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	<updated>2026-04-29T21:17:33Z</updated>
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	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9063</id>
		<title>2012:Multiple Fundamental Frequency Estimation &amp; Tracking Results</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9063"/>
		<updated>2012-10-03T23:47:56Z</updated>

		<summary type="html">&lt;p&gt;Mertbay: /* General Legend */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Introduction==&lt;br /&gt;
These are the results for the 2008 running of the Multiple Fundamental Frequency Estimation and Tracking task. For background information about this task set please refer to the [[2012:Multiple Fundamental Frequency Estimation &amp;amp; Tracking]] page.&lt;br /&gt;
&lt;br /&gt;
==General Legend==&lt;br /&gt;
{| border=&amp;quot;1&amp;quot; cellspacing=&amp;quot;0&amp;quot; style=&amp;quot;text-align: left; width: 800px;&amp;quot;&lt;br /&gt;
	|- style=&amp;quot;background: yellow;&amp;quot;&lt;br /&gt;
	! width=&amp;quot;80&amp;quot; | Sub code &lt;br /&gt;
	! width=&amp;quot;200&amp;quot; | Submission name &lt;br /&gt;
	! width=&amp;quot;80&amp;quot; style=&amp;quot;text-align: center;&amp;quot; | Abstract &lt;br /&gt;
	! width=&amp;quot;440&amp;quot; | Contributors&lt;br /&gt;
	|-&lt;br /&gt;
	! BD1&lt;br /&gt;
	| BenetosDixon MultiF0  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/BD1.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD2&lt;br /&gt;
	| BenetosDixon NoteTracking1  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/BD2.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD3&lt;br /&gt;
	| BenetosDixon NoteTracking2  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/BD3.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! CPG1&lt;br /&gt;
	| Zhuo&amp;amp;DAn_MultiF0   ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/CPG1.pdf PDF] || [http://labrosa.ee.columbia.edu/ Zhuo Chen], [http://www.ee.columbia.edu/~dpwe/ Danile P.W. Ellis] [http://www.ee.columbia.edu/~grindlay/ Graham Grindlay]&lt;br /&gt;
	|-&lt;br /&gt;
	! CPG2&lt;br /&gt;
	| CPG2   ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/CPG2.pdf PDF] || [http://labrosa.ee.columbia.edu/ Zhuo Chen], [http://www.ee.columbia.edu/~dpwe/ Danile P.W. Ellis] [http://www.ee.columbia.edu/~grindlay/ Graham Grindlay]&lt;br /&gt;
	|-&lt;br /&gt;
	! CPG3&lt;br /&gt;
	| CPG3  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/CPG3.pdf PDF] || [http://labrosa.ee.columbia.edu/ Zhuo Chen], [http://www.ee.columbia.edu/~dpwe/ Danile P.W. Ellis] [http://perso.telecom-paristech.fr/~grichard/ Graham Grindlay]&lt;br /&gt;
	|-&lt;br /&gt;
	! FBR1&lt;br /&gt;
	| FBR1  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/FBR1.pdf PDF] || [http://perso.telecom-paristech.fr/~fuentes/ Benoit Fuentes], [http://perso.telecom-paristech.fr/~rbadeau/ Roland Badeau] [http://www.ee.columbia.edu/~grindlay/ Gael Richard]&lt;br /&gt;
	|-&lt;br /&gt;
	! FBR2&lt;br /&gt;
	| FBR  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/FBR2.pdf PDF] || [http://perso.telecom-paristech.fr/~fuentes/ Benoit Fuentes], [http://perso.telecom-paristech.fr/~rbadeau/ Roland Badeau] [http://www.ee.columbia.edu/~grindlay/ Gael Richard]&lt;br /&gt;
	|-&lt;br /&gt;
	! FT1&lt;br /&gt;
	| TAVTZAN  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/FT1.pdf PDF] || [http://www.dca.fee.unicamp.br/~tavares Tiago Fernandes Tavares], [http://www.cs.uvic.ca/~gtzan George Tzanetakis]&lt;br /&gt;
	|-&lt;br /&gt;
	! KD1&lt;br /&gt;
	| multif0 2012a ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/KD1.pdf PDF] || [http://www.idmt.fraunhofer.de/ Karin Dressler ]&lt;br /&gt;
	|-&lt;br /&gt;
	! KD2&lt;br /&gt;
	| multi f0 2012b ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/KD2.pdf PDF] || [http://www.idmt.fraunhofer.de/ Karin Dressler ]&lt;br /&gt;
	|-&lt;br /&gt;
	! KD3&lt;br /&gt;
	| multif0 2012c ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/KD3.pdf PDF] || [http://www.idmt.fraunhofer.de/ Karin Dressler ]&lt;br /&gt;
	|-&lt;br /&gt;
	! SB5&lt;br /&gt;
	| PianoTranscriptor ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/SB5.pdf PDF] || [http://www.cp.jku.at Sebastian Böck ]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Task 1: Multiple Fundamental Frequency Estimation (MF0E)==&lt;br /&gt;
&lt;br /&gt;
===MF0E Overall Summary Results===&lt;br /&gt;
Below are the average scores across 40 test files. These files come from 3 different sources: woodwind quintet recording of bassoon, clarinet, horn,flute and oboe (UIUC); Rendered MIDI using RWC database donated by IRCAM and a quartet recording of bassoon, clarinet,  violin and sax  donated by Dr. Bryan Pardo`s Interactive Audio Lab (IAL). 20 files coming from 5 sections of the woodwind recording where each section has 4 files ranging from 2 polyphony to 5 polyphony. 12 files from IAL, coming from 4 different songs ranging from 2 polyphony to 4 polyphony and 8 files from RWC synthesized midi ranging from 2 different songs ranging from 2 polphony to 5 polyphony. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.overall.csv&amp;lt;/csv&amp;gt; &lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 1===&lt;br /&gt;
'''BD1'''= [https://music-ir.org/mirex/results/2012/mf0/est/tars/BD1.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''CPG1'''= [https://music-ir.org/mirex/results/2012/mf0/est/tars/CPG1.tar.gz Zhuo Chen, Danile P.W. Ellis Graham Grindlay]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''CPG2'''= [https://music-ir.org/mirex/results/2012/mf0/est/tars/CPG2.tar.gz Zhuo Chen, Danile P.W. Ellis Graham Grindlay]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''CPG3'''= [https://music-ir.org/mirex/results/2012/mf0/est/tars/CPG3.tar.gz Zhuo Chen, Danile P.W. Ellis Graham Grindlay]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''FBR1'''= [https://music-ir.org/mirex/results/2012/mf0/est/tars/FBR1.tar.gz Benoit Fuentes, Roland Badeau Gael Richard]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''KD1'''= [https://music-ir.org/mirex/results/2012/mf0/est/tars/KD1.tar.gz Karin Dressler ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''KD2'''= [https://music-ir.org/mirex/results/2012/mf0/est/tars/KD2.tar.gz Karin Dressler ]&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=====Info about the filenames=====&lt;br /&gt;
The filenames starting with part* comes from acoustic woodwind recording, the ones starting with RWC are synthesized. The legend about the instruments are:&lt;br /&gt;
&lt;br /&gt;
'''bs''' = bassoon,&lt;br /&gt;
'''cl''' = clarinet,&lt;br /&gt;
'''fl''' = flute,&lt;br /&gt;
'''hn''' = horn,&lt;br /&gt;
'''ob''' = oboe,&lt;br /&gt;
'''vl''' = violin,&lt;br /&gt;
'''cel''' = cello,&lt;br /&gt;
'''gtr''' = guitar,&lt;br /&gt;
'''sax''' = saxophone,&lt;br /&gt;
'''bass''' = electric bass guitar&lt;br /&gt;
&lt;br /&gt;
===Run Times===&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/runtimes_mf0_2011.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Friedman tests for  Multiple Fundamental Frequency Estimation (MF0E)===&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the performance (accuracy) on individual files.&lt;br /&gt;
&lt;br /&gt;
====Tukey-Kramer HSD Multi-Comparison====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
==Task 2:Note Tracking (NT)==&lt;br /&gt;
===NT Mixed Set Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
&lt;br /&gt;
A total of 34 files were used in this subtask: 16 from woodwind recording, 8 from IAL quintet recording and 6 piano.  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Run Times====&lt;br /&gt;
&lt;br /&gt;
TBD&lt;br /&gt;
&lt;br /&gt;
====Friedman Tests for  Note Tracking====&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the F-measure  on individual files.&lt;br /&gt;
&lt;br /&gt;
=====Tukey-Kramer HSD Multi-Comparison for Task2=====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:2012Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
===NT Piano-Only Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
6 piano recordings are evaluated separately for this subtask.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 2===&lt;br /&gt;
'''BD2'''= [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD2.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''BD3'''= [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD3.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''CPG1'''= [https://music-ir.org/mirex/results/2012/mf0/nt/tars/CPG1.tar.gz Zhuo Chen, Danile P.W. Ellis Graham Grindlay]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''CPG2'''= [https://music-ir.org/mirex/results/2012/mf0/nt/tars/CPG2.tar.gz Zhuo Chen, Danile P.W. Ellis Graham Grindlay]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''CPG3'''= [https://music-ir.org/mirex/results/2012/mf0/nt/tars/CPG3.tar.gz Zhuo Chen, Danile P.W. Ellis Graham Grindlay]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''FBR2'''= [https://music-ir.org/mirex/results/2012/mf0/nt/tars/FBR2.tar.gz Benoit Fuentes, Roland Badeau Gael Richard]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''FT1'''= [https://music-ir.org/mirex/results/2012/mf0/nt/tars/FT1.tar.gz Candidate Tiago Fernandes, George Tzanetakis]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''KD3'''= [https://music-ir.org/mirex/results/2012/mf0/nt/tars/KD3.tar.gz Karin Dressler ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''SB5'''= [https://music-ir.org/mirex/results/2012/mf0/nt/tars/SB5.tar.gz Sebastian Böck ]&amp;lt;br /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Mertbay</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9042</id>
