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	<updated>2026-05-08T07:20:37Z</updated>
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	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2015:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results_-_MIREX_Dataset&amp;diff=11571</id>
		<title>2015:Multiple Fundamental Frequency Estimation &amp; Tracking Results - MIREX Dataset</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2015:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results_-_MIREX_Dataset&amp;diff=11571"/>
		<updated>2015-10-22T06:20:26Z</updated>

		<summary type="html">&lt;p&gt;Yujia Yan: /* Run Times */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Introduction==&lt;br /&gt;
These are the results for the 2015 running of the Multiple Fundamental Frequency Estimation and Tracking task on MIREX dataset. For background information about this task set please refer to the [[2014:Multiple Fundamental Frequency Estimation &amp;amp; Tracking]] page.&lt;br /&gt;
&lt;br /&gt;
==General Legend==&lt;br /&gt;
{| border=&amp;quot;1&amp;quot; cellspacing=&amp;quot;0&amp;quot; style=&amp;quot;text-align: left; width: 800px;&amp;quot;&lt;br /&gt;
	|- style=&amp;quot;background: yellow;&amp;quot;&lt;br /&gt;
	! width=&amp;quot;80&amp;quot; | Sub code &lt;br /&gt;
	! width=&amp;quot;200&amp;quot; | Submission name &lt;br /&gt;
	! width=&amp;quot;80&amp;quot; style=&amp;quot;text-align: center;&amp;quot; | Abstract &lt;br /&gt;
	! width=&amp;quot;440&amp;quot; | Contributors&lt;br /&gt;
	|-&lt;br /&gt;
	! BW1&lt;br /&gt;
	| doMultiF0  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2015/BW1.pdf PDF] || [http://www.soi.city.ac.uk/~sbbj660/ Emmanouil Benetos], [http://www.soi.city.ac.uk/~sa746/  Tillman Weyde]&lt;br /&gt;
	|-&lt;br /&gt;
	! BW2&lt;br /&gt;
	| NoteTracking1  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2015/BW2.pdf PDF] || [http://www.soi.city.ac.uk/~sbbj660/ Emmanouil Benetos], [http://www.soi.city.ac.uk/~sa746/  Tillman Weyde]&lt;br /&gt;
	|-&lt;br /&gt;
	! BW3&lt;br /&gt;
	| NoteTracking2   ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2015/BW3.pdf PDF] || [http://www.soi.city.ac.uk/~sbbj660/ Emmanouil Benetos], [http://www.soi.city.ac.uk/~sa746/  Tillman Weyde]&lt;br /&gt;
	|-&lt;br /&gt;
	! CB1&lt;br /&gt;
	| Silvet1   ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2015/CB1.pdf PDF] || [http://www.eecs.qmul.ac.uk/people/view/3111/chris-cannam Chris Cannam], [http://www.soi.city.ac.uk/~sbbj660/ Emmanouil Benetos], Matthias Mauch, Matthew E. P. Davies, Simon Dixon, Christian Landone, Katy Noland, and Dan Stowell&lt;br /&gt;
	|-&lt;br /&gt;
	! CB2&lt;br /&gt;
	| Silvet2   ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2015/CB2.pdf PDF] || [http://www.eecs.qmul.ac.uk/people/view/3111/chris-cannam Chris Cannam], [http://www.soi.city.ac.uk/~sbbj660/ Emmanouil Benetos], Matthias Mauch, Matthew E. P. Davies, Simon Dixon, Christian Landone, Katy Noland, and Dan Stowell&lt;br /&gt;
	|-&lt;br /&gt;
	! SY1&lt;br /&gt;
	| MPE1  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2015/SY1.pdf PDF] || [https://sites.google.com/site/lisupage/ Li Su], [http://mac.citi.sinica.edu.tw/~yang/ Yi-Hsuan Yang]&lt;br /&gt;
	|-&lt;br /&gt;
	! SY2&lt;br /&gt;
	| MPE2   ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2015/SY2.pdf PDF] || [https://sites.google.com/site/lisupage/ Li Su], [http://mac.citi.sinica.edu.tw/~yang/ Yi-Hsuan Yang]&lt;br /&gt;
