsyas Team, George Tzanetakis, Steven Ness, Fabien Gouyon&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, Luis Gustavo Martins&lt;/ins&gt;, Joao Lobato Oliveira: (Audio Classification Tasks, Onset Detection, Beat and Tags)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#I2R Team, Audio Onset Detection, A1 portrait&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#I2R Team, Audio Onset Detection, A1 portrait&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# J.-L. Durrieu, G. Richard and B. David, &amp;quot;Singer melody extraction in polyphonic signals using source separation methods&amp;quot; (Audio Melody Extraction) (A0 LANDSCAPE! H841mm ├ù W1189mm)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# J.-L. Durrieu, G. Richard and B. David, &amp;quot;Singer melody extraction in polyphonic signals using source separation methods&amp;quot; (Audio Melody Extraction) (A0 LANDSCAPE! H841mm ├ù W1189mm)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Gtzan</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2009:MIREX_2009_Poster_List&amp;diff=5553&amp;oldid=prev</id>
		<title>Ravuri: /* Add your name here, once for each poster along with &quot;title of some sort&quot; and (Task(s) covered) */</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2009:MIREX_2009_Poster_List&amp;diff=5553&amp;oldid=prev"/>
		<updated>2009-10-25T22:55:53Z</updated>

		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Add your name here, once for each poster along with &amp;quot;title of some sort&amp;quot; and (Task(s) covered)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 22:55, 25 October 2009&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l10&quot; &gt;Line 10:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 10:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Jouni Paulus, Anssi Klapuri: ''Music Structure Analysis with a Probabilistic Fitness Function in MIREX2009'' (Structural segmentation), A0 portrait&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Jouni Paulus, Anssi Klapuri: ''Music Structure Analysis with a Probabilistic Fitness Function in MIREX2009'' (Structural segmentation), A0 portrait&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Thomas Lidy, Andrei Grecu, Andreas Rauber, Antonio Pertusa, Pedro Jos├⌐ Ponce de Leon and Jos├⌐ M. I├▒esta, ''A Multi-Feature-Set Multi-Classifier Ensemble Approach For Audio Music Classification'' (Audio Genre Classification, Mood Classification, Artist Identification, Classical Composer Identification, Audio Music Similarity and Retrieval) POSTER SIZE: probably A1 horizontal (H 594 mm x W 841 mm)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Thomas Lidy, Andrei Grecu, Andreas Rauber, Antonio Pertusa, Pedro Jos├⌐ Ponce de Leon and Jos├⌐ M. I├▒esta, ''A Multi-Feature-Set Multi-Classifier Ensemble Approach For Audio Music Classification'' (Audio Genre Classification, Mood Classification, Artist Identification, Classical Composer Identification, Audio Music Similarity and Retrieval) POSTER SIZE: probably A1 horizontal (H 594 mm x W 841 mm)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Suman Ravuri, Dan Ellis: ''The Hydra System of Cover Song Classification'' (Cover Song Identification)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Suman Ravuri, Dan Ellis: ''The Hydra System of Cover Song Classification'' (Cover Song Identification)&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;: 915mm x 1 210mm&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# IRCAM Team, &amp;quot;Submission for local annotations (beat, chords, structure estimation) to MIREX09&amp;quot; POSTER SIZE: A0 horizontal&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# IRCAM Team, &amp;quot;Submission for local annotations (beat, chords, structure estimation) to MIREX09&amp;quot; POSTER SIZE: A0 horizontal&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# IRCAM Team, &amp;quot;Submission for global annotations (genre, mood, artist, classical composer) to MIREX09&amp;quot; POSTER SIZE: A0 horizontal&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# IRCAM Team, &amp;quot;Submission for global annotations (genre, mood, artist, classical composer) to MIREX09&amp;quot; POSTER SIZE: A0 horizontal&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ravuri</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2009:MIREX_2009_Poster_List&amp;diff=5552&amp;oldid=prev</id>
		<title>Mnakano: /* Add your name here, once for each poster along with &quot;title of some sort&quot; and (Task(s) covered) */</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2009:MIREX_2009_Poster_List&amp;diff=5552&amp;oldid=prev"/>
		<updated>2009-10-24T21:32:37Z</updated>

