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		<id>https://music-ir.org/mirex/w/index.php?title=MIREX_Impact_Citations&amp;diff=7898</id>
		<title>MIREX Impact Citations</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=MIREX_Impact_Citations&amp;diff=7898"/>
		<updated>2011-05-12T15:15:46Z</updated>

		<summary type="html">&lt;p&gt;Perfe: /* Submitted Citations */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;=Introduction=&lt;br /&gt;
&lt;br /&gt;
Dear MIREX Participant:&lt;br /&gt;
&lt;br /&gt;
We are gathering evidence of impact for MIREX. We would appreciate it greatly if you would post citations to papers (yours or others) that have used MIREX data and/or results. Any acceptable citation format is OK. DOIs or URL to accessible copies especially appreciated. I have started out with some samples from IMIRSEL.&lt;br /&gt;
&lt;br /&gt;
In a similar vein, we are also gathering citations to MIREX-related comments as further evidence of impact for MIREX on the [[MIREX Impact Statements]] page.&lt;br /&gt;
&lt;br /&gt;
We are collecting these statements and citations as evidence influence and success to submit to funding agencies, research administrators and/or future collaborators. &lt;br /&gt;
&lt;br /&gt;
Thank you very much.&lt;br /&gt;
&lt;br /&gt;
J. Stephen Downie&amp;lt;br&amp;gt;&lt;br /&gt;
Director, IMIRSEL&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=Submitted Citations=&lt;br /&gt;
&lt;br /&gt;
# J.S. Downie, D. Byrd, and T. Crawford. &amp;quot;Ten Years of ISMIR: Reflections on Challenges and Opportunities&amp;quot;, in the 10th International Symposium on Music Information Retrieval (ISMIR), Kobe, 2009, pp. 13-18. Available: http://ismir2009.ismir.net/proceedings/keynote1.pdf&lt;br /&gt;
# M. Bay, A.F. Ehmann and J.S. Downie, &amp;quot;Evaluation of Multiple-F0 Estimation and Tracking Systems&amp;quot;, in the 10th International Symposium on Music Information Retrieval (ISMIR), Kobe, 2009, pp. 315-320. Available: http://ismir2009.ismir.net/proceedings/PS2-21.pdf &lt;br /&gt;
# E. Law, K. West, M. Mandel, M. Bay and, J. S. Downie, &amp;quot;Evaluation of Algorithms Using Games: The Case of Music Tagging&amp;quot;, in the 10th International Symposium on Music Information Retrieval (ISMIR), Kobe, 2009, pp. 387-392. Available: http://ismir2009.ismir.net/proceedings/OS5-5.pdf&lt;br /&gt;
# J. S. Downie, M. Bay, A. F. Ehmann and M. C. Jones, &amp;quot;Audio Cover Song Identification: MIREX 2006-2007 Results and analysis&amp;quot;, in the 9th International Conference on Music Information Retrieval (ISMIR 2008), Philadelphia, 2008, pp. 468-473. Available: http://ismir2008.ismir.net/papers/ISMIR2008_265.pdf&lt;br /&gt;
# X. Hu, J. S. Downie, C. Laurier, M. Bay and A. F. Ehmann, &amp;quot;The 2007 MIREX Audio Mood Classification Task: Lessons learned&amp;quot;, in the 9th International Conference on Music Information Retrieval (ISMIR 2008), Philadelphia, 2008, pp. 462-467. Available: http://ismir2008.ismir.net/papers/ISMIR2008_263.pdf&lt;br /&gt;
# J. S. Downie, A. F. Ehmann and J. H. Lee, &amp;quot;The Music Information Retrieval Evaluation eXchange (MIREX): Community-led formal evaluations&amp;quot;, in the Digital Humanities 2008 , Oulu Finland, 2008, pp. 239-240.&lt;br /&gt;
# M. McVicar and T. De Bie, &amp;quot;Exploiting Online Resources to Improve Chord Recognition Accuracy&amp;quot;, late-breaking abstract in the 11th International Conference on Music Information Retrieval (ISMIR 2010), Utrecht, Netherlands, 2010.&lt;br /&gt;
# M. McVicar and T. De Bie, &amp;quot;Enhancing chord recognition accuracy using web resources&amp;quot;, 3rd ACM Workshop on Machine Learning and Music, October 25, 2010, Firenze, Italy.&lt;br /&gt;
# M. McVicar, Y. Ni, R. Santos-Rodriguez, T. De Bie, &amp;quot;Using online chord databases to enhance chord recognition&amp;quot;, Journal of New Music Research, Special issue on Music and Machine Learning (in press).&lt;br /&gt;
#R. Zhou , M. Mattavelli and G. Zoia, &amp;quot;Music Onset Detection Based on Resonator Time-frequency Image&amp;quot;, IEEE Transactions On Audio, Speech And Language Processing, vol. 16, num. 8, 2008, p. 1685-1695. &lt;br /&gt;
#Ruohua Zhou, Joshua D. Reiss, Marco Mattavelli and Giorgio Zoia, &amp;quot;A Computationally Efficient Method for Polyphonic Pitch Estimation&amp;quot;, EURASIP Journal on Advances in Signal Processing, Volume 2009 (2009), Article ID 729494, 11 pages.&lt;br /&gt;
# M. Haro and P. Herrera, “From Low-level to Song-level Percussion Descriptors of Polyphonic Music,” in 10th International Society for Music Information Retrieval Conference (ISMIR 2009), Kobe, Japan, 2009. Available: http://ismir2009.ismir.net/proceedings/PS2-9.pdf&lt;br /&gt;
# J. Urbano, J. Morato, M. Marrero and D. Martín, &amp;quot;Crowdsourcing Preference Judgments for Evaluation of Music Similarity Tasks&amp;quot;, ACM SIGIR Workshop on Crowdsourcing for Search Evaluation, pp. 9-16, 2010. [http://julian-urbano.info/publications/012-crowdsourcing-preference-judgments-evaluation-music-similarity-tasks/012-paper.pdf PDF]&lt;br /&gt;
# J. Urbano, M. Marrero, D. Martín and J. Lloréns, &amp;quot;Improving the Generation of Ground Truths based on Partially Ordered Lists&amp;quot;, International Society for Music Information Retrieval Conference, pp. 285-290, 2010. [http://julian-urbano.info/publications/010-improving-generation-ground-truths-based-partially-ordered-lists/010-paper.pdf PDF]&lt;br /&gt;
# J. Urbano, J. Lloréns, J. Morato and S. Sánchez-Cuadrado, &amp;quot;Using the Shape of Music to Compute the Similarity between Symbolic Musical Pieces&amp;quot;, International Symposium on Computer Music Modeling and Retrieval, pp. 385-396, 2010. [http://julian-urbano.info/publications/009-using-shape-music-compute-similarity-between-symbolic-musical-pieces/009-paper.pdf PDF]&lt;br /&gt;
# D. Bogdanov, J. Serrà, N. Wack, P. Herrera and X. Serra. Unifying low-level and high-level music similarity measures. IEEE Transactions on Multimedia. In press. [http://mtg.upf.edu/node/1689]&lt;br /&gt;
# J. Wu, E. Vincent, S. Raczynski, T. Nishimoto, N. Ono and S. Sagayama. Multipitch estimation by joint modeling of harmonic and transient sounds. In Proc. 2011 IEEE Int. Conf. on Acoustics, Speech and Signal Processing (ICASSP), to appear. [http://hal.inria.fr/inria-00567175/PDF/wu_ICASSP11.pdf]&lt;br /&gt;
#  E. Vincent, N. Bertin and R. Badeau. Adaptive harmonic spectral decomposition for multiple pitch estimation. IEEE Transactions on Audio, Speech and Language Processing, 18(3), pp. 528-537, 2010. [http://hal.inria.fr/inria-00544094/PDF/vincent_TASLP10.pdf]&lt;br /&gt;
# E. Benetos and S. Dixon. Multiple-instrument polyphonic music transcription using a convolutive probabilistic model. In Proc. 8th Sound and Music Computing Conf. (SMC), to appear.