	|-&lt;br /&gt;
	! SY3&lt;br /&gt;
	| MPE3   ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2015/SY3.pdf PDF] || [https://sites.google.com/site/lisupage/ Li Su], [http://mac.citi.sinica.edu.tw/~yang/ Yi-Hsuan Yang]&lt;br /&gt;
	|-&lt;br /&gt;
	! SY4&lt;br /&gt;
	| MPE4   ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2015/SY4.pdf PDF] || [https://sites.google.com/site/lisupage/ Li Su], [http://mac.citi.sinica.edu.tw/~yang/ Yi-Hsuan Yang]&lt;br /&gt;
	|-&lt;br /&gt;
        |}&lt;br /&gt;
&lt;br /&gt;
==Run Times==&lt;br /&gt;
{| border=&amp;quot;1&amp;quot; cellspacing=&amp;quot;0&amp;quot; style=&amp;quot;text-align: left;&amp;quot;&lt;br /&gt;
|- style=&amp;quot;background: yellow;&amp;quot;&lt;br /&gt;
! ID&lt;br /&gt;
! Time&lt;br /&gt;
|-&lt;br /&gt;
|BW1&lt;br /&gt;
|0 hours, 56 minutes and 4 seconds&lt;br /&gt;
|-&lt;br /&gt;
|CB1&lt;br /&gt;
|1 hour, 33 minutes and 50 seconds&lt;br /&gt;
|-&lt;br /&gt;
|CB2&lt;br /&gt;
|0 hours, 5 minutes and 23 seconds&lt;br /&gt;
|-&lt;br /&gt;
|BW2&lt;br /&gt;
|0 hours, 55 minutes and 23 seconds&lt;br /&gt;
|-&lt;br /&gt;
|BW3&lt;br /&gt;
|0 hours, 42 minutes and 0 seconds&lt;br /&gt;
|-&lt;br /&gt;
|SY1&lt;br /&gt;
|0 hours, 12 minutes and 19 seconds&lt;br /&gt;
|-&lt;br /&gt;
|SY2&lt;br /&gt;
|0 hours, 16 minutes and 37 seconds&lt;br /&gt;
|-&lt;br /&gt;
|SY3&lt;br /&gt;
|0 hours, 11 minutes and 4 seconds&lt;br /&gt;
|-&lt;br /&gt;
|SY4&lt;br /&gt;
|0 hours, 15 minutes and 17 seconds&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Task 1: Multiple Fundamental Frequency Estimation (MF0E)==&lt;br /&gt;
&lt;br /&gt;
===MF0E Overall Summary Results===&lt;br /&gt;
Below are the average scores across 40 test files. These files come from 3 different sources: woodwind quintet recording of bassoon, clarinet, horn,flute and oboe (UIUC); Rendered MIDI using RWC database donated by IRCAM and a quartet recording of bassoon, clarinet,  violin and sax  donated by Dr. Bryan Pardo`s Interactive Audio Lab (IAL). 20 files coming from 5 sections of the woodwind recording where each section has 4 files ranging from 2 polyphony to 5 polyphony. 12 files from IAL, coming from 4 different songs ranging from 2 polyphony to 4 polyphony and 8 files from RWC synthesized midi ranging from 2 different songs ranging from 2 polphony to 5 polyphony. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2015/mf0/est_mirex/summary/task1.overall.csv&amp;lt;/csv&amp;gt; &lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2015/mf0/est_mirex/summary/task1.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2015/mf0/est_mirex/summary/task1.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 1===&lt;br /&gt;
'''BW1'''= [https://music-ir.org/mirex/results/2015/mf0/est_mirex/BW1.rar Emmanouil Benetos, Tillman Weyde]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''CB1'''= [https://music-ir.org/mirex/results/2015/mf0/est_mirex/CB1.rar Chris Cannam, Emmanouil Benetos, Matthias Mauch, Matthew E. P. Davies, Simon Dixon, Christian Landone, Katy Noland, Dan Stowell]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''CB2'''= [https://music-ir.org/mirex/results/2015/mf0/est_mirex/CB2.rar Chris Cannam, Emmanouil Benetos, Matthias Mauch, Matthew E. P. Davies, Simon Dixon, Christian Landone, Katy Noland, Dan