		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Add your name here, once for each poster along with &amp;quot;title of some sort&amp;quot; and (Task(s) covered)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 21:32, 24 October 2009&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l26&quot; &gt;Line 26:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 26:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Tim Pohle, Dominik Schnitzer, One poster for Task: (Audio Music Similarity and Retrieval)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Tim Pohle, Dominik Schnitzer, One poster for Task: (Audio Music Similarity and Retrieval)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Tao Feng, XiaoOu Chen, DeShun Yang. Audio Music Mood Classification&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Tao Feng, XiaoOu Chen, DeShun Yang. Audio Music Mood Classification&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Masahiro Nakano, Koji Egashira, Nobutaka Ono, Shigeki Sagayama, &amp;quot;Sequential estimation of multiple fundamental frequency by Harmonic-Temporal Clustering&amp;quot; (Multiple Fundamental Frequency Estimation and Tracking).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Masahiro Nakano, Koji Egashira, Nobutaka Ono, Shigeki Sagayama, &amp;quot;Sequential estimation of multiple fundamental frequency by Harmonic-Temporal Clustering&amp;quot; (Multiple Fundamental Frequency Estimation and Tracking).&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(A little smaller than A0 landscape)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Hung-Yi Lo, Ju-Chiang Wang and Hsin-Min Wang &amp;quot;An Ensemble Method for Audio Tag Classification&amp;quot; (Audio Tag Classification).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Hung-Yi Lo, Ju-Chiang Wang and Hsin-Min Wang &amp;quot;An Ensemble Method for Audio Tag Classification&amp;quot; (Audio Tag Classification).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Ben Fields, Michael Jewell, Christophe Rhodes &amp;quot;Segmented Sequence Matching As A Music Similarity Metric&amp;quot; (Audio Music Similarity and Retrieval)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Ben Fields, Michael Jewell, Christophe Rhodes &amp;quot;Segmented Sequence Matching As A Music Similarity Metric&amp;quot; (Audio Music Similarity and Retrieval)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mnakano</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2009:MIREX_2009_Poster_List&amp;diff=5551&amp;oldid=prev</id>
		<title>CameronNonAdmin: /* Add your name here, once for each poster along with &quot;title of some sort&quot; and (Task(s) covered) */</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2009:MIREX_2009_Poster_List&amp;diff=5551&amp;oldid=prev"/>
		<updated>2009-10-24T12:08:51Z</updated>

		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Add your name here, once for each poster along with &amp;quot;title of some sort&amp;quot; and (Task(s) covered)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 12:08, 24 October 2009&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l20&quot; &gt;Line 20:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 20:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# MTG Team, &amp;quot;Music Type Groupers (MTG): Generic Music Classification Algorithms&amp;quot; (Audio Genre Classification, Mood Classification, Artist Identification, Classical Composer Identification)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# MTG Team, &amp;quot;Music Type Groupers (MTG): Generic Music Classification Algorithms&amp;quot; (Audio Genre Classification, Mood Classification, Artist Identification, Classical Composer Identification)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Marsyas Team, George Tzanetakis, Steven Ness, Fabien Gouyon, Joao Lobato Oliveira: (Audio Classification Tasks, Onset Detection, Beat and Tags)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Marsyas Team, George Tzanetakis, Steven Ness, Fabien Gouyon, Joao Lobato Oliveira: (Audio Classification Tasks, Onset Detection, Beat and Tags)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#I2R Team, Audio Onset Detection, A1 &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;poster&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#I2R Team, Audio Onset Detection, A1 &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;portrait&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# J.-L. Durrieu, G. Richard and B. David, &amp;quot;Singer melody extraction in polyphonic signals using source separation methods&amp;quot; (Audio Melody Extraction) (A0 LANDSCAPE! H841mm ├ù W1189mm)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# J.