		<title>2012:Multiple Fundamental Frequency Estimation &amp; Tracking Results</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9042"/>
		<updated>2012-10-03T01:53:22Z</updated>

		<summary type="html">&lt;p&gt;Mertbay: /* Individual Results Files for Task 2 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Introduction==&lt;br /&gt;
These are the results for the 2008 running of the Multiple Fundamental Frequency Estimation and Tracking task. For background information about this task set please refer to the [[2012:Multiple Fundamental Frequency Estimation &amp;amp; Tracking]] page.&lt;br /&gt;
&lt;br /&gt;
==General Legend==&lt;br /&gt;
{| border=&amp;quot;1&amp;quot; cellspacing=&amp;quot;0&amp;quot; style=&amp;quot;text-align: left; width: 800px;&amp;quot;&lt;br /&gt;
	|- style=&amp;quot;background: yellow;&amp;quot;&lt;br /&gt;
	! width=&amp;quot;80&amp;quot; | Sub code &lt;br /&gt;
	! width=&amp;quot;200&amp;quot; | Submission name &lt;br /&gt;
	! width=&amp;quot;80&amp;quot; style=&amp;quot;text-align: center;&amp;quot; | Abstract &lt;br /&gt;
	! width=&amp;quot;440&amp;quot; | Contributors&lt;br /&gt;
	|-&lt;br /&gt;
	! BD1&lt;br /&gt;
	| BenetosDixon MultiF0  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/BD1.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD2&lt;br /&gt;
	| BenetosDixon NoteTracking1  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD2.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD3&lt;br /&gt;
	| BenetosDixon NoteTracking2  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD3.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! CPG1&lt;br /&gt;
	| Zhuo&amp;amp;DAn_MultiF0   ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/CPG1.pdf PDF] || [http://labrosa.ee.columbia.edu/ Zhuo Chen], [http://www.ee.columbia.edu/~dpwe/ Danile P.W. Ellis] [http://www.ee.columbia.edu/~grindlay/ Graham Grindlay]&lt;br /&gt;
	|-&lt;br /&gt;
	! CPG2&lt;br /&gt;
	| CPG2   ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/CPG2.pdf PDF] || [http://labrosa.ee.columbia.edu/ Zhuo Chen], [http://www.ee.columbia.edu/~dpwe/ Danile P.W. Ellis] [http://www.ee.columbia.edu/~grindlay/ Graham Grindlay]&lt;br /&gt;
	|-&lt;br /&gt;
	! CPG3&lt;br /&gt;
	| CPG3  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/CPG3.pdf PDF] || [http://labrosa.ee.columbia.edu/ Zhuo Chen], [http://www.ee.columbia.edu/~dpwe/ Danile P.W. Ellis] [http://perso.telecom-paristech.fr/~grichard/ Graham Grindlay]&lt;br /&gt;
	|-&lt;br /&gt;
	! FBR1&lt;br /&gt;
	| FBR1  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/FBR1.pdf PDF] || [http://perso.telecom-paristech.fr/~fuentes/ Benoit Fuentes], [http://perso.telecom-paristech.fr/~rbadeau/ Roland Badeau] [http://www.ee.columbia.edu/~grindlay/ Gael Richard]&lt;br /&gt;
	|-&lt;br /&gt;
	! FBR2&lt;br /&gt;
	| FBR  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/FBR2.pdf PDF] || [http://perso.telecom-paristech.fr/~fuentes/ Benoit Fuentes], [http://perso.telecom-paristech.fr/~rbadeau/ Roland Badeau] [http://www.ee.columbia.edu/~grindlay/ Gael Richard]&lt;br /&gt;
	|-&lt;br /&gt;
	! FT1&lt;br /&gt;
	| TAVTZAN  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/FT1.pdf PDF] || [http://www.dca.fee.unicamp.br/~tavares Candidate Tiago Fernandes], [http://www.cs.uvic.ca/~gtzan George Tzanetakis]&lt;br /&gt;
	|-&lt;br /&gt;
	! KD1&lt;br /&gt;
	| multif0 2012a ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/KD1.pdf PDF] || [http://www.idmt.fraunhofer.de/ Karin Dressler ]&lt;br /&gt;
	|-&lt;br /&gt;
	! KD2&lt;br /&gt;
	| multi f0 2012b ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/KD2.pdf PDF] || [http://www.idmt.fraunhofer.de/ Karin Dressler ]&lt;br /&gt;
	|-&lt;br /&gt;
	! KD3&lt;br /&gt;
	| multif0 2012c ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/KD3.pdf PDF] || [http://www.idmt.fraunhofer.de/ Karin Dressler ]&lt;br /&gt;
	|-&lt;br /&gt;
	! SB5&lt;br /&gt;
	| PianoTranscriptor ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/SB5.pdf PDF] || [http://www.cp.jku.at Sebastian Böck ]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Task 1: Multiple Fundamental Frequency Estimation (MF0E)==&lt;br /&gt;
&lt;br /&gt;
===MF0E Overall Summary Results===&lt;br /&gt;
Below are the average scores across 40 test files. These files come from 3 different sources: woodwind quintet recording of bassoon, clarinet, horn,flute and oboe (UIUC); Rendered MIDI using RWC database donated by IRCAM and a quartet recording of bassoon, clarinet,  violin and sax  donated by Dr. Bryan Pardo`s Interactive Audio Lab (IAL). 20 files coming from 5 sections of the woodwind recording where each section has 4 files ranging from 2 polyphony to 5 polyphony. 12 files from IAL, coming from 4 different songs ranging from 2 polyphony to 4 polyphony and 8 files from RWC synthesized midi ranging from 2 different songs ranging from 2 polphony to 5 polyphony. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.overall.csv&amp;lt;/csv&amp;gt; &lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 1===&lt;br /&gt;
'''BD1'''= [https://music-ir.org/mirex/results/2012/mf0/est/tars/BD1.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''CPG1'''= [https://music-ir.org/mirex/results/2012/mf0/est/tars/CPG1.tar.gz Zhuo Chen, Danile P.W. Ellis Graham Grindlay]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''CPG2'''= [https://music-ir.org/mirex/results/2012/mf0/est/tars/CPG2.tar.gz Zhuo Chen, Danile P.W. Ellis Graham Grindlay]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''CPG3'''= [https://music-ir.org/mirex/results/2012/mf0/est/tars/CPG3.tar.gz Zhuo Chen, Danile P.W. Ellis Graham Grindlay]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''FBR1'''= [https://music-ir.org/mirex/results/2012/mf0/est/tars/FBR1.tar.gz Benoit Fuentes, Roland Badeau Gael Richard]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''KD1'''= [https://music-ir.org/mirex/results/2012/mf0/est/tars/KD1.tar.gz Karin Dressler ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''KD2'''= [https://music-ir.org/mirex/results/2012/mf0/est/tars/KD2.tar.gz Karin Dressler ]&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=====Info about the filenames=====&lt;br /&gt;
The filenames starting with part* comes from acoustic woodwind recording, the ones starting with RWC are synthesized. The legend about the instruments are:&lt;br /&gt;
&lt;br /&gt;
'''bs''' = bassoon,&lt;br /&gt;
'''cl''' = clarinet,&lt;br /&gt;
'''fl''' = flute,&lt;br /&gt;
'''hn''' = horn,&lt;br /&gt;
'''ob''' = oboe,&lt;br /&gt;
'''vl''' = violin,&lt;br /&gt;
'''cel''' = cello,&lt;br /&gt;
'''gtr''' = guitar,&lt;br /&gt;
'''sax''' = saxophone,&lt;br /&gt;
'''bass''' = electric bass guitar&lt;br /&gt;
&lt;br /&gt;
===Run Times===&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/runtimes_mf0_2011.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Friedman tests for  Multiple Fundamental Frequency Estimation (MF0E)===&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the performance (accuracy) on individual files.&lt;br /&gt;
&lt;br /&gt;
====Tukey-Kramer HSD Multi-Comparison====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
==Task 2:Note Tracking (NT)==&lt;br /&gt;
===NT Mixed Set Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
&lt;br /&gt;
A total of 34 files were used in this subtask: 16 from woodwind recording, 8 from IAL quintet recording and 6 piano.  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Run Times====&lt;br /&gt;
&lt;br /&gt;
TBD&lt;br /&gt;
&lt;br /&gt;
====Friedman Tests for  Note Tracking====&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the F-measure  on individual files.&lt;br /&gt;
&lt;br /&gt;
=====Tukey-Kramer HSD Multi-Comparison for Task2=====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:2012Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
===NT Piano-Only Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
6 piano recordings are evaluated separately for this subtask.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 2===&lt;br /&gt;