Stowell]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''SY1'''= [https://music-ir.org/mirex/results/2015/mf0/est_mirex/SY1.rar Li Su, Yi-Hsuan Yang]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''SY2'''= [https://music-ir.org/mirex/results/2015/mf0/est_mirex/SY2.rar Li Su, Yi-Hsuan Yang]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''SY3'''= [https://music-ir.org/mirex/results/2015/mf0/est_mirex/SY3.rar Li Su, Yi-Hsuan Yang]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''SY4'''= [https://music-ir.org/mirex/results/2015/mf0/est_mirex/SY4.rar Li Su, Yi-Hsuan Yang]&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=====Info about the filenames=====&lt;br /&gt;
The filenames starting with part* comes from acoustic woodwind recording, the ones starting with RWC are synthesized. The legend about the instruments are:&lt;br /&gt;
&lt;br /&gt;
'''bs''' = bassoon,&lt;br /&gt;
'''cl''' = clarinet,&lt;br /&gt;
'''fl''' = flute,&lt;br /&gt;
'''hn''' = horn,&lt;br /&gt;
'''ob''' = oboe,&lt;br /&gt;
'''vl''' = violin,&lt;br /&gt;
'''cel''' = cello,&lt;br /&gt;
'''gtr''' = guitar,&lt;br /&gt;
'''sax''' = saxophone,&lt;br /&gt;
'''bass''' = electric bass guitar&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Friedman tests for  Multiple Fundamental Frequency Estimation (MF0E)===&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the performance (accuracy) on individual files.&lt;br /&gt;
&lt;br /&gt;
====Tukey-Kramer HSD Multi-Comparison====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2015/mf0/est_mirex/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:2015_Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
==Task 2:Note Tracking (NT)==&lt;br /&gt;
===NT Mixed Set Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
&lt;br /&gt;
A total of 34 files were used in this subtask: 16 from woodwind recording, 8 from IAL quintet recording and 6 piano.  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2015/mf0/nt_mirex/summary/task2.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2015/mf0/nt_mirex/summary/task2.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2015/mf0/nt_mirex/summary/task2.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2015/mf0/nt_mirex/summary/task2.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2015/mf0/nt_mirex/summary/task2.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
====Friedman Tests for  Note Tracking====&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the F-measure  on individual files.&lt;br /&gt;
&lt;br /&gt;
=====Tukey-Kramer HSD Multi-Comparison for Task2=====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2015/mf0/nt_mirex/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask2.onsetOnly.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:2015_Accuracy_Per_Song_Friedman_Mean_Rankstask2.onsetOnly.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
===NT Piano-Only Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
6 piano recordings are evaluated separately for this subtask.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2015/mf0/nt_mirex/summary_piano_subtask/task2_piano.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2015/mf0/nt_mirex/summary_piano_subtask/task2_piano.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2015/mf0/nt_mirex/summary_piano_subtask/task2_piano.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2015/mf0/nt_mirex/summary_piano_subtask/task2_piano.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2015/mf0/nt_mirex/summary_piano_subtask/task2_piano.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 2===&lt;br /&gt;
