https://music-ir.org/mirex/w/api.php?action=feedcontributions&user=CameronNonAdmin&feedformat=atomMIREX Wiki - User contributions [en]2024-03-28T13:44:11ZUser contributionsMediaWiki 1.31.1https://music-ir.org/mirex/w/index.php?title=File:Online-shop-pic2.jpg&diff=7987File:Online-shop-pic2.jpg2011-06-06T21:04:02Z<p>CameronNonAdmin: </p>
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<div></div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=File:Online-shop-pic6.jpg&diff=7986File:Online-shop-pic6.jpg2011-06-06T21:03:04Z<p>CameronNonAdmin: </p>
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<div></div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=File:Electronic_cigarette_2653.jpg&diff=7979File:Electronic cigarette 2653.jpg2011-06-04T20:18:21Z<p>CameronNonAdmin: </p>
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<div></div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=You_know_you_got_a_cigarette_with_your_ear_right_1&diff=7978You know you got a cigarette with your ear right 12011-06-04T20:18:16Z<p>CameronNonAdmin: Created page with 'thumb| ? Electronic cigarettes mimic real opposite number. E-Health cigarettes --- or electronic cigarettes --- provide some stimulator…'</p>
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<div>[[Image:electronic_cigarette_2653.jpg|thumb|]]<br />
<br />
?<br />
<br />
Electronic cigarettes mimic real opposite number.<br />
<br />
E-Health cigarettes --- or electronic cigarettes --- provide some stimulatory sensation of nicotine and tobacco smoking free of the harmful effects. Using E-Health cigarettes merges the use of an electronic cartridge plus atomizer. Electronic cigarettes vaporize the tiny dose of nicotine supplied by means of the device before it reaches the user's oral cavity plus lungs. The smell, look and look of the E-Health cigarette may help smokers reduce and eliminate their addiction.<br />
<br />
Difficulty:<br />
Moderately Easy<br />
<br />
Instructions<br />
<br />
Things You'll Need<br />
<br />
Charger<br />
Battery<br />
Power outlet<br />
USB port<br />
<br />
1 Put in the lithium cigarette battery inside the provided charger. Twist the battery in some clockwise movement for complete insertion. Plug the charger into an outlet.<br />
<br />
2 Observe the indicator lights on the charger. Notice that is the flashing red lights indicate the charger is actively charging the battery. Unplug the charger and remove the battery when the blue light flashes. The blue gentle indicates charging is finished. Allow several hours for a full cost.<br />
<br />
3 Insert the battery into the atomizer portion regarding the E-Health cigarette. Detach the tip covering out of the atomizer.<br />
<br />
4 Choose up one E-Well-being cigarette cartridge. Snap the atomizer also cartridge together. Inhale typically on the filter of the assembled electronic cigarette. Notice the tip regarding the cigarette change red when inhaling to ensure the gadget is functioning. The E-cigarette tip will frequently flash if you inhale on excess --- more the 16 times from any 60-next period, for example.<br />
<br />
Retain electronic cigarettes away from youngsters and animals . Control along with attention.<br />
<br />
References<br />
<br />
Smart Cigarette: [http://electroniccigarette2k.com Electronic Cigarette] Useage Information<br />
<br />
E-Well-being Cigarettes: Contact Us<br />
<br />
Photo Credit <br />
Jupiterimages/Photos.com/Getty Pictures ;<br />
<br />
Print<br />
Email<br />
Share</div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=File:Electronic_cigarette_3019.jpg&diff=7977File:Electronic cigarette 3019.jpg2011-06-04T13:04:55Z<p>CameronNonAdmin: </p>
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<div></div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=I_d_be_the_ghetto_bitch_to_perm_my_hair_and_smoke_a_cigarette_owwww_25&diff=7976I d be the ghetto bitch to perm my hair and smoke a cigarette owwww 252011-06-04T13:04:50Z<p>CameronNonAdmin: Created page with 'thumb| ? Electronic cigarettes offer one alternative to standard cigarettes. Electronic cigarettes, or smokeless cigarettes give smoker…'</p>
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<div>[[Image:electronic_cigarette_3019.jpg|thumb|]]<br />
<br />
?<br />
<br />
Electronic cigarettes offer one alternative to standard cigarettes.<br />
<br />
Electronic cigarettes, or smokeless cigarettes give smokers the sensation of smoking without the damaging compounds and smoke. The size and shape mimic conventional cigarettes, although they are slightly heavier. The smoker breathes by means of the cigarette plus some tiny, battery-operated atomizer provides a puff of vapor. The cartridges that give the [http://electroniccigarette2k.com electronic cigarette] its flavor, also give the smoker any vaporized puff of nicotine. According to the Mayo Clinic, the FDA has never approved these products as a safe alternative to smoking.<br />
<br />
Trouble:<br />
Effortless<br />
<br />
Instructions<br />
<br />
1 Remove the empty cartridge from the e-cigarette.<br />
<br />
2 Pry the white conclusion off the cartridge with tweezers or a small screwdriver.<br />
<br />
3 Fill a syringe through 5ml of the smokeless cigarette liquid.<br />
<br />
4 Insert the needle into the filling material within the cartridge. Press the plunger on the syringe as you slowly draw the needle out regarding the filler material. This saturates the complete length regarding the filler.<br />
<br />
5 Remove the syringe from the filler materials and replace the whitened end cap on the cartridge.<br />
<br />
6 Rinse the cartridge prior to replacing it from the electronic cigarette. Fill the syringe with water also squirt water from about the tip to clean.<br />
<br />
Tips & Warnings<br />
<br />
Fill the cartridge slowly to allow the fluid to fully saturate the filler material.<br />
Maintain the syringe and the electronic cigarette fluid from about reach of children.<br />
<br />
References<br />
<br />
E-Cig: The way in which to Refill<br />
Mayo Clinic: Give up Smoking<br />
Electronic Cigarette: How to Refill Greensmoke Electronic Cigarette Cartridges<br />
<br />
Photograph Credit <br />
Jupiterimages/Photos.com/Getty Images ;<br />
<br />
Print<br />
Email<br />
Share</div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=2010:Harmonic_Analysis&diff=79752010:Harmonic Analysis2011-06-04T11:58:04Z<p>CameronNonAdmin: /* References */</p>
<hr />
<div>== Description ==<br />
<br />
This task is suggested for MIREX 2010. The general goal is to estimate the latent harmonic progression from score-like music data, a process typically called harmonic analysis or functional analysis in musicology (although this task cannot be really called functional analysis, functional analysis can be used to obtain the required output data). This typically involves estimating the musical key of a given piece of music and movement of the tonal center (modulations and tonicizations), as well as the progression of chords. [http://supremedissertation.co.uk/ Dissertation Proposal]<br />
<br />
<br />
=== Time units ===<br />
It is well known that harmony is strongly coupled with metric structure: progressing from one chord to another typically occurs at strong beats, while most non-chord tones are played on weak beats or off-beat. For this reason, knowing the temporal structure of the piece of music is important when performing harmonic analysis, and in this task the harmony is estimated on a beat-based time basis from score-like symbolic data (as opposed to performance data).<br />
<br />
=== Chord dictionary ===<br />
Harmonic analysis can be performed with varying degree of precision, depending on the goal at hand. One might only want to extract general progression patterns to be used in harmonic similarity or harmonic queries, for example check if a song at hand contains the so called 50s progression: I–vi–IV–V. Another one might be interested in full musicological analysis of a score, i.e. obtaining information about root position, chord type (quality), added tones, invertion, etc. This person would for example say the the second bar of Chopin's Nocturne Op. 9 No. 2 (in the key of E♭-major) starts in the tonic I (E♭, G, B♭), then it progresses to the dominant ninth chord in the third inversion with the root removed and the tonic added in bass (E♭, A♭, D, F).<br />
<br />
[[File:Chopin 9 2.png||500px]]<br />
<br />
The first person would therefore use a very small dictionary of chord labels with 48 different chords: 12 root positions × 4 basic chord types (major, minor, augmented, diminished). 48 or 24 dictionaries are common in chord recognition from audio data. On the other hand, the second person would use a very large chord label dictionary containing millions of labels. This is the case with the dataset to be used in this task.<br />
<br />
== Data format == <br />
<br />
Not much data exists that can be used as ground truth for harmonic analysis. Several researchers used Bach chorales ([6] and [8]) and some reported using Kostka-Payne corpus. Unfortunately, the latter is very small, too small in fact for proper model training and evaluation: it consists of 46 very short musical excerpts.<br />
<br />
=== Input data ===<br />
<br />
We propose to use a dataset developed in cooperation of the members of Sagayama/Ono laboratory at the University of Tokyo and prof. Hitomi Kaneko from Toho Gakuen School of Music and her students. This dataset contains very detailed harmony labels for all of RWC database's classical pieces (almost 6 hours of music). This data will be coupled with quantized (score-like) set of MIDI files, and the latter will be converted to CSV files for easy input. The first line of such CSV file will contain information about the number of data lines per downbeat and the number of lines per upbeat (Auftakt). The rest of the lines will hold lists of notes active in the consecutive divisions of downbeat expressed by MIDI note numbers. The first two bars of Chopin's Nocturne Op. 9 No. 2 (see picture above) will therefore be encoded as:<br />
<br />
4 1<br />
62<br />
39 55 58 63 67 79<br />
51 56 59 62 68 77 79<br />
39 55 58 63 67 77<br />
38 55 58 63 67 70 75<br />
...<br />
<br />
In other words, there would be 4 lines per measure, each spanning 3 eighth notes and the first line will be a 3 eighth notes of upbeat. <br />
<br />
=== Ground truth ===<br />
The ground truth for the same piece will be encoded as:<br />
<br />
z<br />
E- E- G B-<br />
B- E- A- D F<br />
E- E- G B-<br />
E- D E- G B-<br />
...<br />
<br />
Each line will consist of harmony data corresponding to one line of the input data. Harmony is given by pitch class of the root tone, followed by a list of all pitch classes belonging to the chord. Pitch classes are labeled with capital Latin letters (A through G) with flats represented by minus signs and sharps by plus signs. Non-harmony (e.g. a rest or upbeat) is marked with a special symbol 'z'. So, in the example above, “E- E- G B-” means a chord with root in E♭ (which is the tonic) that consists of three notes: E♭, G and B♭, and so it is a major triad (in its root position, although the order of the pitch classes play no role — it is straightforward to extract that from the input data).<br />
<br />
The tonal center (and therefore the structural meaning of a given chord) is not explicitly given in order to simplify the task and allow more participants to compete. Nevertheless, the algorithms will benefit much from considering e.g. tonal center movement and degrees of scale (as in functional analysis).<br />
<br />
Labels for the entire RWC's classical portion will be made available for the MIREX participants (with some copying and usage restrictions). In order to allow cross-validation of the submitted algorithms, an independent set of labels will be created (to which the participants will have no access), and the algorithms will be executed on both sets.<br />
<br />
=== Output data ===<br />
<br />
The output from the algorithms is expected to comply with the above description of the ground truth data format. For example, a common 24-chord dictionary algorithm would output a series of lines from the following set (12 major and 12 minor chords):<br />
<br />
C C E G<br />
C+ C+ E+ G+<br />
D- D- F A-<br />
D D F+ A<br />
D+ D+ F A+<br />
E- E- G B-<br />
E E G+ B<br />
F F A C<br />
F+ F+ A+ C+<br />
G- G- B- D-<br />
G G B D<br />
G+ G+ B+ D+<br />
A- A- C E-<br />
A A C+ E<br />
A+ A+ C E+<br />
B- B- D F<br />
B B D+ F+<br />
C C E- G<br />
C+ C+ E G+<br />
D- D- F- A-<br />
D D F A<br />
D+ D+ F+ A+<br />
E- E- G- B-<br />
E E G B<br />
F F A- C<br />
F+ F+ A C+<br />
G- G- B D-<br />
G G B- D<br />
G+ G+ B D+<br />
A- A- C- E-<br />
A A C E<br />
A+ A+ C+ E+<br />
B- B- D- F<br />
B B D F+<br />
<br />
== Evaluation Measures ==<br />
<br />
Evaluation is a difficult problem for 2 reasons:<br />
# Ground truth is kind of an ambiguous thing in harmonic analysis, as sometimes multiple interpretations are possible.<br />
# Algorithms can output partial harmonic data (as e.g. it is the case of the 24-chord dictionary algorithm mentioned earlier) and they should be awarded partial score.<br />
<br />
Therefore, we propose to use a weighted chord distance measure along other, simpler evaluation measures (root identification accuracy, and pitch class precision, recall and F-measure). In this measure, mistaking the root will cost much more than e.g. overlooking an added ninth and mistaking major for augmented chord will be less costly than e.g. interpreting major as minor. This should enable comparison of algorithms that work with different chord dictionaries: using a simplified dictionary will decrease the estimation accuracy, but not significantly so, and an algorithm using an accurate 24-chord dictionary should outperform a poor algorithm that deals with accurate chord labels.<br />
<br />
The following formula will be used to evaluate the performance of the submitted algorithms:<br />
<br />
[[File:Evaluation.png||250px]]<br />
<br />
where:<br />
* ''t'' is the time.<br />
* ''r'' is the root of a chord (0..11).<br />
* ''N'' is the set of notes that belong to a chord.<br />
* ''W'' is the 12-dimensional weighting vector.<br />
* ''S'' is the score given obtained by an algorithm.<br />
* ''A'' is calculated for ground truth and the hat over ''A'' means it is calculated for the estimated harmony.<br />
<br />
The weighting vector is obtained from the circle of fifths:<br />
<br />
[[File:Weights.png||200px]]<br />
<br />
where ''D'' is the distance between its arguments on the circle of fifths (minimal number of steps 0..6) and ''r'' is any chord root (0..11). ''W'' is normalized to 1.<br />
<br />
[[File:Weights plot.png||700px]]<br />
<br />
The score will be equal to 1 if all the notes in the chord were identified correctly and between 0 and 1 for other cases (see pictures below).<br />
<br />
[[File:Wrong_root.png||400px]]<br />
<br />
[[File:Wrong_type.png||300px]]<br />
[[File:Wrong added.png||300px]]<br />
[[File:Wrong removed.png||300px]]<br />
<br />
== Test data ==<br />
A dataset containing harmonic data for the entire RWC database's classical part will be made available to this task's participants. During the evaluation, this set will be coupled with a new set which is being currently developed by us and which will remain unavailable to participants in order enable assesment of the ability of the submitted algorithms to perform outside the training set.<br />
<br />
== References ==<br />
#<br />
# W. B. de Haas, R. C. Veltkamp, F. Wiering, [http://ismir2008.ismir.net/papers/ISMIR2008_252.pdf “Tonal pitch step distance: a similarity measure for chord progressions,”] Proc. of 9th ISMIR, 2008<br />
# J.-F. Paiement, D. Eck, S. Bengio, [http://publications.idiap.ch/downloads/reports/2005/rr-05-58.pdf “Chord representations for probabilistic models,”] IDIAP Research report, 2005<br />
# J.-F. Paiement, D. Eck, S. Bengio, [http://ismir2005.ismir.net/proceedings/1091.pdf ”A probabilistic model for chord progressions,”] Proc. of 6th ISMIR, 2005<br />
# C. Raphael, J. Stoddard, [http://ismir2003.ismir.net/papers/Raphael.PDF “Harmonic analysis with probabilistic graphical models,”] Proc. of 4th ISMIR, 2003<br />
# P. Kröger, A. Passos, M. Sampaio, G. de Cidra, [http://classes.berklee.edu/mbierylo/ICMC08/defevent/papers/cr1516.pdf “Rameau: a system for automatic harmonic analysis,”] Proc. of ICMC, 2008<br />
# C. S. Sapp, [http://www.ccarh.org/publications/cm/vol/15/cm15-06-sapp.pdf “Computational chord-root identification in symbolic musical data: rationale, methods and applications,”] Computing in Musicology 15, 2007<br />
# H. Taube, [http://www-camil.music.uiuc.edu/Software/cc/doc/cmj.pdf “Automatic tonal analysis: toward the implementation of a music theory workbench,”] Computer Music Journal vol. 23 nr. 4, 1999 [http://www.dissertationwritinghelp.co.uk/ Dissertation Help] [http://www.customwrittenpaper.com/ College Essay Help] [http://power-scooters.com/ power scooters]<br />
[http://www.logoinn.com/ Logo Design] [http://www.logoinn.com/web-design/ Web Design]<br />
<br />
== Potential Participants ==<br />
<br />
== Discussion for 2010 ==</div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=2010:MIREX_HOME&diff=79742010:MIREX HOME2011-06-03T17:49:41Z<p>CameronNonAdmin: </p>
<hr />
<div>==MIREX 2010 Deadline Dates==<br />
We have <b>very</b> tight scheduling constraints this year because of the early convening of ISMIR 2010 in Utrecht.<br />
<br />
We have two sets of deadlines for submissions. We have to stagger the deadlines because of runtime and human evaluation considerations.<br />
<br />
<br />
===Tasks with a '''25 June 2010''' deadline:===<br />
# Audio Classification (Train/Test) Tasks<br />
# Audio Music Similarity and Retrieval<br />
# Symbolic Melodic Similarity<br />
===Tasks with a '''2 July 2010''' deadline:===<br />
<br />
# All remaining MIREX 2010 tasks.<br />
<br />
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<i><b>Nota Bene:</b> </i>In the past we have been rather flexible about deadlines. This year, however, we simply do not have the time flexibility, sorry.<br />
<br />
Please, please, please, let's start getting those submissions made. The sooner we have the code, the sooner we can start running the evaluations.<br />
<br />
PS: If you have a slower running algorithm, help us help you by getting your code in ASAP. Please do pay attention to runtime limits.<br />
<br />
==MIREX 2010 Submission Instructions==<br />
* Be sure to read through the rest of this page<br />
* Be sure to read though the task pages for which you are submitting<br />
* Be sure to follow the [[2009:Best Coding Practices for MIREX | Best Coding Practices for MIREX]]<br />
* Be sure to follow the [[2010:MIREX 2010 Submission Instructions | MIREX 2010 Submission Instructions ]] including both the tutorial video and the text<br />
<br />
<br />
===MIREX 2010 Evaluation Tasks===<br />
<br />
The IMIRSEL team at UIUC solicited proposals for evaluation tasks to be performed at the Music Information Retrieval Evaluation eXchange 2010 (MIREX 2010) and polled the community on their likelihood of participation in each task. A summary of the responses from the community is given below:<br />
<br />
Results as of Monday 24th May 2010:<br />
<br />
Total individual responses = 74<br />
<br />
<csv p=0>2010/poll/MIREX_Task_Participation_Poll.csv</csv><br />
<br />
Hence, the IMIRSEL team has decided to attempt the running of the following tasks at MIREX 2010:<br />
* [[2010:Audio Classification (Train/Test) Tasks]], incorporating:<br />
** Audio Artist Identification<br />
** Audio US Pop Genre Classification<br />
** Audio Latin Genre Classification<br />
** Audio Music Mood Classification<br />
** Audio Classical Composer Identification<br />
* [[2010:Audio Cover Song Identification]]<br />
* [[2010:Audio Tag Classification]] <br />
* [[2010:Audio Music Similarity and Retrieval]]<br />
* [[2010:Symbolic Melodic Similarity]]<br />
* [[2010:Audio Onset Detection]]<br />
* [[2010:Audio Key Detection]]<br />
* [[2010:Real-time Audio to Score Alignment (a.k.a Score Following)]]<br />
* [[2010:Query by Singing/Humming]]<br />
* [[2010:Audio Melody Extraction]]<br />
* [[2010:Multiple Fundamental Frequency Estimation & Tracking]]<br />
* [[2010:Audio Chord Estimation]]<br />
* [[2010:Query by Tapping]]<br />
* [[2010:Audio Beat Tracking]]<br />
* [[2010:Structural Segmentation]]<br />
* [[2010:Audio Tempo Estimation]]<br />
<br />
==== New 2010 Proposals ====<br />
* <strike>[[2010:Harmonic Analysis]]</strike><br />
<br />
<br />
===Projected dates===<br />
* 1st June 2010: MIREX submission system open<br />
* 25th June: Rolling MIREX submission system closures for the following tasks<br />
**Audio Classification (Train/Test) Tasks<br />
**Audio Music Similarity and Retrieval<br />
**Symbolic Melodic Similarity <br />
* 2nd July: Rolling MIREX submission system closures for all the remaining MIREX 2010 tasks. <br />
* 15th July 2010: MIREX results posting begins<br />
* 1st August 2010: All MIREX results posted (somewhat hopeful target date)<br />
* 2-6th August 2010: USMIR Summer School<br />
* 9-13th August 2010: ISMIR conference<br />
<br />
<br />
===Note to New Participants===<br />
Please take the time to read the following review article that explains the history and structure of MIREX.<br />
<br />
Downie, J. Stephen (2008). The Music Information Retrieval Evaluation Exchange (2005-2007):<br><br />
A window into music information retrieval research.''Acoustical Science and Technology 29'' (4): 247-255. <br><br />
Available at: [http://dx.doi.org/10.1250/ast.29.247 http://dx.doi.org/10.1250/ast.29.247]<br />
<br />
<br />
===Note to All Participants===<br />
Because MIREX is premised upon the sharing of ideas and results, '''ALL''' MIREX participants are expected to:<br />
<br />
# submit a DRAFT 2-3 page extended abstract PDF in the ISMIR format about the submitted programme(s) to help us and the community better understand how the algorithm works when submitting their programme(s).<br />
# submit a FINALIZED 2-3 page extended abstract PDF in the ISMIR format prior to ISMIR 2010 for posting on the respective results pages (sometimes the same abstract can be used for multiple submissions; in many cases the DRAFT and FINALIZED abstracts are the same)<br />
# present a poster at the MIREX 2010 poster session at ISMIR 2010 (Wednesday, 11 August 2010)<br />
<br />
<br />
===Software Dependency Requests===<br />
If you have not submitted to MIREX before or are unsure whether IMIRSEL/NEMA currently supports some of the software/architecture dependencies for your submission a [https://spreadsheets.google.com/embeddedform?formkey=dDltRjc4NDBDdkZiaF9qZXV0bU5ScUE6MA dependency request form is available]. Please submit details of your dependencies on this form and the IMIRSEL team will attempt to satisfy them for you. <span class="plainlinks">[http://www.fastcreditrepairletters.com/ <span style="color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;">Credit Repair</span>]<br />
<br />
Due to the high volume of submissions expected at MIREX 2010, submissions with difficult to satisfy dependencies that the team has not been given sufficient notice of may result in the submission being rejected. [http://bancuri-glume.net bancuri noi]<br />
<br />
<br />
Finally, you will also be expected to detail your software/architecture dependencies in a README file to be provided to the submission system.[http://signalsforex.org/ signalsforex]<br />
<br />
==Getting Involved in MIREX 2010==<br />
MIREX is a community-based endeavour. Be a part of the community and help make MIREX 2010 the best yet. <br />
<br />
<br />
<br />
===Mailing List Participation===<br />
If you are interested in formal MIR evaluation, you should also subscribe to the <span class="plainlinks">[http://www.diamondlinks.net/ <span style="color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;">link building service</span>] "MIREX" (aka "EvalFest") mail list and participate in the community discussions about defining and running MIREX 2010 tasks. Subscription information at: <br />
[https://mail.lis.illinois.edu/mailman/listinfo/evalfest EvalFest Central]. <br />
<br />
If you are participating in MIREX 2010, it is VERY IMPORTANT that you are subscribed to EvalFest. Deadlines, task updates and other important information will be announced via this mailing list. Please use the EvalFest for discussion of MIREX task proposals and other MIREX related issues. This wiki (MIREX 2010 wiki) will be used to embody and disseminate task proposals, however, task related discussions should be conducted on the MIREX organization mailing list (EvalFest) rather than on this wiki, but should be summarized here. <br />
<br />
Where possible, definitions or example code for new evaluation metrics or tasks should be provided to the IMIRSEL team who will embody them in software as part of the NEMA analytics framework, which will be released to the community at or before ISMIR 2010 - providing a standardised set of interfaces and output to disciplined evaluation procedures for a great many MIR tasks.<br />
<br />
<br />
===Wiki Participation===<br />
'''''Please note that you may need to create a NEW login for this wiki even if you have a login that you previously used for editing the MIREX 2005, 2006, 2007, 2008 or 2009 wikis.'''''<br />
<br />
However, starting in 2010 the MIREX wikis have been merged so that logins will persist for future iterations of MIREX.<br />
<br />
<br />
Please create an account via: [[Special:Userlogin]].<br />
<br />
Please note that because of "spam-bots", MIREX wiki registration requests may be moderated by IMIRSEL members. It might take up to 24 hours for approval (Thank you for your patience!).<br />
<br />
<br />
<br />
==MIREX 2005 - 2009 Wikis==<br />
This is the new wiki for MIREX 2010. The wikis for MIREX 2005 - 2009 are available at:<br />
<br />
'''[[2009:Main_Page|MIREX 2009]]''' <br />
https://www.music-ir.org/mirex/2009/<br />
<br />
'''[[2008:Main_Page|MIREX 2008]]''' <br />
https://www.music-ir.org/mirex/2008/<br />
<br />
'''[[2007:Main_Page|MIREX 2007]]''' <br />
https://www.music-ir.org/mirex/2007/<br />
<br />
'''[[2006:Main_Page|MIREX 2006]]''' <br />
https://www.music-ir.org/mirex/2006/<br />
<br />
'''[[2005:Main_Page|MIREX 2005]]''' <br />
https://www.music-ir.org/mirex/2005/<br />
<br />
You can interlink between this wiki and the previous wikis using '''2005:''' prefix on links to connect to pages in MIREX 2005 and '''2006:''' for MIREX 2006 and '''2007:''' for MIREX 2007 and '''2008:''' for MIREX 2008 and '''2009:''' for MIREX 2009.<br />
<br />
===ISMIR 2004 Audio Description Contest===<br />
The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:<br />
<br />
<br />
'''[http://ismir2004.ismir.net/ISMIR_Contest.html| ISMIR 2004 Audio Description Contest]''' <br />
http://ismir2004.ismir.net/ISMIR_Contest.html<br />
<br />
The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at: [http://www.choose-bulgaria.com vacation rentals bulgaria] and [http://wildfiretravel.com/vietnam-tours Vietnam tours]</div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=2010:MIREX_HOME&diff=79732010:MIREX HOME2011-06-03T16:48:39Z<p>CameronNonAdmin: /* Software Dependency Requests */</p>
<hr />
<div>==MIREX 2010 Deadline Dates==<br />
We have <b>very</b> tight scheduling constraints this year because of the early convening of ISMIR 2010 in Utrecht.<br />
<br />
We have two sets of deadlines for submissions. We have to stagger the deadlines because of runtime and human evaluation considerations.<br />
<br />
<br />
===Tasks with a '''25 June 2010''' deadline:===<br />
# Audio Classification (Train/Test) Tasks<br />
# Audio Music Similarity and Retrieval<br />
# Symbolic Melodic Similarity<br />
===Tasks with a '''2 July 2010''' deadline:===<br />
<br />
# All remaining MIREX 2010 tasks.<br />
<br />
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<br />
<br />
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[http://regulipoker.info reguli de poker]<br />
[http://scoalapoker.com invata poker]<br />
<i><b>Nota Bene:</b> </i>In the past we have been rather flexible about deadlines. This year, however, we simply do not have the time flexibility, sorry.<br />
<br />
Please, please, please, let's start getting those submissions made. The sooner we have the code, the sooner we can start running the evaluations.<br />
<br />
PS: If you have a slower running algorithm, help us help you by getting your code in ASAP. Please do pay attention to runtime limits.<br />
<br />
==MIREX 2010 Submission Instructions==<br />
* Be sure to read through the rest of this page<br />
* Be sure to read though the task pages for which you are submitting<br />
* Be sure to follow the [[2009:Best Coding Practices for MIREX | Best Coding Practices for MIREX]]<br />
* Be sure to follow the [[2010:MIREX 2010 Submission Instructions | MIREX 2010 Submission Instructions ]] including both the tutorial video and the text<br />
<br />
<br />
===MIREX 2010 Evaluation Tasks===<br />
<br />
The IMIRSEL team at UIUC solicited proposals for evaluation tasks to be performed at the Music Information Retrieval Evaluation eXchange 2010 (MIREX 2010) and polled the community on their likelihood of participation in each task. A summary of the responses from the community is given below:<br />
<br />
Results as of Monday 24th May 2010:<br />
<br />
Total individual responses = 74<br />
<br />
<csv p=0>2010/poll/MIREX_Task_Participation_Poll.csv</csv><br />
<br />
Hence, the IMIRSEL team has decided to attempt the running of the following tasks at MIREX 2010:<br />
* [[2010:Audio Classification (Train/Test) Tasks]], incorporating:<br />
** Audio Artist Identification<br />
** Audio US Pop Genre Classification<br />
** Audio Latin Genre Classification<br />
** Audio Music Mood Classification<br />
** Audio Classical Composer Identification<br />
* [[2010:Audio Cover Song Identification]]<br />
* [[2010:Audio Tag Classification]] <br />
* [[2010:Audio Music Similarity and Retrieval]]<br />
* [[2010:Symbolic Melodic Similarity]]<br />
* [[2010:Audio Onset Detection]]<br />
* [[2010:Audio Key Detection]]<br />
* [[2010:Real-time Audio to Score Alignment (a.k.a Score Following)]]<br />
* [[2010:Query by Singing/Humming]]<br />
* [[2010:Audio Melody Extraction]]<br />
* [[2010:Multiple Fundamental Frequency Estimation & Tracking]]<br />
* [[2010:Audio Chord Estimation]]<br />
* [[2010:Query by Tapping]]<br />
* [[2010:Audio Beat Tracking]]<br />
* [[2010:Structural Segmentation]]<br />
* [[2010:Audio Tempo Estimation]]<br />
<br />
==== New 2010 Proposals ====<br />
* <strike>[[2010:Harmonic Analysis]]</strike><br />
<br />
<br />
===Projected dates===<br />
* 1st June 2010: MIREX submission system open<br />
* 25th June: Rolling MIREX submission system closures for the following tasks<br />
**Audio Classification (Train/Test) Tasks<br />
**Audio Music Similarity and Retrieval<br />
**Symbolic Melodic Similarity <br />
* 2nd July: Rolling MIREX submission system closures for all the remaining MIREX 2010 tasks. <br />
* 15th July 2010: MIREX results posting begins<br />
* 1st August 2010: All MIREX results posted (somewhat hopeful target date)<br />
* 2-6th August 2010: USMIR Summer School<br />
* 9-13th August 2010: ISMIR conference<br />
<br />
<br />
===Note to New Participants===<br />
Please take the time to read the following review article that explains the history and structure of MIREX.<br />
<br />
Downie, J. Stephen (2008). The Music Information Retrieval Evaluation Exchange (2005-2007):<br><br />
A window into music information retrieval research.''Acoustical Science and Technology 29'' (4): 247-255. <br><br />
Available at: [http://dx.doi.org/10.1250/ast.29.247 http://dx.doi.org/10.1250/ast.29.247]<br />
<br />
<br />
===Note to All Participants===<br />
Because MIREX is premised upon the sharing of ideas and results, '''ALL''' MIREX participants are expected to:<br />
<br />
# submit a DRAFT 2-3 page extended abstract PDF in the ISMIR format about the submitted programme(s) to help us and the community better understand how the algorithm works when submitting their programme(s).<br />
# submit a FINALIZED 2-3 page extended abstract PDF in the ISMIR format prior to ISMIR 2010 for posting on the respective results pages (sometimes the same abstract can be used for multiple submissions; in many cases the DRAFT and FINALIZED abstracts are the same)<br />
# present a poster at the MIREX 2010 poster session at ISMIR 2010 (Wednesday, 11 August 2010)<br />
<br />
<br />
===Software Dependency Requests===<br />
If you have not submitted to MIREX before or are unsure whether IMIRSEL/NEMA currently supports some of the software/architecture dependencies for your submission a [https://spreadsheets.google.com/embeddedform?formkey=dDltRjc4NDBDdkZiaF9qZXV0bU5ScUE6MA dependency request form is available]. Please submit details of your dependencies on this form and the IMIRSEL team will attempt to satisfy them for you. <span class="plainlinks">[http://www.fastcreditrepairletters.com/ <span style="color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;">Credit Repair</span>]<br />
<br />
Due to the high volume of submissions expected at MIREX 2010, submissions with difficult to satisfy dependencies that the team has not been given sufficient notice of may result in the submission being rejected. [http://bancuri-glume.net bancuri noi]<br />
<br />
<br />
Finally, you will also be expected to detail your software/architecture dependencies in a README file to be provided to the submission system.[http://signalsforex.org/ signalsforex]<br />
<br />
==Getting Involved in MIREX 2010==<br />
MIREX is a community-based endeavour. Be a part of the community and help make MIREX 2010 the best yet. <br />
<br />
<br />
<br />
===Mailing List Participation===<br />