&lt;br /&gt;
# B. Fields, K.Jacobson, C. Rhodes, M. d'Inverno, M. Sandler, M. Casey, &amp;quot;Analysis and Exploitation of Musician Social Networks for Recommendation and Discovery,&amp;quot; IEEE Transactions on Multimedia. in press. [http://dx.doi.org/10.1109/TMM.2011.2111365]&lt;br /&gt;
# B. Fields. Contextualize Your Listening: The Playlist as Recommendation Engine, PhD Thesis, Goldsmiths, University of London, April 2011. [http://benfields.net/bfields_thesis.pdf]&lt;br /&gt;
# B. Fields, K. Page, T. Crawford, D. De Roure, &amp;quot;The Segment Ontology: bridging music-generic and domain-specific,&amp;quot; in Workshop on Advances in Music Information Research (AdMIRe), co-located with the IEEE International Conference on Multimedia and Expo (ICME), Barcelona, Spain, July, 2011. [http://benfields.net/papers/admire2011.pdf]&lt;br /&gt;
# J. Serrà, X. Serra and R. G. Andrzejak. Cross recurrence quantification for cover song identification. New Journal of Physics, vol. 11, art. 093017. September 2009. http://mtg.upf.edu/node/1390&lt;br /&gt;
# J. Serrà, E. Gómez, P. Herrera and X. Serra. Chroma binary similarity and local alignment applied to cover song identification. IEEE Transactions on Audio, Speech and Language Processing, vol. 16, issue 6, pp. 1138-1152. August 2008. http://mtg.upf.edu/node/919&lt;br /&gt;
# J. Serrà, E. Gómez and P. Herrera. Audio cover song identification and similarity: background, approaches, evaluation, and beyond. In Advances in Music Information Retrieval, Z. W. Ras and A. A. Wieczorkowska editors. Studies in Computational Intelligence series, Springer-Verlag Berlin / Heidelberg, vol. 274, ch. 14, pp. 307-332. March 2010. http://mtg.upf.edu/node/1389&lt;br /&gt;
# D. Bogdanov, J. Serrà, N. Wack, P. Herrera and X. Serra. Unifying low-level and high-level music similarity measures. IEEE Transactions on Multimedia. In press. http://mtg.upf.edu/node/1689&lt;br /&gt;
# J. Serrà, H. Kantz and R. G. Andrzejak. Model-based cover song detection via threshold autoregressive forecasts. Proc. of the ACM Multimedia, Workshop on Music and Machine Learning (MML), pp. 13-16. Firenze, Italy. October 2010. http://mtg.upf.edu/node/1704&lt;br /&gt;
# J. Serrà, M. Zanin, C. Laurier and M. Sordo. Unsupervised detection of cover song sets: accuracy improvement and original identification. Proc. of the Int. Society for Music Information Retrieval Conf. (ISMIR), pp. 225-230. Kobe, Japan. October 2009. http://mtg.upf.edu/node/1407&lt;br /&gt;
# J. Serrà and E. Gómez. Audio cover song identification based on tonal sequence alignment. Proc. of the IEEE Int. Conf. on Acoustics, Speech and Signal Processing (ICASSP), pp. 61-64. Las Vegas, USA. April 2008. http://mtg.upf.edu/node/78&lt;br /&gt;
# J. Serrà. Identification of versions of the same musical composition by processing audio descriptions. PhD Thesis. Universitat Pompeu Fabra, Barcelona, Spain. March 2011. http://mtg.upf.edu/node/1951&lt;br /&gt;
# J.-L. Durrieu, G. Richard, B. David, &amp;quot;Singer melody extraction in polyphonic signals using source separation methods,&amp;quot; IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), pp.169-172, March 31 2008-April 4 2008. doi: 10.1109/ICASSP.2008.4517573 [http://ieeexplore.ieee.org/stamp/stamp.jsp?tp=&amp;amp;arnumber=4517573&amp;amp;isnumber=4517521]&lt;br /&gt;
# J.-L. Durrieu, G. Richard, B. David, &amp;quot;An iterative approach to monaural musical mixture de-soloing,&amp;quot; IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), pp.105-108, 19-24 April 2009. doi: 10.1109/ICASSP.2009.4959531 [http://ieeexplore.ieee.org/stamp/stamp.jsp?tp=&amp;amp;arnumber=4959531&amp;amp;isnumber=4959496] (NB: only a quick reference to some MIREX results on Audio Melody Extraction)&lt;br /&gt;
# J.-L. Durrieu, G. Richard, B. David, C. Févotte, &amp;quot;Source/Filter Model for Unsupervised Main Melody Extraction From Polyphonic Audio Signals,&amp;quot; IEEE Transactions on Audio, Speech, and Language Processing, vol.18, no.3, pp.564-575, March 2010. doi: 10.1109/TASL.2010.2041114. [http://ieeexplore.ieee.org/stamp/stamp.jsp?tp=&amp;amp;arnumber=5410055&amp;amp;isnumber=5410050]&lt;br /&gt;
# J.-L. Durrieu, &amp;quot;Automatic Transcription and Separation of the Main Melody in Polyphonic Music Signals&amp;quot;, PhD thesis, Institut Telecom, Telecom ParisTech, CNRS LTCI, Paris, France, May 2010. [http://hal.archives-ouvertes.fr/index.php?halsid=nhip2qdh6k6cskqdh4q9go9ai1&amp;amp;view_this_doc=tel-00560018&amp;amp;version=1]&lt;br /&gt;
# Rainer Typke, Frans Wiering, Remco C. Veltkamp. Transportation Distances and Human Perception of Melodic Similarity. Musicae Scientiae, Discussion Forum 4A, 2007 (special issue on similarity perception in listening to music), 153-182. [http://www.cs.uu.nl/groups/MG/multimedia/publications/art/musicaescientiae07.pdf]&lt;br /&gt;
# Rainer Typke, Remco C. Veltkamp, Frans Wiering. A Measure for Evaluating Retrieval Techniques Based on Partially Ordered Ground Truth Lists. In: Proceedings International Conference on Multimedia &amp;amp; Expo (ICME) 2006. [http://www.cs.uu.nl/groups/MG/multimedia/publications/art/icme06.pdf]&lt;br /&gt;
# Rainer Typke, Frans Wiering, Remco C. Veltkamp. A Survey of Music Information Retrieval Systems. In: Proceedings of the Fifth International Conference on Music Information Retrieval (ISMIR 2005), pp 153-160. [http://www.cs.uu.nl/groups/MG/multimedia/publications/art/ismir05.pdf]&lt;br /&gt;
# Gouyon, F., Herrera, P., Gómez, E., Cano, P., Bonada, J., Loscos, A., Amatriain, X., Serra, X. (2008). Content Processing of Music Audio Signals. In Polotti, P., Rochesso, D. (Eds.), &amp;quot;Sound to Sense, Sense to Sound: A State of the Art in Sound and Music Computing&amp;quot;. Logos Verlag, Berlin, pp. 83-160. [http://smcnetwork.org/files/S2S2BOOK1.pdf]&lt;br /&gt;
# Herrera, P., Celma, O., Massaguer, J., Cano, P., Gómez, E., Gouyon, F., Koppenberger, M., García, D., García-Mahedero, J., Wack, N. (2005). &amp;quot;Mucosa: a music content semantic annotator&amp;quot;. Proceedings of the 6th International Conference on Music Information Retrieval (ISMIR-2005). London, United Kingdom. [http://mtg.upf.edu/files/publications/189652-ISMIR-2005-Herrera.pdf]&lt;br /&gt;
# Hazan, A., Marxer, R., Brossier, P., Purwins, H., Herrera, P., Serra, X. (2009).  &amp;quot;What/when causal expectation modelling applied to audio signals&amp;quot;. Connection Science. 21(2-3), 199-143. [http://www.mtg.upf.es/files/publications/whatwhen_connection.pdf]&lt;/div&gt;</summary>
		<author><name>Perfe</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=MIREX_Impact_Citations&amp;diff=7897</id>
		<title>MIREX Impact Citations</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=MIREX_Impact_Citations&amp;diff=7897"/>
		<updated>2011-05-12T15:12:30Z</updated>

		<summary type="html">&lt;p&gt;Perfe: /* Submitted Citations */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;=Introduction=&lt;br /&gt;
&lt;br /&gt;
Dear MIREX Participant:&lt;br /&gt;
&lt;br /&gt;
We are gathering evidence of impact for MIREX. We would appreciate it greatly if you would post citations to papers (yours or others) that have used MIREX data and/or results. Any acceptable citation format is OK. DOIs or URL to accessible copies especially appreciated. I have started out with some samples from IMIRSEL.&lt;br /&gt;
&lt;br /&gt;
In a similar vein, we are also gathering citations to MIREX-related comments as further evidence of impact for MIREX on the [[MIREX Impact Statements]] page.&lt;br /&gt;
&lt;br /&gt;
We are collecting these statements and citations as evidence influence and success to submit to funding agencies, research administrators and/or future collaborators. &lt;br /&gt;
&lt;br /&gt;
Thank you very much.&lt;br /&gt;
&lt;br /&gt;
J. Stephen Downie&amp;lt;br&amp;gt;&lt;br /&gt;
Director, IMIRSEL&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=Submitted Citations=&lt;br /&gt;
&lt;br /&gt;
# J.S. Downie, D. Byrd, and T. Crawford. &amp;quot;Ten Years of ISMIR: Reflections on Challenges and Opportunities&amp;quot;, in the 10th International Symposium on Music Information Retrieval (ISMIR), Kobe, 2009, pp. 13-18. Available: http://ismir2009.ismir.net/proceedings/keynote1.pdf&lt;br /&gt;
# M. Bay, A.F. Ehmann and J.S. Downie, &amp;quot;Evaluation of Multiple-F0 Estimation and Tracking Systems&amp;quot;, in the 10th International Symposium on Music Information Retrieval (ISMIR), Kobe, 2009, pp. 315-320. Available: http://ismir2009.ismir.net/proceedings/PS2-21.pdf &lt;br /&gt;
# E. Law, K. West, M. Mandel, M. Bay and, J. S. Downie, &amp;quot;Evaluation of Algorithms Using Games: The Case of Music Tagging&amp;quot;, in the 10th International Symposium on Music Information Retrieval (ISMIR), Kobe, 2009, pp. 387-392. Available: http://ismir2009.ismir.net/proceedings/OS5-5.pdf&lt;br /&gt;
# J. S. Downie, M. Bay, A. F. Ehmann and M. C. Jones, &amp;quot;Audio Cover Song Identification: MIREX 2006-2007 Results and analysis&amp;quot;, in the 9th International Conference on Music Information Retrieval (ISMIR 2008), Philadelphia, 2008, pp. 468-473. Available: http://ismir2008.ismir.net/papers/ISMIR2008_265.pdf&lt;br /&gt;
# X. Hu, J. S. Downie, C. Laurier, M. Bay and A. F. Ehmann, &amp;quot;The 2007 MIREX Audio Mood Classification Task: Lessons learned&amp;quot;, in the 9th International Conference on Music Information Retrieval (ISMIR 2008), Philadelphia, 2008, pp. 462-467. Available: http://ismir2008.ismir.net/papers/ISMIR2008_263.pdf&lt;br /&gt;
# J. S. Downie, A. F. Ehmann and J. H. Lee, &amp;quot;The Music Information Retrieval Evaluation eXchange (MIREX): Community-led formal evaluations&amp;quot;, in the Digital Humanities 2008 , Oulu Finland, 2008, pp. 239-240.&lt;br /&gt;
# M. McVicar and T. De Bie, &amp;quot;Exploiting Online Resources to Improve Chord Recognition Accuracy&amp;quot;, late-breaking abstract in the 11th International Conference on Music Information Retrieval (ISMIR 2010), Utrecht, Netherlands, 2010.&lt;br /&gt;
# M. McVicar and T. De Bie, &amp;quot;Enhancing chord recognition accuracy using web resources&amp;quot;, 3rd ACM Workshop on Machine Learning and Music, October 25, 2010, Firenze, Italy.&lt;br /&gt;
# M. McVicar, Y. Ni, R. Santos-Rodriguez, T. De Bie, &amp;quot;Using online chord databases to enhance chord recognition&amp;quot;, Journal of New Music Research, Special issue on Music and Machine Learning (in press).&lt;br /&gt;
#R. Zhou , M. Mattavelli and G. Zoia, &amp;quot;Music Onset Detection Based on Resonator Time-frequency Image&amp;quot;, IEEE Transactions On Audio, Speech And Language Processing, vol. 16, num. 8, 2008, p. 1685-1695. &lt;br /&gt;
#Ruohua Zhou, Joshua D. Reiss, Marco Mattavelli and Giorgio Zoia, &amp;quot;A Computationally Efficient Method for Polyphonic Pitch Estimation&amp;quot;, EURASIP Journal on Advances in Signal Processing, Volume 2009 (2009), Article ID 729494, 11 pages.&lt;br /&gt;