-L. Durrieu, G. Richard and B. David, &amp;quot;Singer melody extraction in polyphonic signals using source separation methods&amp;quot; (Audio Melody Extraction) (A0 LANDSCAPE! H841mm ├ù W1189mm)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# L. Oudre, Y. Grenier and C. F├⌐votte, &amp;quot;Template-based chord recognition : influence of the chord types&amp;quot; (Audio Chord Detection) (a0 landscape)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# L. Oudre, Y. Grenier and C. F├⌐votte, &amp;quot;Template-based chord recognition : influence of the chord types&amp;quot; (Audio Chord Detection) (a0 landscape)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>CameronNonAdmin</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2009:MIREX_2009_Poster_List&amp;diff=5550&amp;oldid=prev</id>
		<title>CameronNonAdmin: /* Add your name here, once for each poster along with &quot;title of some sort&quot; and (Task(s) covered) */</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2009:MIREX_2009_Poster_List&amp;diff=5550&amp;oldid=prev"/>
		<updated>2009-10-24T12:06:46Z</updated>

		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Add your name here, once for each poster along with &amp;quot;title of some sort&amp;quot; and (Task(s) covered)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 12:06, 24 October 2009&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l20&quot; &gt;Line 20:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 20:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# MTG Team, &amp;quot;Music Type Groupers (MTG): Generic Music Classification Algorithms&amp;quot; (Audio Genre Classification, Mood Classification, Artist Identification, Classical Composer Identification)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# MTG Team, &amp;quot;Music Type Groupers (MTG): Generic Music Classification Algorithms&amp;quot; (Audio Genre Classification, Mood Classification, Artist Identification, Classical Composer Identification)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Marsyas Team, George Tzanetakis, Steven Ness, Fabien Gouyon, Joao Lobato Oliveira: (Audio Classification Tasks, Onset Detection, Beat and Tags)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Marsyas Team, George Tzanetakis, Steven Ness, Fabien Gouyon, Joao Lobato Oliveira: (Audio Classification Tasks, Onset Detection, Beat and Tags)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#I2R Team, Audio Onset Detection&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#I2R Team, Audio Onset Detection&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, A1 poster&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# J.-L. Durrieu, G. Richard and B. David, &amp;quot;Singer melody extraction in polyphonic signals using source separation methods&amp;quot; (Audio Melody Extraction) (A0 LANDSCAPE! H841mm ├ù W1189mm)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# J.-L. Durrieu, G. Richard and B. David, &amp;quot;Singer melody extraction in polyphonic signals using source separation methods&amp;quot; (Audio Melody Extraction) (A0 LANDSCAPE! H841mm ├ù W1189mm)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# L. Oudre, Y. Grenier and C. F├⌐votte, &amp;quot;Template-based chord recognition : influence of the chord types&amp;quot; (Audio Chord Detection) (a0 landscape)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# L. Oudre, Y. Grenier and C. F├⌐votte, &amp;quot;Template-based chord recognition : influence of the chord types&amp;quot; (Audio Chord Detection) (a0 landscape)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>CameronNonAdmin</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2009:MIREX_2009_Poster_List&amp;diff=5549&amp;oldid=prev</id>
		<title>Durrieu: /* Add your name here, once for each poster along with &quot;title of some sort&quot; and (Task(s) covered) */</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2009:MIREX_2009_Poster_List&amp;diff=5549&amp;oldid=prev"/>
		<updated>2009-10-23T13:39:30Z</updated>