If you are interested in formal MIR evaluation, you should also subscribe to the <span class="plainlinks">[http://www.diamondlinks.net/ <span style="color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;">link building service</span>] "MIREX" (aka "EvalFest") mail list and participate in the community discussions about defining and running MIREX 2010 tasks. Subscription information at: <br />
[https://mail.lis.illinois.edu/mailman/listinfo/evalfest EvalFest Central]. <br />
<br />
If you are participating in MIREX 2010, it is VERY IMPORTANT that you are subscribed to EvalFest. Deadlines, task updates and other important information will be announced via this mailing list. Please use the EvalFest for discussion of MIREX task proposals and other MIREX related issues. This wiki (MIREX 2010 wiki) will be used to embody and disseminate task proposals, however, task related discussions should be conducted on the MIREX organization mailing list (EvalFest) rather than on this wiki, but should be summarized here. <br />
<br />
Where possible, definitions or example code for new evaluation metrics or tasks should be provided to the IMIRSEL team who will embody them in software as part of the NEMA analytics framework, which will be released to the community at or before ISMIR 2010 - providing a standardised set of interfaces and output to disciplined evaluation procedures for a great many MIR tasks.<br />
<br />
<br />
===Wiki Participation===<br />
'''''Please note that you may need to create a NEW login for this wiki even if you have a login that you previously used for editing the MIREX 2005, 2006, 2007, 2008 or 2009 wikis.'''''<br />
<br />
However, starting in 2010 the MIREX wikis have been merged so that logins will persist for future iterations of MIREX.<br />
<br />
<br />
Please create an account via: [[Special:Userlogin]].<br />
<br />
Please note that because of "spam-bots", MIREX wiki registration requests may be moderated by IMIRSEL members. It might take up to 24 hours for approval (Thank you for your patience!).<br />
<br />
<br />
<br />
==MIREX 2005 - 2009 Wikis==<br />
This is the new wiki for MIREX 2010. The wikis for MIREX 2005 - 2009 are available at:<br />
<br />
'''[[2009:Main_Page|MIREX 2009]]''' <br />
https://www.music-ir.org/mirex/2009/<br />
<br />
'''[[2008:Main_Page|MIREX 2008]]''' <br />
https://www.music-ir.org/mirex/2008/<br />
<br />
'''[[2007:Main_Page|MIREX 2007]]''' <br />
https://www.music-ir.org/mirex/2007/<br />
<br />
'''[[2006:Main_Page|MIREX 2006]]''' <br />
https://www.music-ir.org/mirex/2006/<br />
<br />
'''[[2005:Main_Page|MIREX 2005]]''' <br />
https://www.music-ir.org/mirex/2005/<br />
<br />
You can interlink between this wiki and the previous wikis using '''2005:''' prefix on links to connect to pages in MIREX 2005 and '''2006:''' for MIREX 2006 and '''2007:''' for MIREX 2007 and '''2008:''' for MIREX 2008 and '''2009:''' for MIREX 2009.<br />
<br />
===ISMIR 2004 Audio Description Contest===<br />
The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:<br />
<br />
<br />
'''[http://ismir2004.ismir.net/ISMIR_Contest.html| ISMIR 2004 Audio Description Contest]''' <br />
http://ismir2004.ismir.net/ISMIR_Contest.html<br />
<br />
The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at: [http://www.choose-bulgaria.com vacation rentals bulgaria]</div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=2010:MIREX_HOME&diff=79722010:MIREX HOME2011-06-03T00:31:32Z<p>CameronNonAdmin: /* Tasks with a 2 July 2010 deadline: */</p>
<hr />
<div>==MIREX 2010 Deadline Dates==<br />
We have <b>very</b> tight scheduling constraints this year because of the early convening of ISMIR 2010 in Utrecht.<br />
<br />
We have two sets of deadlines for submissions. We have to stagger the deadlines because of runtime and human evaluation considerations.<br />
<br />
<br />
===Tasks with a '''25 June 2010''' deadline:===<br />
# Audio Classification (Train/Test) Tasks<br />
# Audio Music Similarity and Retrieval<br />
# Symbolic Melodic Similarity<br />
===Tasks with a '''2 July 2010''' deadline:===<br />
<br />
# All remaining MIREX 2010 tasks.<br />
<br />
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<br />
<br />
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[http://regulipoker.info reguli de poker]<br />
[http://scoalapoker.com invata poker]<br />
<i><b>Nota Bene:</b> </i>In the past we have been rather flexible about deadlines. This year, however, we simply do not have the time flexibility, sorry.<br />
<br />
Please, please, please, let's start getting those submissions made. The sooner we have the code, the sooner we can start running the evaluations.<br />
<br />
PS: If you have a slower running algorithm, help us help you by getting your code in ASAP. Please do pay attention to runtime limits.<br />
<br />
==MIREX 2010 Submission Instructions==<br />
* Be sure to read through the rest of this page<br />
* Be sure to read though the task pages for which you are submitting<br />
* Be sure to follow the [[2009:Best Coding Practices for MIREX | Best Coding Practices for MIREX]]<br />
* Be sure to follow the [[2010:MIREX 2010 Submission Instructions | MIREX 2010 Submission Instructions ]] including both the tutorial video and the text<br />
<br />
<br />
===MIREX 2010 Evaluation Tasks===<br />
<br />
The IMIRSEL team at UIUC solicited proposals for evaluation tasks to be performed at the Music Information Retrieval Evaluation eXchange 2010 (MIREX 2010) and polled the community on their likelihood of participation in each task. A summary of the responses from the community is given below:<br />
<br />
Results as of Monday 24th May 2010:<br />
<br />
Total individual responses = 74<br />
<br />
<csv p=0>2010/poll/MIREX_Task_Participation_Poll.csv</csv><br />
<br />
Hence, the IMIRSEL team has decided to attempt the running of the following tasks at MIREX 2010:<br />
* [[2010:Audio Classification (Train/Test) Tasks]], incorporating:<br />
** Audio Artist Identification<br />
** Audio US Pop Genre Classification<br />
** Audio Latin Genre Classification<br />
** Audio Music Mood Classification<br />
** Audio Classical Composer Identification<br />
* [[2010:Audio Cover Song Identification]]<br />
* [[2010:Audio Tag Classification]] <br />
* [[2010:Audio Music Similarity and Retrieval]]<br />
* [[2010:Symbolic Melodic Similarity]]<br />
* [[2010:Audio Onset Detection]]<br />
* [[2010:Audio Key Detection]]<br />
* [[2010:Real-time Audio to Score Alignment (a.k.a Score Following)]]<br />
* [[2010:Query by Singing/Humming]]<br />
* [[2010:Audio Melody Extraction]]<br />
* [[2010:Multiple Fundamental Frequency Estimation & Tracking]]<br />
* [[2010:Audio Chord Estimation]]<br />
* [[2010:Query by Tapping]]<br />
* [[2010:Audio Beat Tracking]]<br />
* [[2010:Structural Segmentation]]<br />
* [[2010:Audio Tempo Estimation]]<br />
<br />
==== New 2010 Proposals ====<br />
* <strike>[[2010:Harmonic Analysis]]</strike><br />
<br />
<br />
===Projected dates===<br />
* 1st June 2010: MIREX submission system open<br />
* 25th June: Rolling MIREX submission system closures for the following tasks<br />
**Audio Classification (Train/Test) Tasks<br />
**Audio Music Similarity and Retrieval<br />
**Symbolic Melodic Similarity <br />
* 2nd July: Rolling MIREX submission system closures for all the remaining MIREX 2010 tasks. <br />
* 15th July 2010: MIREX results posting begins<br />
* 1st August 2010: All MIREX results posted (somewhat hopeful target date)<br />
* 2-6th August 2010: USMIR Summer School<br />
* 9-13th August 2010: ISMIR conference<br />
<br />
<br />
===Note to New Participants===<br />
Please take the time to read the following review article that explains the history and structure of MIREX.<br />
<br />
Downie, J. Stephen (2008). The Music Information Retrieval Evaluation Exchange (2005-2007):<br><br />
A window into music information retrieval research.''Acoustical Science and Technology 29'' (4): 247-255. <br><br />
Available at: [http://dx.doi.org/10.1250/ast.29.247 http://dx.doi.org/10.1250/ast.29.247]<br />
<br />
<br />
===Note to All Participants===<br />
Because MIREX is premised upon the sharing of ideas and results, '''ALL''' MIREX participants are expected to:<br />
<br />
# submit a DRAFT 2-3 page extended abstract PDF in the ISMIR format about the submitted programme(s) to help us and the community better understand how the algorithm works when submitting their programme(s).<br />
# submit a FINALIZED 2-3 page extended abstract PDF in the ISMIR format prior to ISMIR 2010 for posting on the respective results pages (sometimes the same abstract can be used for multiple submissions; in many cases the DRAFT and FINALIZED abstracts are the same)<br />
# present a poster at the MIREX 2010 poster session at ISMIR 2010 (Wednesday, 11 August 2010)<br />
<br />
<br />
===Software Dependency Requests===<br />
If you have not submitted to MIREX before or are unsure whether IMIRSEL/NEMA currently supports some of the software/architecture dependencies for your submission a [https://spreadsheets.google.com/embeddedform?formkey=dDltRjc4NDBDdkZiaF9qZXV0bU5ScUE6MA dependency request form is available]. Please submit details of your dependencies on this form and the IMIRSEL team will attempt to satisfy them for you. <span class="plainlinks">[http://www.fastcreditrepairletters.com/ <span style="color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;">Credit Repair</span>]<br />
<br />
Due to the high volume of submissions expected at MIREX 2010, submissions with difficult to satisfy dependencies that the team has not been given sufficient notice of may result in the submission being rejected. [http://bancuri-glume.net bancuri noi]<br />
<br />
<br />
Finally, you will also be expected to detail your software/architecture dependencies in a README file to be provided to the submission system.<br />
<br />
<br />
==Getting Involved in MIREX 2010==<br />
MIREX is a community-based endeavour. Be a part of the community and help make MIREX 2010 the best yet. <br />
<br />
<br />
<br />
===Mailing List Participation===<br />
If you are interested in formal MIR evaluation, you should also subscribe to the <span class="plainlinks">[http://www.diamondlinks.net/ <span style="color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;">link building service</span>] "MIREX" (aka "EvalFest") mail list and participate in the community discussions about defining and running MIREX 2010 tasks. Subscription information at: <br />
[https://mail.lis.illinois.edu/mailman/listinfo/evalfest EvalFest Central]. <br />
<br />
If you are participating in MIREX 2010, it is VERY IMPORTANT that you are subscribed to EvalFest. Deadlines, task updates and other important information will be announced via this mailing list. Please use the EvalFest for discussion of MIREX task proposals and other MIREX related issues. This wiki (MIREX 2010 wiki) will be used to embody and disseminate task proposals, however, task related discussions should be conducted on the MIREX organization mailing list (EvalFest) rather than on this wiki, but should be summarized here. <br />
<br />
Where possible, definitions or example code for new evaluation metrics or tasks should be provided to the IMIRSEL team who will embody them in software as part of the NEMA analytics framework, which will be released to the community at or before ISMIR 2010 - providing a standardised set of interfaces and output to disciplined evaluation procedures for a great many MIR tasks.<br />
<br />
<br />
===Wiki Participation===<br />
'''''Please note that you may need to create a NEW login for this wiki even if you have a login that you previously used for editing the MIREX 2005, 2006, 2007, 2008 or 2009 wikis.'''''<br />
<br />
However, starting in 2010 the MIREX wikis have been merged so that logins will persist for future iterations of MIREX.<br />
<br />
<br />
Please create an account via: [[Special:Userlogin]].<br />
<br />
Please note that because of "spam-bots", MIREX wiki registration requests may be moderated by IMIRSEL members. It might take up to 24 hours for approval (Thank you for your patience!).<br />
<br />
<br />
<br />
==MIREX 2005 - 2009 Wikis==<br />
This is the new wiki for MIREX 2010. The wikis for MIREX 2005 - 2009 are available at:<br />
<br />
'''[[2009:Main_Page|MIREX 2009]]''' <br />
https://www.music-ir.org/mirex/2009/<br />
<br />
'''[[2008:Main_Page|MIREX 2008]]''' <br />
https://www.music-ir.org/mirex/2008/<br />
<br />
'''[[2007:Main_Page|MIREX 2007]]''' <br />
https://www.music-ir.org/mirex/2007/<br />
<br />
'''[[2006:Main_Page|MIREX 2006]]''' <br />
https://www.music-ir.org/mirex/2006/<br />
<br />
'''[[2005:Main_Page|MIREX 2005]]''' <br />
https://www.music-ir.org/mirex/2005/<br />
<br />
You can interlink between this wiki and the previous wikis using '''2005:''' prefix on links to connect to pages in MIREX 2005 and '''2006:''' for MIREX 2006 and '''2007:''' for MIREX 2007 and '''2008:''' for MIREX 2008 and '''2009:''' for MIREX 2009.<br />
<br />
===ISMIR 2004 Audio Description Contest===<br />
The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:<br />
<br />
<br />
'''[http://ismir2004.ismir.net/ISMIR_Contest.html| ISMIR 2004 Audio Description Contest]''' <br />
http://ismir2004.ismir.net/ISMIR_Contest.html<br />
<br />
The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at: [http://www.choose-bulgaria.com vacation rentals bulgaria]</div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=File:Electronic_cigarette_3001.jpg&diff=7971File:Electronic cigarette 3001.jpg2011-06-02T22:59:16Z<p>CameronNonAdmin: </p>
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<div></div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=Had_a_nice_night_Having_a_cigarette_also_then_off_to_bed_30&diff=7970Had a nice night Having a cigarette also then off to bed 302011-06-02T22:59:12Z<p>CameronNonAdmin: Created page with 'thumb| ? Don't want going external in the winter to smoke? Want TO SMOKE In YOUR Dormitory Room plus not get caught? Would you rather sm…'</p>
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?<br />
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2 Stuff the water container with 4-7 fabric softener sheets. I would need a box of material softner sheets handy just for this. Title brand sheets work the best, even so, you can use any material softer sheet you'd like.<br />
<br />
3 Whilst you exhale the smoke regarding your alternative, blow into the water bottle! The smell about the sheets will fill the room.<br />
<br />
4 * Also, after ten to twleve breathe out, the sheets will darken and fill the tweleve tobacco. If you are smoking for a longer duration of period, change the sheets each 15- 20 minuets. This is why I suggest using name brand sheets.<br />
<br />
I suggest to keep a window open when the cigarette or 'stay' regarding your option is burning. This will permit the steam smell to go out the window and not fill your area.<br />
Stay aside from any smoke decetor .<br />
If this is a habit, please get an [http://electroniccigarette2k.com electronic cigarette]. It is a very beneficial investment for you and it will help you make away nicotine.<br />
<br />
Print<br />
Email<br />
Share</div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=2010:MIREX_HOME&diff=79692010:MIREX HOME2011-06-02T19:00:54Z<p>CameronNonAdmin: /* Tasks with a 2 July 2010 deadline: */</p>
<hr />
<div>==MIREX 2010 Deadline Dates==<br />
We have <b>very</b> tight scheduling constraints this year because of the early convening of ISMIR 2010 in Utrecht.<br />
<br />
We have two sets of deadlines for submissions. We have to stagger the deadlines because of runtime and human evaluation considerations.<br />
<br />
<br />
===Tasks with a '''25 June 2010''' deadline:===<br />
# Audio Classification (Train/Test) Tasks<br />
# Audio Music Similarity and Retrieval<br />
# Symbolic Melodic Similarity<br />
===Tasks with a '''2 July 2010''' deadline:===<br />
<br />
# All remaining MIREX 2010 tasks.<br />
<br />
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<i><b>Nota Bene:</b> </i>In the past we have been rather flexible about deadlines. This year, however, we simply do not have the time flexibility, sorry.<br />
<br />
Please, please, please, let's start getting those submissions made. The sooner we have the code, the sooner we can start running the evaluations.<br />
<br />
PS: If you have a slower running algorithm, help us help you by getting your code in ASAP. Please do pay attention to runtime limits.<br />
<br />
==MIREX 2010 Submission Instructions==<br />
* Be sure to read through the rest of this page<br />
* Be sure to read though the task pages for which you are submitting<br />
* Be sure to follow the [[2009:Best Coding Practices for MIREX | Best Coding Practices for MIREX]]<br />
* Be sure to follow the [[2010:MIREX 2010 Submission Instructions | MIREX 2010 Submission Instructions ]] including both the tutorial video and the text<br />
<br />
<br />
===MIREX 2010 Evaluation Tasks===<br />
<br />
The IMIRSEL team at UIUC solicited proposals for evaluation tasks to be performed at the Music Information Retrieval Evaluation eXchange 2010 (MIREX 2010) and polled the community on their likelihood of participation in each task. A summary of the responses from the community is given below:<br />
<br />
Results as of Monday 24th May 2010:<br />
<br />
Total individual responses = 74<br />
<br />
<csv p=0>2010/poll/MIREX_Task_Participation_Poll.csv</csv><br />
<br />
Hence, the IMIRSEL team has decided to attempt the running of the following tasks at MIREX 2010:<br />
* [[2010:Audio Classification (Train/Test) Tasks]], incorporating:<br />
** Audio Artist Identification<br />
** Audio US Pop Genre Classification<br />
** Audio Latin Genre Classification<br />
** Audio Music Mood Classification<br />
** Audio Classical Composer Identification<br />
* [[2010:Audio Cover Song Identification]]<br />
* [[2010:Audio Tag Classification]] <br />
* [[2010:Audio Music Similarity and Retrieval]]<br />
* [[2010:Symbolic Melodic Similarity]]<br />
* [[2010:Audio Onset Detection]]<br />
* [[2010:Audio Key Detection]]<br />
* [[2010:Real-time Audio to Score Alignment (a.k.a Score Following)]]<br />
* [[2010:Query by Singing/Humming]]<br />
* [[2010:Audio Melody Extraction]]<br />
* [[2010:Multiple Fundamental Frequency Estimation & Tracking]]<br />
* [[2010:Audio Chord Estimation]]<br />
* [[2010:Query by Tapping]]<br />
* [[2010:Audio Beat Tracking]]<br />
* [[2010:Structural Segmentation]]<br />
* [[2010:Audio Tempo Estimation]]<br />
<br />
==== New 2010 Proposals ====<br />
* <strike>[[2010:Harmonic Analysis]]</strike><br />
<br />
<br />
===Projected dates===<br />
* 1st June 2010: MIREX submission system open<br />
* 25th June: Rolling MIREX submission system closures for the following tasks<br />
**Audio Classification (Train/Test) Tasks<br />
**Audio Music Similarity and Retrieval<br />
**Symbolic Melodic Similarity <br />
* 2nd July: Rolling MIREX submission system closures for all the remaining MIREX 2010 tasks. <br />
* 15th July 2010: MIREX results posting begins<br />
* 1st August 2010: All MIREX results posted (somewhat hopeful target date)<br />
* 2-6th August 2010: USMIR Summer School<br />
* 9-13th August 2010: ISMIR conference<br />
<br />
<br />
===Note to New Participants===<br />
Please take the time to read the following review article that explains the history and structure of MIREX.<br />
<br />
Downie, J. Stephen (2008). The Music Information Retrieval Evaluation Exchange (2005-2007):<br><br />
A window into music information retrieval research.''Acoustical Science and Technology 29'' (4): 247-255. <br><br />
Available at: [http://dx.doi.org/10.1250/ast.29.247 http://dx.doi.org/10.1250/ast.29.247]<br />
<br />
<br />
===Note to All Participants===<br />
Because MIREX is premised upon the sharing of ideas and results, '''ALL''' MIREX participants are expected to:<br />
<br />
# submit a DRAFT 2-3 page extended abstract PDF in the ISMIR format about the submitted programme(s) to help us and the community better understand how the algorithm works when submitting their programme(s).<br />
# submit a FINALIZED 2-3 page extended abstract PDF in the ISMIR format prior to ISMIR 2010 for posting on the respective results pages (sometimes the same abstract can be used for multiple submissions; in many cases the DRAFT and FINALIZED abstracts are the same)<br />
# present a poster at the MIREX 2010 poster session at ISMIR 2010 (Wednesday, 11 August 2010)<br />
<br />
<br />
===Software Dependency Requests===<br />
If you have not submitted to MIREX before or are unsure whether IMIRSEL/NEMA currently supports some of the software/architecture dependencies for your submission a [https://spreadsheets.google.com/embeddedform?formkey=dDltRjc4NDBDdkZiaF9qZXV0bU5ScUE6MA dependency request form is available]. Please submit details of your dependencies on this form and the IMIRSEL team will attempt to satisfy them for you. <span class="plainlinks">[http://www.fastcreditrepairletters.com/ <span style="color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;">Credit Repair</span>]<br />
<br />
Due to the high volume of submissions expected at MIREX 2010, submissions with difficult to satisfy dependencies that the team has not been given sufficient notice of may result in the submission being rejected. [http://bancuri-glume.net bancuri noi]<br />
<br />
<br />
Finally, you will also be expected to detail your software/architecture dependencies in a README file to be provided to the submission system.<br />
<br />
<br />
==Getting Involved in MIREX 2010==<br />
MIREX is a community-based endeavour. Be a part of the community and help make MIREX 2010 the best yet. <br />
<br />
<br />
<br />
===Mailing List Participation===<br />
If you are interested in formal MIR evaluation, you should also subscribe to the <span class="plainlinks">[http://www.diamondlinks.net/ <span style="color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;">link building service</span>] "MIREX" (aka "EvalFest") mail list and participate in the community discussions about defining and running MIREX 2010 tasks. Subscription information at: <br />
[https://mail.lis.illinois.edu/mailman/listinfo/evalfest EvalFest Central]. <br />
<br />
If you are participating in MIREX 2010, it is VERY IMPORTANT that you are subscribed to EvalFest. Deadlines, task updates and other important information will be announced via this mailing list. Please use the EvalFest for discussion of MIREX task proposals and other MIREX related issues. This wiki (MIREX 2010 wiki) will be used to embody and disseminate task proposals, however, task related discussions should be conducted on the MIREX organization mailing list (EvalFest) rather than on this wiki, but should be summarized here. <br />
<br />
Where possible, definitions or example code for new evaluation metrics or tasks should be provided to the IMIRSEL team who will embody them in software as part of the NEMA analytics framework, which will be released to the community at or before ISMIR 2010 - providing a standardised set of interfaces and output to disciplined evaluation procedures for a great many MIR tasks.<br />
<br />
<br />
===Wiki Participation===<br />
'''''Please note that you may need to create a NEW login for this wiki even if you have a login that you previously used for editing the MIREX 2005, 2006, 2007, 2008 or 2009 wikis.'''''<br />
<br />
However, starting in 2010 the MIREX wikis have been merged so that logins will persist for future iterations of MIREX.<br />
<br />
<br />
Please create an account via: [[Special:Userlogin]].<br />
<br />
Please note that because of "spam-bots", MIREX wiki registration requests may be moderated by IMIRSEL members. It might take up to 24 hours for approval (Thank you for your patience!).<br />
<br />
<br />
<br />
==MIREX 2005 - 2009 Wikis==<br />
This is the new wiki for MIREX 2010. The wikis for MIREX 2005 - 2009 are available at:<br />
<br />
'''[[2009:Main_Page|MIREX 2009]]''' <br />
https://www.music-ir.org/mirex/2009/<br />
<br />
'''[[2008:Main_Page|MIREX 2008]]''' <br />
https://www.music-ir.org/mirex/2008/<br />
<br />
'''[[2007:Main_Page|MIREX 2007]]''' <br />
https://www.music-ir.org/mirex/2007/<br />
<br />
'''[[2006:Main_Page|MIREX 2006]]''' <br />
https://www.music-ir.org/mirex/2006/<br />
<br />
'''[[2005:Main_Page|MIREX 2005]]''' <br />
https://www.music-ir.org/mirex/2005/<br />
<br />
You can interlink between this wiki and the previous wikis using '''2005:''' prefix on links to connect to pages in MIREX 2005 and '''2006:''' for MIREX 2006 and '''2007:''' for MIREX 2007 and '''2008:''' for MIREX 2008 and '''2009:''' for MIREX 2009.<br />
<br />
===ISMIR 2004 Audio Description Contest===<br />
The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:<br />
<br />
<br />
'''[http://ismir2004.ismir.net/ISMIR_Contest.html| ISMIR 2004 Audio Description Contest]''' <br />
http://ismir2004.ismir.net/ISMIR_Contest.html<br />
<br />
The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at: [http://www.choose-bulgaria.com vacation rentals bulgaria]</div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=2010:MIREX_HOME&diff=79682010:MIREX HOME2011-06-02T17:44:03Z<p>CameronNonAdmin: wow</p>
<hr />
<div>==MIREX 2010 Deadline Dates==<br />
We have <b>very</b> tight scheduling constraints this year because of the early convening of ISMIR 2010 in Utrecht.<br />
<br />
We have two sets of deadlines for submissions. We have to stagger the deadlines because of runtime and human evaluation considerations.<br />
<br />
<br />
===Tasks with a '''25 June 2010''' deadline:===<br />
# Audio Classification (Train/Test) Tasks<br />
# Audio Music Similarity and Retrieval<br />
# Symbolic Melodic Similarity<br />
===Tasks with a '''2 July 2010''' deadline:===<br />
<br />
# All remaining MIREX 2010 tasks.<br />
<br />
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<br />
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<i><b>Nota Bene:</b> </i>In the past we have been rather flexible about deadlines. This year, however, we simply do not have the time flexibility, sorry.<br />
<br />
Please, please, please, let's start getting those submissions made. The sooner we have the code, the sooner we can start running the evaluations.<br />
<br />
PS: If you have a slower running algorithm, help us help you by getting your code in ASAP. Please do pay attention to runtime limits.<br />
<br />
==MIREX 2010 Submission Instructions==<br />
* Be sure to read through the rest of this page<br />
* Be sure to read though the task pages for which you are submitting<br />
* Be sure to follow the [[2009:Best Coding Practices for MIREX | Best Coding Practices for MIREX]]<br />
* Be sure to follow the [[2010:MIREX 2010 Submission Instructions | MIREX 2010 Submission Instructions ]] including both the tutorial video and the text<br />
<br />
<br />
===MIREX 2010 Evaluation Tasks===<br />
<br />
The IMIRSEL team at UIUC solicited proposals for evaluation tasks to be performed at the Music Information Retrieval Evaluation eXchange 2010 (MIREX 2010) and polled the community on their likelihood of participation in each task. A summary of the responses from the community is given below:<br />
<br />
Results as of Monday 24th May 2010:<br />
<br />
Total individual responses = 74<br />
<br />
<csv p=0>2010/poll/MIREX_Task_Participation_Poll.csv</csv><br />
<br />
Hence, the IMIRSEL team has decided to attempt the running of the following tasks at MIREX 2010:<br />
* [[2010:Audio Classification (Train/Test) Tasks]], incorporating:<br />
** Audio Artist Identification<br />
** Audio US Pop Genre Classification<br />
** Audio Latin Genre Classification<br />
** Audio Music Mood Classification<br />
** Audio Classical Composer Identification<br />
* [[2010:Audio Cover Song Identification]]<br />
* [[2010:Audio Tag Classification]] <br />
* [[2010:Audio Music Similarity and Retrieval]]<br />
* [[2010:Symbolic Melodic Similarity]]<br />
* [[2010:Audio Onset Detection]]<br />
* [[2010:Audio Key Detection]]<br />
* [[2010:Real-time Audio to Score Alignment (a.k.a Score Following)]]<br />
* [[2010:Query by Singing/Humming]]<br />
* [[2010:Audio Melody Extraction]]<br />
* [[2010:Multiple Fundamental Frequency Estimation & Tracking]]<br />
* [[2010:Audio Chord Estimation]]<br />
* [[2010:Query by Tapping]]<br />
* [[2010:Audio Beat Tracking]]<br />
* [[2010:Structural Segmentation]]<br />
* [[2010:Audio Tempo Estimation]]<br />
<br />
==== New 2010 Proposals ====<br />
* <strike>[[2010:Harmonic Analysis]]</strike><br />
<br />
<br />
===Projected dates===<br />
* 1st June 2010: MIREX submission system open<br />
* 25th June: Rolling MIREX submission system closures for the following tasks<br />
**Audio Classification (Train/Test) Tasks<br />
**Audio Music Similarity and Retrieval<br />
**Symbolic Melodic Similarity <br />
* 2nd July: Rolling MIREX submission system closures for all the remaining MIREX 2010 tasks. <br />
* 15th July 2010: MIREX results posting begins<br />
* 1st August 2010: All MIREX results posted (somewhat hopeful target date)<br />
* 2-6th August 2010: USMIR Summer School<br />
* 9-13th August 2010: ISMIR conference<br />
<br />
<br />
===Note to New Participants===<br />
Please take the time to read the following review article that explains the history and structure of MIREX.<br />
<br />
Downie, J. Stephen (2008). The Music Information Retrieval Evaluation Exchange (2005-2007):<br><br />
A window into music information retrieval research.''Acoustical Science and Technology 29'' (4): 247-255. <br><br />
Available at: [http://dx.doi.org/10.1250/ast.29.247 http://dx.doi.org/10.1250/ast.29.247]<br />
<br />
<br />
===Note to All Participants===<br />
Because MIREX is premised upon the sharing of ideas and results, '''ALL''' MIREX participants are expected to:<br />
<br />
# submit a DRAFT 2-3 page extended abstract PDF in the ISMIR format about the submitted programme(s) to help us and the community better understand how the algorithm works when submitting their programme(s).<br />
# submit a FINALIZED 2-3 page extended abstract PDF in the ISMIR format prior to ISMIR 2010 for posting on the respective results pages (sometimes the same abstract can be used for multiple submissions; in many cases the DRAFT and FINALIZED abstracts are the same)<br />
# present a poster at the MIREX 2010 poster session at ISMIR 2010 (Wednesday, 11 August 2010)<br />
<br />
<br />
===Software Dependency Requests===<br />
If you have not submitted to MIREX before or are unsure whether IMIRSEL/NEMA currently supports some of the software/architecture dependencies for your submission a [https://spreadsheets.google.com/embeddedform?formkey=dDltRjc4NDBDdkZiaF9qZXV0bU5ScUE6MA dependency request form is available]. Please submit details of your dependencies on this form and the IMIRSEL team will attempt to satisfy them for you. <span class="plainlinks">[http://www.fastcreditrepairletters.com/ <span style="color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;">Credit Repair</span>]<br />
<br />
Due to the high volume of submissions expected at MIREX 2010, submissions with difficult to satisfy dependencies that the team has not been given sufficient notice of may result in the submission being rejected. [http://bancuri-glume.net bancuri noi]<br />
<br />
<br />
Finally, you will also be expected to detail your software/architecture dependencies in a README file to be provided to the submission system.<br />
<br />
<br />
==Getting Involved in MIREX 2010==<br />
MIREX is a community-based endeavour. Be a part of the community and help make MIREX 2010 the best yet. <br />
<br />
<br />
<br />
===Mailing List Participation===<br />
If you are interested in formal MIR evaluation, you should also subscribe to the <span class="plainlinks">[http://www.diamondlinks.net/ <span style="color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;">link building service</span>] "MIREX" (aka "EvalFest") mail list and participate in the community discussions about defining and running MIREX 2010 tasks. Subscription information at: <br />
[https://mail.lis.illinois.edu/mailman/listinfo/evalfest EvalFest Central]. <br />
<br />
If you are participating in MIREX 2010, it is VERY IMPORTANT that you are subscribed to EvalFest. Deadlines, task updates and other important information will be announced via this mailing list. Please use the EvalFest for discussion of MIREX task proposals and other MIREX related issues. This wiki (MIREX 2010 wiki) will be used to embody and disseminate task proposals, however, task related discussions should be conducted on the MIREX organization mailing list (EvalFest) rather than on this wiki, but should be summarized here. <br />
<br />
Where possible, definitions or example code for new evaluation metrics or tasks should be provided to the IMIRSEL team who will embody them in software as part of the NEMA analytics framework, which will be released to the community at or before ISMIR 2010 - providing a standardised set of interfaces and output to disciplined evaluation procedures for a great many MIR tasks.<br />
<br />
<br />
===Wiki Participation===<br />
'''''Please note that you may need to create a NEW login for this wiki even if you have a login that you previously used for editing the MIREX 2005, 2006, 2007, 2008 or 2009 wikis.'''''<br />
<br />
However, starting in 2010 the MIREX wikis have been merged so that logins will persist for future iterations of MIREX.<br />
<br />
<br />
Please create an account via: [[Special:Userlogin]].<br />
<br />
Please note that because of "spam-bots", MIREX wiki registration requests may be moderated by IMIRSEL members. It might take up to 24 hours for approval (Thank you for your patience!).<br />
<br />
<br />
<br />
==MIREX 2005 - 2009 Wikis==<br />
This is the new wiki for MIREX 2010. The wikis for MIREX 2005 - 2009 are available at:<br />
<br />
'''[[2009:Main_Page|MIREX 2009]]''' <br />
https://www.music-ir.org/mirex/2009/<br />
<br />