'''BD2'''= [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD2.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''BD3'''= [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD3.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''CPG1'''= [https://music-ir.org/mirex/results/2012/mf0/nt/tars/CPG1.tar.gz Zhuo Chen, Danile P.W. Ellis Graham Grindlay]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''CPG2'''= [https://music-ir.org/mirex/results/2012/mf0/nt/tars/CPG2.tar.gz Zhuo Chen, Danile P.W. Ellis Graham Grindlay]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''CPG3'''= [https://music-ir.org/mirex/results/2012/mf0/nt/tars/CPG3.tar.gz Zhuo Chen, Danile P.W. Ellis Graham Grindlay]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''FBR2'''= [https://music-ir.org/mirex/results/2012/mf0/nt/tars/FBR2.tar.gz Benoit Fuentes, Roland Badeau Gael Richard]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''FT1'''= [https://music-ir.org/mirex/results/2012/mf0/nt/tars/FT1.tar.gz Candidate Tiago Fernandes, George Tzanetakis]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''KD3'''= [https://music-ir.org/mirex/results/2012/mf0/nt/tars/KD3.tar.gz Karin Dressler ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''SB5'''= [https://music-ir.org/mirex/results/2012/mf0/nt/tars/SB5.tar.gz Sebastian Böck ]&amp;lt;br /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Mertbay</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9041</id>
		<title>2012:Multiple Fundamental Frequency Estimation &amp; Tracking Results</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9041"/>
		<updated>2012-10-03T01:50:02Z</updated>

		<summary type="html">&lt;p&gt;Mertbay: /* Individual Results Files for Task 1 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Introduction==&lt;br /&gt;
These are the results for the 2008 running of the Multiple Fundamental Frequency Estimation and Tracking task. For background information about this task set please refer to the [[2012:Multiple Fundamental Frequency Estimation &amp;amp; Tracking]] page.&lt;br /&gt;
&lt;br /&gt;
==General Legend==&lt;br /&gt;
{| border=&amp;quot;1&amp;quot; cellspacing=&amp;quot;0&amp;quot; style=&amp;quot;text-align: left; width: 800px;&amp;quot;&lt;br /&gt;
	|- style=&amp;quot;background: yellow;&amp;quot;&lt;br /&gt;
	! width=&amp;quot;80&amp;quot; | Sub code &lt;br /&gt;
	! width=&amp;quot;200&amp;quot; | Submission name &lt;br /&gt;
	! width=&amp;quot;80&amp;quot; style=&amp;quot;text-align: center;&amp;quot; | Abstract &lt;br /&gt;
	! width=&amp;quot;440&amp;quot; | Contributors&lt;br /&gt;
	|-&lt;br /&gt;
	! BD1&lt;br /&gt;
	| BenetosDixon MultiF0  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/BD1.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD2&lt;br /&gt;
	| BenetosDixon NoteTracking1  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD2.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD3&lt;br /&gt;
	| BenetosDixon NoteTracking2  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD3.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! CPG1&lt;br /&gt;
	| Zhuo&amp;amp;DAn_MultiF0   ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/CPG1.pdf PDF] || [http://labrosa.ee.columbia.edu/ Zhuo Chen], [http://www.ee.columbia.edu/~dpwe/ Danile P.W. Ellis] [http://www.ee.columbia.edu/~grindlay/ Graham Grindlay]&lt;br /&gt;
	|-&lt;br /&gt;
	! CPG2&lt;br /&gt;
	| CPG2   ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/CPG2.pdf PDF] || [http://labrosa.ee.columbia.edu/ Zhuo Chen], [http://www.ee.columbia.edu/~dpwe/ Danile P.W. Ellis] [http://www.ee.columbia.edu/~grindlay/ Graham Grindlay]&lt;br /&gt;
	|-&lt;br /&gt;
	! CPG3&lt;br /&gt;
	| CPG3  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/CPG3.pdf PDF] || [http://labrosa.ee.columbia.edu/ Zhuo Chen], [http://www.ee.columbia.edu/~dpwe/ Danile P.W. Ellis] [http://perso.telecom-paristech.fr/~grichard/ Graham Grindlay]&lt;br /&gt;
	|-&lt;br /&gt;
	! FBR1&lt;br /&gt;
	| FBR1  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/FBR1.pdf PDF] || [http://perso.telecom-paristech.fr/~fuentes/ Benoit Fuentes], [http://perso.telecom-paristech.fr/~rbadeau/ Roland Badeau] [http://www.ee.columbia.edu/~grindlay/ Gael Richard]&lt;br /&gt;
	|-&lt;br /&gt;
	! FBR2&lt;br /&gt;
	| FBR  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/FBR2.pdf PDF] || [http://perso.telecom-paristech.fr/~fuentes/ Benoit Fuentes], [http://perso.telecom-paristech.fr/~rbadeau/ Roland Badeau] [http://www.ee.columbia.edu/~grindlay/ Gael Richard]&lt;br /&gt;
	|-&lt;br /&gt;
	! FT1&lt;br /&gt;
	| TAVTZAN  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/FT1.pdf PDF] || [http://www.dca.fee.unicamp.br/~tavares Candidate Tiago Fernandes], [http://www.cs.uvic.ca/~gtzan George Tzanetakis]&lt;br /&gt;
	|-&lt;br /&gt;
	! KD1&lt;br /&gt;
	| multif0 2012a ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/KD1.pdf PDF] || [http://www.idmt.fraunhofer.de/ Karin Dressler ]&lt;br /&gt;
	|-&lt;br /&gt;
	! KD2&lt;br /&gt;
	| multi f0 2012b ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/KD2.pdf PDF] || [http://www.idmt.fraunhofer.de/ Karin Dressler ]&lt;br /&gt;
	|-&lt;br /&gt;
	! KD3&lt;br /&gt;
	| multif0 2012c ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/KD3.pdf PDF] || [http://www.idmt.fraunhofer.de/ Karin Dressler ]&lt;br /&gt;
	|-&lt;br /&gt;
	! SB5&lt;br /&gt;
	| PianoTranscriptor ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/SB5.pdf PDF] || [http://www.cp.jku.at Sebastian Böck ]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Task 1: Multiple Fundamental Frequency Estimation (MF0E)==&lt;br /&gt;
&lt;br /&gt;
===MF0E Overall Summary Results===&lt;br /&gt;
Below are the average scores across 40 test files. These files come from 3 different sources: woodwind quintet recording of bassoon, clarinet, horn,flute and oboe (UIUC); Rendered MIDI using RWC database donated by IRCAM and a quartet recording of bassoon, clarinet,  violin and sax  donated by Dr. Bryan Pardo`s Interactive Audio Lab (IAL). 20 files coming from 5 sections of the woodwind recording where each section has 4 files ranging from 2 polyphony to 5 polyphony. 12 files from IAL, coming from 4 different songs ranging from 2 polyphony to 4 polyphony and 8 files from RWC synthesized midi ranging from 2 different songs ranging from 2 polphony to 5 polyphony. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.overall.csv&amp;lt;/csv&amp;gt; &lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 1===&lt;br /&gt;
'''BD1'''= [https://music-ir.org/mirex/results/2012/mf0/est/tars/BD1.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''CPG1'''= [https://music-ir.org/mirex/results/2012/mf0/est/tars/CPG1.tar.gz Zhuo Chen, Danile P.W. Ellis Graham Grindlay]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''CPG2'''= [https://music-ir.org/mirex/results/2012/mf0/est/tars/CPG2.tar.gz Zhuo Chen, Danile P.W. Ellis Graham Grindlay]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''CPG3'''= [https://music-ir.org/mirex/results/2012/mf0/est/tars/CPG3.tar.gz Zhuo Chen, Danile P.W. Ellis Graham Grindlay]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''FBR1'''= [https://music-ir.org/mirex/results/2012/mf0/est/tars/FBR1.tar.gz Benoit Fuentes, Roland Badeau Gael Richard]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''KD1'''= [https://music-ir.org/mirex/results/2012/mf0/est/tars/KD1.tar.gz Karin Dressler ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''KD2'''= [https://music-ir.org/mirex/results/2012/mf0/est/tars/KD2.tar.gz Karin Dressler ]&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=====Info about the filenames=====&lt;br /&gt;
The filenames starting with part* comes from acoustic woodwind recording, the ones starting with RWC are synthesized. The legend about the instruments are:&lt;br /&gt;
&lt;br /&gt;
'''bs''' = bassoon,&lt;br /&gt;
'''cl''' = clarinet,&lt;br /&gt;
'''fl''' = flute,&lt;br /&gt;
'''hn''' = horn,&lt;br /&gt;
'''ob''' = oboe,&lt;br /&gt;
'''vl''' = violin,&lt;br /&gt;
'''cel''' = cello,&lt;br /&gt;
'''gtr''' = guitar,&lt;br /&gt;
'''sax''' = saxophone,&lt;br /&gt;
'''bass''' = electric bass guitar&lt;br /&gt;
&lt;br /&gt;
===Run Times===&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/runtimes_mf0_2011.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Friedman tests for  Multiple Fundamental Frequency Estimation (MF0E)===&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the performance (accuracy) on individual files.&lt;br /&gt;
&lt;br /&gt;
====Tukey-Kramer HSD Multi-Comparison====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
==Task 2:Note Tracking (NT)==&lt;br /&gt;
===NT Mixed Set Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
&lt;br /&gt;
A total of 34 files were used in this subtask: 16 from woodwind recording, 8 from IAL quintet recording and 6 piano.  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Run Times====&lt;br /&gt;
&lt;br /&gt;
TBD&lt;br /&gt;
&lt;br /&gt;
====Friedman Tests for  Note Tracking====&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the F-measure  on individual files.&lt;br /&gt;
&lt;br /&gt;
=====Tukey-Kramer HSD Multi-Comparison for Task2=====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:2012Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
===NT Piano-Only Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
6 piano recordings are evaluated separately for this subtask.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 2===&lt;br /&gt;