		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Add your name here, once for each poster along with &amp;quot;title of some sort&amp;quot; and (Task(s) covered)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 13:39, 23 October 2009&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l21&quot; &gt;Line 21:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 21:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Marsyas Team, George Tzanetakis, Steven Ness, Fabien Gouyon, Joao Lobato Oliveira: (Audio Classification Tasks, Onset Detection, Beat and Tags)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Marsyas Team, George Tzanetakis, Steven Ness, Fabien Gouyon, Joao Lobato Oliveira: (Audio Classification Tasks, Onset Detection, Beat and Tags)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#I2R Team, Audio Onset Detection&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#I2R Team, Audio Onset Detection&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# J.-L. Durrieu, G. Richard and B. David, &amp;quot;Singer melody extraction in polyphonic signals using source separation methods&amp;quot; (Audio Melody Extraction) (&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;a0 portrait 841mm &lt;/del&gt;├ù &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;1189mm&lt;/del&gt;)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# J.-L. Durrieu, G. Richard and B. David, &amp;quot;Singer melody extraction in polyphonic signals using source separation methods&amp;quot; (Audio Melody Extraction) (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;A0 LANDSCAPE! H841mm &lt;/ins&gt;├ù &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;W1189mm&lt;/ins&gt;)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# L. Oudre, Y. Grenier and C. F├⌐votte, &amp;quot;Template-based chord recognition : influence of the chord types&amp;quot; (Audio Chord Detection) (a0 landscape)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# L. Oudre, Y. Grenier and C. F├⌐votte, &amp;quot;Template-based chord recognition : influence of the chord types&amp;quot; (Audio Chord Detection) (a0 landscape)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#M. Khadkevich and M. Omologo &amp;quot;MIREX Chord detection&amp;quot; (Chord detection)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#M. Khadkevich and M. Omologo &amp;quot;MIREX Chord detection&amp;quot; (Chord detection)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Durrieu</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2009:MIREX_2009_Poster_List&amp;diff=5548&amp;oldid=prev</id>
		<title>Emiru at 05:21, 23 October 2009</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2009:MIREX_2009_Poster_List&amp;diff=5548&amp;oldid=prev"/>
		<updated>2009-10-23T05:21:18Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 05:21, 23 October 2009&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l31&quot; &gt;Line 31:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 31:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# H. Tachibana, T. Ono, N. Ono and S. Sagayama, &amp;quot;Melody Extraction in Music Audio Signals by Melodic Component Enhancement and Pitch Tracking&amp;quot; (Audio Melody Extraction) (A little smaller than A0 landscape)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# H. Tachibana, T. Ono, N. Ono and S. Sagayama, &amp;quot;Melody Extraction in Music Audio Signals by Melodic Component Enhancement and Pitch Tracking&amp;quot; (Audio Melody Extraction) (A little smaller than A0 landscape)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# S. Raczynski, N. Ono and S. Sagayama, &amp;quot;Multiple frequency estimation for piano recordings with concatenated regularized harmonic NMF&amp;quot; (Multipitch analysis)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# S. Raczynski, N. Ono and S. Sagayama, &amp;quot;Multiple frequency estimation for piano recordings with concatenated regularized harmonic NMF&amp;quot; (Multipitch analysis)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# E. Tsunoo, G. Tzanetakis, N. Ono and S. Sagayama, &amp;quot;Audio Genre Classification Using Rhythm and Bass-line Pattern Information&amp;quot; (Audio Genre Classification)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# E. Tsunoo, G. Tzanetakis, N. Ono and S. Sagayama, &amp;quot;Audio Genre Classification Using Rhythm and Bass-line Pattern Information&amp;quot; (Audio Genre Classification&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;) (poster size: a little smaller than B1 landscape&lt;/ins&gt;)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Pablo Cancela, &amp;quot;Tracking melody in polyphonic audio. MIREX 2009&amp;quot; (Audio Melody Extraction) (poster size: A0-landscape)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Pablo Cancela, &amp;quot;Tracking melody in polyphonic audio. MIREX 2009&amp;quot; (Audio Melody Extraction) (poster size: A0-landscape)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Matthias Mauch, Katy Noland, Simon Dixon, &amp;quot;Using Musical Structure to Enhance Automatic Chord Transcription&amp;quot; H119cm X W84cm (Audio Chord Detection, Structural Segmentation)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Matthias Mauch, Katy Noland, Simon Dixon, &amp;quot;Using Musical Structure to Enhance Automatic Chord Transcription&amp;quot; H119cm X W84cm (Audio Chord Detection, Structural Segmentation)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Emiru</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2009:MIREX_2009_Poster_List&amp;diff=5547&amp;oldid=prev</id>