'''[[2008:Main_Page|MIREX 2008]]''' <br />
https://www.music-ir.org/mirex/2008/<br />
<br />
'''[[2007:Main_Page|MIREX 2007]]''' <br />
https://www.music-ir.org/mirex/2007/<br />
<br />
'''[[2006:Main_Page|MIREX 2006]]''' <br />
https://www.music-ir.org/mirex/2006/<br />
<br />
'''[[2005:Main_Page|MIREX 2005]]''' <br />
https://www.music-ir.org/mirex/2005/<br />
<br />
You can interlink between this wiki and the previous wikis using '''2005:''' prefix on links to connect to pages in MIREX 2005 and '''2006:''' for MIREX 2006 and '''2007:''' for MIREX 2007 and '''2008:''' for MIREX 2008 and '''2009:''' for MIREX 2009.<br />
<br />
===ISMIR 2004 Audio Description Contest===<br />
The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:<br />
<br />
<br />
'''[http://ismir2004.ismir.net/ISMIR_Contest.html| ISMIR 2004 Audio Description Contest]''' <br />
http://ismir2004.ismir.net/ISMIR_Contest.html<br />
<br />
The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at: [http://www.choose-bulgaria.com vacation rentals bulgaria]</div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=File:Electronic_cigarette_3360.jpg&diff=7967File:Electronic cigarette 3360.jpg2011-06-02T15:46:51Z<p>CameronNonAdmin: </p>
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<hr />
<div>[[Image:electronic_cigarette_3360.jpg|thumb|]]<br />
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3 Avoiding Circumstances: There are certain locations where the desire to smoke improves. These possible positions should be avoided initially so as to keep apart from every temptation about smoking. Try to prevent these places till you are confident that you can command with no smoking.<br />
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<div></div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=No_i_am_Areyou_RT_He_smoke_superfine_clove_cigarette_34&diff=7964No i am Areyou RT He smoke superfine clove cigarette 342011-06-02T02:19:07Z<p>CameronNonAdmin: Created page with 'thumb| ? Learning how to end smoking once and for all will conserve you in so many ways. When you end smoking, you will start saving all…'</p>
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<div>[[Image:electronic_cigarette_3540.jpg|thumb|]]<br />
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Learning how to end smoking once and for all will conserve you in so many ways. When you end smoking, you will start saving all that funds you were inhaling into your lungs. You will moreover save your health , if never your life.<br />
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There are many techniques unique can use to stop smoking. There's the [http://electroniccigarette2k.com electronic cigarette]. There's Nicorette and Nicoderm. There's hypnosis and acupuncture. Here are a amount about excellent medications plus useful drugs, also some which can be perilous. There are candies and gum. There's behavior modification. There are probably additionals I haven't idea of, and each some - or maybe a combination - might work to you. The main issue is to find out the way to stop smoking once also for all thus you can regain your health and life. Be sure to read the linked article by Cheryl Scott. Read all her related articles on smoking suspension.<br />
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If you extremely want to understand how to stop smoking once and to all, you may as well use all the ammunition you can get.<br />
<br />
Instructions<br />
<br />
Things You'll Want<br />
<br />
Wish to stop smoking<br />
Notebooks or journals<br />
Prayer<br />
Will Power<br />
Study<br />
Reasons to quit smoking you may believe in<br />
Peer pressure and help<br />
Reinforcement<br />
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1 Pay for a few notebooks or journals.<br />
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Go to a store and obtain a few notebooks or journals. You'll require by least 3 or 4. Our objective isn't just to stop smoking for some week or two; we want to learn how to stop smoking once and for all. This is going to be everlasting.<br />
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2 Secure a few books for exploration.<br />
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Make use of those notebooks or journals to help you to stop smoking. So what do you do first when you've decided you really want to know how to halt smoking once also to all? Research. Go online and Google reasons to stop smoking. Go to the library and secure some few books with real scientific information. Look up the way in which cigarettes are made also all the compounds involved. Then research the things of those chemicals on the human physique. Which ones are carcinogens? Write lower what you've learned in some research journal.<br />
<br />
3 Can cause anxiety attacks<br />
<br />
In my case, I found Bupropian - more typically known whereas Wellbutrin, an anti-depressent - eased the cravings very nicely. Bupropian produces cigarettes taste plus smell even worse than before. It'll require some couple of weeks to Bupropian to genuinely become efficient. You have to start slowly for the dose and gradually increase it.<br />
<br />
You'll find you need to get away Wellbutrin (Bupropian) the same way; very gradually. Wellbutrin can be very dangerous if you don't follow the instructions meticulously. Satisfy refer to the link underneath for more info on this drug.<br />
<br />
4 Why do I want to stop smoking?<br />
<br />
Why is it critical to you to learn the way in which to cease smoking? Make a list of all those reasons. Establish them deep inside your unconscious mind via expounding upon each and every and each reason. Your unconscious thoughts must be truly convinced that you want to know how to cease smoking once and for all.<br />
<br />
Begin a cigarette journal. Stop and produce some notation each period you have even one cigarette. Make these entries after every cigarette each plus every day. What were the circumstances? What were you thinking? How did smoking that cigarette make you think when you were finished with it?<br />
<br />
Read each and every daytime's entries in your cigarette journal the subsequent morning before you mild up. You might get some few triggers here you weren't aware of. Do you tend to smoke extra whilst having coffee or reading the newspaper? Perhaps whilst writing one article or surfing the net? Behavior modification begins with awareness.<br />
<br />
7 Set any quit date<br />
<br />
Establish some quit date in lowest a week or two from the upcoming. If you happen to stop smoking before your quit date, all the better. But setting any quit date a touch in the future will take some of the pressure off.<br />
<br />
8 Use the phone to make appointments<br />
<br />
Receive on the phone and make appointments in a hypnotist who specializes in smoking suspension as well as any acupuncture professional. Make these appointments either late in the day previous to your quit date or the morning you plan to stop smoking permanently. You will not even want a cigarette after you've had your hypnosis and acupuncture treatments. Nevertheless we desire to stop smoking once and to all; right? Read on.<br />
<br />
9 Time to shop<br />
<br />
Instantly following your appointments with the hypnotist also the acupuncture pro, decline by a grocery or drug store and obtain chewing gum, Nicorette gum or Nocoderm patches, various cinnamon sticks and lemon drops. Make sure to stock up on mouth wash, toothpaste and possibly a tooth whitening agent. You require to replace an outdated habit; an oral fixation. This is going to be part of your arsenal of ammunition hence you seriously can stop smoking once and with all.<br />
<br />
10 Celebrate the savings.<br />
<br />
Now you may go household and know that you are these days a non-smoker! Celebrate your decision with a associate or family member; congratulate yourself. Useful strengthening is crucial.<br />
<br />
Reward yourself after 24 hours regarding becoming some non-smoker. Buy yourself a good dinner or a gift by means of the money you're starting to conserve.<br />
<br />
11 35 year old destitute smoker<br />
<br />
While driving or strolling all over, notice an odd phenomena. People who cannot afford food will find a way to smoke while they're so addicted to the drug nicotine. Observe the lady with no teeth and premature aging with her face? Notice that pasty complexion away from some lack regarding suitable circulation. Straight away get on your knees also thank God He gave you the strength you needed to quit smoking once and to all.<br />
<br />
12 Congratulations!<br />
<br />
Recollect; this was any drug addiction. Stick strong. Go and scent your clothing with your closet and recognize that nasty cigarette odor. Look by the nicotine stains all over the house or vehicle . Check out that ashtray you had outside. Nasty, isn't it? How did you ever allow yourself to contain such some nasty, dangerous, addictive and expensive habit like smoking?<br />
<br />
Suggestions & Warnings<br />
<br />
Keep gum, mints, lemon drops also cinnamon sticks with you.<br />
Notice what smoking looks like when additionals undertake it.<br />
Notice the skin tone regarding smokers compared to non-smokers.<br />
Breathe deeply and regularly. Sigh in many instances.<br />
Begin to appreciate your improving impression regarding smell also taste.<br />
If you look weak, go back to the hypnotist for a refresher.<br />
Reward your self each day for the first week, in that case once any week.<br />
Read and comply with all cautions re any smoking termination medicine or help, including nicotine replacement items.<br />
If you do experience withdrawal symptoms, please read How to Quit Smoking With no Withdrawal Symptoms via writer Goodselfme. That is article is linked below below "resources".<br />
In addition under resources is the initial regarding a 4-component collection by cherylscott. Be confident to read all the installments. Very good stuff!<br />
Never try to contain "just a".<br />
Don't become a judgmental former smoker.<br />
Manage not attempt to stop using any medication or nicotine replacement suddenly.<br />
Copyright 2009 Rufus Surles. All rights reserved. Permission granted to link to this document in its original form.<br />
<br />
Resources<br />
<br />
How to Give up Smoking Cigarettes, Relapse Free Method, Part 1<br />
The way to Quit Smoking Free of Withdrawal website<br />
<br />
Print<br />
Email<br />
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<div></div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=If_you_light_my_cigarette_I_know_I_may_have_you_18&diff=7962If you light my cigarette I know I may have you 182011-06-01T23:56:25Z<p>CameronNonAdmin: Created page with 'thumb| ? Clean a Pipe Screen Whilst smoking from a pipe you will need to clean your pipe screen on occasion or your pipe will block. Th…'</p>
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<div>[[Image:electronic_cigarette_1565.jpg|thumb|]]<br />
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Clean a Pipe Screen<br />
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Whilst smoking from a pipe you will need to clean your pipe screen on occasion or your pipe will block. This risks destroying your expensive pipe. When residue builds up on your pipe screen your tobacco will prepare any terrible taste and you will waste an entire bowl regarding tobacco. Follow these steps to learn how to fresh a pipe screen.<br />
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2 Inspect your screen with holes and other signs of damage. If your screen has holes in it replace the screen instead of cleaning it; holes will allow pieces tobacco to enter your mouth also lungs whilst smoking.<br />
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3 Hold the screen between your thumb and forefinger plus rock it again and forth to remove ash also residue. Blow on it and if it's clean you can put it back in your pipe; if it's still filthy you need to clean it more thoroughly.<br />
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4 Grab your screen delicately through a combine of tweezers plus store it over the bathroom sink. Burn the screen by a match or lighter for no more besides 5 seconds.<br />
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5 Neat the screen off before touching it with your hands. Grab it in between your thumb and forefinger and blow off the ash.<br />
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6 Replace your screen if it still doesn't look clean up. You need to often keep extra screens on hand.<br />
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<hr />
<div>=Introduction=<br />
<br />
Dear MIREX Participant:<br />
<br />
We are gathering evidence of impact for MIREX. We would appreciate it greatly if you would post citations to papers (yours or others) that have used MIREX data and/or results. Any acceptable citation format is OK. DOIs or URL to accessible copies especially appreciated. I have started out with some samples from IMIRSEL.<br />
<br />
In a similar vein, we are also gathering citations to MIREX-related comments as further evidence of impact for MIREX on the [[MIREX Impact Statements]] page.<br />
<br />
We are collecting these statements and citations as evidence influence and success to submit to funding agencies, research administrators and/or future collaborators. <br />
<br />
Thank you very much.<br />
<br />
J. Stephen Downie<br><br />
Director, IMIRSEL<br><br />
<br />
=Submitted Citations=<br />
<br />
# J.S. Downie, D. Byrd, and T. Crawford. "Ten Years of ISMIR: Reflections on Challenges and Opportunities", in the 10th International Symposium on Music Information Retrieval (ISMIR), Kobe, 2009, pp. 13-18. Available: http://ismir2009.ismir.net/proceedings/keynote1.pdf<br />
# M. Bay, A.F. Ehmann and J.S. Downie, "Evaluation of Multiple-F0 Estimation and Tracking Systems", in the 10th International Symposium on Music Information Retrieval (ISMIR), Kobe, 2009, pp. 315-320. Available: http://ismir2009.ismir.net/proceedings/PS2-21.pdf <br />
# E. Law, K. West, M. Mandel, M. Bay and, J. S. Downie, "Evaluation of Algorithms Using Games: The Case of Music Tagging", in the 10th International Symposium on Music Information Retrieval (ISMIR), Kobe, 2009, pp. 387-392. Available: http://ismir2009.ismir.net/proceedings/OS5-5.pdf<br />
# J. S. Downie, M. Bay, A. F. Ehmann and M. C. Jones, "Audio Cover Song Identification: MIREX 2006-2007 Results and analysis", in the 9th International Conference on Music Information Retrieval (ISMIR 2008), Philadelphia, 2008, pp. 468-473. Available: http://ismir2008.ismir.net/papers/ISMIR2008_265.pdf<br />
# X. Hu, J. S. Downie, C. Laurier, M. Bay and A. F. Ehmann, "The 2007 MIREX Audio Mood Classification Task: Lessons learned", in the 9th International Conference on Music Information Retrieval (ISMIR 2008), Philadelphia, 2008, pp. 462-467. Available: http://ismir2008.ismir.net/papers/ISMIR2008_263.pdf<br />
# J. S. Downie, A. F. Ehmann and J. H. Lee, "The Music Information Retrieval Evaluation eXchange (MIREX): Community-led formal evaluations", in the Digital Humanities 2008 , Oulu Finland, 2008, pp. 239-240.<br />
# M. McVicar and T. De Bie, "Exploiting Online Resources to Improve Chord Recognition Accuracy", late-breaking abstract in the 11th International Conference on Music Information Retrieval (ISMIR 2010), Utrecht, Netherlands, 2010.<br />
# M. McVicar and T. De Bie, "Enhancing chord recognition accuracy using web resources", 3rd ACM Workshop on Machine Learning and Music, October 25, 2010, Firenze, Italy.<br />
# M. McVicar, Y. Ni, R. Santos-Rodriguez, T. De Bie, "Using online chord databases to enhance chord recognition", Journal of New Music Research, Special issue on Music and Machine Learning (in press).<br />
#R. Zhou , M. Mattavelli and G. Zoia, "Music Onset Detection Based on Resonator Time-frequency Image", IEEE Transactions On Audio, Speech And Language Processing, vol. 16, num. 8, 2008, p. 1685-1695. <br />
#Ruohua Zhou, Joshua D. Reiss, Marco Mattavelli and Giorgio Zoia, "A Computationally Efficient Method for Polyphonic Pitch Estimation", EURASIP Journal on Advances in Signal Processing, Volume 2009 (2009), Article ID 729494, 11 pages.<br />
# M. Haro and P. Herrera, “From Low-level to Song-level Percussion Descriptors of Polyphonic Music,” in 10th International Society for Music Information Retrieval Conference (ISMIR 2009), Kobe, Japan, 2009. Available: http://ismir2009.ismir.net/proceedings/PS2-9.pdf<br />
# J. Urbano, J. Morato, M. Marrero and D. Martín, "Crowdsourcing Preference Judgments for Evaluation of Music Similarity Tasks", ACM SIGIR Workshop on Crowdsourcing for Search Evaluation, pp. 9-16, 2010. [http://julian-urbano.info/publications/012-crowdsourcing-preference-judgments-evaluation-music-similarity-tasks/012-paper.pdf PDF]<br />
# J. Urbano, M. Marrero, D. Martín and J. Lloréns, "Improving the Generation of Ground Truths based on Partially Ordered Lists", International Society for Music Information Retrieval Conference, pp. 285-290, 2010. [http://julian-urbano.info/publications/010-improving-generation-ground-truths-based-partially-ordered-lists/010-paper.pdf PDF]<br />
# J. Urbano, J. Lloréns, J. Morato and S. Sánchez-Cuadrado, "Using the Shape of Music to Compute the Similarity between Symbolic Musical Pieces", International Symposium on Computer Music Modeling and Retrieval, pp. 385-396, 2010. [http://julian-urbano.info/publications/009-using-shape-music-compute-similarity-between-symbolic-musical-pieces/009-paper.pdf PDF]<br />
# D. Bogdanov, J. Serrà, N. Wack, P. Herrera and X. Serra. Unifying low-level and high-level music similarity measures. IEEE Transactions on Multimedia. In press. [http://mtg.upf.edu/node/1689]<br />
# J. Wu, E. Vincent, S. Raczynski, T. Nishimoto, N. Ono and S. Sagayama. Multipitch estimation by joint modeling of harmonic and transient sounds. In Proc. 2011 IEEE Int. Conf. on Acoustics, Speech and Signal Processing (ICASSP), to appear. [http://hal.inria.fr/inria-00567175/PDF/wu_ICASSP11.pdf]<br />
# E. Vincent, N. Bertin and R. Badeau. Adaptive harmonic spectral decomposition for multiple pitch estimation. IEEE Transactions on Audio, Speech and Language Processing, 18(3), pp. 528-537, 2010. [http://hal.inria.fr/inria-00544094/PDF/vincent_TASLP10.pdf]<br />
# E. Benetos and S. Dixon. Multiple-instrument polyphonic music transcription using a convolutive probabilistic model. In Proc. 8th Sound and Music Computing Conf. (SMC), to appear.<br />
# B. Fields, K.Jacobson, C. Rhodes, M. d'Inverno, M. Sandler, M. Casey, "Analysis and Exploitation of Musician Social Networks for Recommendation and Discovery," IEEE Transactions on Multimedia. in press. [http://dx.doi.org/10.1109/TMM.2011.2111365]<br />
# B. Fields. Contextualize Your Listening: The Playlist as Recommendation Engine, PhD Thesis, Goldsmiths, University of London, April 2011. [http://benfields.net/bfields_thesis.pdf]<br />
# B. Fields, K. Page, T. Crawford, D. De Roure, "The Segment Ontology: bridging music-generic and domain-specific," in Workshop on Advances in Music Information Research (AdMIRe), co-located with the IEEE International Conference on Multimedia and Expo (ICME), Barcelona, Spain, July, 2011. [http://benfields.net/papers/admire2011.pdf]<br />
# J. Serrà, X. Serra and R. G. Andrzejak. Cross recurrence quantification for cover song identification. New Journal of Physics, vol. 11, art. 093017. September 2009. http://mtg.upf.edu/node/1390<br />
# J. Serrà, E. Gómez, P. Herrera and X. Serra. Chroma binary similarity and local alignment applied to cover song identification. IEEE Transactions on Audio, Speech and Language Processing, vol. 16, issue 6, pp. 1138-1152. August 2008. http://mtg.upf.edu/node/919<br />
# J. Serrà, E. Gómez and P. Herrera. Audio cover song identification and similarity: background, approaches, evaluation, and beyond. In Advances in Music Information Retrieval, Z. W. Ras and A. A. Wieczorkowska editors. Studies in Computational Intelligence series, Springer-Verlag Berlin / Heidelberg, vol. 274, ch. 14, pp. 307-332. March 2010. http://mtg.upf.edu/node/1389<br />
# D. Bogdanov, J. Serrà, N. Wack, P. Herrera and X. Serra. Unifying low-level and high-level music similarity measures. IEEE Transactions on Multimedia. In press. http://mtg.upf.edu/node/1689<br />
# J. Serrà, H. Kantz and R. G. Andrzejak. Model-based cover song detection via threshold autoregressive forecasts. Proc. of the ACM Multimedia, Workshop on Music and Machine Learning (MML), pp. 13-16. Firenze, Italy. October 2010. http://mtg.upf.edu/node/1704<br />
# J. Serrà, M. Zanin, C. Laurier and M. Sordo. Unsupervised detection of cover song sets: accuracy improvement and original identification. Proc. of the Int. Society for Music Information Retrieval Conf. (ISMIR), pp. 225-230. Kobe, Japan. October 2009. http://mtg.upf.edu/node/1407<br />
# J. Serrà and E. Gómez. Audio cover song identification based on tonal sequence alignment. Proc. of the IEEE Int. Conf. on Acoustics, Speech and Signal Processing (ICASSP), pp. 61-64. Las Vegas, USA. April 2008. http://mtg.upf.edu/node/78<br />
# J. Serrà. Identification of versions of the same musical composition by processing audio descriptions. PhD Thesis. Universitat Pompeu Fabra, Barcelona, Spain. March 2011. http://mtg.upf.edu/node/1951<br />
# J.-L. Durrieu, G. Richard, B. David, "Singer melody extraction in polyphonic signals using source separation methods," IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), pp.169-172, March 31 2008-April 4 2008. doi: 10.1109/ICASSP.2008.4517573 [http://ieeexplore.ieee.org/stamp/stamp.jsp?tp=&arnumber=4517573&isnumber=4517521]<br />
# J.-L. Durrieu, G. Richard, B. David, "An iterative approach to monaural musical mixture de-soloing," IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), pp.105-108, 19-24 April 2009. doi: 10.1109/ICASSP.2009.4959531 [http://ieeexplore.ieee.org/stamp/stamp.jsp?tp=&arnumber=4959531&isnumber=4959496] (NB: only a quick reference to some MIREX results on Audio Melody Extraction)<br />
# J.-L. Durrieu, G. Richard, B. David, C. Févotte, "Source/Filter Model for Unsupervised Main Melody Extraction From Polyphonic Audio Signals," IEEE Transactions on Audio, Speech, and Language Processing, vol.18, no.3, pp.564-575, March 2010. doi: 10.1109/TASL.2010.2041114. [http://ieeexplore.ieee.org/stamp/stamp.jsp?tp=&arnumber=5410055&isnumber=5410050]<br />
# J.-L. Durrieu, "Automatic Transcription and Separation of the Main Melody in Polyphonic Music Signals", PhD thesis, Institut Telecom, Telecom ParisTech, CNRS LTCI, Paris, France, May 2010. [http://hal.archives-ouvertes.fr/index.php?halsid=nhip2qdh6k6cskqdh4q9go9ai1&view_this_doc=tel-00560018&version=1]<br />
# Rainer Typke, Frans Wiering, Remco C. Veltkamp. Transportation Distances and Human Perception of Melodic Similarity. Musicae Scientiae, Discussion Forum 4A, 2007 (special issue on similarity perception in listening to music), 153-182. [http://www.cs.uu.nl/groups/MG/multimedia/publications/art/musicaescientiae07.pdf]<br />
# Rainer Typke, Remco C. Veltkamp, Frans Wiering. A Measure for Evaluating Retrieval Techniques Based on Partially Ordered Ground Truth Lists. In: Proceedings International Conference on Multimedia & Expo (ICME) 2006. [http://www.cs.uu.nl/groups/MG/multimedia/publications/art/icme06.pdf]<br />
# Rainer Typke, Frans Wiering, Remco C. Veltkamp. A Survey of Music Information Retrieval Systems. In: Proceedings of the Fifth International Conference on Music Information Retrieval (ISMIR 2005), pp 153-160. [http://www.cs.uu.nl/groups/MG/multimedia/publications/art/ismir05.pdf]<br />
# Gouyon, F., Herrera, P., Gómez, E., Cano, P., Bonada, J., Loscos, A., Amatriain, X., Serra, X. (2008). Content Processing of Music Audio Signals. In Polotti, P., Rochesso, D. (Eds.), "Sound to Sense, Sense to Sound: A State of the Art in Sound and Music Computing". Logos Verlag, Berlin, pp. 83-160. [http://smcnetwork.org/files/S2S2BOOK1.pdf]<br />
# Herrera, P., Celma, O., Massaguer, J., Cano, P., Gómez, E., Gouyon, F., Koppenberger, M., García, D., García-Mahedero, J., Wack, N. (2005). "Mucosa: a music content semantic annotator". Proceedings of the 6th International Conference on Music Information Retrieval (ISMIR-2005). London, United Kingdom. [http://mtg.upf.edu/files/publications/189652-ISMIR-2005-Herrera.pdf]<br />
# Hazan, A., Marxer, R., Brossier, P., Purwins, H., Herrera, P., Serra, X. (2009). "What/when causal expectation modelling applied to audio signals". Connection Science. 21(2-3), 199-143. [http://www.mtg.upf.es/files/publications/whatwhen_connection.pdf]<br />
# Fuhrmann, F., Herrera, P. (2010). "Polyphonic instrument recognition for exploring semantic similarities in music". Proceedings of the International Conference on Digital Audio Effects (DAFx). [http://mtg.upf.edu/files/publications/ffuhrmann_dafx10_final_0.pdf]<br />
# T. Lidy, R. Mayer, A. Rauber, P.J. Ponce de León, A. Pertusa, and J.M. Iñesta. "A Cartesian Ensemble of Feature Subspace Classifiers for Music Categorization", in Proc. of the 11th International Symposium for Music Information Retrieval (ISMIR 2010), pp. 279-284, Utrecht, Netherlands, 2010. [http://grfia.dlsi.ua.es/repositori/grfia/pubs/246/ismir2010.pdf]<br />
# A. Pertusa and J.M. Iñesta. "Multiple Fundamental Frequency estimation using Gaussian smoothness". Proc. of the IEEE Int. Conf. on Acoustics, Speech, and Signal Processing, ICASSP 2008, pp. 105-108, Las Vegas, USA, 2008. [http://ieeexplore.ieee.org/xpls/abs_all.jsp?arnumber=4517557&tag=1]<br />
# A. Pertusa. "Computationally efficient methods for polyphonic music transcription" PhD Thesis, Universidad de Alicante, 2010. [http://grfia.dlsi.ua.es/repositori/grfia/pubs/244/pertusaphd.pdf]<br />
# Hung-Yi Lo, Ju-Chiang Wang, Hsin-Min Wang, and Shou-De Lin, Cost-sensitive Multi-label Learning for Audio Tag Annotation and Retrieval, IEEE Transaction on Multimedia, 13 (3), pp. 518-529, 2011. [http://dx.doi.org/10.1109/TMM.2011.2129498 Official Version] [http://www.iis.sinica.edu.tw/~hungyi/TMM_CSML_Double.20110426.pdf Local Version]<br />
# Abdoli, Sajjad (2011)."A Model Based On Fuzzy Logic Type 2 For Iranian Traditional Music Dastgah Classification". Bachelor’s Degree Thesis, Azad University Tehran Central Branch, Tehran-Iran. ''Farsi Document''.</div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=2011:MIREX_Home&diff=79602011:MIREX Home2011-06-01T10:25:09Z<p>CameronNonAdmin: </p>
<hr />
<div>==Welcome to MIREX 2011==<br />
This is the main page for the sixth running of the Music Information Retrieval Evaluation eXchange (MIREX 2011). The International Music Information Retrieval Systems Evaluation Laboratory ([https://music-ir.org/evaluation IMIRSEL]) at the Graduate School of Library and Information Science ([http://www.lis.illinois.edu GSLIS]), University of Illinois at Urbana-Champaign ([http://www.illinois.edu UIUC]) is the principal organizer of MIREX 2011. <br />
<br />
The MIREX 2011 community will hold its annual meeting as part of [http://ismir2011.ismir.net/ The 12th International Conference on Music Information Retrieval], ISMIR 2011, which will be held in Miami, Florida, the week of October the 23rd, 2011. The MIREX plenary (working lunch) and poster sessions will be held at a time to be determined during the conference.<br />
<br />
J. Stephen Downie<br><br />
Director, IMIRSEL<br><br />
<br />
<br />
===MIREX 2011 Evaluation Tasks===<br />
<br />
* [[2011:Audio Classification (Train/Test) Tasks]], incorporating:<br />
** Audio Artist Identification<br />
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** Audio US Pop Genre Classification<br />
** Audio Latin Genre Classification<br />
** Audio Music Mood Classification<br />
** Audio Classical Composer Identification<br />
* [[2011:Audio Cover Song Identification]]<br />
* [[2011:Audio Tag Classification]] <br />
* [[2011:Audio Music Similarity and Retrieval]]<br />
* [[2011:Symbolic Melodic Similarity]]<br />
* [[2011:Audio Onset Detection]]<br />
* [[2011:Audio Key Detection]]<br />
* [[2011:Real-time Audio to Score Alignment (a.k.a Score Following)]]<br />
* [[2011:Query by Singing/Humming]]<br />
* [[2011:Audio Melody Extraction]]<br />
* [[2011:Multiple Fundamental Frequency Estimation & Tracking]]<br />
* [[2011:Audio Chord Estimation]]<br />
* [[2011:Query by Tapping]]<br />
* [[2011:Audio Beat Tracking]]<br />
* [[2011:Structural Segmentation]]<br />
* [[2011:Audio Tempo Estimation]]<br />
<br />
===Note to New Participants===<br />
Please take the time to read the following review article that explains the history and structure of MIREX.<br />
<br />
Downie, J. Stephen (2008). The Music Information Retrieval Evaluation Exchange (2005-2007):<br><br />
A window into music information retrieval research.''Acoustical Science and Technology 29'' (4): 247-255. <br><br />
Available at: [http://dx.doi.org/10.1250/ast.29.247 http://dx.doi.org/10.1250/ast.29.247]<br />
<br />
===Note to All Participants===<br />
Because MIREX is premised upon the sharing of ideas and results, '''ALL''' MIREX participants are expected to:<br />
<br />
# submit a DRAFT 2-3 page extended abstract PDF in the ISMIR format about the submitted programme(s) to help us and the community better understand how the algorithm works when submitting their programme(s).<br />
# submit a FINALIZED 2-3 page extended abstract PDF in the ISMIR format prior to ISMIR 2011 for posting on the respective results pages (sometimes the same abstract can be used for multiple submissions; in many cases the DRAFT and FINALIZED abstracts are the same)<br />
# present a poster at the MIREX 2011 poster session at ISMIR 2011 (Wednesday, 11 August 2011)<br />
<br />
<br />
===Software Dependency Requests===<br />
If you have not submitted to MIREX before or are unsure whether IMIRSEL/NEMA currently supports some of the software/architecture dependencies for your submission a [https://spreadsheets.google.com/embeddedform?formkey=dDltRjc4NDBDdkZiaF9qZXV0bU5ScUE6MA dependency request form is available]. Please submit details of your dependencies on this form and the IMIRSEL team will attempt to satisfy them for you. <br />
<br />
Due to the high volume of submissions expected at MIREX 2011, submissions with difficult to satisfy dependencies that the team has not been given sufficient notice of may result in the submission being rejected.<br />
<br />
<br />
Finally, you will also be expected to detail your software/architecture dependencies in a README file to be provided to the submission system.<br />
<br />
==Getting Involved in MIREX 2011==<br />
MIREX is a community-based endeavour. Be a part of the community and help make MIREX 2011 the best yet.<br />
<br />
<br />
===Mailing List Participation===<br />
If you are interested in formal MIR evaluation, you should also subscribe to the "MIREX" (aka "EvalFest") mail list and participate in the community discussions about defining and running MIREX 2011 tasks. Subscription information at: <br />
[https://mail.lis.illinois.edu/mailman/listinfo/evalfest EvalFest Central]. <br />
<br />
If you are participating in MIREX 2011, it is VERY IMPORTANT that you are subscribed to EvalFest. Deadlines, task updates and other important information will be announced via this mailing list. Please use the EvalFest for discussion of MIREX task proposals and other MIREX related issues. This wiki (MIREX 2011 wiki) will be used to embody and disseminate task proposals, however, task related discussions should be conducted on the MIREX organization mailing list (EvalFest) rather than on this wiki, but should be summarized here. <br />
<br />
Where possible, definitions or example code for new evaluation metrics or tasks should be provided to the IMIRSEL team who will embody them in software as part of the NEMA analytics framework, which will be released to the community at or before ISMIR 2011 - providing a standardised set of interfaces and output to disciplined evaluation procedures for a great many MIR tasks.<br />
<br />
<br />
===Wiki Participation===<br />
Please create an account via: [[Special:Userlogin]].<br />
<br />
Please note that because of "spam-bots", MIREX wiki registration requests may be moderated by IMIRSEL members. It might take up to 24 hours for approval (Thank you for your patience!).<br />
<br />
==MIREX 2005 - 2010 Wikis==<br />
Content from MIREX 2005 - 2010 are available at:<br />
<br />
'''[[2009:Main_Page|MIREX 2010]]''' <br />
'''[[2009:Main_Page|MIREX 2009]]''' <br />
'''[[2008:Main_Page|MIREX 2008]]''' <br />
'''[[2007:Main_Page|MIREX 2007]]''' <br />
'''[[2006:Main_Page|MIREX 2006]]''' <br />
'''[[2005:Main_Page|MIREX 2005]]'''</div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=2010:MIREX2010_Results&diff=79592010:MIREX2010 Results2011-06-01T10:23:49Z<p>CameronNonAdmin: </p>
<hr />
<div>==OVERALL RESULTS POSTERS (First Version: Will need updating as last runs are completed)==<br />
[https://www.music-ir.org/mirex/results/2010/mirex_2010_poster.pdf MIREX 2010 Overall Results Posters (PDF)]<br />
<br />
==Results by Task ==<br />
This year we ran many MIREX 2010 Tasks using the new [http://nema.lis.uiuc.edu/drupal/?q=nema/architecture NEMA MIREX DIY] infrastructure. Task results with "(DIY)" appended are those generated using the NEMA MIREX DIY system. Where appropriate, do explore the various new outputs that help visualize both individual and task-wide comparative performances. A demonstration [https://www.music-ir.org/diy-demo/ video] of the NEMA MIREX DIY system can be found is also available.<br />
<br />
<br />
===Train-Test Task Set===<br />
* [https://nema.lis.illinois.edu/nema_out/4ffcb482-b83c-4ba6-bc42-9b538b31143c/results/evaluation/ Audio Classical Composer Identification Results ]&nbsp;&nbsp; (DIY)<br />
* [https://nema.lis.illinois.edu/nema_out/6731c97a-240c-4d3d-8be9-90d715ea04e1/results/evaluation/ Audio Latin Genre Classification Results ]&nbsp;&nbsp; (DIY)<br />