'''BW2'''= [https://music-ir.org/mirex/results/2015/mf0/nt_mirex/BW2.rar Emmanouil Benetos, Tillman Weyde]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''BW3'''= [https://music-ir.org/mirex/results/2015/mf0/nt_mirex/BW3.rar Emmanouil Benetos, Tillman Weyde]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''CB1'''= [https://music-ir.org/mirex/results/2015/mf0/nt_mirex/CB1.rar Chris Cannam, Emmanouil Benetos, Matthias Mauch, Matthew E. P. Davies, Simon Dixon, Christian Landone, Katy Noland, Dan Stowell]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''CB2'''= [https://music-ir.org/mirex/results/2015/mf0/nt_mirex/CB2.rar Chris Cannam, Emmanouil Benetos, Matthias Mauch, Matthew E. P. Davies, Simon Dixon, Christian Landone, Katy Noland, Dan Stowell]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''SY1'''= [https://music-ir.org/mirex/results/2015/mf0/nt_mirex/SY1.rar Li Su, Yi-Hsuan Yang]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''SY2'''= [https://music-ir.org/mirex/results/2015/mf0/nt_mirex/SY2.rar Li Su, Yi-Hsuan Yang]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''SY3'''= [https://music-ir.org/mirex/results/2015/mf0/nt_mirex/SY3.rar Li Su, Yi-Hsuan Yang]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''SY4'''= [https://music-ir.org/mirex/results/2015/mf0/nt_mirex/SY4.rar Li Su, Yi-Hsuan Yang]&amp;lt;br /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Yujia Yan</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2015:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results_-_MIREX_Dataset&amp;diff=11570</id>
		<title>2015:Multiple Fundamental Frequency Estimation &amp; Tracking Results - MIREX Dataset</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2015:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results_-_MIREX_Dataset&amp;diff=11570"/>
		<updated>2015-10-22T06:19:23Z</updated>

		<summary type="html">&lt;p&gt;Yujia Yan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Introduction==&lt;br /&gt;
These are the results for the 2015 running of the Multiple Fundamental Frequency Estimation and Tracking task on MIREX dataset. For background information about this task set please refer to the [[2014:Multiple Fundamental Frequency Estimation &amp;amp; Tracking]] page.&lt;br /&gt;
&lt;br /&gt;
==General Legend==&lt;br /&gt;
{| border=&amp;quot;1&amp;quot; cellspacing=&amp;quot;0&amp;quot; style=&amp;quot;text-align: left; width: 800px;&amp;quot;&lt;br /&gt;
	|- style=&amp;quot;background: yellow;&amp;quot;&lt;br /&gt;
	! width=&amp;quot;80&amp;quot; | Sub code &lt;br /&gt;
	! width=&amp;quot;200&amp;quot; | Submission name &lt;br /&gt;
	! width=&amp;quot;80&amp;quot; style=&amp;quot;text-align: center;&amp;quot; | Abstract &lt;br /&gt;
	! width=&amp;quot;440&amp;quot; | Contributors&lt;br /&gt;
	|-&lt;br /&gt;
	! BW1&lt;br /&gt;
	| doMultiF0  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2015/BW1.pdf PDF] || [http://www.soi.city.ac.uk/~sbbj660/ Emmanouil Benetos], [http://www.soi.city.ac.uk/~sa746/  Tillman Weyde]&lt;br /&gt;
	|-&lt;br /&gt;
	! BW2&lt;br /&gt;
	| NoteTracking1  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2015/BW2.pdf PDF] || [http://www.soi.city.ac.uk/~sbbj660/ Emmanouil Benetos], [http://www.soi.city.ac.uk/~sa746/  Tillman Weyde]&lt;br /&gt;