		<title>Yushi Ueda at 04:29, 23 October 2009</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2009:MIREX_2009_Poster_List&amp;diff=5547&amp;oldid=prev"/>
		<updated>2009-10-23T04:29:19Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 04:29, 23 October 2009&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l34&quot; &gt;Line 34:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 34:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Pablo Cancela, &amp;quot;Tracking melody in polyphonic audio. MIREX 2009&amp;quot; (Audio Melody Extraction) (poster size: A0-landscape)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Pablo Cancela, &amp;quot;Tracking melody in polyphonic audio. MIREX 2009&amp;quot; (Audio Melody Extraction) (poster size: A0-landscape)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Matthias Mauch, Katy Noland, Simon Dixon, &amp;quot;Using Musical Structure to Enhance Automatic Chord Transcription&amp;quot; H119cm X W84cm (Audio Chord Detection, Structural Segmentation)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Matthias Mauch, Katy Noland, Simon Dixon, &amp;quot;Using Musical Structure to Enhance Automatic Chord Transcription&amp;quot; H119cm X W84cm (Audio Chord Detection, Structural Segmentation)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Y. Ueda, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;J. Reed, M&lt;/del&gt;. Siniscalchi, Y. Uchiyama, S. Sagayama, C.-H. Lee, &amp;quot;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Audio &lt;/del&gt;Chord &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Detection Using Harmonic-emphasized, Fourier-transformed Chroma and MCE Training&lt;/del&gt;&amp;quot; (Audio Chord Detection)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;J.T. Reed, &lt;/ins&gt;Y. Ueda, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;S&lt;/ins&gt;. Siniscalchi, Y. Uchiyama, S. Sagayama, C.-H. Lee, &amp;quot;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Minimum Classification Error Training to Improve Isolated &lt;/ins&gt;Chord &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Recognition&lt;/ins&gt;&amp;quot; (Audio Chord Detection)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==BELOW ARE EXAMPLES FROM MIREX 2008==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==BELOW ARE EXAMPLES FROM MIREX 2008==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Yushi Ueda</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2009:MIREX_2009_Poster_List&amp;diff=5546&amp;oldid=prev</id>
		<title>Pcancela: /* Add your name here, once for each poster along with &quot;title of some sort&quot; and (Task(s) covered) */</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2009:MIREX_2009_Poster_List&amp;diff=5546&amp;oldid=prev"/>
		<updated>2009-10-23T03:30:52Z</updated>

		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Add your name here, once for each poster along with &amp;quot;title of some sort&amp;quot; and (Task(s) covered)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 03:30, 23 October 2009&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l32&quot; &gt;Line 32:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 32:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# S. Raczynski, N. Ono and S. Sagayama, &amp;quot;Multiple frequency estimation for piano recordings with concatenated regularized harmonic NMF&amp;quot; (Multipitch analysis)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# S. Raczynski, N. Ono and S. Sagayama, &amp;quot;Multiple frequency estimation for piano recordings with concatenated regularized harmonic NMF&amp;quot; (Multipitch analysis)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# E. Tsunoo, G. Tzanetakis, N. Ono and S. Sagayama, &amp;quot;Audio Genre Classification Using Rhythm and Bass-line Pattern Information&amp;quot; (Audio Genre Classification)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# E. Tsunoo, G. Tzanetakis, N. Ono and S. Sagayama, &amp;quot;Audio Genre Classification Using Rhythm and Bass-line Pattern Information&amp;quot; (Audio Genre Classification)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Pablo Cancela, &amp;quot;Tracking melody in polyphonic audio. MIREX 2009&amp;quot; (Audio Melody Extraction)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Pablo Cancela, &amp;quot;Tracking melody