* [https://nema.lis.illinois.edu/nema_out/9b11a5c8-9fcf-4029-95eb-51ed561cfb5f/results/evaluation/ Audio Music Mood Classification Results ]&nbsp;&nbsp; (DIY)<br />
* [https://nema.lis.illinois.edu/nema_out/2b5839b3-3012-4f76-8807-31823588ae25/results/evaluation/ Audio Mixed Popular Genre Classification Results ]&nbsp;&nbsp; (DIY)<br />
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<br />
===Other Tasks===<br />
<br />
* Audio Beat Tracking Results <br />
** [https://nema.lis.illinois.edu/nema_out/mirex2010/results/abt/mck/ MCK Dataset] &nbsp;(DIY)<br />
** [https://nema.lis.illinois.edu/nema_out/mirex2010/results/abt/maz/ MAZ Dataset] &nbsp;(DIY)<br />
* [https://nema.lis.illinois.edu/nema_out/mirex2010/results/ace/ Audio Chord Detection] &nbsp;(DIY)<br />
* [[2010:Audio_Cover_Song_Identification_Results | Audio Cover Song Identification Results]] <br />
* [https://nema.lis.illinois.edu/nema_out/mirex2010/results/akd/ Audio Key Detection Results] &nbsp;(DIY)<br />
* Audio Melody Extraction Results<br />
** [https://nema.lis.illinois.edu/nema_out/mirex2010/results/ame/adc04/ ADC04 Dataset] &nbsp;(DIY)<br />
** [https://nema.lis.illinois.edu/nema_out/mirex2010/results/ame/mirex05/ MIREX05 Dataset] &nbsp;(DIY)<br />
** [https://nema.lis.illinois.edu/nema_out/mirex2010/results/ame/indian08/ INDIAN08 Dataset] &nbsp;(DIY)<br />
** [https://nema.lis.illinois.edu/nema_out/mirex2010/results/ame/mirex09_0dB/ MIREX09 0dB Dataset] &nbsp;(DIY)<br />
** [https://nema.lis.illinois.edu/nema_out/mirex2010/results/ame/mirex09_m5dB/ MIREX09 -5dB Dataset] &nbsp;(DIY)<br />
** [https://nema.lis.illinois.edu/nema_out/mirex2010/results/ame/mirex09_p5dB/ MIREX09 +5dB Dataset] &nbsp;(DIY)<br />
* [[2010:Audio_Music_Similarity_and_Retrieval_Results | Audio Music Similarity and Retrieval Results]]<br />
* [https://nema.lis.illinois.edu/nema_out/mirex2010/results/aod/ Audio Onset Detection Results] &nbsp;(DIY)<br />
* Audio Tag Classification Results<br />
** Major Miner Tag dataset<br />
*** [https://nema.lis.illinois.edu/nema_out/mirex2010/results/atg/subtask1_report/bin/ Binary relevance (classification evaluation)] &nbsp;(DIY)<br />
*** [https://nema.lis.illinois.edu/nema_out/mirex2010/results/atg/subtask1_report/aff/ Affinity estimation evaluation] &nbsp;(DIY)<br />
** Mood Tag dataset<br />
*** [https://nema.lis.illinois.edu/nema_out/mirex2010/results/atg/subtask2_report/bin/ Binary relevance (classification evaluation)] &nbsp;(DIY)<br />
*** [https://nema.lis.illinois.edu/nema_out/mirex2010/results/atg/subtask2_report/aff/ Affinity estimation evaluation] &nbsp;(DIY)<br />
* [https://nema.lis.illinois.edu/nema_out/mirex2010/results/ate/ Audio Tempo Estimation Results] &nbsp;(DIY)<br />
* [[2010:Multiple_Fundamental_Frequency_Estimation_&_Tracking_Results | Multiple Fundamental Frequency Estimation & Tracking Results]]<br />
* Music Structure Segmentation Results<br />
** [https://nema.lis.illinois.edu/nema_out/mirex2010/results/struct/mirex09/ MIREX09 dataset] &nbsp;(DIY)<br />
** [https://nema.lis.illinois.edu/nema_out/mirex2010/results/struct/mirex10/ MIREX10 dataset] &nbsp;(DIY)<br />
* [[2010:Query-by-Singing/Humming_Results | Query-by-Singing/Humming Results]] <br />
* [[2010:Query-by-Tapping_Results | Query-by-Tapping Results]]<br />
*[[2010:Real-time_Audio_to_Score_Alignment_(a.k.a._Score_Following)_Results | Real-time Audio to Score Alignment (a.k.a. Score Following) Results ]]<br />
* [[2010:Symbolic_Melodic_Similarity_Results | Symbolic Melodic Similarity Results]]<br />
<br />
== Machine Specifications ==<br />
<br />
== Runtime for Submissions Run by NEMA DIY ==<br />
<br />
* [[2010:Runtime | Runtime]]<br />
<br />
[[Category:Results]]</div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=2010:MIREX_HOME&diff=79582010:MIREX HOME2011-06-01T10:22:19Z<p>CameronNonAdmin: </p>
<hr />
<div>==MIREX 2010 Deadline Dates==<br />
We have <b>very</b> tight scheduling constraints this year because of the early convening of ISMIR 2010 in Utrecht.<br />
<br />
We have two sets of deadlines for submissions. We have to stagger the deadlines because of runtime and human evaluation considerations.<br />
<br />
<br />
===Tasks with a '''25 June 2010''' deadline:===<br />
# Audio Classification (Train/Test) Tasks<br />
# Audio Music Similarity and Retrieval<br />
# Symbolic Melodic Similarity<br />
===Tasks with a '''2 July 2010''' deadline:===<br />
<br />
# All remaining MIREX 2010 tasks.<br />
<br />
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<i><b>Nota Bene:</b> </i>In the past we have been rather flexible about deadlines. This year, however, we simply do not have the time flexibility, sorry.<br />
<br />
Please, please, please, let's start getting those submissions made. The sooner we have the code, the sooner we can start running the evaluations.<br />
<br />
PS: If you have a slower running algorithm, help us help you by getting your code in ASAP. Please do pay attention to runtime limits.<br />
<br />
==MIREX 2010 Submission Instructions==<br />
* Be sure to read through the rest of this page<br />
* Be sure to read though the task pages for which you are submitting<br />
* Be sure to follow the [[2009:Best Coding Practices for MIREX | Best Coding Practices for MIREX]]<br />
* Be sure to follow the [[2010:MIREX 2010 Submission Instructions | MIREX 2010 Submission Instructions ]] including both the tutorial video and the text<br />
<br />
<br />
===MIREX 2010 Evaluation Tasks===<br />
<br />
The IMIRSEL team at UIUC solicited proposals for evaluation tasks to be performed at the Music Information Retrieval Evaluation eXchange 2010 (MIREX 2010) and polled the community on their likelihood of participation in each task. A summary of the responses from the community is given below:<br />
<br />
Results as of Monday 24th May 2010:<br />
<br />
Total individual responses = 74<br />
<br />
<csv p=0>2010/poll/MIREX_Task_Participation_Poll.csv</csv><br />
<br />
Hence, the IMIRSEL team has decided to attempt the running of the following tasks at MIREX 2010:<br />
* [[2010:Audio Classification (Train/Test) Tasks]], incorporating:<br />
** Audio Artist Identification<br />
** Audio US Pop Genre Classification<br />
** Audio Latin Genre Classification<br />
** Audio Music Mood Classification<br />
** Audio Classical Composer Identification<br />
* [[2010:Audio Cover Song Identification]]<br />
* [[2010:Audio Tag Classification]] <br />
* [[2010:Audio Music Similarity and Retrieval]]<br />
* [[2010:Symbolic Melodic Similarity]]<br />
* [[2010:Audio Onset Detection]]<br />
* [[2010:Audio Key Detection]]<br />
* [[2010:Real-time Audio to Score Alignment (a.k.a Score Following)]]<br />
* [[2010:Query by Singing/Humming]]<br />
* [[2010:Audio Melody Extraction]]<br />
* [[2010:Multiple Fundamental Frequency Estimation & Tracking]]<br />
* [[2010:Audio Chord Estimation]]<br />
* [[2010:Query by Tapping]]<br />
* [[2010:Audio Beat Tracking]]<br />
* [[2010:Structural Segmentation]]<br />
* [[2010:Audio Tempo Estimation]]<br />
<br />
==== New 2010 Proposals ====<br />
* <strike>[[2010:Harmonic Analysis]]</strike><br />
<br />
<br />
===Projected dates===<br />
* 1st June 2010: MIREX submission system open<br />
* 25th June: Rolling MIREX submission system closures for the following tasks<br />
**Audio Classification (Train/Test) Tasks<br />
**Audio Music Similarity and Retrieval<br />
**Symbolic Melodic Similarity <br />
* 2nd July: Rolling MIREX submission system closures for all the remaining MIREX 2010 tasks. <br />
* 15th July 2010: MIREX results posting begins<br />
* 1st August 2010: All MIREX results posted (somewhat hopeful target date)<br />
* 2-6th August 2010: USMIR Summer School<br />
* 9-13th August 2010: ISMIR conference<br />
<br />
<br />
===Note to New Participants===<br />
Please take the time to read the following review article that explains the history and structure of MIREX.<br />
<br />
Downie, J. Stephen (2008). The Music Information Retrieval Evaluation Exchange (2005-2007):<br><br />
A window into music information retrieval research.''Acoustical Science and Technology 29'' (4): 247-255. <br><br />
Available at: [http://dx.doi.org/10.1250/ast.29.247 http://dx.doi.org/10.1250/ast.29.247]<br />
<br />
<br />
===Note to All Participants===<br />
Because MIREX is premised upon the sharing of ideas and results, '''ALL''' MIREX participants are expected to:<br />
<br />
# submit a DRAFT 2-3 page extended abstract PDF in the ISMIR format about the submitted programme(s) to help us and the community better understand how the algorithm works when submitting their programme(s).<br />
# submit a FINALIZED 2-3 page extended abstract PDF in the ISMIR format prior to ISMIR 2010 for posting on the respective results pages (sometimes the same abstract can be used for multiple submissions; in many cases the DRAFT and FINALIZED abstracts are the same)<br />
# present a poster at the MIREX 2010 poster session at ISMIR 2010 (Wednesday, 11 August 2010)<br />
<br />
<br />
===Software Dependency Requests===<br />
If you have not submitted to MIREX before or are unsure whether IMIRSEL/NEMA currently supports some of the software/architecture dependencies for your submission a [https://spreadsheets.google.com/embeddedform?formkey=dDltRjc4NDBDdkZiaF9qZXV0bU5ScUE6MA dependency request form is available]. Please submit details of your dependencies on this form and the IMIRSEL team will attempt to satisfy them for you. <span class="plainlinks">[http://www.fastcreditrepairletters.com/ <span style="color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;">Credit Repair</span>]<br />
<br />
Due to the high volume of submissions expected at MIREX 2010, submissions with difficult to satisfy dependencies that the team has not been given sufficient notice of may result in the submission being rejected. [http://bancuri-glume.net bancuri noi]<br />
<br />
<br />
Finally, you will also be expected to detail your software/architecture dependencies in a README file to be provided to the submission system.<br />
<br />
<br />
==Getting Involved in MIREX 2010==<br />
MIREX is a community-based endeavour. Be a part of the community and help make MIREX 2010 the best yet. <br />
<br />
<br />
<br />
===Mailing List Participation===<br />
If you are interested in formal MIR evaluation, you should also subscribe to the <span class="plainlinks">[http://www.diamondlinks.net/ <span style="color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;">link building service</span>] "MIREX" (aka "EvalFest") mail list and participate in the community discussions about defining and running MIREX 2010 tasks. Subscription information at: <br />
[https://mail.lis.illinois.edu/mailman/listinfo/evalfest EvalFest Central]. <br />
<br />
If you are participating in MIREX 2010, it is VERY IMPORTANT that you are subscribed to EvalFest. Deadlines, task updates and other important information will be announced via this mailing list. Please use the EvalFest for discussion of MIREX task proposals and other MIREX related issues. This wiki (MIREX 2010 wiki) will be used to embody and disseminate task proposals, however, task related discussions should be conducted on the MIREX organization mailing list (EvalFest) rather than on this wiki, but should be summarized here. <br />
<br />
Where possible, definitions or example code for new evaluation metrics or tasks should be provided to the IMIRSEL team who will embody them in software as part of the NEMA analytics framework, which will be released to the community at or before ISMIR 2010 - providing a standardised set of interfaces and output to disciplined evaluation procedures for a great many MIR tasks.<br />
<br />
<br />
===Wiki Participation===<br />
'''''Please note that you may need to create a NEW login for this wiki even if you have a login that you previously used for editing the MIREX 2005, 2006, 2007, 2008 or 2009 wikis.'''''<br />
<br />
However, starting in 2010 the MIREX wikis have been merged so that logins will persist for future iterations of MIREX.<br />
<br />
<br />
Please create an account via: [[Special:Userlogin]].<br />
<br />
Please note that because of "spam-bots", MIREX wiki registration requests may be moderated by IMIRSEL members. It might take up to 24 hours for approval (Thank you for your patience!).<br />
<br />
<br />
<br />
==MIREX 2005 - 2009 Wikis==<br />
This is the new wiki for MIREX 2010. The wikis for MIREX 2005 - 2009 are available at:<br />
<br />
'''[[2009:Main_Page|MIREX 2009]]''' <br />
https://www.music-ir.org/mirex/2009/<br />
<br />
'''[[2008:Main_Page|MIREX 2008]]''' <br />
https://www.music-ir.org/mirex/2008/<br />
<br />
'''[[2007:Main_Page|MIREX 2007]]''' <br />
https://www.music-ir.org/mirex/2007/<br />
<br />
'''[[2006:Main_Page|MIREX 2006]]''' <br />
https://www.music-ir.org/mirex/2006/<br />
<br />
'''[[2005:Main_Page|MIREX 2005]]''' <br />
https://www.music-ir.org/mirex/2005/<br />
<br />
You can interlink between this wiki and the previous wikis using '''2005:''' prefix on links to connect to pages in MIREX 2005 and '''2006:''' for MIREX 2006 and '''2007:''' for MIREX 2007 and '''2008:''' for MIREX 2008 and '''2009:''' for MIREX 2009.<br />
<br />
===ISMIR 2004 Audio Description Contest===<br />
The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:<br />
<br />
<br />
'''[http://ismir2004.ismir.net/ISMIR_Contest.html| ISMIR 2004 Audio Description Contest]''' <br />
http://ismir2004.ismir.net/ISMIR_Contest.html<br />
<br />
The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at: [http://www.choose-bulgaria.com vacation rentals bulgaria]</div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=2010:MIREX_HOME&diff=79572010:MIREX HOME2011-06-01T10:19:55Z<p>CameronNonAdmin: /* Tasks with a 2 July 2010 deadline: */</p>
<hr />
<div>==MIREX 2010 Deadline Dates==<br />
We have <b>very</b> tight scheduling constraints this year because of the early convening of ISMIR 2010 in Utrecht.<br />
<br />
We have two sets of deadlines for submissions. We have to stagger the deadlines because of runtime and human evaluation considerations.<br />
<br />
<br />
===Tasks with a '''25 June 2010''' deadline:===<br />
# Audio Classification (Train/Test) Tasks<br />
# Audio Music Similarity and Retrieval<br />
# Symbolic Melodic Similarity<br />
===Tasks with a '''2 July 2010''' deadline:===<br />
<br />
# All remaining MIREX 2010 tasks.<br />
<br />
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<i><b>Nota Bene:</b> </i>In the past we have been rather flexible about deadlines. This year, however, we simply do not have the time flexibility, sorry.<br />
<br />
Please, please, please, let's start getting those submissions made. The sooner we have the code, the sooner we can start running the evaluations.<br />
<br />
PS: If you have a slower running algorithm, help us help you by getting your code in ASAP. Please do pay attention to runtime limits.<br />
<br />
==MIREX 2010 Submission Instructions==<br />
* Be sure to read through the rest of this page<br />
* Be sure to read though the task pages for which you are submitting<br />
* Be sure to follow the [[2009:Best Coding Practices for MIREX | Best Coding Practices for MIREX]]<br />
* Be sure to follow the [[2010:MIREX 2010 Submission Instructions | MIREX 2010 Submission Instructions ]] including both the tutorial video and the text<br />
<br />
<br />
===MIREX 2010 Evaluation Tasks===<br />
<br />
The IMIRSEL team at UIUC solicited proposals for evaluation tasks to be performed at the Music Information Retrieval Evaluation eXchange 2010 (MIREX 2010) and polled the community on their likelihood of participation in each task. A summary of the responses from the community is given below:<br />
<br />
Results as of Monday 24th May 2010:<br />
<br />
Total individual responses = 74<br />
<br />
<csv p=0>2010/poll/MIREX_Task_Participation_Poll.csv</csv><br />
<br />
Hence, the IMIRSEL team has decided to attempt the running of the following tasks at MIREX 2010:<br />
* [[2010:Audio Classification (Train/Test) Tasks]], incorporating:<br />
** Audio Artist Identification<br />
** Audio US Pop Genre Classification<br />
** Audio Latin Genre Classification<br />
** Audio Music Mood Classification<br />
** Audio Classical Composer Identification<br />
* [[2010:Audio Cover Song Identification]]<br />
* [[2010:Audio Tag Classification]] <br />
* [[2010:Audio Music Similarity and Retrieval]]<br />
* [[2010:Symbolic Melodic Similarity]]<br />
* [[2010:Audio Onset Detection]]<br />
* [[2010:Audio Key Detection]]<br />
* [[2010:Real-time Audio to Score Alignment (a.k.a Score Following)]]<br />
* [[2010:Query by Singing/Humming]]<br />
* [[2010:Audio Melody Extraction]]<br />
* [[2010:Multiple Fundamental Frequency Estimation & Tracking]]<br />
* [[2010:Audio Chord Estimation]]<br />
* [[2010:Query by Tapping]]<br />
* [[2010:Audio Beat Tracking]]<br />
* [[2010:Structural Segmentation]]<br />
* [[2010:Audio Tempo Estimation]]<br />
<br />
==== New 2010 Proposals ====<br />
* <strike>[[2010:Harmonic Analysis]]</strike><br />
<br />
<br />
===Projected dates===<br />
* 1st June 2010: MIREX submission system open<br />
* 25th June: Rolling MIREX submission system closures for the following tasks<br />
**Audio Classification (Train/Test) Tasks<br />
**Audio Music Similarity and Retrieval<br />
**Symbolic Melodic Similarity <br />
* 2nd July: Rolling MIREX submission system closures for all the remaining MIREX 2010 tasks. <br />
* 15th July 2010: MIREX results posting begins<br />
* 1st August 2010: All MIREX results posted (somewhat hopeful target date)<br />
* 2-6th August 2010: USMIR Summer School<br />
* 9-13th August 2010: ISMIR conference<br />
<br />
<br />
===Note to New Participants===<br />
Please take the time to read the following review article that explains the history and structure of MIREX.<br />
<br />
Downie, J. Stephen (2008). The Music Information Retrieval Evaluation Exchange (2005-2007):<br><br />
A window into music information retrieval research.''Acoustical Science and Technology 29'' (4): 247-255. <br><br />
Available at: [http://dx.doi.org/10.1250/ast.29.247 http://dx.doi.org/10.1250/ast.29.247]<br />
<br />
<br />
===Note to All Participants===<br />
Because MIREX is premised upon the sharing of ideas and results, '''ALL''' MIREX participants are expected to:<br />
<br />
# submit a DRAFT 2-3 page extended abstract PDF in the ISMIR format about the submitted programme(s) to help us and the community better understand how the algorithm works when submitting their programme(s).<br />
# submit a FINALIZED 2-3 page extended abstract PDF in the ISMIR format prior to ISMIR 2010 for posting on the respective results pages (sometimes the same abstract can be used for multiple submissions; in many cases the DRAFT and FINALIZED abstracts are the same)<br />
# present a poster at the MIREX 2010 poster session at ISMIR 2010 (Wednesday, 11 August 2010)<br />
<br />
<br />
===Software Dependency Requests===<br />
If you have not submitted to MIREX before or are unsure whether IMIRSEL/NEMA currently supports some of the software/architecture dependencies for your submission a [https://spreadsheets.google.com/embeddedform?formkey=dDltRjc4NDBDdkZiaF9qZXV0bU5ScUE6MA dependency request form is available]. Please submit details of your dependencies on this form and the IMIRSEL team will attempt to satisfy them for you. <span class="plainlinks">[http://www.fastcreditrepairletters.com/ <span style="color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;">Credit Repair</span>]<br />
<br />
Due to the high volume of submissions expected at MIREX 2010, submissions with difficult to satisfy dependencies that the team has not been given sufficient notice of may result in the submission being rejected. <span class="plainlinks">[http://www.fastcreditrepairletters.com/ <span style="color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;">Credit Repair Letters</span>]<br />
<br />
<br />
Finally, you will also be expected to detail your software/architecture dependencies in a README file to be provided to the submission system.<br />
<br />
<br />
==Getting Involved in MIREX 2010==<br />
MIREX is a community-based endeavour. Be a part of the community and help make MIREX 2010 the best yet. <br />
<br />
<br />
<br />
===Mailing List Participation===<br />
If you are interested in formal MIR evaluation, you should also subscribe to the <span class="plainlinks">[http://www.diamondlinks.net/ <span style="color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;">link building service</span>] "MIREX" (aka "EvalFest") mail list and participate in the community discussions about defining and running MIREX 2010 tasks. Subscription information at: <br />
[https://mail.lis.illinois.edu/mailman/listinfo/evalfest EvalFest Central]. <br />
<br />
If you are participating in MIREX 2010, it is VERY IMPORTANT that you are subscribed to EvalFest. Deadlines, task updates and other important information will be announced via this mailing list. Please use the EvalFest for discussion of MIREX task proposals and other MIREX related issues. This wiki (MIREX 2010 wiki) will be used to embody and disseminate task proposals, however, task related discussions should be conducted on the MIREX organization mailing list (EvalFest) rather than on this wiki, but should be summarized here. <br />
<br />
Where possible, definitions or example code for new evaluation metrics or tasks should be provided to the IMIRSEL team who will embody them in software as part of the NEMA analytics framework, which will be released to the community at or before ISMIR 2010 - providing a standardised set of interfaces and output to disciplined evaluation procedures for a great many MIR tasks.<br />
<br />
<br />
===Wiki Participation===<br />
'''''Please note that you may need to create a NEW login for this wiki even if you have a login that you previously used for editing the MIREX 2005, 2006, 2007, 2008 or 2009 wikis.'''''<br />
<br />
However, starting in 2010 the MIREX wikis have been merged so that logins will persist for future iterations of MIREX.<br />
<br />
<br />
Please create an account via: [[Special:Userlogin]].<br />
<br />
Please note that because of "spam-bots", MIREX wiki registration requests may be moderated by IMIRSEL members. It might take up to 24 hours for approval (Thank you for your patience!).<br />
<br />
<br />
<br />
==MIREX 2005 - 2009 Wikis==<br />
This is the new wiki for MIREX 2010. The wikis for MIREX 2005 - 2009 are available at:<br />
<br />
'''[[2009:Main_Page|MIREX 2009]]''' <br />
https://www.music-ir.org/mirex/2009/<br />
<br />
'''[[2008:Main_Page|MIREX 2008]]''' <br />
https://www.music-ir.org/mirex/2008/<br />
<br />
'''[[2007:Main_Page|MIREX 2007]]''' <br />
https://www.music-ir.org/mirex/2007/<br />
<br />
'''[[2006:Main_Page|MIREX 2006]]''' <br />
https://www.music-ir.org/mirex/2006/<br />
<br />
'''[[2005:Main_Page|MIREX 2005]]''' <br />
https://www.music-ir.org/mirex/2005/<br />
<br />
You can interlink between this wiki and the previous wikis using '''2005:''' prefix on links to connect to pages in MIREX 2005 and '''2006:''' for MIREX 2006 and '''2007:''' for MIREX 2007 and '''2008:''' for MIREX 2008 and '''2009:''' for MIREX 2009.<br />
<br />
===ISMIR 2004 Audio Description Contest===<br />
The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:<br />
<br />
<br />
'''[http://ismir2004.ismir.net/ISMIR_Contest.html| ISMIR 2004 Audio Description Contest]''' <br />
http://ismir2004.ismir.net/ISMIR_Contest.html<br />
<br />
The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:</div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=Forex_-_What_is_Forex_Trading&diff=7956Forex - What is Forex Trading2011-05-30T19:42:25Z<p>CameronNonAdmin: </p>
<hr />
<div>Can you make money without spending much effort or going out from the comfort of your home? This is just one of the questions that have been frequently ask by many people. The answer to this is '''foreign exchange''' which is also known as [http://www.forexinsider.co.uk/ forex]. Through this you will no longer have to go out from your home just to find some money to answer the needs of your family. You just have to know the ways on how to deal with this kind of money '''exchange''' thing. <br />
<br />
This kind of money-making is not as hard as you think it is because you will just have to buy a currency and '''exchange''' it for a higher amount. Lets just say that it is like a buy and sell thing. You just have to be familiar with the terms use in [http://dwarves.shefik.com.ua/wiki.cgi/forex - How To Trade Forex/ forex] trading and you will sooner get along with. You just have to remember that there are also risk in '''Forex''' so you better prepare yourself for any losses.</div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=Forex_-_What_is_Forex_Trading&diff=7955Forex - What is Forex Trading2011-05-30T19:37:22Z<p>CameronNonAdmin: </p>
<hr />
<div>Can you make money without spending much effort or going out from the comfort of your home? This is just one of the questions that have been frequently ask by many people. The answer to this is '''foreign exchange''' which is also known as [http://www.forexinsider.co.uk/ forex]. Through this you will no longer have to go out from your home just to find some money to answer the needs of your family. You just have to know the ways on how to deal with this kind of money '''exchange''' thing. <br />
<br />
This kind of money-making is not as hard as you think it is because you will just have to buy a currency and '''exchange''' it for a higher amount. Lets just say that it is like a buy and sell thing. You just have to be familiar with the terms use in [http://www.forexinsider.co.uk/ forex] trading and you will sooner get along with. You just have to remember that there are also risk in '''Forex''' so you better prepare yourself for any losses.</div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=Forex_-_What_is_Forex_Trading&diff=7954Forex - What is Forex Trading2011-05-30T14:40:33Z<p>CameronNonAdmin: Created page with 'Can you make money without spending much effort or going out from the comfort of your home? This is just one of the questions that have been frequently ask by many people. The an…'</p>
<hr />
<div>Can you make money without spending much effort or going out from the comfort of your home? This is just one of the questions that have been frequently ask by many people. The answer to this is foreign exchange which is also known as '''[http://www.forexinsider.co.uk forex]'''. Through this you will no longer have to go out from your home just to find some money to answer the needs of your family. You just have to know the ways on how to deal with this kind of money exchange thing.<br />
<br />
This kind of money-making is not as hard as you think it is because you will just have to buy a currency and exchange it for a higher amount. Lets just say that it is like a buy and sell thing. You just have to be familiar with the terms use in forex trading and you will sooner get along with. You just have to remember that there are also risk in Forex so you better prepare yourself for any losses.</div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=2010:MIREX_HOME&diff=79532010:MIREX HOME2011-05-29T11:33:37Z<p>CameronNonAdmin: /* Tasks with a 2 July 2010 deadline: */</p>
<hr />
<div>==MIREX 2010 Deadline Dates==<br />
We have <b>very</b> tight scheduling constraints this year because of the early convening of ISMIR 2010 in Utrecht.<br />
<br />
We have two sets of deadlines for submissions. We have to stagger the deadlines because of runtime and human evaluation considerations.<br />
<br />
<br />
===Tasks with a '''25 June 2010''' deadline:===<br />
# Audio Classification (Train/Test) Tasks<br />
# Audio Music Similarity and Retrieval<br />
# Symbolic Melodic Similarity<br />
===Tasks with a '''2 July 2010''' deadline:===<br />
<br />
# All remaining MIREX 2010 tasks.<br />
<br />
[http://www.dissertationinn.co.uk/dissertation-writers/ Dissertation Writers]<br />
[http://www.dissertationinn.co.uk/dissertation-proposal/ Dissertation Proposal]<br />
[http://www.dissertationinn.co.uk/dissertation-service/ Dissertation Writing Service]<br />
[http://www.dissertationinn.co.uk/ Help With Dissertation]<br />
<br />
[http://www.merchantos.com/features/cloud-based-point-of-sale cloud point of sale]<br />
[http://www.dawnpowerdental.com/ Madera dentist]<br />
[http://www.outdoorfountains.com/ outdoor fountains]<br />
[http://www.diamondlinks.net/ Link Building]<br />
[http://www.discount-lenses.com/halloween-contact-lenses.php cheap halloween contacts]<br />
[http://go-go.rs/ Grcka Apartmani]<br />
<br />
<i><b>Nota Bene:</b> </i>In the past we have been rather flexible about deadlines. This year, however, we simply do not have the time flexibility, sorry.<br />
<br />
Please, please, please, let's start getting those submissions made. The sooner we have the code, the sooner we can start running the evaluations.<br />
<br />
PS: If you have a slower running algorithm, help us help you by getting your code in ASAP. Please do pay attention to runtime limits.<br />
<br />
==MIREX 2010 Submission Instructions==<br />
* Be sure to read through the rest of this page<br />
* Be sure to read though the task pages for which you are submitting<br />
* Be sure to follow the [[2009:Best Coding Practices for MIREX | Best Coding Practices for MIREX]]<br />
* Be sure to follow the [[2010:MIREX 2010 Submission Instructions | MIREX 2010 Submission Instructions ]] including both the tutorial video and the text<br />
<br />
<br />
===MIREX 2010 Evaluation Tasks===<br />
<br />
The IMIRSEL team at UIUC solicited proposals for evaluation tasks to be performed at the Music Information Retrieval Evaluation eXchange 2010 (MIREX 2010) and polled the community on their likelihood of participation in each task. A summary of the responses from the community is given below:<br />
<br />
Results as of Monday 24th May 2010:<br />
<br />
Total individual responses = 74<br />
<br />
<csv p=0>2010/poll/MIREX_Task_Participation_Poll.csv</csv><br />
<br />
Hence, the IMIRSEL team has decided to attempt the running of the following tasks at MIREX 2010:<br />
* [[2010:Audio Classification (Train/Test) Tasks]], incorporating:<br />
** Audio Artist Identification<br />
** Audio US Pop Genre Classification<br />
** Audio Latin Genre Classification<br />
** Audio Music Mood Classification<br />
** Audio Classical Composer Identification<br />
* [[2010:Audio Cover Song Identification]]<br />
* [[2010:Audio Tag Classification]] <br />
* [[2010:Audio Music Similarity and Retrieval]]<br />
* [[2010:Symbolic Melodic Similarity]]<br />
* [[2010:Audio Onset Detection]]<br />
* [[2010:Audio Key Detection]]<br />
* [[2010:Real-time Audio to Score Alignment (a.k.a Score Following)]]<br />
* [[2010:Query by Singing/Humming]]<br />
* [[2010:Audio Melody Extraction]]<br />
* [[2010:Multiple Fundamental Frequency Estimation & Tracking]]<br />
* [[2010:Audio Chord Estimation]]<br />
* [[2010:Query by Tapping]]<br />
* [[2010:Audio Beat Tracking]]<br />
* [[2010:Structural Segmentation]]<br />
* [[2010:Audio Tempo Estimation]]<br />
<br />
==== New 2010 Proposals ====<br />
* <strike>[[2010:Harmonic Analysis]]</strike><br />
<br />
<br />
===Projected dates===<br />
* 1st June 2010: MIREX submission system open<br />
* 25th June: Rolling MIREX submission system closures for the following tasks<br />
**Audio Classification (Train/Test) Tasks<br />
**Audio Music Similarity and Retrieval<br />
**Symbolic Melodic Similarity <br />
* 2nd July: Rolling MIREX submission system closures for all the remaining MIREX 2010 tasks. <br />
* 15th July 2010: MIREX results posting begins<br />
* 1st August 2010: All MIREX results posted (somewhat hopeful target date)<br />
* 2-6th August 2010: USMIR Summer School<br />
* 9-13th August 2010: ISMIR conference<br />
<br />
<br />
===Note to New Participants===<br />
Please take the time to read the following review article that explains the history and structure of MIREX.<br />
<br />
Downie, J. Stephen (2008). The Music Information Retrieval Evaluation Exchange (2005-2007):<br><br />
A window into music information retrieval research.''Acoustical Science and Technology 29'' (4): 247-255. <br><br />
Available at: [http://dx.doi.org/10.1250/ast.29.247 http://dx.doi.org/10.1250/ast.29.247]<br />
<br />
<br />
===Note to All Participants===<br />
Because MIREX is premised upon the sharing of ideas and results, '''ALL''' MIREX participants are expected to:<br />
<br />
# submit a DRAFT 2-3 page extended abstract PDF in the ISMIR format about the submitted programme(s) to help us and the community better understand how the algorithm works when submitting their programme(s).<br />
# submit a FINALIZED 2-3 page extended abstract PDF in the ISMIR format prior to ISMIR 2010 for posting on the respective results pages (sometimes the same abstract can be used for multiple submissions; in many cases the DRAFT and FINALIZED abstracts are the same)<br />
# present a poster at the MIREX 2010 poster session at ISMIR 2010 (Wednesday, 11 August 2010)<br />
<br />
<br />
===Software Dependency Requests===<br />
If you have not submitted to MIREX before or are unsure whether IMIRSEL/NEMA currently supports some of the software/architecture dependencies for your submission a [https://spreadsheets.google.com/embeddedform?formkey=dDltRjc4NDBDdkZiaF9qZXV0bU5ScUE6MA dependency request form is available]. Please submit details of your dependencies on this form and the IMIRSEL team will attempt to satisfy them for you. <span class="plainlinks">[http://www.fastcreditrepairletters.com/ <span style="color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;">Credit Repair</span>]<br />
<br />
Due to the high volume of submissions expected at MIREX 2010, submissions with difficult to satisfy dependencies that the team has not been given sufficient notice of may result in the submission being rejected. <span class="plainlinks">[http://www.fastcreditrepairletters.com/ <span style="color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;">Credit Repair Letters</span>]<br />