'''BD2''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD2.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''BD3''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD3.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''LYC1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/LYC1.tar.gz 	Cheng-Te Lee, Yi-Hsuan Yang,Homer Chen ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/RFF1.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF2''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/RFF2.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/YR1.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR3''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/YR3.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Mertbay</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9040</id>
		<title>2012:Multiple Fundamental Frequency Estimation &amp; Tracking Results</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9040"/>
		<updated>2012-10-03T01:43:36Z</updated>

		<summary type="html">&lt;p&gt;Mertbay: /* General Legend */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Introduction==&lt;br /&gt;
These are the results for the 2008 running of the Multiple Fundamental Frequency Estimation and Tracking task. For background information about this task set please refer to the [[2012:Multiple Fundamental Frequency Estimation &amp;amp; Tracking]] page.&lt;br /&gt;
&lt;br /&gt;
==General Legend==&lt;br /&gt;
{| border=&amp;quot;1&amp;quot; cellspacing=&amp;quot;0&amp;quot; style=&amp;quot;text-align: left; width: 800px;&amp;quot;&lt;br /&gt;
	|- style=&amp;quot;background: yellow;&amp;quot;&lt;br /&gt;
	! width=&amp;quot;80&amp;quot; | Sub code &lt;br /&gt;
	! width=&amp;quot;200&amp;quot; | Submission name &lt;br /&gt;
	! width=&amp;quot;80&amp;quot; style=&amp;quot;text-align: center;&amp;quot; | Abstract &lt;br /&gt;
	! width=&amp;quot;440&amp;quot; | Contributors&lt;br /&gt;
	|-&lt;br /&gt;
	! BD1&lt;br /&gt;
	| BenetosDixon MultiF0  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/BD1.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD2&lt;br /&gt;
	| BenetosDixon NoteTracking1  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD2.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD3&lt;br /&gt;
	| BenetosDixon NoteTracking2  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD3.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! CPG1&lt;br /&gt;
	| Zhuo&amp;amp;DAn_MultiF0   ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/CPG1.pdf PDF] || [http://labrosa.ee.columbia.edu/ Zhuo Chen], [http://www.ee.columbia.edu/~dpwe/ Danile P.W. Ellis] [http://www.ee.columbia.edu/~grindlay/ Graham Grindlay]&lt;br /&gt;
	|-&lt;br /&gt;
	! CPG2&lt;br /&gt;
	| CPG2   ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/CPG2.pdf PDF] || [http://labrosa.ee.columbia.edu/ Zhuo Chen], [http://www.ee.columbia.edu/~dpwe/ Danile P.W. Ellis] [http://www.ee.columbia.edu/~grindlay/ Graham Grindlay]&lt;br /&gt;
	|-&lt;br /&gt;
	! CPG3&lt;br /&gt;
	| CPG3  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/CPG3.pdf PDF] || [http://labrosa.ee.columbia.edu/ Zhuo Chen], [http://www.ee.columbia.edu/~dpwe/ Danile P.W. Ellis] [http://perso.telecom-paristech.fr/~grichard/ Graham Grindlay]&lt;br /&gt;
	|-&lt;br /&gt;
	! FBR1&lt;br /&gt;
	| FBR1  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/FBR1.pdf PDF] || [http://perso.telecom-paristech.fr/~fuentes/ Benoit Fuentes], [http://perso.telecom-paristech.fr/~rbadeau/ Roland Badeau] [http://www.ee.columbia.edu/~grindlay/ Gael Richard]&lt;br /&gt;
	|-&lt;br /&gt;
	! FBR2&lt;br /&gt;
	| FBR  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/FBR2.pdf PDF] || [http://perso.telecom-paristech.fr/~fuentes/ Benoit Fuentes], [http://perso.telecom-paristech.fr/~rbadeau/ Roland Badeau] [http://www.ee.columbia.edu/~grindlay/ Gael Richard]&lt;br /&gt;
	|-&lt;br /&gt;
	! FT1&lt;br /&gt;
	| TAVTZAN  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/FT1.pdf PDF] || [http://www.dca.fee.unicamp.br/~tavares Candidate Tiago Fernandes], [http://www.cs.uvic.ca/~gtzan George Tzanetakis]&lt;br /&gt;
	|-&lt;br /&gt;
	! KD1&lt;br /&gt;
	| multif0 2012a ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/KD1.pdf PDF] || [http://www.idmt.fraunhofer.de/ Karin Dressler ]&lt;br /&gt;
	|-&lt;br /&gt;
	! KD2&lt;br /&gt;
	| multi f0 2012b ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/KD2.pdf PDF] || [http://www.idmt.fraunhofer.de/ Karin Dressler ]&lt;br /&gt;
	|-&lt;br /&gt;
	! KD3&lt;br /&gt;
	| multif0 2012c ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/KD3.pdf PDF] || [http://www.idmt.fraunhofer.de/ Karin Dressler ]&lt;br /&gt;
	|-&lt;br /&gt;
	! SB5&lt;br /&gt;
	| PianoTranscriptor ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/SB5.pdf PDF] || [http://www.cp.jku.at Sebastian Böck ]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Task 1: Multiple Fundamental Frequency Estimation (MF0E)==&lt;br /&gt;
&lt;br /&gt;
===MF0E Overall Summary Results===&lt;br /&gt;
Below are the average scores across 40 test files. These files come from 3 different sources: woodwind quintet recording of bassoon, clarinet, horn,flute and oboe (UIUC); Rendered MIDI using RWC database donated by IRCAM and a quartet recording of bassoon, clarinet,  violin and sax  donated by Dr. Bryan Pardo`s Interactive Audio Lab (IAL). 20 files coming from 5 sections of the woodwind recording where each section has 4 files ranging from 2 polyphony to 5 polyphony. 12 files from IAL, coming from 4 different songs ranging from 2 polyphony to 4 polyphony and 8 files from RWC synthesized midi ranging from 2 different songs ranging from 2 polphony to 5 polyphony. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.overall.csv&amp;lt;/csv&amp;gt; &lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 1===&lt;br /&gt;
'''BD1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/BD1.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''KD1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/KD1.tar.gz Karin Dressler ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''LYC1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/LYC1.tar.gz 	Cheng-Te Lee, Yi-Hsuan Yang,Homer Chen ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/RFF1.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF2''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/RFF2.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR1.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR2''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR2.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR3''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR3.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR4''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR4.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=====Info about the filenames=====&lt;br /&gt;
The filenames starting with part* comes from acoustic woodwind recording, the ones starting with RWC are synthesized. The legend about the instruments are:&lt;br /&gt;
&lt;br /&gt;
'''bs''' = bassoon,&lt;br /&gt;
'''cl''' = clarinet,&lt;br /&gt;
'''fl''' = flute,&lt;br /&gt;
'''hn''' = horn,&lt;br /&gt;
'''ob''' = oboe,&lt;br /&gt;
'''vl''' = violin,&lt;br /&gt;
'''cel''' = cello,&lt;br /&gt;
'''gtr''' = guitar,&lt;br /&gt;
'''sax''' = saxophone,&lt;br /&gt;
'''bass''' = electric bass guitar&lt;br /&gt;
&lt;br /&gt;
===Run Times===&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/runtimes_mf0_2011.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Friedman tests for  Multiple Fundamental Frequency Estimation (MF0E)===&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the performance (accuracy) on individual files.&lt;br /&gt;
&lt;br /&gt;
====Tukey-Kramer HSD Multi-Comparison====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
==Task 2:Note Tracking (NT)==&lt;br /&gt;
===NT Mixed Set Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
&lt;br /&gt;
A total of 34 files were used in this subtask: 16 from woodwind recording, 8 from IAL quintet recording and 6 piano.  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Run Times====&lt;br /&gt;
&lt;br /&gt;
TBD&lt;br /&gt;
&lt;br /&gt;
====Friedman Tests for  Note Tracking====&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the F-measure  on individual files.&lt;br /&gt;
&lt;br /&gt;
=====Tukey-Kramer HSD Multi-Comparison for Task2=====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:2012Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
===NT Piano-Only Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
6 piano recordings are evaluated separately for this subtask.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 2===&lt;br /&gt;
'''BD2''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD2.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''BD3''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD3.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''LYC1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/LYC1.tar.gz 	Cheng-Te Lee, Yi-Hsuan Yang,Homer Chen ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/RFF1.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF2''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/RFF2.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/YR1.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR3''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/YR3.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Mertbay</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9039</id>