	|-&lt;br /&gt;
	! BW3&lt;br /&gt;
	| NoteTracking2   ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2015/BW3.pdf PDF] || [http://www.soi.city.ac.uk/~sbbj660/ Emmanouil Benetos], [http://www.soi.city.ac.uk/~sa746/  Tillman Weyde]&lt;br /&gt;
	|-&lt;br /&gt;
	! CB1&lt;br /&gt;
	| Silvet1   ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2015/CB1.pdf PDF] || [http://www.eecs.qmul.ac.uk/people/view/3111/chris-cannam Chris Cannam], [http://www.soi.city.ac.uk/~sbbj660/ Emmanouil Benetos], Matthias Mauch, Matthew E. P. Davies, Simon Dixon, Christian Landone, Katy Noland, and Dan Stowell&lt;br /&gt;
	|-&lt;br /&gt;
	! CB2&lt;br /&gt;
	| Silvet2   ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2015/CB2.pdf PDF] || [http://www.eecs.qmul.ac.uk/people/view/3111/chris-cannam Chris Cannam], [http://www.soi.city.ac.uk/~sbbj660/ Emmanouil Benetos], Matthias Mauch, Matthew E. P. Davies, Simon Dixon, Christian Landone, Katy Noland, and Dan Stowell&lt;br /&gt;
	|-&lt;br /&gt;
	! SY1&lt;br /&gt;
	| MPE1  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2015/SY1.pdf PDF] || [https://sites.google.com/site/lisupage/ Li Su], [http://mac.citi.sinica.edu.tw/~yang/ Yi-Hsuan Yang]&lt;br /&gt;
	|-&lt;br /&gt;
	! SY2&lt;br /&gt;
	| MPE2   ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2015/SY2.pdf PDF] || [https://sites.google.com/site/lisupage/ Li Su], [http://mac.citi.sinica.edu.tw/~yang/ Yi-Hsuan Yang]&lt;br /&gt;
	|-&lt;br /&gt;
	! SY3&lt;br /&gt;
	| MPE3   ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2015/SY3.pdf PDF] || [https://sites.google.com/site/lisupage/ Li Su], [http://mac.citi.sinica.edu.tw/~yang/ Yi-Hsuan Yang]&lt;br /&gt;
	|-&lt;br /&gt;
	! SY4&lt;br /&gt;
	| MPE4   ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2015/SY4.pdf PDF] || [https://sites.google.com/site/lisupage/ Li Su], [http://mac.citi.sinica.edu.tw/~yang/ Yi-Hsuan Yang]&lt;br /&gt;
	|-&lt;br /&gt;
        |}&lt;br /&gt;
&lt;br /&gt;
==Run Times==&lt;br /&gt;
{| border=&amp;quot;1&amp;quot; cellspacing=&amp;quot;0&amp;quot; style=&amp;quot;text-align: left; width: 800px;&amp;quot;&lt;br /&gt;
|- style=&amp;quot;background: yellow;&amp;quot;&lt;br /&gt;
! ID&lt;br /&gt;
! Time&lt;br /&gt;
|-&lt;br /&gt;
|BW1&lt;br /&gt;
|0 hours, 56 minutes and 4 seconds&lt;br /&gt;
|-&lt;br /&gt;
|CB1&lt;br /&gt;
|1 hour, 33 minutes and 50 seconds&lt;br /&gt;
|-&lt;br /&gt;
|CB2&lt;br /&gt;
|0 hours, 5 minutes and 23 seconds&lt;br /&gt;
|-&lt;br /&gt;
|BW2&lt;br /&gt;
|0 hours, 55 minutes and 23 seconds&lt;br /&gt;
|-&lt;br /&gt;
|BW3&lt;br /&gt;
|0 hours, 42 minutes and 0 seconds&lt;br /&gt;
|-&lt;br /&gt;
|SY1&lt;br /&gt;
|0 hours, 12 minutes and 19 seconds&lt;br /&gt;
|-&lt;br /&gt;
|SY2&lt;br /&gt;
|0 hours, 16 minutes and 37 seconds&lt;br /&gt;
|-&lt;br /&gt;
|SY3&lt;br /&gt;
|0 hours, 11 minutes and 4 seconds&lt;br /&gt;
|-&lt;br /&gt;
|SY4&lt;br /&gt;
|0 hours, 15 minutes and 17 seconds&lt;br /&gt;
|}&lt;br /&gt;
==Task 1: Multiple Fundamental Frequency Estimation (MF0E)==&lt;br /&gt;
&lt;br /&gt;
===MF0E Overall Summary Results===&lt;br /&gt;