# M. Haro and P. Herrera, “From Low-level to Song-level Percussion Descriptors of Polyphonic Music,” in 10th International Society for Music Information Retrieval Conference (ISMIR 2009), Kobe, Japan, 2009. Available: http://ismir2009.ismir.net/proceedings/PS2-9.pdf&lt;br /&gt;
# J. Urbano, J. Morato, M. Marrero and D. Martín, &amp;quot;Crowdsourcing Preference Judgments for Evaluation of Music Similarity Tasks&amp;quot;, ACM SIGIR Workshop on Crowdsourcing for Search Evaluation, pp. 9-16, 2010. [http://julian-urbano.info/publications/012-crowdsourcing-preference-judgments-evaluation-music-similarity-tasks/012-paper.pdf PDF]&lt;br /&gt;
# J. Urbano, M. Marrero, D. Martín and J. Lloréns, &amp;quot;Improving the Generation of Ground Truths based on Partially Ordered Lists&amp;quot;, International Society for Music Information Retrieval Conference, pp. 285-290, 2010. [http://julian-urbano.info/publications/010-improving-generation-ground-truths-based-partially-ordered-lists/010-paper.pdf PDF]&lt;br /&gt;
# J. Urbano, J. Lloréns, J. Morato and S. Sánchez-Cuadrado, &amp;quot;Using the Shape of Music to Compute the Similarity between Symbolic Musical Pieces&amp;quot;, International Symposium on Computer Music Modeling and Retrieval, pp. 385-396, 2010. [http://julian-urbano.info/publications/009-using-shape-music-compute-similarity-between-symbolic-musical-pieces/009-paper.pdf PDF]&lt;br /&gt;
# D. Bogdanov, J. Serrà, N. Wack, P. Herrera and X. Serra. Unifying low-level and high-level music similarity measures. IEEE Transactions on Multimedia. In press. [http://mtg.upf.edu/node/1689]&lt;br /&gt;
# J. Wu, E. Vincent, S. Raczynski, T. Nishimoto, N. Ono and S. Sagayama. Multipitch estimation by joint modeling of harmonic and transient sounds. In Proc. 2011 IEEE Int. Conf. on Acoustics, Speech and Signal Processing (ICASSP), to appear. [http://hal.inria.fr/inria-00567175/PDF/wu_ICASSP11.pdf]&lt;br /&gt;
#  E. Vincent, N. Bertin and R. Badeau. Adaptive harmonic spectral decomposition for multiple pitch estimation. IEEE Transactions on Audio, Speech and Language Processing, 18(3), pp. 528-537, 2010. [http://hal.inria.fr/inria-00544094/PDF/vincent_TASLP10.pdf]&lt;br /&gt;
# E. Benetos and S. Dixon. Multiple-instrument polyphonic music transcription using a convolutive probabilistic model. In Proc. 8th Sound and Music Computing Conf. (SMC), to appear.&lt;br /&gt;
# B. Fields, K.Jacobson, C. Rhodes, M. d'Inverno, M. Sandler, M. Casey, &amp;quot;Analysis and Exploitation of Musician Social Networks for Recommendation and Discovery,&amp;quot; IEEE Transactions on Multimedia. in press. [http://dx.doi.org/10.1109/TMM.2011.2111365]&lt;br /&gt;
# B. Fields. Contextualize Your Listening: The Playlist as Recommendation Engine, PhD Thesis, Goldsmiths, University of London, April 2011. [http://benfields.net/bfields_thesis.pdf]&lt;br /&gt;
# B. Fields, K. Page, T. Crawford, D. De Roure, &amp;quot;The Segment Ontology: bridging music-generic and domain-specific,&amp;quot; in Workshop on Advances in Music Information Research (AdMIRe), co-located with the IEEE International Conference on Multimedia and Expo (ICME), Barcelona, Spain, July, 2011. [http://benfields.net/papers/admire2011.pdf]&lt;br /&gt;
# J. Serrà, X. Serra and R. G. Andrzejak. Cross recurrence quantification for cover song identification. New Journal of Physics, vol. 11, art. 093017. September 2009. http://mtg.upf.edu/node/1390&lt;br /&gt;
# J. Serrà, E. Gómez, P. Herrera and X. Serra. Chroma binary similarity and local alignment applied to cover song identification. IEEE Transactions on Audio, Speech and Language Processing, vol. 16, issue 6, pp. 1138-1152. August 2008. http://mtg.upf.edu/node/919&lt;br /&gt;
# J. Serrà, E. Gómez and P. Herrera. Audio cover song identification and similarity: background, approaches, evaluation, and beyond. In Advances in Music Information Retrieval, Z. W. Ras and A. A. Wieczorkowska editors. Studies in Computational Intelligence series, Springer-Verlag Berlin / Heidelberg, vol. 274, ch. 14, pp. 307-332. March 2010. http://mtg.upf.edu/node/1389&lt;br /&gt;
# D. Bogdanov, J. Serrà, N. Wack, P. Herrera and X. Serra. Unifying low-level and high-level music similarity measures. IEEE Transactions on Multimedia. In press. http://mtg.upf.edu/node/1689&lt;br /&gt;
# J. Serrà, H. Kantz and R. G. Andrzejak. Model-based cover song detection via threshold autoregressive forecasts. Proc. of the ACM Multimedia, Workshop on Music and Machine Learning (MML), pp. 13-16. Firenze, Italy. October 2010. http://mtg.upf.edu/node/1704&lt;br /&gt;
# J. Serrà, M. Zanin, C. Laurier and M. Sordo. Unsupervised detection of cover song sets: accuracy improvement and original identification. Proc. of the Int. Society for Music Information Retrieval Conf. (ISMIR), pp. 225-230. Kobe, Japan. October 2009. http://mtg.upf.edu/node/1407&lt;br /&gt;
# J. Serrà and E. Gómez. Audio cover song identification based on tonal sequence alignment. Proc. of the IEEE Int. Conf. on Acoustics, Speech and Signal Processing (ICASSP), pp. 61-64. Las Vegas, USA. April 2008. http://mtg.upf.edu/node/78&lt;br /&gt;
# J. Serrà. Identification of versions of the same musical composition by processing audio descriptions. PhD Thesis. Universitat Pompeu Fabra, Barcelona, Spain. March 2011. http://mtg.upf.edu/node/1951&lt;br /&gt;
# J.-L. Durrieu, G. Richard, B. David, &amp;quot;Singer melody extraction in polyphonic signals using source separation methods,&amp;quot; IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), pp.169-172, March 31 2008-April 4 2008. doi: 10.1109/ICASSP.2008.4517573 [http://ieeexplore.ieee.org/stamp/stamp.jsp?tp=&amp;amp;arnumber=4517573&amp;amp;isnumber=4517521]&lt;br /&gt;
# J.-L. Durrieu, G. Richard, B. David, &amp;quot;An iterative approach to monaural musical mixture de-soloing,&amp;quot; IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), pp.105-108, 19-24 April 2009. doi: 10.1109/ICASSP.2009.4959531 [http://ieeexplore.ieee.org/stamp/stamp.jsp?tp=&amp;amp;arnumber=4959531&amp;amp;isnumber=4959496] (NB: only a quick reference to some MIREX results on Audio Melody Extraction)&lt;br /&gt;
# J.-L. Durrieu, G. Richard, B. David, C. Févotte, &amp;quot;Source/Filter Model for Unsupervised Main Melody Extraction From Polyphonic Audio Signals,&amp;quot; IEEE Transactions on Audio, Speech, and Language Processing, vol.18, no.3, pp.564-575, March 2010. doi: 10.1109/TASL.2010.2041114. [http://ieeexplore.ieee.org/stamp/stamp.jsp?tp=&amp;amp;arnumber=5410055&amp;amp;isnumber=5410050]&lt;br /&gt;
# J.