		<title>2012:Multiple Fundamental Frequency Estimation &amp; Tracking Results</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9039"/>
		<updated>2012-10-03T01:42:06Z</updated>

		<summary type="html">&lt;p&gt;Mertbay: /* General Legend */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Introduction==&lt;br /&gt;
These are the results for the 2008 running of the Multiple Fundamental Frequency Estimation and Tracking task. For background information about this task set please refer to the [[2012:Multiple Fundamental Frequency Estimation &amp;amp; Tracking]] page.&lt;br /&gt;
&lt;br /&gt;
==General Legend==&lt;br /&gt;
{| border=&amp;quot;1&amp;quot; cellspacing=&amp;quot;0&amp;quot; style=&amp;quot;text-align: left; width: 800px;&amp;quot;&lt;br /&gt;
	|- style=&amp;quot;background: yellow;&amp;quot;&lt;br /&gt;
	! width=&amp;quot;80&amp;quot; | Sub code &lt;br /&gt;
	! width=&amp;quot;200&amp;quot; | Submission name &lt;br /&gt;
	! width=&amp;quot;80&amp;quot; style=&amp;quot;text-align: center;&amp;quot; | Abstract &lt;br /&gt;
	! width=&amp;quot;440&amp;quot; | Contributors&lt;br /&gt;
	|-&lt;br /&gt;
	! BD1&lt;br /&gt;
	| BenetosDixon MultiF0  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/BD1.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD2&lt;br /&gt;
	| BenetosDixon NoteTracking1  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD2.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD3&lt;br /&gt;
	| BenetosDixon NoteTracking2  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD3.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! CPG1&lt;br /&gt;
	| Zhuo&amp;amp;DAn_MultiF0   ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/CPG1.pdf PDF] || [http://labrosa.ee.columbia.edu/ Zhuo Chen], [http://www.ee.columbia.edu/~dpwe/ Danile P.W. Ellis] [http://www.ee.columbia.edu/~grindlay/ Graham Grindlay]&lt;br /&gt;
	|-&lt;br /&gt;
	! CPG2&lt;br /&gt;
	| CPG2   ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/CPG2.pdf PDF] || [http://labrosa.ee.columbia.edu/ Zhuo Chen], [http://www.ee.columbia.edu/~dpwe/ Danile P.W. Ellis] [http://www.ee.columbia.edu/~grindlay/ Graham Grindlay]&lt;br /&gt;
	|-&lt;br /&gt;
	! CPG3&lt;br /&gt;
	| CPG3  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/CPG3.pdf PDF] || [http://labrosa.ee.columbia.edu/ Zhuo Chen], [http://www.ee.columbia.edu/~dpwe/ Danile P.W. Ellis] [http://perso.telecom-paristech.fr/~grichard/ Graham Grindlay]&lt;br /&gt;
	|-&lt;br /&gt;
	! FBR1&lt;br /&gt;
	| FBR1  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/FBR1.pdf PDF] || [http://perso.telecom-paristech.fr/~fuentes/ Benoit Fuentes], [http://perso.telecom-paristech.fr/~rbadeau/ Roland Badeau] [http://www.ee.columbia.edu/~grindlay/ Gael Richard]&lt;br /&gt;
	|-&lt;br /&gt;
	! FBR2&lt;br /&gt;
	| FBR  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/FBR2.pdf PDF] || [http://perso.telecom-paristech.fr/~fuentes/ Benoit Fuentes], [http://perso.telecom-paristech.fr/~rbadeau/ Roland Badeau] [http://www.ee.columbia.edu/~grindlay/ Gael Richard]&lt;br /&gt;
	|-&lt;br /&gt;
	! FT1&lt;br /&gt;
	| TAVTZAN  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/FT1.pdf PDF] || [http://www.dca.fee.unicamp.br/~tavares Candidate Tiago Fernandes], [http://www.cs.uvic.ca/~gtzan George Tzanetakis]&lt;br /&gt;
	|-&lt;br /&gt;
	! KD1&lt;br /&gt;
	| multif0 2012a ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/KD1.pdf PDF] || [http://www.idmt.fraunhofer.de/ Karin Dressler ]&lt;br /&gt;
	|-&lt;br /&gt;
	! KD2&lt;br /&gt;
	| multi f0 2012b ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/KD2.pdf PDF] || [http://www.idmt.fraunhofer.de/ Karin Dressler ]&lt;br /&gt;
	|-&lt;br /&gt;
	! KD3&lt;br /&gt;
	| multif0 2012c ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/KD3.pdf PDF] || [http://www.idmt.fraunhofer.de/ Karin Dressler ]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Task 1: Multiple Fundamental Frequency Estimation (MF0E)==&lt;br /&gt;
&lt;br /&gt;
===MF0E Overall Summary Results===&lt;br /&gt;
Below are the average scores across 40 test files. These files come from 3 different sources: woodwind quintet recording of bassoon, clarinet, horn,flute and oboe (UIUC); Rendered MIDI using RWC database donated by IRCAM and a quartet recording of bassoon, clarinet,  violin and sax  donated by Dr. Bryan Pardo`s Interactive Audio Lab (IAL). 20 files coming from 5 sections of the woodwind recording where each section has 4 files ranging from 2 polyphony to 5 polyphony. 12 files from IAL, coming from 4 different songs ranging from 2 polyphony to 4 polyphony and 8 files from RWC synthesized midi ranging from 2 different songs ranging from 2 polphony to 5 polyphony. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.overall.csv&amp;lt;/csv&amp;gt; &lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 1===&lt;br /&gt;
'''BD1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/BD1.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''KD1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/KD1.tar.gz Karin Dressler ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''LYC1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/LYC1.tar.gz 	Cheng-Te Lee, Yi-Hsuan Yang,Homer Chen ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/RFF1.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF2''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/RFF2.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR1.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR2''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR2.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR3''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR3.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR4''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR4.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=====Info about the filenames=====&lt;br /&gt;
The filenames starting with part* comes from acoustic woodwind recording, the ones starting with RWC are synthesized. The legend about the instruments are:&lt;br /&gt;
&lt;br /&gt;
'''bs''' = bassoon,&lt;br /&gt;
'''cl''' = clarinet,&lt;br /&gt;
'''fl''' = flute,&lt;br /&gt;
'''hn''' = horn,&lt;br /&gt;
'''ob''' = oboe,&lt;br /&gt;
'''vl''' = violin,&lt;br /&gt;
'''cel''' = cello,&lt;br /&gt;
'''gtr''' = guitar,&lt;br /&gt;
'''sax''' = saxophone,&lt;br /&gt;
'''bass''' = electric bass guitar&lt;br /&gt;
&lt;br /&gt;
===Run Times===&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/runtimes_mf0_2011.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Friedman tests for  Multiple Fundamental Frequency Estimation (MF0E)===&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the performance (accuracy) on individual files.&lt;br /&gt;
&lt;br /&gt;
====Tukey-Kramer HSD Multi-Comparison====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
==Task 2:Note Tracking (NT)==&lt;br /&gt;
===NT Mixed Set Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
&lt;br /&gt;
A total of 34 files were used in this subtask: 16 from woodwind recording, 8 from IAL quintet recording and 6 piano.  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Run Times====&lt;br /&gt;
&lt;br /&gt;
TBD&lt;br /&gt;
&lt;br /&gt;
====Friedman Tests for  Note Tracking====&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the F-measure  on individual files.&lt;br /&gt;
&lt;br /&gt;
=====Tukey-Kramer HSD Multi-Comparison for Task2=====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:2012Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
===NT Piano-Only Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
6 piano recordings are evaluated separately for this subtask.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 2===&lt;br /&gt;
'''BD2''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD2.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''BD3''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD3.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''LYC1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/LYC1.tar.gz 	Cheng-Te Lee, Yi-Hsuan Yang,Homer Chen ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/RFF1.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF2''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/RFF2.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/YR1.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR3''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/YR3.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Mertbay</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9038</id>
		<title>2012:Multiple Fundamental Frequency Estimation &amp; Tracking Results</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9038"/>
		<updated>2012-10-03T01:39:49Z</updated>

		<summary type="html">&lt;p&gt;Mertbay: /* General Legend */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Introduction==&lt;br /&gt;