<br />
<br />
Finally, you will also be expected to detail your software/architecture dependencies in a README file to be provided to the submission system.<br />
<br />
<br />
==Getting Involved in MIREX 2010==<br />
MIREX is a community-based endeavour. Be a part of the community and help make MIREX 2010 the best yet. <br />
<br />
<br />
<br />
===Mailing List Participation===<br />
If you are interested in formal MIR evaluation, you should also subscribe to the <span class="plainlinks">[http://www.diamondlinks.net/ <span style="color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;">link building service</span>] "MIREX" (aka "EvalFest") mail list and participate in the community discussions about defining and running MIREX 2010 tasks. Subscription information at: <br />
[https://mail.lis.illinois.edu/mailman/listinfo/evalfest EvalFest Central]. <br />
<br />
If you are participating in MIREX 2010, it is VERY IMPORTANT that you are subscribed to EvalFest. Deadlines, task updates and other important information will be announced via this mailing list. Please use the EvalFest for discussion of MIREX task proposals and other MIREX related issues. This wiki (MIREX 2010 wiki) will be used to embody and disseminate task proposals, however, task related discussions should be conducted on the MIREX organization mailing list (EvalFest) rather than on this wiki, but should be summarized here. <br />
<br />
Where possible, definitions or example code for new evaluation metrics or tasks should be provided to the IMIRSEL team who will embody them in software as part of the NEMA analytics framework, which will be released to the community at or before ISMIR 2010 - providing a standardised set of interfaces and output to disciplined evaluation procedures for a great many MIR tasks.<br />
<br />
<br />
===Wiki Participation===<br />
'''''Please note that you may need to create a NEW login for this wiki even if you have a login that you previously used for editing the MIREX 2005, 2006, 2007, 2008 or 2009 wikis.'''''<br />
<br />
However, starting in 2010 the MIREX wikis have been merged so that logins will persist for future iterations of MIREX.<br />
<br />
<br />
Please create an account via: [[Special:Userlogin]].<br />
<br />
Please note that because of "spam-bots", MIREX wiki registration requests may be moderated by IMIRSEL members. It might take up to 24 hours for approval (Thank you for your patience!).<br />
<br />
<br />
<br />
==MIREX 2005 - 2009 Wikis==<br />
This is the new wiki for MIREX 2010. The wikis for MIREX 2005 - 2009 are available at:<br />
<br />
'''[[2009:Main_Page|MIREX 2009]]''' <br />
https://www.music-ir.org/mirex/2009/<br />
<br />
'''[[2008:Main_Page|MIREX 2008]]''' <br />
https://www.music-ir.org/mirex/2008/<br />
<br />
'''[[2007:Main_Page|MIREX 2007]]''' <br />
https://www.music-ir.org/mirex/2007/<br />
<br />
'''[[2006:Main_Page|MIREX 2006]]''' <br />
https://www.music-ir.org/mirex/2006/<br />
<br />
'''[[2005:Main_Page|MIREX 2005]]''' <br />
https://www.music-ir.org/mirex/2005/<br />
<br />
You can interlink between this wiki and the previous wikis using '''2005:''' prefix on links to connect to pages in MIREX 2005 and '''2006:''' for MIREX 2006 and '''2007:''' for MIREX 2007 and '''2008:''' for MIREX 2008 and '''2009:''' for MIREX 2009.<br />
<br />
===ISMIR 2004 Audio Description Contest===<br />
The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:<br />
<br />
<br />
'''[http://ismir2004.ismir.net/ISMIR_Contest.html| ISMIR 2004 Audio Description Contest]''' <br />
http://ismir2004.ismir.net/ISMIR_Contest.html<br />
<br />
The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:</div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=2010:MIREX_HOME&diff=79522010:MIREX HOME2011-05-29T10:19:14Z<p>CameronNonAdmin: </p>
<hr />
<div>==MIREX 2010 Deadline Dates==<br />
We have <b>very</b> tight scheduling constraints this year because of the early convening of ISMIR 2010 in Utrecht.<br />
<br />
We have two sets of deadlines for submissions. We have to stagger the deadlines because of runtime and human evaluation considerations.<br />
<br />
<br />
===Tasks with a '''25 June 2010''' deadline:===<br />
# Audio Classification (Train/Test) Tasks<br />
# Audio Music Similarity and Retrieval<br />
# Symbolic Melodic Similarity<br />
===Tasks with a '''2 July 2010''' deadline:===<br />
<br />
# All remaining MIREX 2010 tasks.<br />
<br />
[http://www.dissertationinn.co.uk/dissertation-writers/ Dissertation Writers]<br />
[http://www.dissertationinn.co.uk/dissertation-proposal/ Dissertation Proposal]<br />
[http://www.dissertationinn.co.uk/dissertation-service/ Dissertation Writing Service]<br />
[http://www.dissertationinn.co.uk/ Help With Dissertation]<br />
<br />
[http://www.dawnpowerdental.com/ Madera dentist]<br />
[http://www.outdoorfountains.com/ outdoor fountains]<br />
[http://www.diamondlinks.net/ Link Building]<br />
[http://www.discount-lenses.com/halloween-contact-lenses.php cheap halloween contacts]<br />
[http://go-go.rs/ Grcka Apartmani]<br />
<br />
<i><b>Nota Bene:</b> </i>In the past we have been rather flexible about deadlines. This year, however, we simply do not have the time flexibility, sorry.<br />
<br />
Please, please, please, let's start getting those submissions made. The sooner we have the code, the sooner we can start running the evaluations.<br />
<br />
PS: If you have a slower running algorithm, help us help you by getting your code in ASAP. Please do pay attention to runtime limits.<br />
<br />
==MIREX 2010 Submission Instructions==<br />
* Be sure to read through the rest of this page<br />
* Be sure to read though the task pages for which you are submitting<br />
* Be sure to follow the [[2009:Best Coding Practices for MIREX | Best Coding Practices for MIREX]]<br />
* Be sure to follow the [[2010:MIREX 2010 Submission Instructions | MIREX 2010 Submission Instructions ]] including both the tutorial video and the text<br />
<br />
<br />
===MIREX 2010 Evaluation Tasks===<br />
<br />
The IMIRSEL team at UIUC solicited proposals for evaluation tasks to be performed at the Music Information Retrieval Evaluation eXchange 2010 (MIREX 2010) and polled the community on their likelihood of participation in each task. A summary of the responses from the community is given below:<br />
<br />
Results as of Monday 24th May 2010:<br />
<br />
Total individual responses = 74<br />
<br />
<csv p=0>2010/poll/MIREX_Task_Participation_Poll.csv</csv><br />
<br />
Hence, the IMIRSEL team has decided to attempt the running of the following tasks at MIREX 2010:<br />
* [[2010:Audio Classification (Train/Test) Tasks]], incorporating:<br />
** Audio Artist Identification<br />
** Audio US Pop Genre Classification<br />
** Audio Latin Genre Classification<br />
** Audio Music Mood Classification<br />
** Audio Classical Composer Identification<br />
* [[2010:Audio Cover Song Identification]]<br />
* [[2010:Audio Tag Classification]] <br />
* [[2010:Audio Music Similarity and Retrieval]]<br />
* [[2010:Symbolic Melodic Similarity]]<br />
* [[2010:Audio Onset Detection]]<br />
* [[2010:Audio Key Detection]]<br />
* [[2010:Real-time Audio to Score Alignment (a.k.a Score Following)]]<br />
* [[2010:Query by Singing/Humming]]<br />
* [[2010:Audio Melody Extraction]]<br />
* [[2010:Multiple Fundamental Frequency Estimation & Tracking]]<br />
* [[2010:Audio Chord Estimation]]<br />
* [[2010:Query by Tapping]]<br />
* [[2010:Audio Beat Tracking]]<br />
* [[2010:Structural Segmentation]]<br />
* [[2010:Audio Tempo Estimation]]<br />
<br />
==== New 2010 Proposals ====<br />
* <strike>[[2010:Harmonic Analysis]]</strike><br />
<br />
<br />
===Projected dates===<br />
* 1st June 2010: MIREX submission system open<br />
* 25th June: Rolling MIREX submission system closures for the following tasks<br />
**Audio Classification (Train/Test) Tasks<br />
**Audio Music Similarity and Retrieval<br />
**Symbolic Melodic Similarity <br />
* 2nd July: Rolling MIREX submission system closures for all the remaining MIREX 2010 tasks. <br />
* 15th July 2010: MIREX results posting begins<br />
* 1st August 2010: All MIREX results posted (somewhat hopeful target date)<br />
* 2-6th August 2010: USMIR Summer School<br />
* 9-13th August 2010: ISMIR conference<br />
<br />
<br />
===Note to New Participants===<br />
Please take the time to read the following review article that explains the history and structure of MIREX.<br />
<br />
Downie, J. Stephen (2008). The Music Information Retrieval Evaluation Exchange (2005-2007):<br><br />
A window into music information retrieval research.''Acoustical Science and Technology 29'' (4): 247-255. <br><br />
Available at: [http://dx.doi.org/10.1250/ast.29.247 http://dx.doi.org/10.1250/ast.29.247]<br />
<br />
<br />
===Note to All Participants===<br />
Because MIREX is premised upon the sharing of ideas and results, '''ALL''' MIREX participants are expected to:<br />
<br />
# submit a DRAFT 2-3 page extended abstract PDF in the ISMIR format about the submitted programme(s) to help us and the community better understand how the algorithm works when submitting their programme(s).<br />
# submit a FINALIZED 2-3 page extended abstract PDF in the ISMIR format prior to ISMIR 2010 for posting on the respective results pages (sometimes the same abstract can be used for multiple submissions; in many cases the DRAFT and FINALIZED abstracts are the same)<br />
# present a poster at the MIREX 2010 poster session at ISMIR 2010 (Wednesday, 11 August 2010)<br />
<br />
<br />
===Software Dependency Requests===<br />
If you have not submitted to MIREX before or are unsure whether IMIRSEL/NEMA currently supports some of the software/architecture dependencies for your submission a [https://spreadsheets.google.com/embeddedform?formkey=dDltRjc4NDBDdkZiaF9qZXV0bU5ScUE6MA dependency request form is available]. Please submit details of your dependencies on this form and the IMIRSEL team will attempt to satisfy them for you. <span class="plainlinks">[http://www.fastcreditrepairletters.com/ <span style="color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;">Credit Repair</span>]<br />
<br />
Due to the high volume of submissions expected at MIREX 2010, submissions with difficult to satisfy dependencies that the team has not been given sufficient notice of may result in the submission being rejected. <span class="plainlinks">[http://www.fastcreditrepairletters.com/ <span style="color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;">Credit Repair Letters</span>]<br />
<br />
<br />
Finally, you will also be expected to detail your software/architecture dependencies in a README file to be provided to the submission system.<br />
<br />
<br />
==Getting Involved in MIREX 2010==<br />
MIREX is a community-based endeavour. Be a part of the community and help make MIREX 2010 the best yet. <br />
<br />
<br />
<br />
===Mailing List Participation===<br />
If you are interested in formal MIR evaluation, you should also subscribe to the <span class="plainlinks">[http://www.diamondlinks.net/ <span style="color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;">link building service</span>] "MIREX" (aka "EvalFest") mail list and participate in the community discussions about defining and running MIREX 2010 tasks. Subscription information at: <br />
[https://mail.lis.illinois.edu/mailman/listinfo/evalfest EvalFest Central]. <br />
<br />
If you are participating in MIREX 2010, it is VERY IMPORTANT that you are subscribed to EvalFest. Deadlines, task updates and other important information will be announced via this mailing list. Please use the EvalFest for discussion of MIREX task proposals and other MIREX related issues. This wiki (MIREX 2010 wiki) will be used to embody and disseminate task proposals, however, task related discussions should be conducted on the MIREX organization mailing list (EvalFest) rather than on this wiki, but should be summarized here. <br />
<br />
Where possible, definitions or example code for new evaluation metrics or tasks should be provided to the IMIRSEL team who will embody them in software as part of the NEMA analytics framework, which will be released to the community at or before ISMIR 2010 - providing a standardised set of interfaces and output to disciplined evaluation procedures for a great many MIR tasks.<br />
<br />
<br />
===Wiki Participation===<br />
'''''Please note that you may need to create a NEW login for this wiki even if you have a login that you previously used for editing the MIREX 2005, 2006, 2007, 2008 or 2009 wikis.'''''<br />
<br />
However, starting in 2010 the MIREX wikis have been merged so that logins will persist for future iterations of MIREX.<br />
<br />
<br />
Please create an account via: [[Special:Userlogin]].<br />
<br />
Please note that because of "spam-bots", MIREX wiki registration requests may be moderated by IMIRSEL members. It might take up to 24 hours for approval (Thank you for your patience!).<br />
<br />
<br />
<br />
==MIREX 2005 - 2009 Wikis==<br />
This is the new wiki for MIREX 2010. The wikis for MIREX 2005 - 2009 are available at:<br />
<br />
'''[[2009:Main_Page|MIREX 2009]]''' <br />
https://www.music-ir.org/mirex/2009/<br />
<br />
'''[[2008:Main_Page|MIREX 2008]]''' <br />
https://www.music-ir.org/mirex/2008/<br />
<br />
'''[[2007:Main_Page|MIREX 2007]]''' <br />
https://www.music-ir.org/mirex/2007/<br />
<br />
'''[[2006:Main_Page|MIREX 2006]]''' <br />
https://www.music-ir.org/mirex/2006/<br />
<br />
'''[[2005:Main_Page|MIREX 2005]]''' <br />
https://www.music-ir.org/mirex/2005/<br />
<br />
You can interlink between this wiki and the previous wikis using '''2005:''' prefix on links to connect to pages in MIREX 2005 and '''2006:''' for MIREX 2006 and '''2007:''' for MIREX 2007 and '''2008:''' for MIREX 2008 and '''2009:''' for MIREX 2009.<br />
<br />
===ISMIR 2004 Audio Description Contest===<br />
The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:<br />
<br />
<br />
'''[http://ismir2004.ismir.net/ISMIR_Contest.html| ISMIR 2004 Audio Description Contest]''' <br />
http://ismir2004.ismir.net/ISMIR_Contest.html<br />
<br />
The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:</div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=2010:Multiple_Fundamental_Frequency_Estimation_%26_Tracking&diff=79512010:Multiple Fundamental Frequency Estimation & Tracking2011-05-26T12:58:00Z<p>CameronNonAdmin: /* Submission closing date */</p>
<hr />
<div>==Description==<br />
<br />
That a complex music signal can be represented by the F0 contours of its constituent sources is a very useful concept for most music information retrieval systems. There have been many attempts at multiple (aka polyphonic) F0 estimation and melody extraction, a related area. The goal of multiple F0 estimation and tracking is to identify the active F0s in each time frame and to track notes and timbres continuously in a complex music signal. In this task, we would like to evaluate state-of-the-art multiple-F0 estimation and tracking algorithms. Since F0 tracking of all sources in a complex audio mixture can be very hard, we are restricting the problem to 3 cases:<br />
<br />
# Estimate active fundamental frequencies on a frame-by-frame basis.<br />
# Track note contours on a continuous time basis. (as in audio-to-midi). This task will also include a piano transcription sub task.<br />
# Track timbre on a continous time basis. [http://supremedissertation.co.uk/ Phd Dissertation]<br />
<br />
<br />
<br />
<br />
=== Task Specific Mailing List ===<br />
please add your name and email address here and also please sign up for the Multi-F0 mail list:<br />
[https://mail.lis.uiuc.edu/mailman/listinfo/mrx-com03 Multi-F0 Estimation Tracking email list]<br />
<br />
==Data==<br />
The 2009 Multi-F0 dataset will be reused, which is composed of:<br />
* A woodwind quintet transcription of the fifth variation from L. van Beethoven's Variations for String Quartet Op.18 No. 5. Each part (flute, oboe, clarinet, horn, or bassoon) was recorded separately while the performer listened to the other parts (recorded previously) through headphones. Later the parts were mixed to a monaural 44.1kHz/16bits file.<br />
* Synthesized pieces using RWC MIDI and RWC samples. Includes pieces from Classical and Jazz collections. Polyphony changes from 1 to 4 sources.<br />
* Polyphonic piano recordings generated using a disklavier playback piano.<br />
<br />
There are:<br />
* 6, 30-sec clips for each polyphony (2-3-4-5) for a total of 30 examples, <br />
* 10 30-sec polyphonic piano clips. <br />
<br />
<br />
=== Development Dataset ===<br />
A development dataset can be found at:<br />
[https://www.music-ir.org/evaluation/MIREX/data/2007/multiF0/index.htm Development Set for MIREX 2007 MultiF0 Estimation Tracking Task]. <br />
<br />
Send an email to [mailto:mertbay@uiuc.edu mertbay@uiuc.edu] for the username and password.<br />
<br />
<br />
==Evaluation==<br />
<br />
This year, We would like to discuss different evaluation methods. From last year`s result, it can be seen that on note tracking, algorithms performed poorly when evaluated using note offsets. Below is the evaluation methods we used last year: <br />
<br />
For Task 1 (frame level evaluation), systems will report the number of active pitches every 10ms. Precision (the portion of correct retrieved pitches for all pitches retrieved for each frame) and Recall (the ratio of correct pitches to all ground truth pitches for each frame) will be reported. A Returned Pitch is assumed to be correct if it is within a half semitone (+ - 3%) of a ground-truth pitch for that frame. Only one ground-truth pitch can be associated with each Returned Pitch.<br />
Also as suggested, an error score as described in [http://www.hindawi.com/GetArticle.aspx?doi=10.1155/2007/48317 Poliner and Ellis p.g. 5 ] will be calculated. <br />
The frame level ground truth will be calculated by [http://www.ircam.fr/pcm/cheveign/sw/yin.zip YIN] and hand corrected.<br />
<br />
For Task 2 (note tracking), again Precision (the ratio of correctly transcribed ground truth notes to the number of ground truth notes for that input clip) and Recall (ratio of correctly transcribed ground truth notes to the number of transcribed notes) will be reported. A ground truth note is assumed to be correctly transcribed if the system returns a note that is within a half semitone (+ - 3%) of that note AND the returned note`s onset is within a 100ms range( + - 50ms) of the onset of the ground truth note, and its offset is within 20% range of the ground truth note`s offset. Again, one ground truth note can only be associated with one transcribed note.<br />
<br />
The ground truth for this task will be annotated by hand. An amplitude threshold relative to the file/instrument will be determined. Note onset is going to be set to the time where its amplitude rises higher than the threshold and the offset is going to be set to the the time where the note`s amplitude decays lower than the threshold. The ground truth is going to be set as the average F0 between the onset and the offset of the note.<br />
In the case of legato, the onset/offset is going to be set to the time where the F0 deviates more than 3% of the average F0 through out the the note up to that point. There is not going to be any vibrato larger than a half semitone in the test data.<br />
<br />
Different statistics can also be reported if agreed by the participants.<br />
<br />
== Submission Format ==<br />
<br />
=== Audio Format ===<br />
The audio files are encoded as 44.1kHz / 16 bit WAV files. <br />
<br />
<br />
=== Command line calling format ===<br />
Submissions have to conform to the specified format below:<br />
<br />
''doMultiF0 "path/to/file.wav" "path/to/output/file.F0" ''<br />
<br />
where: <br />
* path/to/file.wav: Path to the input audio file.<br />
* path/to/output/file.F0: The output file. <br />
<br />
Programs can use their working directory if they need to keep temporary cache files or internal debuggin info. Stdout and stderr will be logged.<br />
<br />
<br />
=== I/O format ===<br />
For each task, the format of the output file is going to be different:<br />
<br />
For the first task, F0-estimation on frame basis, the output will be a file where each row has a time stamp and a number of active F0s in that frame, separated by a tab for every 10ms increments. <br />
<br />
Example :<br />
''time F01 F02 F03 ''<br />
''time F01 F02 F03 F04''<br />
''time ... ... ... ...''<br />
<br />
which might look like:<br />
<br />
''0.78 146.83 220.00 349.23''<br />
''0.79 349.23 146.83 369.99 220.00 ''<br />
''0.80 ... ... ... ...''<br />
<br />
<br />
For the second task, for each row, the file should contain the onset, offset and the F0 of each note event separated by a tab, ordered in terms of onset times:<br />
<br />
onset offset F01<br />
onset offset F02<br />
... ... ...<br />
<br />
which might look like:<br />
<br />
0.68 1.20 349.23<br />
0.72 1.02 220.00<br />
... ... ...<br />
<br />
<br />
=== Packaging submissions ===<br />
All submissions should be statically linked to all libraries (the presence of dynamically linked libraries cannot be guarenteed).<br />
<br />
All submissions should include a README file including the following the information:<br />
<br />
* Command line calling format for all executables and an example formatted set of commands<br />
* Number of threads/cores used or whether this should be specified on the command line<br />
* Expected memory footprint<br />
* Expected runtime<br />
* Any required environments (and versions), e.g. python, java, bash, matlab.<br />
<br />
<br />
== Time and hardware limits ==<br />
Due to the potentially high number of particpants in this and other audio tasks,<br />
hard limits on the runtime of submissions are specified. <br />
<br />
A hard limit of 24 hours will be imposed on runs. Submissions that exceed this runtime may not receive a result.<br />
<br />
<br />
== Submission opening date ==<br />
<br />
Friday 4th June 2010<br />
<br />
== Submission closing date ==<br />
End now<br />
-<br />
* [http://www.logoinn.com/ Logo Design]<br />
* [http://www.customwrittenpaper.com/ Essay Writing Help] TBA</div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=2010:MIREX_HOME&diff=79502010:MIREX HOME2011-05-26T01:53:36Z<p>CameronNonAdmin: /* Tasks with a 2 July 2010 deadline: */</p>
<hr />
<div>==MIREX 2010 Deadline Dates==<br />
We have <b>very</b> tight scheduling constraints this year because of the early convening of ISMIR 2010 in Utrecht.<br />
<br />
We have two sets of deadlines for submissions. We have to stagger the deadlines because of runtime and human evaluation considerations.<br />
<br />
<br />
===Tasks with a '''25 June 2010''' deadline:===<br />
# Audio Classification (Train/Test) Tasks<br />
# Audio Music Similarity and Retrieval<br />
# Symbolic Melodic Similarity<br />
===Tasks with a '''2 July 2010''' deadline:===<br />
<br />
# All remaining MIREX 2010 tasks.<br />
<br />
[http://www.dissertationinn.co.uk/dissertation-writers/ Dissertation Writers]<br />
[http://www.dissertationinn.co.uk/dissertation-proposal/ Dissertation Proposal]<br />
[http://www.dissertationinn.co.uk/dissertation-service/ Dissertation Writing Service]<br />
[http://www.dissertationinn.co.uk/ Help With Dissertation]<br />
<br />
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[http://www.diamondlinks.net/ Link Building]<br />
[http://www.discount-lenses.com/halloween-contact-lenses.php cheap halloween contacts]<br />
<br />
<i><b>Nota Bene:</b> </i>In the past we have been rather flexible about deadlines. This year, however, we simply do not have the time flexibility, sorry.<br />
<br />
Please, please, please, let's start getting those submissions made. The sooner we have the code, the sooner we can start running the evaluations.<br />
<br />
PS: If you have a slower running algorithm, help us help you by getting your code in ASAP. Please do pay attention to runtime limits.<br />
<br />
==MIREX 2010 Submission Instructions==<br />
* Be sure to read through the rest of this page<br />
* Be sure to read though the task pages for which you are submitting<br />
* Be sure to follow the [[2009:Best Coding Practices for MIREX | Best Coding Practices for MIREX]]<br />
* Be sure to follow the [[2010:MIREX 2010 Submission Instructions | MIREX 2010 Submission Instructions ]] including both the tutorial video and the text<br />
<br />
<br />
===MIREX 2010 Evaluation Tasks===<br />
<br />
The IMIRSEL team at UIUC solicited proposals for evaluation tasks to be performed at the Music Information Retrieval Evaluation eXchange 2010 (MIREX 2010) and polled the community on their likelihood of participation in each task. A summary of the responses from the community is given below:<br />
<br />
Results as of Monday 24th May 2010:<br />
<br />
Total individual responses = 74<br />
<br />
<csv p=0>2010/poll/MIREX_Task_Participation_Poll.csv</csv><br />
<br />
Hence, the IMIRSEL team has decided to attempt the running of the following tasks at MIREX 2010:<br />
* [[2010:Audio Classification (Train/Test) Tasks]], incorporating:<br />
** Audio Artist Identification<br />
** Audio US Pop Genre Classification<br />
** Audio Latin Genre Classification<br />
** Audio Music Mood Classification<br />
** Audio Classical Composer Identification<br />
* [[2010:Audio Cover Song Identification]]<br />
* [[2010:Audio Tag Classification]] <br />
* [[2010:Audio Music Similarity and Retrieval]]<br />
* [[2010:Symbolic Melodic Similarity]]<br />
* [[2010:Audio Onset Detection]]<br />
* [[2010:Audio Key Detection]]<br />
* [[2010:Real-time Audio to Score Alignment (a.k.a Score Following)]]<br />
* [[2010:Query by Singing/Humming]]<br />
* [[2010:Audio Melody Extraction]]<br />
* [[2010:Multiple Fundamental Frequency Estimation & Tracking]]<br />
* [[2010:Audio Chord Estimation]]<br />
* [[2010:Query by Tapping]]<br />
* [[2010:Audio Beat Tracking]]<br />
* [[2010:Structural Segmentation]]<br />
* [[2010:Audio Tempo Estimation]]<br />
<br />
==== New 2010 Proposals ====<br />
* <strike>[[2010:Harmonic Analysis]]</strike><br />
<br />
<br />
===Projected dates===<br />
* 1st June 2010: MIREX submission system open<br />
* 25th June: Rolling MIREX submission system closures for the following tasks<br />
**Audio Classification (Train/Test) Tasks<br />
**Audio Music Similarity and Retrieval<br />
**Symbolic Melodic Similarity <br />
* 2nd July: Rolling MIREX submission system closures for all the remaining MIREX 2010 tasks. <br />
* 15th July 2010: MIREX results posting begins<br />
* 1st August 2010: All MIREX results posted (somewhat hopeful target date)<br />
* 2-6th August 2010: USMIR Summer School<br />
* 9-13th August 2010: ISMIR conference<br />
<br />
<br />
===Note to New Participants===<br />
Please take the time to read the following review article that explains the history and structure of MIREX.<br />
<br />
Downie, J. Stephen (2008). The Music Information Retrieval Evaluation Exchange (2005-2007):<br><br />
A window into music information retrieval research.''Acoustical Science and Technology 29'' (4): 247-255. <br><br />
Available at: [http://dx.doi.org/10.1250/ast.29.247 http://dx.doi.org/10.1250/ast.29.247]<br />
<br />
<br />
===Note to All Participants===<br />
Because MIREX is premised upon the sharing of ideas and results, '''ALL''' MIREX participants are expected to:<br />
<br />
# submit a DRAFT 2-3 page extended abstract PDF in the ISMIR format about the submitted programme(s) to help us and the community better understand how the algorithm works when submitting their programme(s).<br />
# submit a FINALIZED 2-3 page extended abstract PDF in the ISMIR format prior to ISMIR 2010 for posting on the respective results pages (sometimes the same abstract can be used for multiple submissions; in many cases the DRAFT and FINALIZED abstracts are the same)<br />
# present a poster at the MIREX 2010 poster session at ISMIR 2010 (Wednesday, 11 August 2010)<br />
<br />
<br />
===Software Dependency Requests===<br />
If you have not submitted to MIREX before or are unsure whether IMIRSEL/NEMA currently supports some of the software/architecture dependencies for your submission a [https://spreadsheets.google.com/embeddedform?formkey=dDltRjc4NDBDdkZiaF9qZXV0bU5ScUE6MA dependency request form is available]. Please submit details of your dependencies on this form and the IMIRSEL team will attempt to satisfy them for you. <span class="plainlinks">[http://www.fastcreditrepairletters.com/ <span style="color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;">Credit Repair</span>]<br />
<br />
Due to the high volume of submissions expected at MIREX 2010, submissions with difficult to satisfy dependencies that the team has not been given sufficient notice of may result in the submission being rejected. <span class="plainlinks">[http://www.fastcreditrepairletters.com/ <span style="color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;">Credit Repair Letters</span>]<br />
<br />
<br />
Finally, you will also be expected to detail your software/architecture dependencies in a README file to be provided to the submission system.<br />
<br />
<br />
==Getting Involved in MIREX 2010==<br />
MIREX is a community-based endeavour. Be a part of the community and help make MIREX 2010 the best yet. <br />
<br />
<br />
<br />
===Mailing List Participation===<br />
If you are interested in formal MIR evaluation, you should also subscribe to the <span class="plainlinks">[http://www.diamondlinks.net/ <span style="color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;">link building service</span>] "MIREX" (aka "EvalFest") mail list and participate in the community discussions about defining and running MIREX 2010 tasks. Subscription information at: <br />
[https://mail.lis.illinois.edu/mailman/listinfo/evalfest EvalFest Central]. <br />
<br />
If you are participating in MIREX 2010, it is VERY IMPORTANT that you are subscribed to EvalFest. Deadlines, task updates and other important information will be announced via this mailing list. Please use the EvalFest for discussion of MIREX task proposals and other MIREX related issues. This wiki (MIREX 2010 wiki) will be used to embody and disseminate task proposals, however, task related discussions should be conducted on the MIREX organization mailing list (EvalFest) rather than on this wiki, but should be summarized here. <br />
<br />
Where possible, definitions or example code for new evaluation metrics or tasks should be provided to the IMIRSEL team who will embody them in software as part of the NEMA analytics framework, which will be released to the community at or before ISMIR 2010 - providing a standardised set of interfaces and output to disciplined evaluation procedures for a great many MIR tasks.<br />
<br />
<br />
===Wiki Participation===<br />
'''''Please note that you may need to create a NEW login for this wiki even if you have a login that you previously used for editing the MIREX 2005, 2006, 2007, 2008 or 2009 wikis.'''''<br />
<br />
However, starting in 2010 the MIREX wikis have been merged so that logins will persist for future iterations of MIREX.<br />
<br />
<br />
Please create an account via: [[Special:Userlogin]].<br />
<br />
Please note that because of "spam-bots", MIREX wiki registration requests may be moderated by IMIRSEL members. It might take up to 24 hours for approval (Thank you for your patience!).<br />
<br />
<br />
<br />
==MIREX 2005 - 2009 Wikis==<br />
This is the new wiki for MIREX 2010. The wikis for MIREX 2005 - 2009 are available at:<br />
<br />
'''[[2009:Main_Page|MIREX 2009]]''' <br />
https://www.music-ir.org/mirex/2009/<br />
<br />
'''[[2008:Main_Page|MIREX 2008]]''' <br />
https://www.music-ir.org/mirex/2008/<br />
<br />
'''[[2007:Main_Page|MIREX 2007]]''' <br />
https://www.music-ir.org/mirex/2007/<br />
<br />
'''[[2006:Main_Page|MIREX 2006]]''' <br />
https://www.music-ir.org/mirex/2006/<br />
<br />
'''[[2005:Main_Page|MIREX 2005]]''' <br />
https://www.music-ir.org/mirex/2005/<br />
<br />
You can interlink between this wiki and the previous wikis using '''2005:''' prefix on links to connect to pages in MIREX 2005 and '''2006:''' for MIREX 2006 and '''2007:''' for MIREX 2007 and '''2008:''' for MIREX 2008 and '''2009:''' for MIREX 2009.<br />
<br />
===ISMIR 2004 Audio Description Contest===<br />
The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:<br />
<br />
<br />
'''[http://ismir2004.ismir.net/ISMIR_Contest.html| ISMIR 2004 Audio Description Contest]''' <br />
http://ismir2004.ismir.net/ISMIR_Contest.html<br />
<br />
The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:</div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=2010:Audio_Chord_Estimationphp/Ways_To_Avoid_Shopping_Cart_Robbery_or_Reduction&diff=79492010:Audio Chord Estimationphp/Ways To Avoid Shopping Cart Robbery or Reduction2011-05-25T05:37:54Z<p>CameronNonAdmin: Ways To Avoid Shopping Cart Robbery or Reduction</p>
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Use purchasing carts with automated lock. The automated lock process would make utilization of a wireless connection that specifies should the merchandise being wheeled out of the retail outlet continues to be paid. If the method determines it will be unpaid, the connection will deliver signals towards the '''shopping cart software''' and automatically lock them, preventing the cart from going over and above the pre-specified boundary.<br />
Use browsing carts with alarm. Aside from the carts with automated wheel lock method, you may also make use of carts with alarm. The alarm will buzz once the looking cart with unpaid merchandise passes by way of the boundary. The alarm is useful in calling the interest from the shop workers and can make them quick to reply to a possible shoplifting.<br />