Below are the average scores across 40 test files. These files come from 3 different sources: woodwind quintet recording of bassoon, clarinet, horn,flute and oboe (UIUC); Rendered MIDI using RWC database donated by IRCAM and a quartet recording of bassoon, clarinet,  violin and sax  donated by Dr. Bryan Pardo`s Interactive Audio Lab (IAL). 20 files coming from 5 sections of the woodwind recording where each section has 4 files ranging from 2 polyphony to 5 polyphony. 12 files from IAL, coming from 4 different songs ranging from 2 polyphony to 4 polyphony and 8 files from RWC synthesized midi ranging from 2 different songs ranging from 2 polphony to 5 polyphony. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2015/mf0/est_mirex/summary/task1.overall.csv&amp;lt;/csv&amp;gt; &lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2015/mf0/est_mirex/summary/task1.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2015/mf0/est_mirex/summary/task1.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 1===&lt;br /&gt;
'''BW1'''= [https://music-ir.org/mirex/results/2015/mf0/est_mirex/BW1.rar Emmanouil Benetos, Tillman Weyde]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''CB1'''= [https://music-ir.org/mirex/results/2015/mf0/est_mirex/CB1.rar Chris Cannam, Emmanouil Benetos, Matthias Mauch, Matthew E. P. Davies, Simon Dixon, Christian Landone, Katy Noland, Dan Stowell]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''CB2'''= [https://music-ir.org/mirex/results/2015/mf0/est_mirex/CB2.rar Chris Cannam, Emmanouil Benetos, Matthias Mauch, Matthew E. P. Davies, Simon Dixon, Christian Landone, Katy Noland, Dan Stowell]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''SY1'''= [https://music-ir.org/mirex/results/2015/mf0/est_mirex/SY1.rar Li Su, Yi-Hsuan Yang]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''SY2'''= [https://music-ir.org/mirex/results/2015/mf0/est_mirex/SY2.rar Li Su, Yi-Hsuan Yang]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''SY3'''= [https://music-ir.org/mirex/results/2015/mf0/est_mirex/SY3.rar Li Su, Yi-Hsuan Yang]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''SY4'''= [https://music-ir.org/mirex/results/2015/mf0/est_mirex/SY4.rar Li Su, Yi-Hsuan Yang]&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=====Info about the filenames=====&lt;br /&gt;
The filenames starting with part* comes from acoustic woodwind recording, the ones starting with RWC are synthesized. The legend about the instruments are:&lt;br /&gt;
&lt;br /&gt;
'''bs''' = bassoon,&lt;br /&gt;
'''cl''' = clarinet,&lt;br /&gt;
'''fl''' = flute,&lt;br /&gt;
'''hn''' = horn,&lt;br /&gt;
'''ob''' = oboe,&lt;br /&gt;
'''vl''' = violin,&lt;br /&gt;
'''cel''' = cello,&lt;br /&gt;
'''gtr''' = guitar,&lt;br /&gt;
'''sax''' = saxophone,&lt;br /&gt;
'''bass''' = electric bass guitar&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Friedman tests for  Multiple Fundamental Frequency Estimation (MF0E)===&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the performance (accuracy) on individual files.&lt;br /&gt;
&lt;br /&gt;
====Tukey-Kramer HSD Multi-Comparison====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2015/mf0/est_mirex/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:2015_Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
==Task 2:Note Tracking (NT)==&lt;br /&gt;
===NT Mixed Set Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
&lt;br /&gt;