These are the results for the 2008 running of the Multiple Fundamental Frequency Estimation and Tracking task. For background information about this task set please refer to the [[2012:Multiple Fundamental Frequency Estimation &amp;amp; Tracking]] page.&lt;br /&gt;
&lt;br /&gt;
==General Legend==&lt;br /&gt;
{| border=&amp;quot;1&amp;quot; cellspacing=&amp;quot;0&amp;quot; style=&amp;quot;text-align: left; width: 800px;&amp;quot;&lt;br /&gt;
	|- style=&amp;quot;background: yellow;&amp;quot;&lt;br /&gt;
	! width=&amp;quot;80&amp;quot; | Sub code &lt;br /&gt;
	! width=&amp;quot;200&amp;quot; | Submission name &lt;br /&gt;
	! width=&amp;quot;80&amp;quot; style=&amp;quot;text-align: center;&amp;quot; | Abstract &lt;br /&gt;
	! width=&amp;quot;440&amp;quot; | Contributors&lt;br /&gt;
	|-&lt;br /&gt;
	! BD1&lt;br /&gt;
	| BenetosDixon MultiF0  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/BD1.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD2&lt;br /&gt;
	| BenetosDixon NoteTracking1  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD2.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD3&lt;br /&gt;
	| BenetosDixon NoteTracking2  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD3.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! CPG1&lt;br /&gt;
	| Zhuo&amp;amp;DAn_MultiF0   ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/CPG1.pdf PDF] || [http://labrosa.ee.columbia.edu/ Zhuo Chen], [http://www.ee.columbia.edu/~dpwe/ Danile P.W. Ellis] [http://www.ee.columbia.edu/~grindlay/ Graham Grindlay]&lt;br /&gt;
	|-&lt;br /&gt;
	! CPG2&lt;br /&gt;
	| CPG2   ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/CPG2.pdf PDF] || [http://labrosa.ee.columbia.edu/ Zhuo Chen], [http://www.ee.columbia.edu/~dpwe/ Danile P.W. Ellis] [http://www.ee.columbia.edu/~grindlay/ Graham Grindlay]&lt;br /&gt;
	|-&lt;br /&gt;
	! CPG3&lt;br /&gt;
	| CPG3  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/CPG3.pdf PDF] || [http://labrosa.ee.columbia.edu/ Zhuo Chen], [http://www.ee.columbia.edu/~dpwe/ Danile P.W. Ellis] [http://perso.telecom-paristech.fr/~grichard/ Graham Grindlay]&lt;br /&gt;
	|-&lt;br /&gt;
	! FBR1&lt;br /&gt;
	| FBR1  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/FBR1.pdf PDF] || [http://perso.telecom-paristech.fr/~fuentes/ Benoit Fuentes], [http://perso.telecom-paristech.fr/~rbadeau/ Roland Badeau] [http://www.ee.columbia.edu/~grindlay/ Gael Richard]&lt;br /&gt;
	|-&lt;br /&gt;
	! FBR2&lt;br /&gt;
	| FBR  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/FBR2.pdf PDF] || [http://perso.telecom-paristech.fr/~fuentes/ Benoit Fuentes], [http://perso.telecom-paristech.fr/~rbadeau/ Roland Badeau] [http://www.ee.columbia.edu/~grindlay/ Gael Richard]&lt;br /&gt;
	|-&lt;br /&gt;
	! FT1&lt;br /&gt;
	| TAVTZAN  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/FT1.pdf PDF] || [http://www.dca.fee.unicamp.br/~tavares Candidate Tiago Fernandes], [http://www.cs.uvic.ca/~gtzan George Tzanetakis]&lt;br /&gt;
	|-&lt;br /&gt;
	! KD1&lt;br /&gt;
	| Karin Dressler  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/KD1.pdf PDF] || [http://www.idmt.fraunhofer.de/ Karin Dressler ]&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Task 1: Multiple Fundamental Frequency Estimation (MF0E)==&lt;br /&gt;
&lt;br /&gt;
===MF0E Overall Summary Results===&lt;br /&gt;
Below are the average scores across 40 test files. These files come from 3 different sources: woodwind quintet recording of bassoon, clarinet, horn,flute and oboe (UIUC); Rendered MIDI using RWC database donated by IRCAM and a quartet recording of bassoon, clarinet,  violin and sax  donated by Dr. Bryan Pardo`s Interactive Audio Lab (IAL). 20 files coming from 5 sections of the woodwind recording where each section has 4 files ranging from 2 polyphony to 5 polyphony. 12 files from IAL, coming from 4 different songs ranging from 2 polyphony to 4 polyphony and 8 files from RWC synthesized midi ranging from 2 different songs ranging from 2 polphony to 5 polyphony. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.overall.csv&amp;lt;/csv&amp;gt; &lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 1===&lt;br /&gt;
'''BD1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/BD1.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''KD1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/KD1.tar.gz Karin Dressler ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''LYC1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/LYC1.tar.gz 	Cheng-Te Lee, Yi-Hsuan Yang,Homer Chen ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/RFF1.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF2''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/RFF2.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR1.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR2''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR2.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR3''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR3.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR4''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR4.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=====Info about the filenames=====&lt;br /&gt;
The filenames starting with part* comes from acoustic woodwind recording, the ones starting with RWC are synthesized. The legend about the instruments are:&lt;br /&gt;
&lt;br /&gt;
'''bs''' = bassoon,&lt;br /&gt;
'''cl''' = clarinet,&lt;br /&gt;
'''fl''' = flute,&lt;br /&gt;
'''hn''' = horn,&lt;br /&gt;
'''ob''' = oboe,&lt;br /&gt;
'''vl''' = violin,&lt;br /&gt;
'''cel''' = cello,&lt;br /&gt;
'''gtr''' = guitar,&lt;br /&gt;
'''sax''' = saxophone,&lt;br /&gt;
'''bass''' = electric bass guitar&lt;br /&gt;
&lt;br /&gt;
===Run Times===&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/runtimes_mf0_2011.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Friedman tests for  Multiple Fundamental Frequency Estimation (MF0E)===&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the performance (accuracy) on individual files.&lt;br /&gt;
&lt;br /&gt;
====Tukey-Kramer HSD Multi-Comparison====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
==Task 2:Note Tracking (NT)==&lt;br /&gt;
===NT Mixed Set Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
&lt;br /&gt;
A total of 34 files were used in this subtask: 16 from woodwind recording, 8 from IAL quintet recording and 6 piano.  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Run Times====&lt;br /&gt;
&lt;br /&gt;
TBD&lt;br /&gt;
&lt;br /&gt;
====Friedman Tests for  Note Tracking====&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the F-measure  on individual files.&lt;br /&gt;
&lt;br /&gt;
=====Tukey-Kramer HSD Multi-Comparison for Task2=====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:2012Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
===NT Piano-Only Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
6 piano recordings are evaluated separately for this subtask.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 2===&lt;br /&gt;
'''BD2''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD2.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''BD3''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD3.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''LYC1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/LYC1.tar.gz 	Cheng-Te Lee, Yi-Hsuan Yang,Homer Chen ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/RFF1.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF2''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/RFF2.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/YR1.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR3''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/YR3.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Mertbay</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9037</id>
		<title>2012:Multiple Fundamental Frequency Estimation &amp; Tracking Results</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9037"/>
		<updated>2012-10-03T01:37:20Z</updated>

		<summary type="html">&lt;p&gt;Mertbay: /* General Legend */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Introduction==&lt;br /&gt;
These are the results for the 2008 running of the Multiple Fundamental Frequency Estimation and Tracking task. For background information about this task set please refer to the [[2012:Multiple Fundamental Frequency Estimation &amp;amp; Tracking]] page.&lt;br /&gt;
&lt;br /&gt;
==General Legend==&lt;br /&gt;
{| border=&amp;quot;1&amp;quot; cellspacing=&amp;quot;0&amp;quot; style=&amp;quot;text-align: left; width: 800px;&amp;quot;&lt;br /&gt;
	|- style=&amp;quot;background: yellow;&amp;quot;&lt;br /&gt;
	! width=&amp;quot;80&amp;quot; | Sub code &lt;br /&gt;
	! width=&amp;quot;200&amp;quot; | Submission name &lt;br /&gt;
	! width=&amp;quot;80&amp;quot; style=&amp;quot;text-align: center;&amp;quot; | Abstract &lt;br /&gt;
	! width=&amp;quot;440&amp;quot; | Contributors&lt;br /&gt;
	|-&lt;br /&gt;
	! BD1&lt;br /&gt;
	| BenetosDixon MultiF0  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/BD1.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD2&lt;br /&gt;
	| BenetosDixon NoteTracking1  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD2.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD3&lt;br /&gt;