Attach poles around the buying carts. Considering that of these poles, buying carts can't depart the store. This in due course discourages pushout theft and prevents buying cart loss. Even though poles benefit store-owners, they can be relatively disadvantageous to consumers. This really is given that prospects ought to manually carry their buys in the shop to their vehicle.<br />
Make use of sensor technologies. You will discover several sensor technologies you can actually employ in the retailer. You may, for example, use tags, that can make an alarm sound when the unpaid merchandise reaches the store�s exit level. These tags are locked on the merchandise and won�t arrive off except if the merchandise is paid. Apart from stopping the actual pushout theft, sensor technologies avert an try. This is mainly because shoplifters will more than likely not get an merchandise which could be detected and will draw consideration to their selves.<br />
<br />
For those who have these theft prevention schemes, you are able to significantly minimize theft cases as part of your store. Contemplating your shop is safeguarded, both small-time shoplifters and organized groups will refrain from going for your retail store.<br />
[[Image : onlineshop2.jpg]]</div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=2010:Audio_Chord_Estimationphp/Ways_To_Build_an_internet_based_E-commerce_Software&diff=79482010:Audio Chord Estimationphp/Ways To Build an internet based E-commerce Software2011-05-24T21:34:14Z<p>CameronNonAdmin: Ways To Build an internet based E-commerce Software</p>
<hr />
<div>A web-based purchasing cart is surely an World wide web company component where you use a virtual cart to offer and method all your products and companies. The process is extremely just like a grocery or department store. You choose a products that you just want to obtain after which you place it within a procuring cart! Only this time, you might be doing it within the virtual community. Amazing, isn't it? This individual aspect will even preserve all your picked merchandise inside the event which you want to depart the site. Any time you arrive back, many of the services that you have set during the cart are even now there. It can be genuinely a time saver! This is the reason quite a few internet outlets choose to produce an online searching cart. It basically may make it simplier and easier for all World-wide-web buyers! Read through on to learn much more about the best way to set it up.<br />
<br />
Consider some different '''shopping cart software''' or organizations in the Online. Websites like eCommerce, Style and design Cart and PayPal are perfect for all newcomers. On the web '''shopping cart software''' could be downloaded absolutely free. Then again, these type of packages have some limits. If your web-site is by now established and you have a regular incoming customers, you might desire to invest in very good, large quality software that could accommodate all your requirements. Having said that, it is crucial you uncover the proper business for you. For tiny businesses, obtaining an economical purchasing cart might be great. These application have distinctive ranges of memberships so be sure you pick out pretty wisely.<br />
Whenever you by now know which '''[http://onlineshop011.unblog.fr/2011/05/20/shy-people-enjoylike-purchasing-products-from-online-shop/ online shop software]''' you might be very likely to employ, you have to sign-up on their web site. This will assure the exclusivity and safety of their provider to you. You must give your company's specifics, your business' banking particulars plus the like. It is so they can deposit all solutions rendered for your account promptly. You might also be needing a username, password along with a functioning email deal with for confirmation.<br />
Customize your looking cart. Start getting into each of the products' info, charges, discount rates, promos, and so forth. You have to input all these details on the cart's website. A type will be offered so just examine and adhere to the instructions. You can get shopping cart software that allow you to decide upon your own layouts, templates, designs and shades.<br />
Lastly, you are able to now add your recently constructed shopping cart to your private webpage. An HTML code could be give on the looking cart's web page. All you have to undertake is to copy the whole code and paste it to any of one's chosen location in your web-site. Yet another way to do this should be to add a website link. When clicked, you can expect to automatically visit the '''[http://onlineshop011.unblog.fr/2011/05/20/shy-people-enjoylike-purchasing-products-from-online-shop/ online shop software]'''.<br />
<br />
See how extremely easy it really is to setup your especially own on-line procuring cart? It truly is so uncomplicated that virtually everyone can try this! Include to cart buttons can give your site and your business just a little edge from other on the internet companies. This element may make all your clients particularly pleased all the time! Now launch subsequent these rather painless steps and your small business will soon flourish. Excellent luck and don't overlook to have entertaining!<br />
[[Image : onlineshop5.jpg]]</div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=2010:MIREX_HOME&diff=79472010:MIREX HOME2011-05-24T13:48:14Z<p>CameronNonAdmin: /* Tasks with a 2 July 2010 deadline: */</p>
<hr />
<div>==MIREX 2010 Deadline Dates==<br />
We have <b>very</b> tight scheduling constraints this year because of the early convening of ISMIR 2010 in Utrecht.<br />
<br />
We have two sets of deadlines for submissions. We have to stagger the deadlines because of runtime and human evaluation considerations.<br />
<br />
<br />
===Tasks with a '''25 June 2010''' deadline:===<br />
# Audio Classification (Train/Test) Tasks<br />
# Audio Music Similarity and Retrieval<br />
# Symbolic Melodic Similarity<br />
===Tasks with a '''2 July 2010''' deadline:===<br />
<br />
# All remaining MIREX 2010 tasks.<br />
<br />
[http://www.dissertationinn.co.uk/dissertation-writers/ Dissertation Writers]<br />
[http://www.dissertationinn.co.uk/dissertation-proposal/ Dissertation Proposal]<br />
[http://www.dissertationinn.co.uk/dissertation-service/ Dissertation Writing Service]<br />
[http://www.dissertationinn.co.uk/ Help With Dissertation]<br />
<br />
[http://www.dawnpowerdental.com/ Madera dentist]<br />
[http://www.outdoorfountains.com/ outdoor fountains]<br />
<br />
<br />
<i><b>Nota Bene:</b> </i>In the past we have been rather flexible about deadlines. This year, however, we simply do not have the time flexibility, sorry.<br />
<br />
Please, please, please, let's start getting those submissions made. The sooner we have the code, the sooner we can start running the evaluations.<br />
<br />
PS: If you have a slower running algorithm, help us help you by getting your code in ASAP. Please do pay attention to runtime limits.<br />
<br />
==MIREX 2010 Submission Instructions==<br />
* Be sure to read through the rest of this page<br />
* Be sure to read though the task pages for which you are submitting<br />
* Be sure to follow the [[2009:Best Coding Practices for MIREX | Best Coding Practices for MIREX]]<br />
* Be sure to follow the [[2010:MIREX 2010 Submission Instructions | MIREX 2010 Submission Instructions ]] including both the tutorial video and the text<br />
<br />
<br />
===MIREX 2010 Evaluation Tasks===<br />
<br />
The IMIRSEL team at UIUC solicited proposals for evaluation tasks to be performed at the Music Information Retrieval Evaluation eXchange 2010 (MIREX 2010) and polled the community on their likelihood of participation in each task. A summary of the responses from the community is given below:<br />
<br />
Results as of Monday 24th May 2010:<br />
<br />
Total individual responses = 74<br />
<br />
<csv p=0>2010/poll/MIREX_Task_Participation_Poll.csv</csv><br />
<br />
Hence, the IMIRSEL team has decided to attempt the running of the following tasks at MIREX 2010:<br />
* [[2010:Audio Classification (Train/Test) Tasks]], incorporating:<br />
** Audio Artist Identification<br />
** Audio US Pop Genre Classification<br />
** Audio Latin Genre Classification<br />
** Audio Music Mood Classification<br />
** Audio Classical Composer Identification<br />
* [[2010:Audio Cover Song Identification]]<br />
* [[2010:Audio Tag Classification]] <br />
* [[2010:Audio Music Similarity and Retrieval]]<br />
* [[2010:Symbolic Melodic Similarity]]<br />
* [[2010:Audio Onset Detection]]<br />
* [[2010:Audio Key Detection]]<br />
* [[2010:Real-time Audio to Score Alignment (a.k.a Score Following)]]<br />
* [[2010:Query by Singing/Humming]]<br />
* [[2010:Audio Melody Extraction]]<br />
* [[2010:Multiple Fundamental Frequency Estimation & Tracking]]<br />
* [[2010:Audio Chord Estimation]]<br />
* [[2010:Query by Tapping]]<br />
* [[2010:Audio Beat Tracking]]<br />
* [[2010:Structural Segmentation]]<br />
* [[2010:Audio Tempo Estimation]]<br />
<br />
==== New 2010 Proposals ====<br />
* <strike>[[2010:Harmonic Analysis]]</strike><br />
<br />
<br />
===Projected dates===<br />
* 1st June 2010: MIREX submission system open<br />
* 25th June: Rolling MIREX submission system closures for the following tasks<br />
**Audio Classification (Train/Test) Tasks<br />
**Audio Music Similarity and Retrieval<br />
**Symbolic Melodic Similarity <br />
* 2nd July: Rolling MIREX submission system closures for all the remaining MIREX 2010 tasks. <br />
* 15th July 2010: MIREX results posting begins<br />
* 1st August 2010: All MIREX results posted (somewhat hopeful target date)<br />
* 2-6th August 2010: USMIR Summer School<br />
* 9-13th August 2010: ISMIR conference<br />
<br />
<br />
===Note to New Participants===<br />
Please take the time to read the following review article that explains the history and structure of MIREX.<br />
<br />
Downie, J. Stephen (2008). The Music Information Retrieval Evaluation Exchange (2005-2007):<br><br />
A window into music information retrieval research.''Acoustical Science and Technology 29'' (4): 247-255. <br><br />
Available at: [http://dx.doi.org/10.1250/ast.29.247 http://dx.doi.org/10.1250/ast.29.247]<br />
<br />
<br />
===Note to All Participants===<br />
Because MIREX is premised upon the sharing of ideas and results, '''ALL''' MIREX participants are expected to:<br />
<br />
# submit a DRAFT 2-3 page extended abstract PDF in the ISMIR format about the submitted programme(s) to help us and the community better understand how the algorithm works when submitting their programme(s).<br />
# submit a FINALIZED 2-3 page extended abstract PDF in the ISMIR format prior to ISMIR 2010 for posting on the respective results pages (sometimes the same abstract can be used for multiple submissions; in many cases the DRAFT and FINALIZED abstracts are the same)<br />
# present a poster at the MIREX 2010 poster session at ISMIR 2010 (Wednesday, 11 August 2010)<br />
<br />
<br />
===Software Dependency Requests===<br />
If you have not submitted to MIREX before or are unsure whether IMIRSEL/NEMA currently supports some of the software/architecture dependencies for your submission a [https://spreadsheets.google.com/embeddedform?formkey=dDltRjc4NDBDdkZiaF9qZXV0bU5ScUE6MA dependency request form is available]. Please submit details of your dependencies on this form and the IMIRSEL team will attempt to satisfy them for you. <span class="plainlinks">[http://www.fastcreditrepairletters.com/ <span style="color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;">Credit Repair</span>]<br />
<br />
Due to the high volume of submissions expected at MIREX 2010, submissions with difficult to satisfy dependencies that the team has not been given sufficient notice of may result in the submission being rejected. <span class="plainlinks">[http://www.fastcreditrepairletters.com/ <span style="color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;">Credit Repair Letters</span>]<br />
<br />
<br />
Finally, you will also be expected to detail your software/architecture dependencies in a README file to be provided to the submission system.<br />
<br />
<br />
==Getting Involved in MIREX 2010==<br />
MIREX is a community-based endeavour. Be a part of the community and help make MIREX 2010 the best yet. <br />
<br />
<br />
<br />
===Mailing List Participation===<br />
If you are interested in formal MIR evaluation, you should also subscribe to the <span class="plainlinks">[http://www.diamondlinks.net/ <span style="color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;">link building service</span>] "MIREX" (aka "EvalFest") mail list and participate in the community discussions about defining and running MIREX 2010 tasks. Subscription information at: <br />
[https://mail.lis.illinois.edu/mailman/listinfo/evalfest EvalFest Central]. <br />
<br />
If you are participating in MIREX 2010, it is VERY IMPORTANT that you are subscribed to EvalFest. Deadlines, task updates and other important information will be announced via this mailing list. Please use the EvalFest for discussion of MIREX task proposals and other MIREX related issues. This wiki (MIREX 2010 wiki) will be used to embody and disseminate task proposals, however, task related discussions should be conducted on the MIREX organization mailing list (EvalFest) rather than on this wiki, but should be summarized here. <br />
<br />
Where possible, definitions or example code for new evaluation metrics or tasks should be provided to the IMIRSEL team who will embody them in software as part of the NEMA analytics framework, which will be released to the community at or before ISMIR 2010 - providing a standardised set of interfaces and output to disciplined evaluation procedures for a great many MIR tasks.<br />
<br />
<br />
===Wiki Participation===<br />
'''''Please note that you may need to create a NEW login for this wiki even if you have a login that you previously used for editing the MIREX 2005, 2006, 2007, 2008 or 2009 wikis.'''''<br />
<br />
However, starting in 2010 the MIREX wikis have been merged so that logins will persist for future iterations of MIREX.<br />
<br />
<br />
Please create an account via: [[Special:Userlogin]].<br />
<br />
Please note that because of "spam-bots", MIREX wiki registration requests may be moderated by IMIRSEL members. It might take up to 24 hours for approval (Thank you for your patience!).<br />
<br />
<br />
<br />
==MIREX 2005 - 2009 Wikis==<br />
This is the new wiki for MIREX 2010. The wikis for MIREX 2005 - 2009 are available at:<br />
<br />
'''[[2009:Main_Page|MIREX 2009]]''' <br />
https://www.music-ir.org/mirex/2009/<br />
<br />
'''[[2008:Main_Page|MIREX 2008]]''' <br />
https://www.music-ir.org/mirex/2008/<br />
<br />
'''[[2007:Main_Page|MIREX 2007]]''' <br />
https://www.music-ir.org/mirex/2007/<br />
<br />
'''[[2006:Main_Page|MIREX 2006]]''' <br />
https://www.music-ir.org/mirex/2006/<br />
<br />
'''[[2005:Main_Page|MIREX 2005]]''' <br />
https://www.music-ir.org/mirex/2005/<br />
<br />
You can interlink between this wiki and the previous wikis using '''2005:''' prefix on links to connect to pages in MIREX 2005 and '''2006:''' for MIREX 2006 and '''2007:''' for MIREX 2007 and '''2008:''' for MIREX 2008 and '''2009:''' for MIREX 2009.<br />
<br />
===ISMIR 2004 Audio Description Contest===<br />
The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:<br />
<br />
<br />
'''[http://ismir2004.ismir.net/ISMIR_Contest.html| ISMIR 2004 Audio Description Contest]''' <br />
http://ismir2004.ismir.net/ISMIR_Contest.html<br />
<br />
The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:</div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=2010:MIREX_HOME&diff=79462010:MIREX HOME2011-05-24T09:30:44Z<p>CameronNonAdmin: /* MIREX 2010 Deadline Dates */</p>
<hr />
<div>==MIREX 2010 Deadline Dates==<br />
We have <b>very</b> tight scheduling constraints this year because of the early convening of ISMIR 2010 in Utrecht.<br />
<br />
We have two sets of deadlines for submissions. We have to stagger the deadlines because of runtime and human evaluation considerations.<br />
<br />
<br />
===Tasks with a '''25 June 2010''' deadline:===<br />
# Audio Classification (Train/Test) Tasks<br />
# Audio Music Similarity and Retrieval<br />
# Symbolic Melodic Similarity<br />
===Tasks with a '''2 July 2010''' deadline:===<br />
<br />
# All remaining MIREX 2010 tasks.<br />
<br />
[http://www.dissertationinn.co.uk/dissertation-writers/ Dissertation Writers]<br />
[http://www.dissertationinn.co.uk/dissertation-proposal/ Dissertation Proposal]<br />
[http://www.dissertationinn.co.uk/dissertation-service/ Dissertation Writing Service]<br />
[http://www.dissertationinn.co.uk/ Help With Dissertation]<br />
<br />
<br />
<br />
<i><b>Nota Bene:</b> </i>In the past we have been rather flexible about deadlines. This year, however, we simply do not have the time flexibility, sorry.<br />
<br />
Please, please, please, let's start getting those submissions made. The sooner we have the code, the sooner we can start running the evaluations.<br />
<br />
PS: If you have a slower running algorithm, help us help you by getting your code in ASAP. Please do pay attention to runtime limits.<br />
<br />
==MIREX 2010 Submission Instructions==<br />
* Be sure to read through the rest of this page<br />
* Be sure to read though the task pages for which you are submitting<br />
* Be sure to follow the [[2009:Best Coding Practices for MIREX | Best Coding Practices for MIREX]]<br />
* Be sure to follow the [[2010:MIREX 2010 Submission Instructions | MIREX 2010 Submission Instructions ]] including both the tutorial video and the text<br />
<br />
<br />
===MIREX 2010 Evaluation Tasks===<br />
<br />
The IMIRSEL team at UIUC solicited proposals for evaluation tasks to be performed at the Music Information Retrieval Evaluation eXchange 2010 (MIREX 2010) and polled the community on their likelihood of participation in each task. A summary of the responses from the community is given below:<br />
<br />
Results as of Monday 24th May 2010:<br />
<br />
Total individual responses = 74<br />
<br />
<csv p=0>2010/poll/MIREX_Task_Participation_Poll.csv</csv><br />
<br />
Hence, the IMIRSEL team has decided to attempt the running of the following tasks at MIREX 2010:<br />
* [[2010:Audio Classification (Train/Test) Tasks]], incorporating:<br />
** Audio Artist Identification<br />
** Audio US Pop Genre Classification<br />
** Audio Latin Genre Classification<br />
** Audio Music Mood Classification<br />
** Audio Classical Composer Identification<br />
* [[2010:Audio Cover Song Identification]]<br />
* [[2010:Audio Tag Classification]] <br />
* [[2010:Audio Music Similarity and Retrieval]]<br />
* [[2010:Symbolic Melodic Similarity]]<br />
* [[2010:Audio Onset Detection]]<br />
* [[2010:Audio Key Detection]]<br />
* [[2010:Real-time Audio to Score Alignment (a.k.a Score Following)]]<br />
* [[2010:Query by Singing/Humming]]<br />
* [[2010:Audio Melody Extraction]]<br />
* [[2010:Multiple Fundamental Frequency Estimation & Tracking]]<br />
* [[2010:Audio Chord Estimation]]<br />
* [[2010:Query by Tapping]]<br />
* [[2010:Audio Beat Tracking]]<br />
* [[2010:Structural Segmentation]]<br />
* [[2010:Audio Tempo Estimation]]<br />
<br />
==== New 2010 Proposals ====<br />
* <strike>[[2010:Harmonic Analysis]]</strike><br />
<br />
<br />
===Projected dates===<br />
* 1st June 2010: MIREX submission system open<br />
* 25th June: Rolling MIREX submission system closures for the following tasks<br />
**Audio Classification (Train/Test) Tasks<br />
**Audio Music Similarity and Retrieval<br />
**Symbolic Melodic Similarity <br />
* 2nd July: Rolling MIREX submission system closures for all the remaining MIREX 2010 tasks. <br />
* 15th July 2010: MIREX results posting begins<br />
* 1st August 2010: All MIREX results posted (somewhat hopeful target date)<br />
* 2-6th August 2010: USMIR Summer School<br />
* 9-13th August 2010: ISMIR conference<br />
<br />
<br />
===Note to New Participants===<br />
Please take the time to read the following review article that explains the history and structure of MIREX.<br />
<br />
Downie, J. Stephen (2008). The Music Information Retrieval Evaluation Exchange (2005-2007):<br><br />
A window into music information retrieval research.''Acoustical Science and Technology 29'' (4): 247-255. <br><br />
Available at: [http://dx.doi.org/10.1250/ast.29.247 http://dx.doi.org/10.1250/ast.29.247]<br />
<br />
<br />
===Note to All Participants===<br />
Because MIREX is premised upon the sharing of ideas and results, '''ALL''' MIREX participants are expected to:<br />
<br />
# submit a DRAFT 2-3 page extended abstract PDF in the ISMIR format about the submitted programme(s) to help us and the community better understand how the algorithm works when submitting their programme(s).<br />
# submit a FINALIZED 2-3 page extended abstract PDF in the ISMIR format prior to ISMIR 2010 for posting on the respective results pages (sometimes the same abstract can be used for multiple submissions; in many cases the DRAFT and FINALIZED abstracts are the same)<br />
# present a poster at the MIREX 2010 poster session at ISMIR 2010 (Wednesday, 11 August 2010)<br />
<br />
<br />
===Software Dependency Requests===<br />
If you have not submitted to MIREX before or are unsure whether IMIRSEL/NEMA currently supports some of the software/architecture dependencies for your submission a [https://spreadsheets.google.com/embeddedform?formkey=dDltRjc4NDBDdkZiaF9qZXV0bU5ScUE6MA dependency request form is available]. Please submit details of your dependencies on this form and the IMIRSEL team will attempt to satisfy them for you. <span class="plainlinks">[http://www.fastcreditrepairletters.com/ <span style="color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;">Credit Repair</span>]<br />
<br />
Due to the high volume of submissions expected at MIREX 2010, submissions with difficult to satisfy dependencies that the team has not been given sufficient notice of may result in the submission being rejected. <span class="plainlinks">[http://www.fastcreditrepairletters.com/ <span style="color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;">Credit Repair Letters</span>]<br />
<br />
<br />
Finally, you will also be expected to detail your software/architecture dependencies in a README file to be provided to the submission system.<br />
<br />
<br />
==Getting Involved in MIREX 2010==<br />
MIREX is a community-based endeavour. Be a part of the community and help make MIREX 2010 the best yet. <br />
<br />
<br />
<br />
===Mailing List Participation===<br />
If you are interested in formal MIR evaluation, you should also subscribe to the <span class="plainlinks">[http://www.diamondlinks.net/ <span style="color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;">link building service</span>] "MIREX" (aka "EvalFest") mail list and participate in the community discussions about defining and running MIREX 2010 tasks. Subscription information at: <br />
[https://mail.lis.illinois.edu/mailman/listinfo/evalfest EvalFest Central]. <br />
<br />
If you are participating in MIREX 2010, it is VERY IMPORTANT that you are subscribed to EvalFest. Deadlines, task updates and other important information will be announced via this mailing list. Please use the EvalFest for discussion of MIREX task proposals and other MIREX related issues. This wiki (MIREX 2010 wiki) will be used to embody and disseminate task proposals, however, task related discussions should be conducted on the MIREX organization mailing list (EvalFest) rather than on this wiki, but should be summarized here. <br />
<br />
Where possible, definitions or example code for new evaluation metrics or tasks should be provided to the IMIRSEL team who will embody them in software as part of the NEMA analytics framework, which will be released to the community at or before ISMIR 2010 - providing a standardised set of interfaces and output to disciplined evaluation procedures for a great many MIR tasks.<br />
<br />
<br />
===Wiki Participation===<br />
'''''Please note that you may need to create a NEW login for this wiki even if you have a login that you previously used for editing the MIREX 2005, 2006, 2007, 2008 or 2009 wikis.'''''<br />
<br />
However, starting in 2010 the MIREX wikis have been merged so that logins will persist for future iterations of MIREX.<br />
<br />
<br />
Please create an account via: [[Special:Userlogin]].<br />
<br />
Please note that because of "spam-bots", MIREX wiki registration requests may be moderated by IMIRSEL members. It might take up to 24 hours for approval (Thank you for your patience!).<br />
<br />
<br />
<br />
==MIREX 2005 - 2009 Wikis==<br />
This is the new wiki for MIREX 2010. The wikis for MIREX 2005 - 2009 are available at:<br />
<br />
'''[[2009:Main_Page|MIREX 2009]]''' <br />
https://www.music-ir.org/mirex/2009/<br />
<br />
'''[[2008:Main_Page|MIREX 2008]]''' <br />
https://www.music-ir.org/mirex/2008/<br />
<br />
'''[[2007:Main_Page|MIREX 2007]]''' <br />
https://www.music-ir.org/mirex/2007/<br />
<br />
'''[[2006:Main_Page|MIREX 2006]]''' <br />
https://www.music-ir.org/mirex/2006/<br />
<br />
'''[[2005:Main_Page|MIREX 2005]]''' <br />
https://www.music-ir.org/mirex/2005/<br />
<br />
You can interlink between this wiki and the previous wikis using '''2005:''' prefix on links to connect to pages in MIREX 2005 and '''2006:''' for MIREX 2006 and '''2007:''' for MIREX 2007 and '''2008:''' for MIREX 2008 and '''2009:''' for MIREX 2009.<br />
<br />
===ISMIR 2004 Audio Description Contest===<br />
The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:<br />
<br />
<br />
'''[http://ismir2004.ismir.net/ISMIR_Contest.html| ISMIR 2004 Audio Description Contest]''' <br />
http://ismir2004.ismir.net/ISMIR_Contest.html<br />
<br />
The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:</div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=2010:MIREX_HOME&diff=79452010:MIREX HOME2011-05-23T12:33:51Z<p>CameronNonAdmin: </p>
<hr />
<div>==MIREX 2010 Deadline Dates==<br />
We have <b>very</b> tight scheduling constraints this year because of the early convening of ISMIR 2010 in Utrecht.<br />
<br />
We have two sets of deadlines for submissions. We have to stagger the deadlines because of runtime and human evaluation considerations.<br />
<br />
<br />
===Tasks with a '''25 June 2010''' deadline:===<br />
# Audio Classification (Train/Test) Tasks<br />
# Audio Music Similarity and Retrieval<br />
# Symbolic Melodic Similarity<br />
===Tasks with a '''2 July 2010''' deadline:===<br />
<br />
# All remaining MIREX 2010 tasks.<br />
<br />
<br />
<i><b>Nota Bene:</b> </i>In the past we have been rather flexible about deadlines. This year, however, we simply do not have the time flexibility, sorry.<br />
<br />
Please, please, please, let's start getting those submissions made. The sooner we have the code, the sooner we can start running the evaluations.<br />
<br />
PS: If you have a slower running algorithm, help us help you by getting your code in ASAP. Please do pay attention to runtime limits.<br />
<br />
==MIREX 2010 Submission Instructions==<br />
* Be sure to read through the rest of this page<br />
* Be sure to read though the task pages for which you are submitting<br />
* Be sure to follow the [[2009:Best Coding Practices for MIREX | Best Coding Practices for MIREX]]<br />
* Be sure to follow the [[2010:MIREX 2010 Submission Instructions | MIREX 2010 Submission Instructions ]] including both the tutorial video and the text<br />
<br />
<br />
===MIREX 2010 Evaluation Tasks===<br />
<br />
The IMIRSEL team at UIUC solicited proposals for evaluation tasks to be performed at the Music Information Retrieval Evaluation eXchange 2010 (MIREX 2010) and polled the community on their likelihood of participation in each task. A summary of the responses from the community is given below:<br />
<br />
Results as of Monday 24th May 2010:<br />
<br />
Total individual responses = 74<br />
<br />
<csv p=0>2010/poll/MIREX_Task_Participation_Poll.csv</csv><br />
<br />
Hence, the IMIRSEL team has decided to attempt the running of the following tasks at MIREX 2010:<br />
* [[2010:Audio Classification (Train/Test) Tasks]], incorporating:<br />
** Audio Artist Identification<br />
** Audio US Pop Genre Classification<br />
** Audio Latin Genre Classification<br />
** Audio Music Mood Classification<br />
** Audio Classical Composer Identification<br />
* [[2010:Audio Cover Song Identification]]<br />
* [[2010:Audio Tag Classification]] <br />
* [[2010:Audio Music Similarity and Retrieval]]<br />
* [[2010:Symbolic Melodic Similarity]]<br />
* [[2010:Audio Onset Detection]]<br />
* [[2010:Audio Key Detection]]<br />
* [[2010:Real-time Audio to Score Alignment (a.k.a Score Following)]]<br />
* [[2010:Query by Singing/Humming]]<br />
* [[2010:Audio Melody Extraction]]<br />
* [[2010:Multiple Fundamental Frequency Estimation & Tracking]]<br />
* [[2010:Audio Chord Estimation]]<br />
* [[2010:Query by Tapping]]<br />
* [[2010:Audio Beat Tracking]]<br />
* [[2010:Structural Segmentation]]<br />
* [[2010:Audio Tempo Estimation]]<br />
<br />
==== New 2010 Proposals ====<br />
* <strike>[[2010:Harmonic Analysis]]</strike><br />
<br />
<br />
===Projected dates===<br />
* 1st June 2010: MIREX submission system open<br />
* 25th June: Rolling MIREX submission system closures for the following tasks<br />
**Audio Classification (Train/Test) Tasks<br />
**Audio Music Similarity and Retrieval<br />
**Symbolic Melodic Similarity <br />
* 2nd July: Rolling MIREX submission system closures for all the remaining MIREX 2010 tasks. <br />
* 15th July 2010: MIREX results posting begins<br />
* 1st August 2010: All MIREX results posted (somewhat hopeful target date)<br />
* 2-6th August 2010: USMIR Summer School<br />
* 9-13th August 2010: ISMIR conference<br />
<br />
<br />
===Note to New Participants===<br />
Please take the time to read the following review article that explains the history and structure of MIREX.<br />
<br />
Downie, J. Stephen (2008). The Music Information Retrieval Evaluation Exchange (2005-2007):<br><br />
A window into music information retrieval research.''Acoustical Science and Technology 29'' (4): 247-255. <br><br />
Available at: [http://dx.doi.org/10.1250/ast.29.247 http://dx.doi.org/10.1250/ast.29.247]<br />
<br />
<br />
===Note to All Participants===<br />
Because MIREX is premised upon the sharing of ideas and results, '''ALL''' MIREX participants are expected to:<br />
<br />
# submit a DRAFT 2-3 page extended abstract PDF in the ISMIR format about the submitted programme(s) to help us and the community better understand how the algorithm works when submitting their programme(s).<br />
# submit a FINALIZED 2-3 page extended abstract PDF in the ISMIR format prior to ISMIR 2010 for posting on the respective results pages (sometimes the same abstract can be used for multiple submissions; in many cases the DRAFT and FINALIZED abstracts are the same)<br />
# present a poster at the MIREX 2010 poster session at ISMIR 2010 (Wednesday, 11 August 2010)<br />
<br />
<br />
===Software Dependency Requests===<br />
If you have not submitted to MIREX before or are unsure whether IMIRSEL/NEMA currently supports some of the software/architecture dependencies for your submission a [https://spreadsheets.google.com/embeddedform?formkey=dDltRjc4NDBDdkZiaF9qZXV0bU5ScUE6MA dependency request form is available]. Please submit details of your dependencies on this form and the IMIRSEL team will attempt to satisfy them for you. <span class="plainlinks">[http://www.fastcreditrepairletters.com/ <span style="color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;">Credit Repair</span>]<br />
<br />
Due to the high volume of submissions expected at MIREX 2010, submissions with difficult to satisfy dependencies that the team has not been given sufficient notice of may result in the submission being rejected. <span class="plainlinks">[http://www.fastcreditrepairletters.com/ <span style="color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;">Credit Repair Letters</span>]<br />
<br />
<br />
Finally, you will also be expected to detail your software/architecture dependencies in a README file to be provided to the submission system.<br />
<br />
<br />
==Getting Involved in MIREX 2010==<br />
MIREX is a community-based endeavour. Be a part of the community and help make MIREX 2010 the best yet. <br />
<br />
<br />
<br />
===Mailing List Participation===<br />
If you are interested in formal MIR evaluation, you should also subscribe to the <span class="plainlinks">[http://www.diamondlinks.net/ <span style="color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;">link building service</span>] "MIREX" (aka "EvalFest") mail list and participate in the community discussions about defining and running MIREX 2010 tasks. Subscription information at: <br />
[https://mail.lis.illinois.edu/mailman/listinfo/evalfest EvalFest Central]. <br />
<br />
If you are participating in MIREX 2010, it is VERY IMPORTANT that you are subscribed to EvalFest. Deadlines, task updates and other important information will be announced via this mailing list. Please use the EvalFest for discussion of MIREX task proposals and other MIREX related issues. This wiki (MIREX 2010 wiki) will be used to embody and disseminate task proposals, however, task related discussions should be conducted on the MIREX organization mailing list (EvalFest) rather than on this wiki, but should be summarized here. <br />
<br />
Where possible, definitions or example code for new evaluation metrics or tasks should be provided to the IMIRSEL team who will embody them in software as part of the NEMA analytics framework, which will be released to the community at or before ISMIR 2010 - providing a standardised set of interfaces and output to disciplined evaluation procedures for a great many MIR tasks.<br />
<br />
<br />
===Wiki Participation===<br />