-L. Durrieu, &amp;quot;Automatic Transcription and Separation of the Main Melody in Polyphonic Music Signals&amp;quot;, PhD thesis, Institut Telecom, Telecom ParisTech, CNRS LTCI, Paris, France, May 2010. [http://hal.archives-ouvertes.fr/index.php?halsid=nhip2qdh6k6cskqdh4q9go9ai1&amp;amp;view_this_doc=tel-00560018&amp;amp;version=1]&lt;br /&gt;
# Rainer Typke, Frans Wiering, Remco C. Veltkamp. Transportation Distances and Human Perception of Melodic Similarity. Musicae Scientiae, Discussion Forum 4A, 2007 (special issue on similarity perception in listening to music), 153-182. [http://www.cs.uu.nl/groups/MG/multimedia/publications/art/musicaescientiae07.pdf]&lt;br /&gt;
# Rainer Typke, Remco C. Veltkamp, Frans Wiering. A Measure for Evaluating Retrieval Techniques Based on Partially Ordered Ground Truth Lists. In: Proceedings International Conference on Multimedia &amp;amp; Expo (ICME) 2006. [http://www.cs.uu.nl/groups/MG/multimedia/publications/art/icme06.pdf]&lt;br /&gt;
# Rainer Typke, Frans Wiering, Remco C. Veltkamp. A Survey of Music Information Retrieval Systems. In: Proceedings of the Fifth International Conference on Music Information Retrieval (ISMIR 2005), pp 153-160. [http://www.cs.uu.nl/groups/MG/multimedia/publications/art/ismir05.pdf]&lt;br /&gt;
# Gouyon, F., Herrera, P., Gómez, E., Cano, P., Bonada, J., Loscos, A., Amatriain, X., Serra, X. (2008). Content Processing of Music Audio Signals. In Polotti, P., Rochesso, D. (Eds.), &amp;quot;Sound to Sense, Sense to Sound: A State of the Art in Sound and Music Computing&amp;quot;. Logos Verlag, Berlin, pp. 83-160. [http://smcnetwork.org/files/S2S2BOOK1.pdf]&lt;br /&gt;
# Herrera, P., Celma, O., Massaguer, J., Cano, P., Gómez, E., Gouyon, F., Koppenberger, M., García, D., García-Mahedero, J., Wack, N. (2005). &amp;quot;Mucosa: a music content semantic annotator&amp;quot;. Proceedings of the 6th International Conference on Music Information Retrieval (ISMIR-2005). London, United Kingdom. [http://mtg.upf.edu/files/publications/189652-ISMIR-2005-Herrera.pdf]&lt;/div&gt;</summary>
		<author><name>Perfe</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2010:Audio_Similarity_2010_Graders&amp;diff=7347</id>
		<title>2010:Audio Similarity 2010 Graders</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2010:Audio_Similarity_2010_Graders&amp;diff=7347"/>
		<updated>2010-07-20T13:05:10Z</updated>

		<summary type="html">&lt;p&gt;Perfe: /* Sign Up Area */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;=AMS 2010 Graders=&lt;br /&gt;
&lt;br /&gt;
Welcome to the AMS grader sign-up page. Please give us your name and email contact information. If you obscure your email, please make it relatively obvious to us how to parse the address.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;b&amp;gt;Template:&amp;lt;/b&amp;gt; Name. Location. &amp;lt;Email&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;b&amp;gt;Sample:&amp;lt;/b&amp;gt; J. Stephen Downie. Illinois, USA. &amp;lt;jdownie@illinois.edu&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=Special Comments=&lt;br /&gt;
We are under extraordinary time constraints this year because ISMIR 2010 &lt;br /&gt;
is being held starting 9 August and we need to have all the final &lt;br /&gt;
results calculated and posted by our 2 August target date (fingers crossed).&lt;br /&gt;
&lt;br /&gt;
We hope to open the the Evalutron 6000 (E6K) v.2 grading system by 20 &lt;br /&gt;
July. To meet our 2 August goal, we must have all the AMS and SMS &lt;br /&gt;
similarity grades entered into the E6K by 27 July. YES, THIS GIVES US &lt;br /&gt;
ONLY ONE WEEK! So, if you are kind enough to sign up to be a grader, &lt;br /&gt;
please understand that we really need you complete your assigned grading &lt;br /&gt;
by 27 July.&lt;br /&gt;
&lt;br /&gt;
If you are a SMS or AMS participant, we ask that you do what you can to &lt;br /&gt;
encourage adults over 18 years of age to be graders.&lt;br /&gt;
&lt;br /&gt;
We are looking for &amp;lt;b&amp;gt;50&amp;lt;/b&amp;gt; graders for AMS this year. If we make our quota of 50 graders, each grader will be responsible for two query lists. If we fall short, and get around 34 graders, we will be asking each grader to grade 3 queries. In this worst case scenario, we still expect the grading process to take between 2.5 to 3 hours (or less) for each grader.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This year the query lists seem to be moderate in length so tackling two queries lists should not be too onerous. For safety's sake, we would like to see say, an extra five or so names on the sign up sheet below. The &amp;quot;extra names&amp;quot; on the sign up sheet will be considered &amp;quot;back up&amp;quot; graders. We will assign grading tasks in the order of the names as they appear below.&lt;br /&gt;
&lt;br /&gt;
=Sign Up Area=&lt;br /&gt;
#Martin Ariel Hartmann. Buenos Aires, Argentina. &amp;lt;martin.hartmann@jyu.fi&amp;gt;&lt;br /&gt;
#Sally Jo Cunningham. Hamilton, New Zealand. &amp;lt;sallyjo@cs.waikato.ac.nz&amp;gt;&lt;br /&gt;
#Matt Hoffman. New York, USA. &amp;lt;mdhoffma@cs.princeton.edu&amp;gt;&lt;br /&gt;
#Thierry Bertin-Mahieux. New York, USA. &amp;lt;tb2332@columbia.edu&amp;gt;&lt;br /&gt;
#Dominik Schnitzer, Vienna, Austria &amp;lt;dominik.schnitzer (dumdidum) ofai.at&amp;gt;&lt;br /&gt;
#Ming Li, Beijing, China, &amp;lt;liming . ioa [AT] gmail dot com&amp;gt;&lt;br /&gt;
#Charlie Inskip, London UK &amp;lt;c.inskip@city.ac.uk&amp;gt;&lt;br /&gt;
#Ana M. Barbancho, Malaga, Spain &amp;lt; abp  [AT]  ic dot  uma dot  es&amp;gt;&lt;br /&gt;
#Arthur Flexer, Vienna, Austria &amp;lt;arthur.flexer [AT] ofai.at&amp;gt;&lt;br /&gt;
#Simone Sammartino, Málaga, Spain &amp;lt;ssammartino@ic.uma.es&amp;gt;&lt;br /&gt;
#Cristina de la Bandera Cascales, Málaga, Spain &amp;lt;cdelabandera@ic.uma.es&amp;gt;&lt;br /&gt;
#Peter Knees, Linz, Austria &amp;lt;peter.knees (AT) jku.at&amp;gt;&lt;br /&gt;
#Steve Tjoa. Maryland, USA. &amp;lt;kiemyang at umd edu&amp;gt;&lt;br /&gt;
#Michael Mandel, Montreal, QC &amp;lt;mandelm at iro umontreal ca&amp;gt;&lt;br /&gt;
#Perfecto Herrera, Barcelona, Spain &amp;lt;perfecto dot herrera [AT] upf dot edu&amp;gt;&lt;br /&gt;
#Aggelos Gkiokas, Athens, Greece &amp;lt;agkiokas@ilsp.gr&amp;gt;&lt;br /&gt;
#Dmitry Bogdanov, Barcelona, Spain &amp;lt;dmitry dot bogdanov [AT] upf dot edu&amp;gt;&lt;br /&gt;
#Ewa Lukasik, Poznan, Poland &amp;lt;ewa.lukasik@cs.put.poznan.pl&amp;gt;&lt;br /&gt;
#Tim Pohle, Linz, Austria &amp;lt;tim dot pohle at jku.at &amp;gt;&lt;br /&gt;