	| BenetosDixon NoteTracking2  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD3.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! CPG1&lt;br /&gt;
	| Zhuo&amp;amp;DAn_MultiF0   ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/CPG1.pdf PDF] || [http://labrosa.ee.columbia.edu/ Zhuo Chen], [http://www.ee.columbia.edu/~dpwe/ Danile P.W. Ellis] [http://www.ee.columbia.edu/~grindlay/ Graham Grindlay]&lt;br /&gt;
	|-&lt;br /&gt;
	! CPG2&lt;br /&gt;
	| CPG2   ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/CPG2.pdf PDF] || [http://labrosa.ee.columbia.edu/ Zhuo Chen], [http://www.ee.columbia.edu/~dpwe/ Danile P.W. Ellis] [http://www.ee.columbia.edu/~grindlay/ Graham Grindlay]&lt;br /&gt;
	|-&lt;br /&gt;
	! CPG3&lt;br /&gt;
	| CPG3  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/CPG3.pdf PDF] || [http://labrosa.ee.columbia.edu/ Zhuo Chen], [http://www.ee.columbia.edu/~dpwe/ Danile P.W. Ellis] [http://perso.telecom-paristech.fr/~grichard/ Graham Grindlay]&lt;br /&gt;
	|-&lt;br /&gt;
	! FBR1&lt;br /&gt;
	| FBR1  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/FBR1.pdf PDF] || [http://perso.telecom-paristech.fr/~fuentes/ Benoit Fuentes], [http://perso.telecom-paristech.fr/~rbadeau/ Roland;Badeau] [http://www.ee.columbia.edu/~grindlay/ Gael Richard]&lt;br /&gt;
	|-&lt;br /&gt;
	! FBR2&lt;br /&gt;
	| FBR  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/FBR2.pdf PDF] || [http://perso.telecom-paristech.fr/~fuentes/ Benoit Fuentes], [http://perso.telecom-paristech.fr/~rbadeau/ Roland;Badeau] [http://www.ee.columbia.edu/~grindlay/ Gael Richard]&lt;br /&gt;
	|-&lt;br /&gt;
	! KD1&lt;br /&gt;
	| Karin Dressler  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/KD1.pdf PDF] || [http://www.idmt.fraunhofer.de/ Karin Dressler ]&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Task 1: Multiple Fundamental Frequency Estimation (MF0E)==&lt;br /&gt;
&lt;br /&gt;
===MF0E Overall Summary Results===&lt;br /&gt;
Below are the average scores across 40 test files. These files come from 3 different sources: woodwind quintet recording of bassoon, clarinet, horn,flute and oboe (UIUC); Rendered MIDI using RWC database donated by IRCAM and a quartet recording of bassoon, clarinet,  violin and sax  donated by Dr. Bryan Pardo`s Interactive Audio Lab (IAL). 20 files coming from 5 sections of the woodwind recording where each section has 4 files ranging from 2 polyphony to 5 polyphony. 12 files from IAL, coming from 4 different songs ranging from 2 polyphony to 4 polyphony and 8 files from RWC synthesized midi ranging from 2 different songs ranging from 2 polphony to 5 polyphony. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.overall.csv&amp;lt;/csv&amp;gt; &lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 1===&lt;br /&gt;
'''BD1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/BD1.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''KD1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/KD1.tar.gz Karin Dressler ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''LYC1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/LYC1.tar.gz 	Cheng-Te Lee, Yi-Hsuan Yang,Homer Chen ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/RFF1.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF2''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/RFF2.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR1.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR2''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR2.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR3''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR3.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR4''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR4.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=====Info about the filenames=====&lt;br /&gt;
The filenames starting with part* comes from acoustic woodwind recording, the ones starting with RWC are synthesized. The legend about the instruments are:&lt;br /&gt;
&lt;br /&gt;
'''bs''' = bassoon,&lt;br /&gt;
'''cl''' = clarinet,&lt;br /&gt;
'''fl''' = flute,&lt;br /&gt;
'''hn''' = horn,&lt;br /&gt;
'''ob''' = oboe,&lt;br /&gt;
'''vl''' = violin,&lt;br /&gt;
'''cel''' = cello,&lt;br /&gt;
'''gtr''' = guitar,&lt;br /&gt;
'''sax''' = saxophone,&lt;br /&gt;
'''bass''' = electric bass guitar&lt;br /&gt;
&lt;br /&gt;
===Run Times===&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/runtimes_mf0_2011.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Friedman tests for  Multiple Fundamental Frequency Estimation (MF0E)===&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the performance (accuracy) on individual files.&lt;br /&gt;
&lt;br /&gt;
====Tukey-Kramer HSD Multi-Comparison====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
==Task 2:Note Tracking (NT)==&lt;br /&gt;
===NT Mixed Set Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
&lt;br /&gt;
A total of 34 files were used in this subtask: 16 from woodwind recording, 8 from IAL quintet recording and 6 piano.  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Run Times====&lt;br /&gt;
&lt;br /&gt;
TBD&lt;br /&gt;
&lt;br /&gt;
====Friedman Tests for  Note Tracking====&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the F-measure  on individual files.&lt;br /&gt;
&lt;br /&gt;
=====Tukey-Kramer HSD Multi-Comparison for Task2=====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:2012Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
===NT Piano-Only Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
6 piano recordings are evaluated separately for this subtask.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 2===&lt;br /&gt;
'''BD2''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD2.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''BD3''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD3.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''LYC1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/LYC1.tar.gz 	Cheng-Te Lee, Yi-Hsuan Yang,Homer Chen ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/RFF1.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF2''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/RFF2.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/YR1.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR3''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/YR3.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Mertbay</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9036</id>
		<title>2012:Multiple Fundamental Frequency Estimation &amp; Tracking Results</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9036"/>
		<updated>2012-10-03T01:36:20Z</updated>

		<summary type="html">&lt;p&gt;Mertbay: /* General Legend */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Introduction==&lt;br /&gt;
These are the results for the 2008 running of the Multiple Fundamental Frequency Estimation and Tracking task. For background information about this task set please refer to the [[2012:Multiple Fundamental Frequency Estimation &amp;amp; Tracking]] page.&lt;br /&gt;
&lt;br /&gt;
==General Legend==&lt;br /&gt;
{| border=&amp;quot;1&amp;quot; cellspacing=&amp;quot;0&amp;quot; style=&amp;quot;text-align: left; width: 800px;&amp;quot;&lt;br /&gt;
	|- style=&amp;quot;background: yellow;&amp;quot;&lt;br /&gt;
	! width=&amp;quot;80&amp;quot; | Sub code &lt;br /&gt;
	! width=&amp;quot;200&amp;quot; | Submission name &lt;br /&gt;
	! width=&amp;quot;80&amp;quot; style=&amp;quot;text-align: center;&amp;quot; | Abstract &lt;br /&gt;
	! width=&amp;quot;440&amp;quot; | Contributors&lt;br /&gt;
	|-&lt;br /&gt;
	! BD1&lt;br /&gt;
	| BenetosDixon MultiF0  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/BD1.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD2&lt;br /&gt;
	| BenetosDixon NoteTracking1  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD2.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD3&lt;br /&gt;
	| BenetosDixon NoteTracking2  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD3.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! CPG1&lt;br /&gt;
	| Zhuo&amp;amp;DAn_MultiF0   ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/CPG1.pdf PDF] || [http://labrosa.ee.columbia.edu/ Zhuo Chen], [http://www.ee.columbia.edu/~dpwe/ Danile P.W. Ellis] [http://www.ee.columbia.edu/~grindlay/ Graham Grindlay]&lt;br /&gt;
	|-&lt;br /&gt;
	! CPG2&lt;br /&gt;
	| CPG2   ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/CPG2.pdf PDF] || [http://labrosa.ee.columbia.edu/ Zhuo Chen], [http://www.ee.columbia.edu/~dpwe/ Danile P.W. Ellis] [http://www.ee.columbia.edu/~grindlay/ Graham Grindlay]&lt;br /&gt;
	|-&lt;br /&gt;
	! CPG3&lt;br /&gt;
	| CPG3  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/CPG3.pdf PDF] || [http://labrosa.ee.columbia.edu/ Zhuo Chen], [http://www.ee.columbia.edu/~dpwe/ Danile P.W. Ellis] [http://perso.telecom-paristech.fr/~grichard/ Graham Grindlay]&lt;br /&gt;
	|-&lt;br /&gt;
	! FBR1&lt;br /&gt;