'''''Please note that you may need to create a NEW login for this wiki even if you have a login that you previously used for editing the MIREX 2005, 2006, 2007, 2008 or 2009 wikis.'''''<br />
<br />
However, starting in 2010 the MIREX wikis have been merged so that logins will persist for future iterations of MIREX.<br />
<br />
<br />
Please create an account via: [[Special:Userlogin]].<br />
<br />
Please note that because of "spam-bots", MIREX wiki registration requests may be moderated by IMIRSEL members. It might take up to 24 hours for approval (Thank you for your patience!).<br />
<br />
<br />
<br />
==MIREX 2005 - 2009 Wikis==<br />
This is the new wiki for MIREX 2010. The wikis for MIREX 2005 - 2009 are available at:<br />
<br />
'''[[2009:Main_Page|MIREX 2009]]''' <br />
https://www.music-ir.org/mirex/2009/<br />
<br />
'''[[2008:Main_Page|MIREX 2008]]''' <br />
https://www.music-ir.org/mirex/2008/<br />
<br />
'''[[2007:Main_Page|MIREX 2007]]''' <br />
https://www.music-ir.org/mirex/2007/<br />
<br />
'''[[2006:Main_Page|MIREX 2006]]''' <br />
https://www.music-ir.org/mirex/2006/<br />
<br />
'''[[2005:Main_Page|MIREX 2005]]''' <br />
https://www.music-ir.org/mirex/2005/<br />
<br />
You can interlink between this wiki and the previous wikis using '''2005:''' prefix on links to connect to pages in MIREX 2005 and '''2006:''' for MIREX 2006 and '''2007:''' for MIREX 2007 and '''2008:''' for MIREX 2008 and '''2009:''' for MIREX 2009.<br />
<br />
===ISMIR 2004 Audio Description Contest===<br />
The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:<br />
<br />
<br />
'''[http://ismir2004.ismir.net/ISMIR_Contest.html| ISMIR 2004 Audio Description Contest]''' <br />
http://ismir2004.ismir.net/ISMIR_Contest.html<br />
<br />
The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:</div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=2010:MIREX_HOME&diff=79432010:MIREX HOME2011-05-23T03:31:08Z<p>CameronNonAdmin: /* New 2010 Proposals */</p>
<hr />
<div>==MIREX 2010 Deadline Dates==<br />
We have <b>very</b> tight scheduling constraints this year because of the early convening of ISMIR 2010 in Utrecht.<br />
<br />
We have two sets of deadlines for submissions. We have to stagger the deadlines because of runtime and human evaluation considerations.<br />
[http://www.allwritingsource.co.uk/write-my-essay.php/ Write My Essay]<br />
[http://www.allwritingsource.co.uk/university-essays.php/ University Essays]<br />
<br />
<br />
<br />
===Tasks with a '''25 June 2010''' deadline:===<br />
# Audio Classification (Train/Test) Tasks<br />
# Audio Music Similarity and Retrieval<br />
# Symbolic Melodic Similarity<br />
===Tasks with a '''2 July 2010''' deadline:===<br />
<br />
# All remaining MIREX 2010 tasks.<br />
<br />
<br />
<i><b>Nota Bene:</b> </i>In the past we have been rather flexible about deadlines. This year, however, we simply do not have the time flexibility, sorry.<br />
<br />
Please, please, please, let's start getting those submissions made. The sooner we have the code, the sooner we can start running the evaluations.<br />
<br />
PS: If you have a slower running algorithm, help us help you by getting your code in ASAP. Please do pay attention to runtime limits.<br />
[http://www.essaymojo.co.uk/essay-service.php/ Essay Writing]|[http://www.essaymojo.co.uk/university-essays-uk.php/ University Essays]|[http://www.essaymojo.co.uk/write-my-essay.php/ Write My Essay]|[http://www.essaymojo.co.uk/Essay-writing.php/ Essay Help]<br />
<br />
==MIREX 2010 Submission Instructions==<br />
* Be sure to read through the rest of this page<br />
* Be sure to read though the task pages for which you are submitting<br />
* Be sure to follow the [[2009:Best Coding Practices for MIREX | Best Coding Practices for MIREX]]<br />
* Be sure to follow the [[2010:MIREX 2010 Submission Instructions | MIREX 2010 Submission Instructions ]] including both the tutorial video and the text<br />
[http://logodesignmaestro.com/ Logo Design] <br />
<br />
<br />
<br />
===MIREX 2010 Evaluation Tasks===<br />
<br />
The IMIRSEL team at UIUC solicited proposals for evaluation tasks to be performed at the Music Information Retrieval Evaluation eXchange 2010 (MIREX 2010) and polled the community on their likelihood of participation in each task. A summary of the responses from the community is given below:<br />
<br />
Results as of Monday 24th May 2010:<br />
<br />
Total individual responses = 74<br />
<br />
<csv p=0>2010/poll/MIREX_Task_Participation_Poll.csv</csv><br />
<br />
Hence, the IMIRSEL team has decided to attempt the running of the following tasks at MIREX 2010:<br />
* [[2010:Audio Classification (Train/Test) Tasks]], incorporating:<br />
** Audio Artist Identification<br />
** Audio US Pop Genre Classification<br />
** Audio Latin Genre Classification<br />
** Audio Music Mood Classification<br />
** Audio Classical Composer Identification<br />
* [[2010:Audio Cover Song Identification]]<br />
* [[2010:Audio Tag Classification]] <br />
* [[2010:Audio Music Similarity and Retrieval]]<br />
* [[2010:Symbolic Melodic Similarity]]<br />
* [[2010:Audio Onset Detection]]<br />
* [[2010:Audio Key Detection]]<br />
* [[2010:Real-time Audio to Score Alignment (a.k.a Score Following)]]<br />
* [[2010:Query by Singing/Humming]]<br />
* [[2010:Audio Melody Extraction]]<br />
* [[2010:Multiple Fundamental Frequency Estimation & Tracking]]<br />
* [[2010:Audio Chord Estimation]]<br />
* [[2010:Query by Tapping]]<br />
* [[2010:Audio Beat Tracking]]<br />
* [[2010:Structural Segmentation]]<br />
* [[2010:Audio Tempo Estimation]]<br />
* [http://www.essaymojo.co.uk/dissertation-proposal.php/ Dissertation Proposal]<br />
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==== New 2010 Proposals ====<br />
* <strike>[[2010:Harmonic Analysis]]</strike><br />
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<br />
===Projected dates===<br />
* 1st June 2010: MIREX submission system open<br />
* 25th June: Rolling MIREX submission system closures for the following tasks<br />
**Audio Classification (Train/Test) Tasks<br />
**Audio Music Similarity and Retrieval<br />
**Symbolic Melodic Similarity <br />
* 2nd July: Rolling MIREX submission system closures for all the remaining MIREX 2010 tasks. <br />
* 15th July 2010: MIREX results posting begins<br />
* 1st August 2010: All MIREX results posted (somewhat hopeful target date)<br />
* 2-6th August 2010: USMIR Summer School<br />
* 9-13th August 2010: ISMIR conference<br />
<br />
* [http://www.logodesignmaestro.co.uk Logo Design]<br />
<br />
===Note to New Participants===<br />
Please take the time to read the following review article that explains the history and structure of MIREX.<br />
<br />
Downie, J. Stephen (2008). The Music Information Retrieval Evaluation Exchange (2005-2007):<br><br />
A window into music information retrieval research.''Acoustical Science and Technology 29'' (4): 247-255. <br><br />
Available at: [http://dx.doi.org/10.1250/ast.29.247 http://dx.doi.org/10.1250/ast.29.247]<br />
<br />
<br />
===Note to All Participants===<br />
Because MIREX is premised upon the sharing of ideas and results, '''ALL''' MIREX participants are expected to:<br />
<br />
# submit a DRAFT 2-3 page extended abstract PDF in the ISMIR format about the submitted programme(s) to help us and the community better understand how the algorithm works when submitting their programme(s).<br />
# submit a FINALIZED 2-3 page extended abstract PDF in the ISMIR format prior to ISMIR 2010 for posting on the respective results pages (sometimes the same abstract can be used for multiple submissions; in many cases the DRAFT and FINALIZED abstracts are the same)<br />
# present a poster at the MIREX 2010 poster session at ISMIR 2010 (Wednesday, 11 August 2010)<br />
<br />
<br />
===Software Dependency Requests===<br />
If you have not submitted to MIREX before or are unsure whether IMIRSEL/NEMA currently supports some of the software/architecture dependencies for your submission a [https://spreadsheets.google.com/embeddedform?formkey=dDltRjc4NDBDdkZiaF9qZXV0bU5ScUE6MA dependency request form is available]. Please submit details of your dependencies on this form and the IMIRSEL team will attempt to satisfy them for you.[http://www.essayhelppros.co.uk/ Essay writing]<br />
<br />
Due to the high volume of submissions expected at MIREX 2010, submissions with difficult to satisfy dependencies that the team has not been given sufficient notice of may result in the submission being rejected.[http://www.essayinn.co.uk/ Essays Writing]<br />
<br />
<br />
Finally, you will also be expected to detail your software/architecture dependencies in a README file to be provided to the submission system.[http://www.essayhelppros.co.uk/uk-essay-help.php essay help]<br />
<br />
<br />
==Getting Involved in MIREX 2010==<br />
MIREX is a community-based endeavour. Be a part of the community and help make MIREX 2010 the best yet. [http://www.allwritingsource.co.uk/assignment-writing-help.php/ Assignment Writing Help]<br />
<br />
<br />
<br />
===Mailing List Participation===<br />
If you are interested in formal MIR evaluation, you should also subscribe to the "MIREX" (aka "EvalFest") mail list and participate in the community discussions about defining and running MIREX 2010 tasks. Subscription information at: <br />
[https://mail.lis.illinois.edu/mailman/listinfo/evalfest EvalFest Central]. <br />
<br />
If you are participating in MIREX 2010, it is VERY IMPORTANT that you are subscribed to EvalFest. Deadlines, task updates and other important information will be announced via this mailing list. Please use the EvalFest for discussion of MIREX task proposals and other MIREX related issues. This wiki (MIREX 2010 wiki) will be used to embody and disseminate task proposals, however, task related discussions should be conducted on the MIREX organization mailing list (EvalFest) rather than on this wiki, but should be summarized here. [http://www.essayinn.co.uk/write-my-essay/ Write My Essay]<br />
<br />
Where possible, definitions or example code for new evaluation metrics or tasks should be provided to the IMIRSEL team who will embody them in software as part of the NEMA analytics framework, which will be released to the community at or before ISMIR 2010 - providing a standardised set of interfaces and output to disciplined evaluation procedures for a great many MIR tasks.<br />
[http://www.allwritingsource.co.uk/essay-help.php/ Essay Help]<br />
<br />
<br />
===Wiki Participation===<br />
'''''Please note that you may need to create a NEW login for this wiki even if you have a login that you previously used for editing the MIREX 2005, 2006, 2007, 2008 or 2009 wikis.'''''<br />
<br />
However, starting in 2010 the MIREX wikis have been merged so that logins will persist for future iterations of MIREX.[http://www.essayinn.co.uk/cheap-custom-essays/ Cheap Custom Essays]<br />
<br />
Please create an account via: [[Special:Userlogin]].<br />
<br />
Please note that because of "spam-bots", MIREX wiki registration requests may be moderated by IMIRSEL members. It might take up to 24 hours for approval (Thank you for your patience!).<br />
<br />
<br />
<br />
<br />
<br />
==MIREX 2005 - 2009 Wikis==<br />
This is the new wiki for MIREX 2010. The wikis for MIREX 2005 - 2009 are available at:<br />
<br />
'''[[2009:Main_Page|MIREX 2009]]''' <br />
https://www.music-ir.org/mirex/2009/<br />
<br />
'''[[2008:Main_Page|MIREX 2008]]''' <br />
https://www.music-ir.org/mirex/2008/<br />
<br />
'''[[2007:Main_Page|MIREX 2007]]''' <br />
https://www.music-ir.org/mirex/2007/<br />
<br />
'''[[2006:Main_Page|MIREX 2006]]''' <br />
https://www.music-ir.org/mirex/2006/<br />
<br />
'''[[2005:Main_Page|MIREX 2005]]''' <br />
https://www.music-ir.org/mirex/2005/<br />
<br />
You can interlink between this wiki and the previous wikis using '''2005:''' prefix on links to connect to pages in MIREX 2005 and '''2006:''' for MIREX 2006 and '''2007:''' for MIREX 2007 and '''2008:''' for MIREX 2008 and '''2009:''' for MIREX 2009.<br />
<br />
===ISMIR 2004 Audio Description Contest===<br />
The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:[http://www.essayinn.co.uk/buy-an-essay/ Buy Essay]<br />
[http://www.dissertationmojo.co.uk/write-my-dissertation/ write my dissertation] | [http://www.dissertationmojo.co.uk/buy-dissertation/ buy dissertation]<br />
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<br />
'''[http://ismir2004.ismir.net/ISMIR_Contest.html| ISMIR 2004 Audio Description Contest]''' <br />
http://ismir2004.ismir.net/ISMIR_Contest.html<br />
<br />
The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:[http://www.buylasixonline.info/soma buy soma]|[http://www.buyprozac-online.com/ buy prozac online] [http://www.buynexium-online.com/ buy nexium online]</div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=2010:MIREX_HOME&diff=79412010:MIREX HOME2011-05-22T13:14:02Z<p>CameronNonAdmin: </p>
<hr />
<div>==MIREX 2010 Deadline Dates==<br />
We have <b>very</b> tight scheduling constraints this year because of the early convening of ISMIR 2010 in Utrecht.<br />
<br />
We have two sets of deadlines for submissions. We have to stagger the deadlines because of runtime and human evaluation considerations.<br />
[http://www.allwritingsource.co.uk/write-my-essay.php/ Write My Essay]<br />
[http://www.allwritingsource.co.uk/university-essays.php/ University Essays]<br />
<br />
<br />
<br />
===Tasks with a '''25 June 2010''' deadline:===<br />
# Audio Classification (Train/Test) Tasks<br />
# Audio Music Similarity and Retrieval<br />
# Symbolic Melodic Similarity<br />
===Tasks with a '''2 July 2010''' deadline:===<br />
<br />
# All remaining MIREX 2010 tasks.<br />
<br />
<br />
<i><b>Nota Bene:</b> </i>In the past we have been rather flexible about deadlines. This year, however, we simply do not have the time flexibility, sorry.<br />
<br />
Please, please, please, let's start getting those submissions made. The sooner we have the code, the sooner we can start running the evaluations.<br />
<br />
PS: If you have a slower running algorithm, help us help you by getting your code in ASAP. Please do pay attention to runtime limits.<br />
[http://www.essaymojo.co.uk/essay-service.php/ Essay Writing]|[http://www.essaymojo.co.uk/university-essays-uk.php/ University Essays]|[http://www.essaymojo.co.uk/write-my-essay.php/ Write My Essay]|[http://www.essaymojo.co.uk/Essay-writing.php/ Essay Help]<br />
<br />
==MIREX 2010 Submission Instructions==<br />
* Be sure to read through the rest of this page<br />
* Be sure to read though the task pages for which you are submitting<br />
* Be sure to follow the [[2009:Best Coding Practices for MIREX | Best Coding Practices for MIREX]]<br />
* Be sure to follow the [[2010:MIREX 2010 Submission Instructions | MIREX 2010 Submission Instructions ]] including both the tutorial video and the text<br />
[http://logodesignmaestro.com/ Logo Design] <br />
<br />
<br />
<br />
===MIREX 2010 Evaluation Tasks===<br />
<br />
The IMIRSEL team at UIUC solicited proposals for evaluation tasks to be performed at the Music Information Retrieval Evaluation eXchange 2010 (MIREX 2010) and polled the community on their likelihood of participation in each task. A summary of the responses from the community is given below:<br />
<br />
Results as of Monday 24th May 2010:<br />
<br />
Total individual responses = 74<br />
<br />
<csv p=0>2010/poll/MIREX_Task_Participation_Poll.csv</csv><br />
<br />
Hence, the IMIRSEL team has decided to attempt the running of the following tasks at MIREX 2010:<br />
* [[2010:Audio Classification (Train/Test) Tasks]], incorporating:<br />
** Audio Artist Identification<br />
** Audio US Pop Genre Classification<br />
** Audio Latin Genre Classification<br />
** Audio Music Mood Classification<br />
** Audio Classical Composer Identification<br />
* [[2010:Audio Cover Song Identification]]<br />
* [[2010:Audio Tag Classification]] <br />
* [[2010:Audio Music Similarity and Retrieval]]<br />
* [[2010:Symbolic Melodic Similarity]]<br />
* [[2010:Audio Onset Detection]]<br />
* [[2010:Audio Key Detection]]<br />
* [[2010:Real-time Audio to Score Alignment (a.k.a Score Following)]]<br />
* [[2010:Query by Singing/Humming]]<br />
* [[2010:Audio Melody Extraction]]<br />
* [[2010:Multiple Fundamental Frequency Estimation & Tracking]]<br />
* [[2010:Audio Chord Estimation]]<br />
* [[2010:Query by Tapping]]<br />
* [[2010:Audio Beat Tracking]]<br />
* [[2010:Structural Segmentation]]<br />
* [[2010:Audio Tempo Estimation]]<br />
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* <strike>[[2010:Harmonic Analysis]]</strike><br />
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===Projected dates===<br />
* 1st June 2010: MIREX submission system open<br />
* 25th June: Rolling MIREX submission system closures for the following tasks<br />
**Audio Classification (Train/Test) Tasks<br />
**Audio Music Similarity and Retrieval<br />
**Symbolic Melodic Similarity <br />
* 2nd July: Rolling MIREX submission system closures for all the remaining MIREX 2010 tasks. <br />
* 15th July 2010: MIREX results posting begins<br />
* 1st August 2010: All MIREX results posted (somewhat hopeful target date)<br />
* 2-6th August 2010: USMIR Summer School<br />
* 9-13th August 2010: ISMIR conference<br />
<br />
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===Note to New Participants===<br />
Please take the time to read the following review article that explains the history and structure of MIREX.<br />
<br />
Downie, J. Stephen (2008). The Music Information Retrieval Evaluation Exchange (2005-2007):<br><br />
A window into music information retrieval research.''Acoustical Science and Technology 29'' (4): 247-255. <br><br />
Available at: [http://dx.doi.org/10.1250/ast.29.247 http://dx.doi.org/10.1250/ast.29.247]<br />
<br />
<br />
===Note to All Participants===<br />
Because MIREX is premised upon the sharing of ideas and results, '''ALL''' MIREX participants are expected to:<br />
<br />
# submit a DRAFT 2-3 page extended abstract PDF in the ISMIR format about the submitted programme(s) to help us and the community better understand how the algorithm works when submitting their programme(s).<br />
# submit a FINALIZED 2-3 page extended abstract PDF in the ISMIR format prior to ISMIR 2010 for posting on the respective results pages (sometimes the same abstract can be used for multiple submissions; in many cases the DRAFT and FINALIZED abstracts are the same)<br />
# present a poster at the MIREX 2010 poster session at ISMIR 2010 (Wednesday, 11 August 2010)<br />
<br />
<br />
===Software Dependency Requests===<br />
If you have not submitted to MIREX before or are unsure whether IMIRSEL/NEMA currently supports some of the software/architecture dependencies for your submission a [https://spreadsheets.google.com/embeddedform?formkey=dDltRjc4NDBDdkZiaF9qZXV0bU5ScUE6MA dependency request form is available]. Please submit details of your dependencies on this form and the IMIRSEL team will attempt to satisfy them for you.[http://www.essayhelppros.co.uk/ Essay writing]<br />
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Due to the high volume of submissions expected at MIREX 2010, submissions with difficult to satisfy dependencies that the team has not been given sufficient notice of may result in the submission being rejected.[http://www.essayinn.co.uk/ Essays Writing]<br />
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==Getting Involved in MIREX 2010==<br />
MIREX is a community-based endeavour. Be a part of the community and help make MIREX 2010 the best yet. [http://www.allwritingsource.co.uk/assignment-writing-help.php/ Assignment Writing Help]<br />
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<br />
<br />
===Mailing List Participation===<br />
If you are interested in formal MIR evaluation, you should also subscribe to the "MIREX" (aka "EvalFest") mail list and participate in the community discussions about defining and running MIREX 2010 tasks. Subscription information at: <br />
[https://mail.lis.illinois.edu/mailman/listinfo/evalfest EvalFest Central]. <br />
<br />
If you are participating in MIREX 2010, it is VERY IMPORTANT that you are subscribed to EvalFest. Deadlines, task updates and other important information will be announced via this mailing list. Please use the EvalFest for discussion of MIREX task proposals and other MIREX related issues. This wiki (MIREX 2010 wiki) will be used to embody and disseminate task proposals, however, task related discussions should be conducted on the MIREX organization mailing list (EvalFest) rather than on this wiki, but should be summarized here. [http://www.essayinn.co.uk/write-my-essay/ Write My Essay]<br />
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Where possible, definitions or example code for new evaluation metrics or tasks should be provided to the IMIRSEL team who will embody them in software as part of the NEMA analytics framework, which will be released to the community at or before ISMIR 2010 - providing a standardised set of interfaces and output to disciplined evaluation procedures for a great many MIR tasks.<br />
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===Wiki Participation===<br />
'''''Please note that you may need to create a NEW login for this wiki even if you have a login that you previously used for editing the MIREX 2005, 2006, 2007, 2008 or 2009 wikis.'''''<br />
<br />
However, starting in 2010 the MIREX wikis have been merged so that logins will persist for future iterations of MIREX.[http://www.essayinn.co.uk/cheap-custom-essays/ Cheap Custom Essays]<br />
<br />
Please create an account via: [[Special:Userlogin]].<br />
<br />
Please note that because of "spam-bots", MIREX wiki registration requests may be moderated by IMIRSEL members. It might take up to 24 hours for approval (Thank you for your patience!).<br />
<br />
<br />
<br />
<br />
<br />
==MIREX 2005 - 2009 Wikis==<br />
This is the new wiki for MIREX 2010. The wikis for MIREX 2005 - 2009 are available at:<br />
<br />
'''[[2009:Main_Page|MIREX 2009]]''' <br />
https://www.music-ir.org/mirex/2009/<br />
<br />
'''[[2008:Main_Page|MIREX 2008]]''' <br />
https://www.music-ir.org/mirex/2008/<br />
<br />
'''[[2007:Main_Page|MIREX 2007]]''' <br />
https://www.music-ir.org/mirex/2007/<br />
<br />
'''[[2006:Main_Page|MIREX 2006]]''' <br />
https://www.music-ir.org/mirex/2006/<br />
<br />
'''[[2005:Main_Page|MIREX 2005]]''' <br />
https://www.music-ir.org/mirex/2005/<br />
<br />
You can interlink between this wiki and the previous wikis using '''2005:''' prefix on links to connect to pages in MIREX 2005 and '''2006:''' for MIREX 2006 and '''2007:''' for MIREX 2007 and '''2008:''' for MIREX 2008 and '''2009:''' for MIREX 2009.<br />
<br />
===ISMIR 2004 Audio Description Contest===<br />
The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:[http://www.essayinn.co.uk/buy-an-essay/ Buy Essay]<br />
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'''[http://ismir2004.ismir.net/ISMIR_Contest.html| ISMIR 2004 Audio Description Contest]''' <br />
http://ismir2004.ismir.net/ISMIR_Contest.html<br />
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<hr />
<div>== Description ==<br />
<br />
This task is suggested for MIREX 2010. The general goal is to estimate the latent harmonic progression from score-like music data, a process typically called harmonic analysis or functional analysis in musicology (although this task cannot be really called functional analysis, functional analysis can be used to obtain the required output data). This typically involves estimating the musical key of a given piece of music and movement of the tonal center (modulations and tonicizations), as well as the progression of chords. [http://supremedissertation.co.uk/ Dissertation Proposal]<br />
<br />
<br />
=== Time units ===<br />
It is well known that harmony is strongly coupled with metric structure: progressing from one chord to another typically occurs at strong beats, while most non-chord tones are played on weak beats or off-beat. For this reason, knowing the temporal structure of the piece of music is important when performing harmonic analysis, and in this task the harmony is estimated on a beat-based time basis from score-like symbolic data (as opposed to performance data).<br />
<br />
=== Chord dictionary ===<br />
Harmonic analysis can be performed with varying degree of precision, depending on the goal at hand. One might only want to extract general progression patterns to be used in harmonic similarity or harmonic queries, for example check if a song at hand contains the so called 50s progression: I–vi–IV–V. Another one might be interested in full musicological analysis of a score, i.e. obtaining information about root position, chord type (quality), added tones, invertion, etc. This person would for example say the the second bar of Chopin's Nocturne Op. 9 No. 2 (in the key of E♭-major) starts in the tonic I (E♭, G, B♭), then it progresses to the dominant ninth chord in the third inversion with the root removed and the tonic added in bass (E♭, A♭, D, F).<br />
<br />
[[File:Chopin 9 2.png||500px]]<br />
<br />
The first person would therefore use a very small dictionary of chord labels with 48 different chords: 12 root positions × 4 basic chord types (major, minor, augmented, diminished). 48 or 24 dictionaries are common in chord recognition from audio data. On the other hand, the second person would use a very large chord label dictionary containing millions of labels. This is the case with the dataset to be used in this task.<br />
<br />
== Data format == <br />
<br />
Not much data exists that can be used as ground truth for harmonic analysis. Several researchers used Bach chorales ([6] and [8]) and some reported using Kostka-Payne corpus. Unfortunately, the latter is very small, too small in fact for proper model training and evaluation: it consists of 46 very short musical excerpts.<br />
<br />
=== Input data ===<br />
<br />
We propose to use a dataset developed in cooperation of the members of Sagayama/Ono laboratory at the University of Tokyo and prof. Hitomi Kaneko from Toho Gakuen School of Music and her students. This dataset contains very detailed harmony labels for all of RWC database's classical pieces (almost 6 hours of music). This data will be coupled with quantized (score-like) set of MIDI files, and the latter will be converted to CSV files for easy input. The first line of such CSV file will contain information about the number of data lines per downbeat and the number of lines per upbeat (Auftakt). The rest of the lines will hold lists of notes active in the consecutive divisions of downbeat expressed by MIDI note numbers. The first two bars of Chopin's Nocturne Op. 9 No. 2 (see picture above) will therefore be encoded as:<br />
<br />
4 1<br />
62<br />
39 55 58 63 67 79<br />
51 56 59 62 68 77 79<br />
39 55 58 63 67 77<br />
38 55 58 63 67 70 75<br />
...<br />
<br />
In other words, there would be 4 lines per measure, each spanning 3 eighth notes and the first line will be a 3 eighth notes of upbeat. <br />
<br />
=== Ground truth ===<br />
The ground truth for the same piece will be encoded as:<br />
<br />
z<br />
E- E- G B-<br />
B- E- A- D F<br />
E- E- G B-<br />
E- D E- G B-<br />
...<br />
<br />
Each line will consist of harmony data corresponding to one line of the input data. Harmony is given by pitch class of the root tone, followed by a list of all pitch classes belonging to the chord. Pitch classes are labeled with capital Latin letters (A through G) with flats represented by minus signs and sharps by plus signs. Non-harmony (e.g. a rest or upbeat) is marked with a special symbol 'z'. So, in the example above, “E- E- G B-” means a chord with root in E♭ (which is the tonic) that consists of three notes: E♭, G and B♭, and so it is a major triad (in its root position, although the order of the pitch classes play no role — it is straightforward to extract that from the input data).<br />
<br />
The tonal center (and therefore the structural meaning of a given chord) is not explicitly given in order to simplify the task and allow more participants to compete. Nevertheless, the algorithms will benefit much from considering e.g. tonal center movement and degrees of scale (as in functional analysis).<br />
<br />
Labels for the entire RWC's classical portion will be made available for the MIREX participants (with some copying and usage restrictions). In order to allow cross-validation of the submitted algorithms, an independent set of labels will be created (to which the participants will have no access), and the algorithms will be executed on both sets.<br />
<br />
=== Output data ===<br />
<br />
The output from the algorithms is expected to comply with the above description of the ground truth data format. For example, a common 24-chord dictionary algorithm would output a series of lines from the following set (12 major and 12 minor chords):<br />
<br />
C C E G<br />
C+ C+ E+ G+<br />
D- D- F A-<br />
D D F+ A<br />
D+ D+ F A+<br />
E- E- G B-<br />
E E G+ B<br />
F F A C<br />
F+ F+ A+ C+<br />
G- G- B- D-<br />
G G B D<br />
G+ G+ B+ D+<br />
A- A- C E-<br />
A A C+ E<br />
A+ A+ C E+<br />
B- B- D F<br />
B B D+ F+<br />
C C E- G<br />
C+ C+ E G+<br />
D- D- F- A-<br />
D D F A<br />
D+ D+ F+ A+<br />
E- E- G- B-<br />
E E G B<br />
F F A- C<br />
F+ F+ A C+<br />
G- G- B D-<br />
G G B- D<br />
G+ G+ B D+<br />
A- A- C- E-<br />
A A C E<br />
A+ A+ C+ E+<br />
B- B- D- F<br />
B B D F+<br />
<br />
== Evaluation Measures ==<br />
<br />
Evaluation is a difficult problem for 2 reasons:<br />
# Ground truth is kind of an ambiguous thing in harmonic analysis, as sometimes multiple interpretations are possible.<br />
# Algorithms can output partial harmonic data (as e.g. it is the case of the 24-chord dictionary algorithm mentioned earlier) and they should be awarded partial score.<br />
<br />
Therefore, we propose to use a weighted chord distance measure along other, simpler evaluation measures (root identification accuracy, and pitch class precision, recall and F-measure). In this measure, mistaking the root will cost much more than e.g. overlooking an added ninth and mistaking major for augmented chord will be less costly than e.g. interpreting major as minor. This should enable comparison of algorithms that work with different chord dictionaries: using a simplified dictionary will decrease the estimation accuracy, but not significantly so, and an algorithm using an accurate 24-chord dictionary should outperform a poor algorithm that deals with accurate chord labels.<br />
<br />
The following formula will be used to evaluate the performance of the submitted algorithms:<br />
<br />
[[File:Evaluation.png||250px]]<br />
<br />
where:<br />
* ''t'' is the time.<br />
* ''r'' is the root of a chord (0..11).<br />
* ''N'' is the set of notes that belong to a chord.<br />
* ''W'' is the 12-dimensional weighting vector.<br />
* ''S'' is the score given obtained by an algorithm.<br />
* ''A'' is calculated for ground truth and the hat over ''A'' means it is calculated for the estimated harmony.<br />
<br />
The weighting vector is obtained from the circle of fifths:<br />
<br />
[[File:Weights.png||200px]]<br />
<br />
where ''D'' is the distance between its arguments on the circle of fifths (minimal number of steps 0..6) and ''r'' is any chord root (0..11). ''W'' is normalized to 1.<br />
<br />
[[File:Weights plot.png||700px]]<br />
<br />
The score will be equal to 1 if all the notes in the chord were identified correctly and between 0 and 1 for other cases (see pictures below).<br />
<br />
[[File:Wrong_root.png||400px]]<br />
<br />
[[File:Wrong_type.png||300px]]<br />
[[File:Wrong added.png||300px]]<br />
[[File:Wrong removed.png||300px]]<br />
<br />
== Test data ==<br />
A dataset containing harmonic data for the entire RWC database's classical part will be made available to this task's participants. During the evaluation, this set will be coupled with a new set which is being currently developed by us and which will remain unavailable to participants in order enable assesment of the ability of the submitted algorithms to perform outside the training set.<br />
<br />
== References ==<br />
#<br />
# W. B. de Haas, R. C. Veltkamp, F. Wiering, [http://ismir2008.ismir.net/papers/ISMIR2008_252.pdf “Tonal pitch step distance: a similarity measure for chord progressions,”] Proc. of 9th ISMIR, 2008<br />
# J.-F. Paiement, D. Eck, S. Bengio, [http://publications.idiap.ch/downloads/reports/2005/rr-05-58.pdf “Chord representations for probabilistic models,”] IDIAP Research report, 2005<br />
# J.-F. Paiement, D. Eck, S. Bengio, [http://ismir2005.ismir.net/proceedings/1091.pdf ”A probabilistic model for chord progressions,”] Proc. of 6th ISMIR, 2005<br />
# C. Raphael, J. Stoddard, [http://ismir2003.ismir.net/papers/Raphael.PDF “Harmonic analysis with probabilistic graphical models,”] Proc. of 4th ISMIR, 2003<br />
# P. Kröger, A. Passos, M. Sampaio, G. de Cidra, [http://classes.berklee.edu/mbierylo/ICMC08/defevent/papers/cr1516.pdf “Rameau: a system for automatic harmonic analysis,”] Proc. of ICMC, 2008<br />
# C. S. Sapp, [http://www.ccarh.org/publications/cm/vol/15/cm15-06-sapp.pdf “Computational chord-root identification in symbolic musical data: rationale, methods and applications,”] Computing in Musicology 15, 2007<br />
# H. Taube, [http://www-camil.music.uiuc.edu/Software/cc/doc/cmj.pdf “Automatic tonal analysis: toward the implementation of a music theory workbench,”] Computer Music Journal vol. 23 nr. 4, 1999 [http://www.dissertationwritinghelp.co.uk/ Dissertation Help] [http://www.customwrittenpaper.com/ College Essay Help]<br />
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== Potential Participants ==<br />
<br />