#Tom Collins. Milton Keynes, UK. &amp;lt;t dot e dot collins at open dot ac dot uk&amp;gt;&lt;br /&gt;
#Julián Urbano, Madrid, Spain &amp;lt; jurbano at inf dot uc3m dot es &amp;gt;&lt;br /&gt;
#Andrew Hankinson, Montreal, QC &amp;lt;andrew.hankinson@mail.mcgill.ca&amp;gt;&lt;br /&gt;
#Miranda Callahan, Mountain View, CA &amp;lt;mirandac at google dot com&amp;gt;&lt;br /&gt;
#Elizabeth German, Illinois, USA &amp;lt;egerman@illinois.edu&amp;gt;&lt;br /&gt;
#Till Crueger, Bonn, Germany &amp;lt;Till.Crueger@gmx.net&amp;gt;&lt;br /&gt;
#Randy Louque. Hamilton, New Zealand. &amp;lt;rclouque@yahoo.com&amp;gt;&lt;br /&gt;
#Megan Winget. Austin, Texas, USA &amp;lt;meganATischool.utexas.edu&amp;gt;&lt;br /&gt;
#Laurent Pugin, Geneva, Switzerland &amp;lt;lxpugin@gmail.com&amp;gt;&lt;br /&gt;
#Franz de Leon. Southampton, UK &amp;lt;fadl1d09@ecs.soton.ac.uk&amp;gt;&lt;br /&gt;
#Maria Theresa de Leon, Southampton, UK &amp;lt;mtdl1c09@ecs.soton.ac.uk&amp;gt;&lt;br /&gt;
#Sebastian Böck, Munich, Germany &amp;lt;sb @ minimoog.org&amp;gt;&lt;br /&gt;
#Massimiliano Zanin, Madrid, Spain &amp;lt;mzanin@innaxis.org&amp;gt;&lt;br /&gt;
#Klaus Seyerlehner, Linz, Austria &amp;lt;klaus.seyerlehner (AT) jku.at&amp;gt;&lt;br /&gt;
#Dave Benson, Montreal, Canada &amp;lt;david.benson [AT] mail dot mcgill dot ca&amp;gt;&lt;br /&gt;
#Reinhard Sonnleitner, Linz, Austria &amp;lt;reinhard.sonnleitner (AT) nanihil.com&amp;gt;&lt;br /&gt;
#Isabel de la Bandera, Málaga, Spain, ibanderac@ic.uma.es&lt;/div&gt;</summary>
		<author><name>Perfe</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2010:Symbolic_Similarity_2010_Graders&amp;diff=7298</id>
		<title>2010:Symbolic Similarity 2010 Graders</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2010:Symbolic_Similarity_2010_Graders&amp;diff=7298"/>
		<updated>2010-07-15T13:28:52Z</updated>

		<summary type="html">&lt;p&gt;Perfe: /* Sign Up Area */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;=SMS 2010 Graders=&lt;br /&gt;
&lt;br /&gt;
Welcome to the SMS grader sign-up page. Please give us your name and email contact information. If you obscure your email, please make it relatively obvious to us how to parse the address.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;b&amp;gt;Template:&amp;lt;/b&amp;gt; Name. Location. &amp;lt;Email&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;b&amp;gt;Sample:&amp;lt;/b&amp;gt; J. Stephen Downie. Illinois, USA. &amp;lt;jdownie@illinois.edu&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Special Comments==&lt;br /&gt;
We are under extraordinary time constraints this year because ISMIR 2010 &lt;br /&gt;
is being held starting 9 August and we need to have all the final &lt;br /&gt;
results calculated and posted by our 2 August target date (fingers crossed).&lt;br /&gt;
&lt;br /&gt;
We hope to open the the Evalutron 6000 (E6K) v.2 grading system by 20 &lt;br /&gt;
July. To meet our 2 August goal, we must have all the AMS and SMS &lt;br /&gt;
similarity grades entered into the E6K by 27 July. YES, THIS GIVES US &lt;br /&gt;
ONLY ONE WEEK! So, if you are kind enough to sign up to be a grader, &lt;br /&gt;
please understand that we really need you complete your assigned grading &lt;br /&gt;
by 27 July.&lt;br /&gt;
&lt;br /&gt;
If you are a SMS or AMS participant, we ask that you do what you can to &lt;br /&gt;
encourage adults over 18 years of age to be graders.&lt;br /&gt;
&lt;br /&gt;
We are looking for &amp;lt;b&amp;gt;6&amp;lt;/b&amp;gt; graders for SMS this year. Each grader will be responsible for one query list. This year the query list seem to be rather long so we asking each grader to tackle only one list. For safety's sake, we would like to see say, 9 names on the sign up sheet below. The last three or so names on the sign up sheet will be considered &amp;quot;back up&amp;quot; graders. We will assign grading tasks in the order of the names as they appear below.&lt;br /&gt;
&lt;br /&gt;
=Sign Up Area=&lt;br /&gt;
&lt;br /&gt;
#Martin Ariel Hartmann. Buenos Aires, Argentina. &amp;lt;martin.hartmann@jyu.fi&amp;gt;&lt;br /&gt;
#Craig Sapp. Stanford, California. &amp;lt;craig&amp;amp;#64;ccrma.stanford.edu&amp;gt;&lt;br /&gt;
#Ana M. Barbancho. Malaga, Spain &amp;lt;abp  [AT] ic dot uma dot es&amp;gt;&lt;br /&gt;
#Audrey Laplante. Montr&amp;amp;eacute;al, Canada. &amp;lt;audrey.laplante&amp;amp;#64;umontreal.ca&amp;gt;&lt;br /&gt;
#Steve Tjoa. Maryland, USA. &amp;lt;kiemyang at umd edu&amp;gt;&lt;br /&gt;
#Ian Knopke. London, UK. &amp;lt;ian.knopke at gmail.com&amp;gt;&lt;/div&gt;</summary>
		<author><name>Perfe</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2010:Audio_Similarity_2010_Graders&amp;diff=7295</id>
		<title>2010:Audio Similarity 2010 Graders</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2010:Audio_Similarity_2010_Graders&amp;diff=7295"/>
		<updated>2010-07-15T09:56:34Z</updated>

		<summary type="html">&lt;p&gt;Perfe: /* Sign Up Area */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;=AMS 2010 Graders=&lt;br /&gt;
&lt;br /&gt;
Welcome to the AMS grader sign-up page. Please give us your name and email contact information. If you obscure your email, please make it relatively obvious to us how to parse the address.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;b&amp;gt;Template:&amp;lt;/b&amp;gt; Name. Location. &amp;lt;Email&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;b&amp;gt;Sample:&amp;lt;/b&amp;gt; J. Stephen Downie. Illinois, USA. &amp;lt;jdownie@illinois.edu&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=Special Comments=&lt;br /&gt;
We are under extraordinary time constraints this year because ISMIR 2010 &lt;br /&gt;
is being held starting 9 August and we need to have all the final &lt;br /&gt;
results calculated and posted by our 2 August target date (fingers crossed).&lt;br /&gt;
&lt;br /&gt;
We hope to open the the Evalutron 6000 (E6K) v.2 grading system by 20 &lt;br /&gt;
July. To meet our 2 August goal, we must have all the AMS and SMS &lt;br /&gt;
similarity grades entered into the E6K by 27 July. YES, THIS GIVES US &lt;br /&gt;
ONLY ONE WEEK! So, if you are kind enough to sign up to be a grader, &lt;br /&gt;