A total of 34 files were used in this subtask: 16 from woodwind recording, 8 from IAL quintet recording and 6 piano.  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2015/mf0/nt_mirex/summary/task2.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2015/mf0/nt_mirex/summary/task2.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2015/mf0/nt_mirex/summary/task2.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2015/mf0/nt_mirex/summary/task2.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2015/mf0/nt_mirex/summary/task2.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
====Friedman Tests for  Note Tracking====&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the F-measure  on individual files.&lt;br /&gt;
&lt;br /&gt;
=====Tukey-Kramer HSD Multi-Comparison for Task2=====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2015/mf0/nt_mirex/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask2.onsetOnly.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:2015_Accuracy_Per_Song_Friedman_Mean_Rankstask2.onsetOnly.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
===NT Piano-Only Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
6 piano recordings are evaluated separately for this subtask.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2015/mf0/nt_mirex/summary_piano_subtask/task2_piano.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2015/mf0/nt_mirex/summary_piano_subtask/task2_piano.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2015/mf0/nt_mirex/summary_piano_subtask/task2_piano.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2015/mf0/nt_mirex/summary_piano_subtask/task2_piano.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2015/mf0/nt_mirex/summary_piano_subtask/task2_piano.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 2===&lt;br /&gt;
'''BW2'''= [https://music-ir.org/mirex/results/2015/mf0/nt_mirex/BW2.rar Emmanouil Benetos, Tillman Weyde]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''BW3'''= [https://music-ir.org/mirex/results/2015/mf0/nt_mirex/BW3.rar Emmanouil Benetos, Tillman Weyde]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''CB1'''= [https://music-ir.org/mirex/results/2015/mf0/nt_mirex/CB1.rar Chris Cannam, Emmanouil Benetos, Matthias Mauch, Matthew E. P. Davies, Simon Dixon, Christian Landone, Katy Noland, Dan Stowell]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''CB2'''= [https://music-ir.org/mirex/results/2015/mf0/nt_mirex/CB2.rar Chris Cannam, Emmanouil Benetos, Matthias Mauch, Matthew E. P. Davies, Simon Dixon, Christian Landone, Katy Noland, Dan Stowell]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''SY1'''= [https://music-ir.org/mirex/results/2015/mf0/nt_mirex/SY1.rar Li Su, Yi-Hsuan Yang]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''SY2'''= [https://music-ir.org/mirex/results/2015/mf0/nt_mirex/SY2.rar Li Su, Yi-Hsuan Yang]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''SY3'''= [https://music-ir.org/mirex/results/2015/mf0/nt_mirex/SY3.rar Li Su, Yi-Hsuan Yang]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''SY4'''= [https://music-ir.org/mirex/results/2015/mf0/nt_mirex/SY4.rar Li Su, Yi-Hsuan Yang]&amp;lt;br /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Yujia Yan</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2015:Task_Captains&amp;diff=10901</id>
		<title>2015:Task Captains</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2015:Task_Captains&amp;diff=10901"/>
		<updated>2015-05-04T12:30:20Z</updated>