== Discussion for 2010 ==</div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=2010:Audio_Chord_Estimationphp/How_You_Can_Established_an_internet_Shopping_Cart_Software_Package&diff=79382010:Audio Chord Estimationphp/How You Can Established an internet Shopping Cart Software Package2011-05-21T15:23:34Z<p>CameronNonAdmin: How You Can Established an internet Shopping Cart Software Package</p>
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[[Image : shopping7.jpg]]</div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=2010:MIREX_HOME&diff=79372010:MIREX HOME2011-05-21T12:38:57Z<p>CameronNonAdmin: /* New 2010 Proposals */</p>
<hr />
<div>==MIREX 2010 Deadline Dates==<br />
We have <b>very</b> tight scheduling constraints this year because of the early convening of ISMIR 2010 in Utrecht.<br />
<br />
We have two sets of deadlines for submissions. We have to stagger the deadlines because of runtime and human evaluation considerations.<br />
[http://www.allwritingsource.co.uk/write-my-essay.php/ Write My Essay]<br />
[http://www.allwritingsource.co.uk/university-essays.php/ University Essays]<br />
<br />
<br />
<br />
===Tasks with a '''25 June 2010''' deadline:===<br />
# Audio Classification (Train/Test) Tasks<br />
# Audio Music Similarity and Retrieval<br />
# Symbolic Melodic Similarity<br />
===Tasks with a '''2 July 2010''' deadline:===<br />
<br />
# All remaining MIREX 2010 tasks.<br />
<br />
<br />
<i><b>Nota Bene:</b> </i>In the past we have been rather flexible about deadlines. This year, however, we simply do not have the time flexibility, sorry.<br />
<br />
Please, please, please, let's start getting those submissions made. The sooner we have the code, the sooner we can start running the evaluations.<br />
<br />
PS: If you have a slower running algorithm, help us help you by getting your code in ASAP. Please do pay attention to runtime limits.<br />
[http://www.essaymojo.co.uk/essay-service.php/ Essay Writing]|[http://www.essaymojo.co.uk/university-essays-uk.php/ University Essays]|[http://www.essaymojo.co.uk/write-my-essay.php/ Write My Essay]|[http://www.essaymojo.co.uk/Essay-writing.php/ Essay Help]<br />
<br />
==MIREX 2010 Submission Instructions==<br />
* Be sure to read through the rest of this page<br />
* Be sure to read though the task pages for which you are submitting<br />
* Be sure to follow the [[2009:Best Coding Practices for MIREX | Best Coding Practices for MIREX]]<br />
* Be sure to follow the [[2010:MIREX 2010 Submission Instructions | MIREX 2010 Submission Instructions ]] including both the tutorial video and the text<br />
[http://logodesignmaestro.com/ Logo Design] <br />
<br />
<br />
<br />
===MIREX 2010 Evaluation Tasks===<br />
<br />
The IMIRSEL team at UIUC solicited proposals for evaluation tasks to be performed at the Music Information Retrieval Evaluation eXchange 2010 (MIREX 2010) and polled the community on their likelihood of participation in each task. A summary of the responses from the community is given below:<br />
<br />
Results as of Monday 24th May 2010:<br />
<br />
Total individual responses = 74<br />
<br />
<csv p=0>2010/poll/MIREX_Task_Participation_Poll.csv</csv><br />
<br />
Hence, the IMIRSEL team has decided to attempt the running of the following tasks at MIREX 2010:<br />
* [[2010:Audio Classification (Train/Test) Tasks]], incorporating:<br />
** Audio Artist Identification<br />
** Audio US Pop Genre Classification<br />
** Audio Latin Genre Classification<br />
** Audio Music Mood Classification<br />
** Audio Classical Composer Identification<br />
* [[2010:Audio Cover Song Identification]]<br />
* [[2010:Audio Tag Classification]] <br />
* [[2010:Audio Music Similarity and Retrieval]]<br />
* [[2010:Symbolic Melodic Similarity]]<br />
* [[2010:Audio Onset Detection]]<br />
* [[2010:Audio Key Detection]]<br />
* [[2010:Real-time Audio to Score Alignment (a.k.a Score Following)]]<br />
* [[2010:Query by Singing/Humming]]<br />
* [[2010:Audio Melody Extraction]]<br />
* [[2010:Multiple Fundamental Frequency Estimation & Tracking]]<br />
* [[2010:Audio Chord Estimation]]<br />
* [[2010:Query by Tapping]]<br />
* [[2010:Audio Beat Tracking]]<br />
* [[2010:Structural Segmentation]]<br />
* [[2010:Audio Tempo Estimation]]<br />
* [http://www.essaymojo.co.uk/dissertation-proposal.php/ Dissertation Proposal]<br />
* [http://www.essaymojo.co.uk/dissertation.php/ Dissertation Writing]<br />
==== New 2010 Proposals ====<br />
* <strike>[[2010:Harmonic Analysis]]</strike><br />
<br />
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* [http://www.simonlydealsandcontracts.co.uk SIM only deals]<br />
* [http://www.simonlydealsandcontracts.co.uk SIM only contracts]<br />
<br />
===Projected dates===<br />
* 1st June 2010: MIREX submission system open<br />
* 25th June: Rolling MIREX submission system closures for the following tasks<br />
**Audio Classification (Train/Test) Tasks<br />
**Audio Music Similarity and Retrieval<br />
**Symbolic Melodic Similarity <br />
* 2nd July: Rolling MIREX submission system closures for all the remaining MIREX 2010 tasks. <br />
* 15th July 2010: MIREX results posting begins<br />
* 1st August 2010: All MIREX results posted (somewhat hopeful target date)<br />
* 2-6th August 2010: USMIR Summer School<br />
* 9-13th August 2010: ISMIR conference<br />
<br />
* [http://www.logodesignmaestro.co.uk Logo Design]<br />
<br />
===Note to New Participants===<br />
Please take the time to read the following review article that explains the history and structure of MIREX.<br />
<br />
Downie, J. Stephen (2008). The Music Information Retrieval Evaluation Exchange (2005-2007):<br><br />
A window into music information retrieval research.''Acoustical Science and Technology 29'' (4): 247-255. <br><br />
Available at: [http://dx.doi.org/10.1250/ast.29.247 http://dx.doi.org/10.1250/ast.29.247]<br />
<br />
<br />
===Note to All Participants===<br />
Because MIREX is premised upon the sharing of ideas and results, '''ALL''' MIREX participants are expected to:<br />
<br />
# submit a DRAFT 2-3 page extended abstract PDF in the ISMIR format about the submitted programme(s) to help us and the community better understand how the algorithm works when submitting their programme(s).<br />
# submit a FINALIZED 2-3 page extended abstract PDF in the ISMIR format prior to ISMIR 2010 for posting on the respective results pages (sometimes the same abstract can be used for multiple submissions; in many cases the DRAFT and FINALIZED abstracts are the same)<br />
# present a poster at the MIREX 2010 poster session at ISMIR 2010 (Wednesday, 11 August 2010)<br />
<br />
<br />
===Software Dependency Requests===<br />
If you have not submitted to MIREX before or are unsure whether IMIRSEL/NEMA currently supports some of the software/architecture dependencies for your submission a [https://spreadsheets.google.com/embeddedform?formkey=dDltRjc4NDBDdkZiaF9qZXV0bU5ScUE6MA dependency request form is available]. Please submit details of your dependencies on this form and the IMIRSEL team will attempt to satisfy them for you.[http://www.essayhelppros.co.uk/ Essay writing]<br />
<br />
Due to the high volume of submissions expected at MIREX 2010, submissions with difficult to satisfy dependencies that the team has not been given sufficient notice of may result in the submission being rejected.[http://www.essayinn.co.uk/ Essays Writing]<br />
<br />
<br />
Finally, you will also be expected to detail your software/architecture dependencies in a README file to be provided to the submission system.[http://www.essayhelppros.co.uk/uk-essay-help.php essay help]<br />
<br />
<br />
==Getting Involved in MIREX 2010==<br />
MIREX is a community-based endeavour. Be a part of the community and help make MIREX 2010 the best yet. [http://www.allwritingsource.co.uk/assignment-writing-help.php/ Assignment Writing Help]<br />
<br />
<br />
<br />
===Mailing List Participation===<br />
If you are interested in formal MIR evaluation, you should also subscribe to the "MIREX" (aka "EvalFest") mail list and participate in the community discussions about defining and running MIREX 2010 tasks. Subscription information at: <br />
[https://mail.lis.illinois.edu/mailman/listinfo/evalfest EvalFest Central]. <br />
<br />
If you are participating in MIREX 2010, it is VERY IMPORTANT that you are subscribed to EvalFest. Deadlines, task updates and other important information will be announced via this mailing list. Please use the EvalFest for discussion of MIREX task proposals and other MIREX related issues. This wiki (MIREX 2010 wiki) will be used to embody and disseminate task proposals, however, task related discussions should be conducted on the MIREX organization mailing list (EvalFest) rather than on this wiki, but should be summarized here. [http://www.essayinn.co.uk/write-my-essay/ Write My Essay]<br />
<br />
Where possible, definitions or example code for new evaluation metrics or tasks should be provided to the IMIRSEL team who will embody them in software as part of the NEMA analytics framework, which will be released to the community at or before ISMIR 2010 - providing a standardised set of interfaces and output to disciplined evaluation procedures for a great many MIR tasks.<br />
[http://www.allwritingsource.co.uk/essay-help.php/ Essay Help]<br />
<br />
<br />
===Wiki Participation===<br />
'''''Please note that you may need to create a NEW login for this wiki even if you have a login that you previously used for editing the MIREX 2005, 2006, 2007, 2008 or 2009 wikis.'''''<br />
<br />
However, starting in 2010 the MIREX wikis have been merged so that logins will persist for future iterations of MIREX.[http://www.essayinn.co.uk/cheap-custom-essays/ Cheap Custom Essays]<br />
<br />
Please create an account via: [[Special:Userlogin]].<br />
<br />
Please note that because of "spam-bots", MIREX wiki registration requests may be moderated by IMIRSEL members. It might take up to 24 hours for approval (Thank you for your patience!).<br />
<br />
<br />
<br />
<br />
<br />
==MIREX 2005 - 2009 Wikis==<br />
This is the new wiki for MIREX 2010. The wikis for MIREX 2005 - 2009 are available at:<br />
<br />
'''[[2009:Main_Page|MIREX 2009]]''' <br />
https://www.music-ir.org/mirex/2009/<br />
<br />
'''[[2008:Main_Page|MIREX 2008]]''' <br />
https://www.music-ir.org/mirex/2008/<br />
<br />
'''[[2007:Main_Page|MIREX 2007]]''' <br />
https://www.music-ir.org/mirex/2007/<br />
<br />
'''[[2006:Main_Page|MIREX 2006]]''' <br />
https://www.music-ir.org/mirex/2006/<br />
<br />
'''[[2005:Main_Page|MIREX 2005]]''' <br />
https://www.music-ir.org/mirex/2005/<br />
<br />
You can interlink between this wiki and the previous wikis using '''2005:''' prefix on links to connect to pages in MIREX 2005 and '''2006:''' for MIREX 2006 and '''2007:''' for MIREX 2007 and '''2008:''' for MIREX 2008 and '''2009:''' for MIREX 2009.<br />
<br />
===ISMIR 2004 Audio Description Contest===<br />
The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:[http://www.essayinn.co.uk/buy-an-essay/ Buy Essay]<br />
[http://www.dissertationmojo.co.uk/write-my-dissertation/ write my dissertation] | [http://www.dissertationmojo.co.uk/buy-dissertation/ buy dissertation]<br />
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<br />
'''[http://ismir2004.ismir.net/ISMIR_Contest.html| ISMIR 2004 Audio Description Contest]''' <br />
http://ismir2004.ismir.net/ISMIR_Contest.html<br />
<br />
The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:[http://www.buylasixonline.info/soma buy soma]|[http://www.buyprozac-online.com/ buy prozac online] [http://www.buynexium-online.com/ buy nexium online]</div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=2010:MIREX_HOME&diff=79362010:MIREX HOME2011-05-21T12:36:55Z<p>CameronNonAdmin: /* Tasks with a 2 July 2010 deadline: */</p>
<hr />
<div>==MIREX 2010 Deadline Dates==<br />
We have <b>very</b> tight scheduling constraints this year because of the early convening of ISMIR 2010 in Utrecht.<br />
<br />
We have two sets of deadlines for submissions. We have to stagger the deadlines because of runtime and human evaluation considerations.<br />
[http://www.allwritingsource.co.uk/write-my-essay.php/ Write My Essay]<br />
[http://www.allwritingsource.co.uk/university-essays.php/ University Essays]<br />
<br />
<br />
<br />
===Tasks with a '''25 June 2010''' deadline:===<br />
# Audio Classification (Train/Test) Tasks<br />
# Audio Music Similarity and Retrieval<br />
# Symbolic Melodic Similarity<br />
===Tasks with a '''2 July 2010''' deadline:===<br />
<br />
# All remaining MIREX 2010 tasks.<br />
<br />
<br />
<i><b>Nota Bene:</b> </i>In the past we have been rather flexible about deadlines. This year, however, we simply do not have the time flexibility, sorry.<br />
<br />
Please, please, please, let's start getting those submissions made. The sooner we have the code, the sooner we can start running the evaluations.<br />
<br />
PS: If you have a slower running algorithm, help us help you by getting your code in ASAP. Please do pay attention to runtime limits.<br />
[http://www.essaymojo.co.uk/essay-service.php/ Essay Writing]|[http://www.essaymojo.co.uk/university-essays-uk.php/ University Essays]|[http://www.essaymojo.co.uk/write-my-essay.php/ Write My Essay]|[http://www.essaymojo.co.uk/Essay-writing.php/ Essay Help]<br />
<br />
==MIREX 2010 Submission Instructions==<br />
* Be sure to read through the rest of this page<br />
* Be sure to read though the task pages for which you are submitting<br />
* Be sure to follow the [[2009:Best Coding Practices for MIREX | Best Coding Practices for MIREX]]<br />
* Be sure to follow the [[2010:MIREX 2010 Submission Instructions | MIREX 2010 Submission Instructions ]] including both the tutorial video and the text<br />
[http://logodesignmaestro.com/ Logo Design] <br />
<br />
<br />
<br />
===MIREX 2010 Evaluation Tasks===<br />
<br />
The IMIRSEL team at UIUC solicited proposals for evaluation tasks to be performed at the Music Information Retrieval Evaluation eXchange 2010 (MIREX 2010) and polled the community on their likelihood of participation in each task. A summary of the responses from the community is given below:<br />
<br />
Results as of Monday 24th May 2010:<br />
<br />
Total individual responses = 74<br />
<br />
<csv p=0>2010/poll/MIREX_Task_Participation_Poll.csv</csv><br />
<br />
Hence, the IMIRSEL team has decided to attempt the running of the following tasks at MIREX 2010:<br />
* [[2010:Audio Classification (Train/Test) Tasks]], incorporating:<br />
** Audio Artist Identification<br />
** Audio US Pop Genre Classification<br />
** Audio Latin Genre Classification<br />
** Audio Music Mood Classification<br />
** Audio Classical Composer Identification<br />
* [[2010:Audio Cover Song Identification]]<br />
* [[2010:Audio Tag Classification]] <br />
* [[2010:Audio Music Similarity and Retrieval]]<br />
* [[2010:Symbolic Melodic Similarity]]<br />
* [[2010:Audio Onset Detection]]<br />
* [[2010:Audio Key Detection]]<br />
* [[2010:Real-time Audio to Score Alignment (a.k.a Score Following)]]<br />
* [[2010:Query by Singing/Humming]]<br />
* [[2010:Audio Melody Extraction]]<br />
* [[2010:Multiple Fundamental Frequency Estimation & Tracking]]<br />
* [[2010:Audio Chord Estimation]]<br />
* [[2010:Query by Tapping]]<br />
* [[2010:Audio Beat Tracking]]<br />
* [[2010:Structural Segmentation]]<br />
* [[2010:Audio Tempo Estimation]]<br />
* [http://www.essaymojo.co.uk/dissertation-proposal.php/ Dissertation Proposal]<br />
* [http://www.essaymojo.co.uk/dissertation.php/ Dissertation Writing]<br />
==== New 2010 Proposals ====<br />
* <strike>[[2010:Harmonic Analysis]]</strike><br />
* [http://www.customessayhelp.com/essay-writers.html essay writers]<br />
* [http://www.customessayhelp.com/analysis-essay.html analysis essay]<br />
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<br />
===Projected dates===<br />
* 1st June 2010: MIREX submission system open<br />
* 25th June: Rolling MIREX submission system closures for the following tasks<br />
**Audio Classification (Train/Test) Tasks<br />
**Audio Music Similarity and Retrieval<br />
**Symbolic Melodic Similarity <br />
* 2nd July: Rolling MIREX submission system closures for all the remaining MIREX 2010 tasks. <br />
* 15th July 2010: MIREX results posting begins<br />
* 1st August 2010: All MIREX results posted (somewhat hopeful target date)<br />
* 2-6th August 2010: USMIR Summer School<br />
* 9-13th August 2010: ISMIR conference<br />
<br />
* [http://www.logodesignmaestro.co.uk Logo Design]<br />
<br />
===Note to New Participants===<br />
Please take the time to read the following review article that explains the history and structure of MIREX.<br />
<br />
Downie, J. Stephen (2008). The Music Information Retrieval Evaluation Exchange (2005-2007):<br><br />
A window into music information retrieval research.''Acoustical Science and Technology 29'' (4): 247-255. <br><br />
Available at: [http://dx.doi.org/10.1250/ast.29.247 http://dx.doi.org/10.1250/ast.29.247]<br />
<br />
<br />
===Note to All Participants===<br />
Because MIREX is premised upon the sharing of ideas and results, '''ALL''' MIREX participants are expected to:<br />
<br />
# submit a DRAFT 2-3 page extended abstract PDF in the ISMIR format about the submitted programme(s) to help us and the community better understand how the algorithm works when submitting their programme(s).<br />
# submit a FINALIZED 2-3 page extended abstract PDF in the ISMIR format prior to ISMIR 2010 for posting on the respective results pages (sometimes the same abstract can be used for multiple submissions; in many cases the DRAFT and FINALIZED abstracts are the same)<br />
# present a poster at the MIREX 2010 poster session at ISMIR 2010 (Wednesday, 11 August 2010)<br />
<br />
<br />
===Software Dependency Requests===<br />
If you have not submitted to MIREX before or are unsure whether IMIRSEL/NEMA currently supports some of the software/architecture dependencies for your submission a [https://spreadsheets.google.com/embeddedform?formkey=dDltRjc4NDBDdkZiaF9qZXV0bU5ScUE6MA dependency request form is available]. Please submit details of your dependencies on this form and the IMIRSEL team will attempt to satisfy them for you.[http://www.essayhelppros.co.uk/ Essay writing]<br />
<br />
Due to the high volume of submissions expected at MIREX 2010, submissions with difficult to satisfy dependencies that the team has not been given sufficient notice of may result in the submission being rejected.[http://www.essayinn.co.uk/ Essays Writing]<br />
<br />
<br />
Finally, you will also be expected to detail your software/architecture dependencies in a README file to be provided to the submission system.[http://www.essayhelppros.co.uk/uk-essay-help.php essay help]<br />
<br />
<br />
==Getting Involved in MIREX 2010==<br />
MIREX is a community-based endeavour. Be a part of the community and help make MIREX 2010 the best yet. [http://www.allwritingsource.co.uk/assignment-writing-help.php/ Assignment Writing Help]<br />
<br />
<br />
<br />
===Mailing List Participation===<br />
If you are interested in formal MIR evaluation, you should also subscribe to the "MIREX" (aka "EvalFest") mail list and participate in the community discussions about defining and running MIREX 2010 tasks. Subscription information at: <br />
[https://mail.lis.illinois.edu/mailman/listinfo/evalfest EvalFest Central]. <br />
<br />
If you are participating in MIREX 2010, it is VERY IMPORTANT that you are subscribed to EvalFest. Deadlines, task updates and other important information will be announced via this mailing list. Please use the EvalFest for discussion of MIREX task proposals and other MIREX related issues. This wiki (MIREX 2010 wiki) will be used to embody and disseminate task proposals, however, task related discussions should be conducted on the MIREX organization mailing list (EvalFest) rather than on this wiki, but should be summarized here. [http://www.essayinn.co.uk/write-my-essay/ Write My Essay]<br />
<br />
Where possible, definitions or example code for new evaluation metrics or tasks should be provided to the IMIRSEL team who will embody them in software as part of the NEMA analytics framework, which will be released to the community at or before ISMIR 2010 - providing a standardised set of interfaces and output to disciplined evaluation procedures for a great many MIR tasks.<br />
[http://www.allwritingsource.co.uk/essay-help.php/ Essay Help]<br />
<br />
<br />
===Wiki Participation===<br />
'''''Please note that you may need to create a NEW login for this wiki even if you have a login that you previously used for editing the MIREX 2005, 2006, 2007, 2008 or 2009 wikis.'''''<br />
<br />
However, starting in 2010 the MIREX wikis have been merged so that logins will persist for future iterations of MIREX.[http://www.essayinn.co.uk/cheap-custom-essays/ Cheap Custom Essays]<br />
<br />
Please create an account via: [[Special:Userlogin]].<br />
<br />
Please note that because of "spam-bots", MIREX wiki registration requests may be moderated by IMIRSEL members. It might take up to 24 hours for approval (Thank you for your patience!).<br />
<br />
<br />
<br />
<br />
<br />
==MIREX 2005 - 2009 Wikis==<br />
This is the new wiki for MIREX 2010. The wikis for MIREX 2005 - 2009 are available at:<br />
<br />
'''[[2009:Main_Page|MIREX 2009]]''' <br />
https://www.music-ir.org/mirex/2009/<br />
<br />
'''[[2008:Main_Page|MIREX 2008]]''' <br />
https://www.music-ir.org/mirex/2008/<br />
<br />
'''[[2007:Main_Page|MIREX 2007]]''' <br />
https://www.music-ir.org/mirex/2007/<br />
<br />
'''[[2006:Main_Page|MIREX 2006]]''' <br />
https://www.music-ir.org/mirex/2006/<br />
<br />
'''[[2005:Main_Page|MIREX 2005]]''' <br />
https://www.music-ir.org/mirex/2005/<br />
<br />
You can interlink between this wiki and the previous wikis using '''2005:''' prefix on links to connect to pages in MIREX 2005 and '''2006:''' for MIREX 2006 and '''2007:''' for MIREX 2007 and '''2008:''' for MIREX 2008 and '''2009:''' for MIREX 2009.<br />
<br />
===ISMIR 2004 Audio Description Contest===<br />
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'''[http://ismir2004.ismir.net/ISMIR_Contest.html| ISMIR 2004 Audio Description Contest]''' <br />
http://ismir2004.ismir.net/ISMIR_Contest.html<br />
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[[Image : shopping4.jpg]]</div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=2010:Harmonic_Analysis&diff=79342010:Harmonic Analysis2011-05-20T11:22:06Z<p>CameronNonAdmin: /* References */</p>
<hr />
<div>== Description ==<br />
<br />
This task is suggested for MIREX 2010. The general goal is to estimate the latent harmonic progression from score-like music data, a process typically called harmonic analysis or functional analysis in musicology (although this task cannot be really called functional analysis, functional analysis can be used to obtain the required output data). This typically involves estimating the musical key of a given piece of music and movement of the tonal center (modulations and tonicizations), as well as the progression of chords. [http://supremedissertation.co.uk/ Dissertation Proposal]<br />
<br />
<br />
=== Time units ===<br />
It is well known that harmony is strongly coupled with metric structure: progressing from one chord to another typically occurs at strong beats, while most non-chord tones are played on weak beats or off-beat. For this reason, knowing the temporal structure of the piece of music is important when performing harmonic analysis, and in this task the harmony is estimated on a beat-based time basis from score-like symbolic data (as opposed to performance data).<br />
<br />
=== Chord dictionary ===<br />
Harmonic analysis can be performed with varying degree of precision, depending on the goal at hand. One might only want to extract general progression patterns to be used in harmonic similarity or harmonic queries, for example check if a song at hand contains the so called 50s progression: I–vi–IV–V. Another one might be interested in full musicological analysis of a score, i.e. obtaining information about root position, chord type (quality), added tones, invertion, etc. This person would for example say the the second bar of Chopin's Nocturne Op. 9 No. 2 (in the key of E♭-major) starts in the tonic I (E♭, G, B♭), then it progresses to the dominant ninth chord in the third inversion with the root removed and the tonic added in bass (E♭, A♭, D, F).<br />
<br />
[[File:Chopin 9 2.png||500px]]<br />
<br />
The first person would therefore use a very small dictionary of chord labels with 48 different chords: 12 root positions × 4 basic chord types (major, minor, augmented, diminished). 48 or 24 dictionaries are common in chord recognition from audio data. On the other hand, the second person would use a very large chord label dictionary containing millions of labels. This is the case with the dataset to be used in this task.<br />
<br />
== Data format == <br />
<br />
Not much data exists that can be used as ground truth for harmonic analysis. Several researchers used Bach chorales ([6] and [8]) and some reported using Kostka-Payne corpus. Unfortunately, the latter is very small, too small in fact for proper model training and evaluation: it consists of 46 very short musical excerpts.<br />
<br />
=== Input data ===<br />
<br />
We propose to use a dataset developed in cooperation of the members of Sagayama/Ono laboratory at the University of Tokyo and prof. Hitomi Kaneko from Toho Gakuen School of Music and her students. This dataset contains very detailed harmony labels for all of RWC database's classical pieces (almost 6 hours of music). This data will be coupled with quantized (score-like) set of MIDI files, and the latter will be converted to CSV files for easy input. The first line of such CSV file will contain information about the number of data lines per downbeat and the number of lines per upbeat (Auftakt). The rest of the lines will hold lists of notes active in the consecutive divisions of downbeat expressed by MIDI note numbers. The first two bars of Chopin's Nocturne Op. 9 No. 2 (see picture above) will therefore be encoded as:<br />
<br />
4 1<br />
62<br />
39 55 58 63 67 79<br />
51 56 59 62 68 77 79<br />
39 55 58 63 67 77<br />
38 55 58 63 67 70 75<br />
...<br />
<br />
In other words, there would be 4 lines per measure, each spanning 3 eighth notes and the first line will be a 3 eighth notes of upbeat. <br />
<br />
=== Ground truth ===<br />
The ground truth for the same piece will be encoded as:<br />
<br />
z<br />
E- E- G B-<br />
B- E- A- D F<br />
E- E- G B-<br />
E- D E- G B-<br />
...<br />
<br />
Each line will consist of harmony data corresponding to one line of the input data. Harmony is given by pitch class of the root tone, followed by a list of all pitch classes belonging to the chord. Pitch classes are labeled with capital Latin letters (A through G) with flats represented by minus signs and sharps by plus signs. Non-harmony (e.g. a rest or upbeat) is marked with a special symbol 'z'. So, in the example above, “E- E- G B-” means a chord with root in E♭ (which is the tonic) that consists of three notes: E♭, G and B♭, and so it is a major triad (in its root position, although the order of the pitch classes play no role — it is straightforward to extract that from the input data).<br />
<br />
The tonal center (and therefore the structural meaning of a given chord) is not explicitly given in order to simplify the task and allow more participants to compete. Nevertheless, the algorithms will benefit much from considering e.g. tonal center movement and degrees of scale (as in functional analysis).<br />
<br />
Labels for the entire RWC's classical portion will be made available for the MIREX participants (with some copying and usage restrictions). In order to allow cross-validation of the submitted algorithms, an independent set of labels will be created (to which the participants will have no access), and the algorithms will be executed on both sets.<br />
<br />
=== Output data ===<br />
<br />
The output from the algorithms is expected to comply with the above description of the ground truth data format. For example, a common 24-chord dictionary algorithm would output a series of lines from the following set (12 major and 12 minor chords):<br />
<br />
C C E G<br />
C+ C+ E+ G+<br />
D- D- F A-<br />
D D F+ A<br />
D+ D+ F A+<br />
E- E- G B-<br />
E E G+ B<br />
F F A C<br />
F+ F+ A+ C+<br />
G- G- B- D-<br />
G G B D<br />
G+ G+ B+ D+<br />
A- A- C E-<br />
A A C+ E<br />
A+ A+ C E+<br />
B- B- D F<br />
B B D+ F+<br />
C C E- G<br />
C+ C+ E G+<br />
D- D- F- A-<br />
D D F A<br />
D+ D+ F+ A+<br />
E- E- G- B-<br />
E E G B<br />
F F A- C<br />
F+ F+ A C+<br />
G- G- B D-<br />
G G B- D<br />
G+ G+ B D+<br />
A- A- C- E-<br />
A A C E<br />
A+ A+ C+ E+<br />
B- B- D- F<br />
B B D F+<br />
<br />
== Evaluation Measures ==<br />
<br />
Evaluation is a difficult problem for 2 reasons:<br />
# Ground truth is kind of an ambiguous thing in harmonic analysis, as sometimes multiple interpretations are possible.<br />
# Algorithms can output partial harmonic data (as e.g. it is the case of the 24-chord dictionary algorithm mentioned earlier) and they should be awarded partial score.<br />
<br />
Therefore, we propose to use a weighted chord distance measure along other, simpler evaluation measures (root identification accuracy, and pitch class precision, recall and F-measure). In this measure, mistaking the root will cost much more than e.g. overlooking an added ninth and mistaking major for augmented chord will be less costly than e.g. interpreting major as minor. This should enable comparison of algorithms that work with different chord dictionaries: using a simplified dictionary will decrease the estimation accuracy, but not significantly so, and an algorithm using an accurate 24-chord dictionary should outperform a poor algorithm that deals with accurate chord labels.<br />
<br />
The following formula will be used to evaluate the performance of the submitted algorithms:<br />
<br />
[[File:Evaluation.png||250px]]<br />
<br />
where:<br />
* ''t'' is the time.<br />
* ''r'' is the root of a chord (0..11).<br />
* ''N'' is the set of notes that belong to a chord.<br />
* ''W'' is the 12-dimensional weighting vector.<br />
* ''S'' is the score given obtained by an algorithm.<br />
* ''A'' is calculated for ground truth and the hat over ''A'' means it is calculated for the estimated harmony.<br />
<br />
The weighting vector is obtained from the circle of fifths:<br />
<br />
[[File:Weights.png||200px]]<br />
<br />
where ''D'' is the distance between its arguments on the circle of fifths (minimal number of steps 0..6) and ''r'' is any chord root (0..11). ''W'' is normalized to 1.<br />
<br />
[[File:Weights plot.png||700px]]<br />
<br />
The score will be equal to 1 if all the notes in the chord were identified correctly and between 0 and 1 for other cases (see pictures below).<br />
<br />
[[File:Wrong_root.png||400px]]<br />
<br />
[[File:Wrong_type.png||300px]]<br />
[[File:Wrong added.png||300px]]<br />
[[File:Wrong removed.png||300px]]<br />
<br />
== Test data ==<br />
A dataset containing harmonic data for the entire RWC database's classical part will be made available to this task's participants. During the evaluation, this set will be coupled with a new set which is being currently developed by us and which will remain unavailable to participants in order enable assesment of the ability of the submitted algorithms to perform outside the training set.<br />
<br />
== References ==<br />
#<br />
# W. B. de Haas, R. C. Veltkamp, F. Wiering, [http://ismir2008.ismir.net/papers/ISMIR2008_252.pdf “Tonal pitch step distance: a similarity measure for chord progressions,”] Proc. of 9th ISMIR, 2008<br />
# J.-F. Paiement, D. Eck, S. Bengio, [http://publications.idiap.ch/downloads/reports/2005/rr-05-58.pdf “Chord representations for probabilistic models,”] IDIAP Research report, 2005<br />
# J.-F. Paiement, D. Eck, S. Bengio, [http://ismir2005.ismir.net/proceedings/1091.pdf ”A probabilistic model for chord progressions,”] Proc. of 6th ISMIR, 2005<br />
# C. Raphael, J. Stoddard, [http://ismir2003.ismir.net/papers/Raphael.PDF “Harmonic analysis with probabilistic graphical models,”] Proc. of 4th ISMIR, 2003<br />
# P. Kröger, A. Passos, M. Sampaio, G. de Cidra, [http://classes.berklee.edu/mbierylo/ICMC08/defevent/papers/cr1516.pdf “Rameau: a system for automatic harmonic analysis,”] Proc. of ICMC, 2008<br />
# C. S. Sapp, [http://www.ccarh.org/publications/cm/vol/15/cm15-06-sapp.pdf “Computational chord-root identification in symbolic musical data: rationale, methods and applications,”] Computing in Musicology 15, 2007<br />
# H. Taube, [http://www-camil.music.uiuc.edu/Software/cc/doc/cmj.pdf “Automatic tonal analysis: toward the implementation of a music theory workbench,”] Computer Music Journal vol. 23 nr. 4, 1999 [http://www.customwrittenpaper.com/ College Essay Help]<br />
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== Potential Participants ==<br />
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== Discussion for 2010 ==</div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=2010:Audio_Chord_Estimationphp/Ways_To_Avoid_Web_Store_Software_Robbery_or_simply_Decline&diff=79332010:Audio Chord Estimationphp/Ways To Avoid Web Store Software Robbery or simply Decline2011-05-20T06:28:11Z<p>CameronNonAdmin: Ways To Avoid Web Store Software Robbery or simply Decline</p>
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[[Image : shopping4.jpg]]</div>CameronNonAdminhttps://music-ir.org/mirex/w/index.php?title=2010:Audio_Chord_Estimationphp/Tips_On_How_To_Create_a_web_based_Web_Store_Software&diff=79322010:Audio Chord Estimationphp/Tips On How To Create a web based Web Store Software2011-05-20T05:27:06Z<p>CameronNonAdmin: Tips On How To Create a web based Web Store Software</p>
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<div></div>CameronNonAdmin