please understand that we really need you complete your assigned grading &lt;br /&gt;
by 27 July.&lt;br /&gt;
&lt;br /&gt;
If you are a SMS or AMS participant, we ask that you do what you can to &lt;br /&gt;
encourage adults over 18 years of age to be graders.&lt;br /&gt;
&lt;br /&gt;
We are looking for &amp;lt;b&amp;gt;50&amp;lt;/b&amp;gt; graders for AMS this year. Each grader will be responsible for two query lists. This year the query lists seem to be moderate in length so tackling two queries lists should not be too onerous. For safety's sake, we would like to see say, an extra five or so names on the sign up sheet below. The &amp;quot;extra names&amp;quot; on the sign up sheet will be considered &amp;quot;back up&amp;quot; graders. We will assign grading tasks in the order of the names as they appear below.&lt;br /&gt;
&lt;br /&gt;
=Sign Up Area=&lt;br /&gt;
#Martin Ariel Hartmann. Buenos Aires, Argentina. &amp;lt;martin.hartmann@jyu.fi&amp;gt;&lt;br /&gt;
#Sally Jo Cunningham. Hamilton, New Zealand. &amp;lt;sallyjo@cs.waikato.ac.nz&amp;gt;&lt;br /&gt;
#Matt Hoffman. New York, USA. &amp;lt;mdhoffma@cs.princeton.edu&amp;gt;&lt;br /&gt;
#Thierry Bertin-Mahieux. New York, USA. &amp;lt;tb2332@columbia.edu&amp;gt;&lt;br /&gt;
#Dominik Schnitzer, Vienna, Austria &amp;lt;dominik.schnitzer (dumdidum) ofai.at&amp;gt;&lt;br /&gt;
#Ming Li, Beijing, China, &amp;lt;liming . ioa [AT] gmail dot com&amp;gt;&lt;br /&gt;
#Charlie Inskip, London UK &amp;lt;c.inskip@city.ac.uk&amp;gt;&lt;br /&gt;
#Ana M. Barbancho, Malaga, Spain &amp;lt; abp  [AT]  ic dot  uma dot  es&amp;gt;&lt;br /&gt;
#Arthur Flexer, Vienna, Austria &amp;lt;arthur.flexer [AT] ofai.at&amp;gt;&lt;br /&gt;
#Simone Sammartino, Málaga, Spain &amp;lt;ssammartino@ic.uma.es&amp;gt;&lt;br /&gt;
#Cristina de la Bandera Cascales, Málaga, Spain &amp;lt;cdelabandera@ic.uma.es&amp;gt;&lt;br /&gt;
#Peter Knees, Linz, Austria &amp;lt;peter.knees (AT) jku.at&amp;gt;&lt;br /&gt;
#Steve Tjoa. Maryland, USA. &amp;lt;kiemyang at umd edu&amp;gt;&lt;br /&gt;
#Michael Mandel, Montreal, QC &amp;lt;mandelm at iro umontreal ca&amp;gt;&lt;br /&gt;
#Perfecto Herrera, Barcelona, Spain &amp;lt;perfecto dot herrera [AT] upf dot es&amp;gt;&lt;/div&gt;</summary>
		<author><name>Perfe</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2010:Symbolic_Similarity_2010_Graders&amp;diff=7294</id>
		<title>2010:Symbolic Similarity 2010 Graders</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2010:Symbolic_Similarity_2010_Graders&amp;diff=7294"/>
		<updated>2010-07-15T09:56:26Z</updated>

		<summary type="html">&lt;p&gt;Perfe: /* Sign Up Area */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;=SMS 2010 Graders=&lt;br /&gt;
&lt;br /&gt;
Welcome to the SMS grader sign-up page. Please give us your name and email contact information. If you obscure your email, please make it relatively obvious to us how to parse the address.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;b&amp;gt;Template:&amp;lt;/b&amp;gt; Name. Location. &amp;lt;Email&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;b&amp;gt;Sample:&amp;lt;/b&amp;gt; J. Stephen Downie. Illinois, USA. &amp;lt;jdownie@illinois.edu&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Special Comments==&lt;br /&gt;
We are under extraordinary time constraints this year because ISMIR 2010 &lt;br /&gt;
is being held starting 9 August and we need to have all the final &lt;br /&gt;
results calculated and posted by our 2 August target date (fingers crossed).&lt;br /&gt;
&lt;br /&gt;
We hope to open the the Evalutron 6000 (E6K) v.2 grading system by 20 &lt;br /&gt;
July. To meet our 2 August goal, we must have all the AMS and SMS &lt;br /&gt;
similarity grades entered into the E6K by 27 July. YES, THIS GIVES US &lt;br /&gt;
ONLY ONE WEEK! So, if you are kind enough to sign up to be a grader, &lt;br /&gt;
please understand that we really need you complete your assigned grading &lt;br /&gt;
by 27 July.&lt;br /&gt;
&lt;br /&gt;
If you are a SMS or AMS participant, we ask that you do what you can to &lt;br /&gt;
encourage adults over 18 years of age to be graders.&lt;br /&gt;
&lt;br /&gt;
We are looking for &amp;lt;b&amp;gt;6&amp;lt;/b&amp;gt; graders for SMS this year. Each grader will be responsible for one query list. This year the query list seem to be rather long so we asking each grader to tackle only one list. For safety's sake, we would like to see say, 9 names on the sign up sheet below. The last three or so names on the sign up sheet will be considered &amp;quot;back up&amp;quot; graders. We will assign grading tasks in the order of the names as they appear below.&lt;br /&gt;
&lt;br /&gt;
=Sign Up Area=&lt;br /&gt;
&lt;br /&gt;
#Martin Ariel Hartmann. Buenos Aires, Argentina. &amp;lt;martin.hartmann@jyu.fi&amp;gt;&lt;br /&gt;
#Craig Sapp. Stanford, California. &amp;lt;craig&amp;amp;#64;ccrma.stanford.edu&amp;gt;&lt;br /&gt;
#Ana M. Barbancho. Malaga, Spain &amp;lt;abp  [AT] ic dot uma dot es&amp;gt;&lt;br /&gt;
#Audrey Laplante. Montr&amp;amp;eacute;al, Canada. &amp;lt;audrey.laplante&amp;amp;#64;umontreal.ca&amp;gt;&lt;br /&gt;
#Steve Tjoa. Maryland, USA. &amp;lt;kiemyang at umd edu&amp;gt;&lt;br /&gt;
#Ian Knopke. London, UK. &amp;lt;ian.knopke at gmail.com&amp;gt;&lt;br /&gt;
#Perfecto Herrera, Barcelona, Spain &amp;lt;perfecto dot herrera [AT] upf dot es&amp;gt;&lt;/div&gt;</summary>
		<author><name>Perfe</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2010:Symbolic_Similarity_2010_Graders&amp;diff=7293</id>
		<title>2010:Symbolic Similarity 2010 Graders</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2010:Symbolic_Similarity_2010_Graders&amp;diff=7293"/>
		<updated>2010-07-15T09:56:00Z</updated>

		<summary type="html">&lt;p&gt;Perfe: /* Sign Up Area */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;=SMS 2010 Graders=&lt;br /&gt;
&lt;br /&gt;
Welcome to the SMS grader sign-up page. Please give us your name and email contact information. If you obscure your email, please make it relatively obvious to us how to parse the address.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;b&amp;gt;Template:&amp;lt;/b&amp;gt; Name. Location. &amp;lt;Email&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;b&amp;gt;Sample:&amp;lt;/b&amp;gt; J. Stephen Downie. Illinois, USA. &amp;lt;jdownie@illinois.edu&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Special Comments==&lt;br /&gt;