		<summary type="html">&lt;p&gt;Yujia Yan: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Like ISMIR 2014, we are prepared to improve the distribution of tasks for the upcoming MIREX 2015.  To do so, we really need leaders to help us organize and run each task.&lt;br /&gt;
&lt;br /&gt;
To volunteer to lead one or more tasks, please add your name in the &amp;quot;Captains&amp;quot; column.&lt;br /&gt;
&lt;br /&gt;
What does it mean to lead a task?&lt;br /&gt;
* Update wiki pages as needed&lt;br /&gt;
* Communicate with submitters and troubleshooting submissions&lt;br /&gt;
* Execution and evaluation of submissions&lt;br /&gt;
* Publishing final results&lt;br /&gt;
&lt;br /&gt;
Due to the proprietary nature of much of the data, the submission system, evaluation framework, and most of the datasets will continue to be hosted by IMIRSEL. However, we are prepared to provide access to task organizers to manage and run submissions on the IMIRSEL systems.&lt;br /&gt;
 &lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;margin-left: 20px&amp;quot;&lt;br /&gt;
!ID !! Task !! Captain(s)&lt;br /&gt;
|-&lt;br /&gt;
|abt&lt;br /&gt;
|[[2015:Audio Beat Tracking]]&lt;br /&gt;
|Sebastian Böck&lt;br /&gt;
|-&lt;br /&gt;
|ace&lt;br /&gt;
|[[2015:Audio Chord Estimation]]&lt;br /&gt;
|Johan Pauwels&lt;br /&gt;
|-&lt;br /&gt;
|act&lt;br /&gt;
|[[2015:Audio Classification (Train/Test) Tasks]]&lt;br /&gt;
|IMIRSEL&lt;br /&gt;
|-&lt;br /&gt;
|acs&lt;br /&gt;
|[[2015:Audio Cover Song Identification]]&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
|ade&lt;br /&gt;
|[[2015:Audio Downbeat Estimation]]&lt;br /&gt;
|Florian Krebs, Sebastian Böck&lt;br /&gt;
|-&lt;br /&gt;
|akd&lt;br /&gt;
|[[2015:Audio Key Detection]]&lt;br /&gt;
|Johan Pauwels&lt;br /&gt;
|-&lt;br /&gt;
|ame&lt;br /&gt;
|[[2015:Audio Melody Extraction]]&lt;br /&gt;
|KETI&lt;br /&gt;
|-&lt;br /&gt;
|ams&lt;br /&gt;
|[[2015:Audio Music Similarity and Retrieval]]&lt;br /&gt;
|IMIRSEL&lt;br /&gt;
|-&lt;br /&gt;
|aod&lt;br /&gt;
|[[2015:Audio Onset Detection]]&lt;br /&gt;
|Sebastian Böck&lt;br /&gt;
|-&lt;br /&gt;
|ate&lt;br /&gt;
|[[2015:Audio Tempo Estimation]]&lt;br /&gt;
|Aggelos Gkiokas&lt;br /&gt;
|-&lt;br /&gt;
|atg&lt;br /&gt;
|[[2015:Audio Tag Classification]]&lt;br /&gt;
|Mohamed Sordo&lt;br /&gt;
|-&lt;br /&gt;
|mf0&lt;br /&gt;
|[[2015:Multiple Fundamental Frequency Estimation &amp;amp; Tracking]]&lt;br /&gt;
|Li Su, Yujia Yan&lt;br /&gt;
|-&lt;br /&gt;
|qbsh&lt;br /&gt;
|[[2015:Query by Singing/Humming]]&lt;br /&gt;
|KETI&lt;br /&gt;
|-&lt;br /&gt;
|qbt&lt;br /&gt;
|[[2015:Query by Tapping]]&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
|scofo&lt;br /&gt;
|[[2015:Real-time Audio to Score Alignment (a.k.a Score Following)]]&lt;br /&gt;
|Chunta Chen, Yujia Yan&lt;br /&gt;
|-&lt;br /&gt;
|sms&lt;br /&gt;
|[[2015:Symbolic Melodic Similarity]]&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
|struct&lt;br /&gt;
|[[2015:Structural Segmentation]]&lt;br /&gt;
|IMIRSEL&lt;br /&gt;
|-&lt;br /&gt;
|drts&lt;br /&gt;
|[[2015:Discovery of Repeated Themes &amp;amp; Sections]]&lt;br /&gt;
|Tom Collins&lt;br /&gt;
|-&lt;br /&gt;
|afp&lt;br /&gt;
|[[2015:Audio_Fingerprinting]]&lt;br /&gt;
|Chung-Che Wang&lt;br /&gt;
|-&lt;br /&gt;
|svs&lt;br /&gt;
|[[2015:Singing_Voice_Separation]]&lt;br /&gt;
|Tak-Shing Chan, Yi-Hsuan Yang, Li Su&lt;br /&gt;
|}&lt;/div&gt;</summary>
		<author><name>Yujia Yan</name></author>
		
	</entry>
</feed>