in polyphonic audio. MIREX 2009&amp;quot; (Audio Melody Extraction&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;) (poster size: A0-landscape&lt;/ins&gt;)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Matthias Mauch, Katy Noland, Simon Dixon, &amp;quot;Using Musical Structure to Enhance Automatic Chord Transcription&amp;quot; H119cm X W84cm (Audio Chord Detection, Structural Segmentation)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Matthias Mauch, Katy Noland, Simon Dixon, &amp;quot;Using Musical Structure to Enhance Automatic Chord Transcription&amp;quot; H119cm X W84cm (Audio Chord Detection, Structural Segmentation)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Y. Ueda, J. Reed, M. Siniscalchi, Y. Uchiyama, S. Sagayama, C.-H. Lee, &amp;quot;Audio Chord Detection Using Harmonic-emphasized, Fourier-transformed Chroma and MCE Training&amp;quot; (Audio Chord Detection)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Y. Ueda, J. Reed, M. Siniscalchi, Y. Uchiyama, S. Sagayama, C.-H. Lee, &amp;quot;Audio Chord Detection Using Harmonic-emphasized, Fourier-transformed Chroma and MCE Training&amp;quot; (Audio Chord Detection)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Pcancela</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2009:MIREX_2009_Poster_List&amp;diff=5545&amp;oldid=prev</id>
		<title>H tachibana: /* Add your name here, once for each poster along with &quot;title of some sort&quot; and (Task(s) covered) */</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2009:MIREX_2009_Poster_List&amp;diff=5545&amp;oldid=prev"/>
		<updated>2009-10-22T13:10:12Z</updated>

		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Add your name here, once for each poster along with &amp;quot;title of some sort&amp;quot; and (Task(s) covered)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 13:10, 22 October 2009&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l29&quot; &gt;Line 29:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 29:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Hung-Yi Lo, Ju-Chiang Wang and Hsin-Min Wang &amp;quot;An Ensemble Method for Audio Tag Classification&amp;quot; (Audio Tag Classification).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Hung-Yi Lo, Ju-Chiang Wang and Hsin-Min Wang &amp;quot;An Ensemble Method for Audio Tag Classification&amp;quot; (Audio Tag Classification).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Ben Fields, Michael Jewell, Christophe Rhodes &amp;quot;Segmented Sequence Matching As A Music Similarity Metric&amp;quot; (Audio Music Similarity and Retrieval)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# Ben Fields, Michael Jewell, Christophe Rhodes &amp;quot;Segmented Sequence Matching As A Music Similarity Metric&amp;quot; (Audio Music Similarity and Retrieval)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# H. Tachibana, T. Ono, N. Ono and S. Sagayama, &amp;quot;Melody Extraction in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Polyphonic Monaural &lt;/del&gt;Audio Signals by &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Singing Voice &lt;/del&gt;Enhancement and Pitch Tracking&amp;quot; (Audio Melody Extraction)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# H. Tachibana, T. Ono, N. Ono and S. Sagayama, &amp;quot;Melody Extraction in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Music &lt;/ins&gt;Audio Signals by &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Melodic Component &lt;/ins&gt;Enhancement and Pitch Tracking&amp;quot; (Audio Melody Extraction&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;) (A little smaller than A0 landscape&lt;/ins&gt;)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# S. Raczynski, N. Ono and S. Sagayama, &amp;quot;Multiple frequency estimation for piano recordings with concatenated regularized harmonic NMF&amp;quot; (Multipitch analysis)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# S. Raczynski, N. Ono and S. Sagayama, &amp;quot;Multiple frequency estimation for piano recordings with concatenated regularized harmonic NMF&amp;quot; (Multipitch analysis)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# E. Tsunoo, G. Tzanetakis, N. Ono and S. Sagayama, &amp;quot;Audio Genre Classification Using Rhythm and Bass-line Pattern Information&amp;quot; (Audio Genre Classification)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# E. Tsunoo, G. Tzanetakis, N. Ono and S. Sagayama, &amp;quot;Audio Genre Classification Using Rhythm and Bass-line Pattern Information&amp;quot; (Audio Genre Classification)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>H tachibana</name></author>
		
	</entry>
</feed>