We are under extraordinary time constraints this year because ISMIR 2010 &lt;br /&gt;
is being held starting 9 August and we need to have all the final &lt;br /&gt;
results calculated and posted by our 2 August target date (fingers crossed).&lt;br /&gt;
&lt;br /&gt;
We hope to open the the Evalutron 6000 (E6K) v.2 grading system by 20 &lt;br /&gt;
July. To meet our 2 August goal, we must have all the AMS and SMS &lt;br /&gt;
similarity grades entered into the E6K by 27 July. YES, THIS GIVES US &lt;br /&gt;
ONLY ONE WEEK! So, if you are kind enough to sign up to be a grader, &lt;br /&gt;
please understand that we really need you complete your assigned grading &lt;br /&gt;
by 27 July.&lt;br /&gt;
&lt;br /&gt;
If you are a SMS or AMS participant, we ask that you do what you can to &lt;br /&gt;
encourage adults over 18 years of age to be graders.&lt;br /&gt;
&lt;br /&gt;
We are looking for &amp;lt;b&amp;gt;6&amp;lt;/b&amp;gt; graders for SMS this year. Each grader will be responsible for one query list. This year the query list seem to be rather long so we asking each grader to tackle only one list. For safety's sake, we would like to see say, 9 names on the sign up sheet below. The last three or so names on the sign up sheet will be considered &amp;quot;back up&amp;quot; graders. We will assign grading tasks in the order of the names as they appear below.&lt;br /&gt;
&lt;br /&gt;
=Sign Up Area=&lt;br /&gt;
&lt;br /&gt;
#Martin Ariel Hartmann. Buenos Aires, Argentina. &amp;lt;martin.hartmann@jyu.fi&amp;gt;&lt;br /&gt;
#Craig Sapp. Stanford, California. &amp;lt;craig&amp;amp;#64;ccrma.stanford.edu&amp;gt;&lt;br /&gt;
#Ana M. Barbancho. Malaga, Spain &amp;lt;abp  [AT] ic dot uma dot es&amp;gt;&lt;br /&gt;
#Audrey Laplante. Montr&amp;amp;eacute;al, Canada. &amp;lt;audrey.laplante&amp;amp;#64;umontreal.ca&amp;gt;&lt;br /&gt;
#Steve Tjoa. Maryland, USA. &amp;lt;kiemyang at umd edu&amp;gt;&lt;br /&gt;
#Ian Knopke. London, UK. &amp;lt;ian.knopke at gmail.com&amp;gt;&lt;br /&gt;
#Perfecto Herrera, Barcelona, Spain &amp;lt;perfecto dot herrera [AT] upf dot ub&amp;gt;&lt;/div&gt;</summary>
		<author><name>Perfe</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2010:Audio_Similarity_2010_Graders&amp;diff=7292</id>
		<title>2010:Audio Similarity 2010 Graders</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2010:Audio_Similarity_2010_Graders&amp;diff=7292"/>
		<updated>2010-07-15T09:54:21Z</updated>

		<summary type="html">&lt;p&gt;Perfe: /* Sign Up Area */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;=AMS 2010 Graders=&lt;br /&gt;
&lt;br /&gt;
Welcome to the AMS grader sign-up page. Please give us your name and email contact information. If you obscure your email, please make it relatively obvious to us how to parse the address.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;b&amp;gt;Template:&amp;lt;/b&amp;gt; Name. Location. &amp;lt;Email&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;b&amp;gt;Sample:&amp;lt;/b&amp;gt; J. Stephen Downie. Illinois, USA. &amp;lt;jdownie@illinois.edu&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=Special Comments=&lt;br /&gt;
We are under extraordinary time constraints this year because ISMIR 2010 &lt;br /&gt;
is being held starting 9 August and we need to have all the final &lt;br /&gt;
results calculated and posted by our 2 August target date (fingers crossed).&lt;br /&gt;
&lt;br /&gt;
We hope to open the the Evalutron 6000 (E6K) v.2 grading system by 20 &lt;br /&gt;
July. To meet our 2 August goal, we must have all the AMS and SMS &lt;br /&gt;
similarity grades entered into the E6K by 27 July. YES, THIS GIVES US &lt;br /&gt;
ONLY ONE WEEK! So, if you are kind enough to sign up to be a grader, &lt;br /&gt;
please understand that we really need you complete your assigned grading &lt;br /&gt;
by 27 July.&lt;br /&gt;
&lt;br /&gt;
If you are a SMS or AMS participant, we ask that you do what you can to &lt;br /&gt;
encourage adults over 18 years of age to be graders.&lt;br /&gt;
&lt;br /&gt;
We are looking for &amp;lt;b&amp;gt;50&amp;lt;/b&amp;gt; graders for AMS this year. Each grader will be responsible for two query lists. This year the query lists seem to be moderate in length so tackling two queries lists should not be too onerous. For safety's sake, we would like to see say, an extra five or so names on the sign up sheet below. The &amp;quot;extra names&amp;quot; on the sign up sheet will be considered &amp;quot;back up&amp;quot; graders. We will assign grading tasks in the order of the names as they appear below.&lt;br /&gt;
&lt;br /&gt;
=Sign Up Area=&lt;br /&gt;
#Martin Ariel Hartmann. Buenos Aires, Argentina. &amp;lt;martin.hartmann@jyu.fi&amp;gt;&lt;br /&gt;
#Sally Jo Cunningham. Hamilton, New Zealand. &amp;lt;sallyjo@cs.waikato.ac.nz&amp;gt;&lt;br /&gt;
#Matt Hoffman. New York, USA. &amp;lt;mdhoffma@cs.princeton.edu&amp;gt;&lt;br /&gt;
#Thierry Bertin-Mahieux. New York, USA. &amp;lt;tb2332@columbia.edu&amp;gt;&lt;br /&gt;
#Dominik Schnitzer, Vienna, Austria &amp;lt;dominik.schnitzer (dumdidum) ofai.at&amp;gt;&lt;br /&gt;
#Ming Li, Beijing, China, &amp;lt;liming . ioa [AT] gmail dot com&amp;gt;&lt;br /&gt;
#Charlie Inskip, London UK &amp;lt;c.inskip@city.ac.uk&amp;gt;&lt;br /&gt;
#Ana M. Barbancho, Malaga, Spain &amp;lt; abp  [AT]  ic dot  uma dot  es&amp;gt;&lt;br /&gt;
#Arthur Flexer, Vienna, Austria &amp;lt;arthur.flexer [AT] ofai.at&amp;gt;&lt;br /&gt;
#Simone Sammartino, Málaga, Spain &amp;lt;ssammartino@ic.uma.es&amp;gt;&lt;br /&gt;
#Cristina de la Bandera Cascales, Málaga, Spain &amp;lt;cdelabandera@ic.uma.es&amp;gt;&lt;br /&gt;
#Peter Knees, Linz, Austria &amp;lt;peter.knees (AT) jku.at&amp;gt;&lt;br /&gt;
#Steve Tjoa. Maryland, USA. &amp;lt;kiemyang at umd edu&amp;gt;&lt;br /&gt;
#Michael Mandel, Montreal, QC &amp;lt;mandelm at iro umontreal ca&amp;gt;&lt;br /&gt;
#Perfecto Herrera, Barcelona, Spain &amp;lt;perfecto dot herrera [AT] upf dot ub&amp;gt;&lt;/div&gt;</summary>
		<author><name>Perfe</name></author>
		
	</entry>
</feed>