	| FBR1  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/FBR1.pdf PDF] || [http://perso.telecom-paristech.fr/~fuentes/ Benoit Fuentes], [http://perso.telecom-paristech.fr/~rbadeau/ Roland;Badeau] [http://www.ee.columbia.edu/~grindlay/ Gael Richard]&lt;br /&gt;
	|-&lt;br /&gt;
	! KD1&lt;br /&gt;
	| Karin Dressler  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/KD1.pdf PDF] || [http://www.idmt.fraunhofer.de/ Karin Dressler ]&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Task 1: Multiple Fundamental Frequency Estimation (MF0E)==&lt;br /&gt;
&lt;br /&gt;
===MF0E Overall Summary Results===&lt;br /&gt;
Below are the average scores across 40 test files. These files come from 3 different sources: woodwind quintet recording of bassoon, clarinet, horn,flute and oboe (UIUC); Rendered MIDI using RWC database donated by IRCAM and a quartet recording of bassoon, clarinet,  violin and sax  donated by Dr. Bryan Pardo`s Interactive Audio Lab (IAL). 20 files coming from 5 sections of the woodwind recording where each section has 4 files ranging from 2 polyphony to 5 polyphony. 12 files from IAL, coming from 4 different songs ranging from 2 polyphony to 4 polyphony and 8 files from RWC synthesized midi ranging from 2 different songs ranging from 2 polphony to 5 polyphony. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.overall.csv&amp;lt;/csv&amp;gt; &lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 1===&lt;br /&gt;
'''BD1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/BD1.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''KD1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/KD1.tar.gz Karin Dressler ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''LYC1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/LYC1.tar.gz 	Cheng-Te Lee, Yi-Hsuan Yang,Homer Chen ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/RFF1.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF2''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/RFF2.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR1.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR2''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR2.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR3''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR3.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR4''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR4.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=====Info about the filenames=====&lt;br /&gt;
The filenames starting with part* comes from acoustic woodwind recording, the ones starting with RWC are synthesized. The legend about the instruments are:&lt;br /&gt;
&lt;br /&gt;
'''bs''' = bassoon,&lt;br /&gt;
'''cl''' = clarinet,&lt;br /&gt;
'''fl''' = flute,&lt;br /&gt;
'''hn''' = horn,&lt;br /&gt;
'''ob''' = oboe,&lt;br /&gt;
'''vl''' = violin,&lt;br /&gt;
'''cel''' = cello,&lt;br /&gt;
'''gtr''' = guitar,&lt;br /&gt;
'''sax''' = saxophone,&lt;br /&gt;
'''bass''' = electric bass guitar&lt;br /&gt;
&lt;br /&gt;
===Run Times===&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/runtimes_mf0_2011.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Friedman tests for  Multiple Fundamental Frequency Estimation (MF0E)===&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the performance (accuracy) on individual files.&lt;br /&gt;
&lt;br /&gt;
====Tukey-Kramer HSD Multi-Comparison====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
==Task 2:Note Tracking (NT)==&lt;br /&gt;
===NT Mixed Set Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
&lt;br /&gt;
A total of 34 files were used in this subtask: 16 from woodwind recording, 8 from IAL quintet recording and 6 piano.  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Run Times====&lt;br /&gt;
&lt;br /&gt;
TBD&lt;br /&gt;
&lt;br /&gt;
====Friedman Tests for  Note Tracking====&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the F-measure  on individual files.&lt;br /&gt;
&lt;br /&gt;
=====Tukey-Kramer HSD Multi-Comparison for Task2=====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:2012Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
===NT Piano-Only Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
6 piano recordings are evaluated separately for this subtask.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 2===&lt;br /&gt;
'''BD2''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD2.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''BD3''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD3.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''LYC1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/LYC1.tar.gz 	Cheng-Te Lee, Yi-Hsuan Yang,Homer Chen ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/RFF1.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF2''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/RFF2.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/YR1.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR3''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/YR3.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Mertbay</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9035</id>
		<title>2012:Multiple Fundamental Frequency Estimation &amp; Tracking Results</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9035"/>
		<updated>2012-10-03T01:35:40Z</updated>

		<summary type="html">&lt;p&gt;Mertbay: /* General Legend */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Introduction==&lt;br /&gt;
These are the results for the 2008 running of the Multiple Fundamental Frequency Estimation and Tracking task. For background information about this task set please refer to the [[2012:Multiple Fundamental Frequency Estimation &amp;amp; Tracking]] page.&lt;br /&gt;
&lt;br /&gt;
==General Legend==&lt;br /&gt;
{| border=&amp;quot;1&amp;quot; cellspacing=&amp;quot;0&amp;quot; style=&amp;quot;text-align: left; width: 800px;&amp;quot;&lt;br /&gt;
	|- style=&amp;quot;background: yellow;&amp;quot;&lt;br /&gt;
	! width=&amp;quot;80&amp;quot; | Sub code &lt;br /&gt;
	! width=&amp;quot;200&amp;quot; | Submission name &lt;br /&gt;
	! width=&amp;quot;80&amp;quot; style=&amp;quot;text-align: center;&amp;quot; | Abstract &lt;br /&gt;
	! width=&amp;quot;440&amp;quot; | Contributors&lt;br /&gt;
	|-&lt;br /&gt;
	! BD1&lt;br /&gt;
	| BenetosDixon MultiF0  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/BD1.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD2&lt;br /&gt;
	| BenetosDixon NoteTracking1  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD2.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD3&lt;br /&gt;
	| BenetosDixon NoteTracking2  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD3.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! CPG1&lt;br /&gt;
	| Zhuo&amp;amp;DAn_MultiF0   ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/CPG1.pdf PDF] || [http://labrosa.ee.columbia.edu/ Zhuo Chen], [http://www.ee.columbia.edu/~dpwe/ Danile P.W. Ellis] [http://www.ee.columbia.edu/~grindlay/ Graham Grindlay]&lt;br /&gt;
	|-&lt;br /&gt;
	! CPG2&lt;br /&gt;
	| CPG2   ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/CPG2.pdf PDF] || [http://labrosa.ee.columbia.edu/ Zhuo Chen], [http://www.ee.columbia.edu/~dpwe/ Danile P.W. Ellis] [http://www.ee.columbia.edu/~grindlay/ Graham Grindlay]&lt;br /&gt;
	|-&lt;br /&gt;
	! CPG3&lt;br /&gt;
	| CPG3  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/CPG3.pdf PDF] || [http://labrosa.ee.columbia.edu/ Zhuo Chen], [http://www.ee.columbia.edu/~dpwe/ Danile P.W. Ellis] [http://perso.telecom-paristech.fr/~grichard/ Gael Richard]&lt;br /&gt;
	|-&lt;br /&gt;
	! FBR1&lt;br /&gt;
	| FBR1  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/FBR1.pdf PDF] || [http://perso.telecom-paristech.fr/~fuentes/ Benoit Fuentes], [http://perso.telecom-paristech.fr/~rbadeau/ Roland;Badeau] [http://www.ee.columbia.edu/~grindlay/ Graham;Grindlay]&lt;br /&gt;
	|-&lt;br /&gt;
	! KD1&lt;br /&gt;
	| Karin Dressler  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/KD1.pdf PDF] || [http://www.idmt.fraunhofer.de/ Karin Dressler ]&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Task 1: Multiple Fundamental Frequency Estimation (MF0E)==&lt;br /&gt;
&lt;br /&gt;
===MF0E Overall Summary Results===&lt;br /&gt;
Below are the average scores across 40 test files. These files come from 3 different sources: woodwind quintet recording of bassoon, clarinet, horn,flute and oboe (UIUC); Rendered MIDI using RWC database donated by IRCAM and a quartet recording of bassoon, clarinet,  violin and sax  donated by Dr. Bryan Pardo`s Interactive Audio Lab (IAL). 20 files coming from 5 sections of the woodwind recording where each section has 4 files ranging from 2 polyphony to 5 polyphony. 12 files from IAL, coming from 4 different songs ranging from 2 polyphony to 4 polyphony and 8 files from RWC synthesized midi ranging from 2 different songs ranging from 2 polphony to 5 polyphony. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.overall.csv&amp;lt;/csv&amp;gt; &lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 1===&lt;br /&gt;
'''BD1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/BD1.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''KD1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/KD1.tar.gz Karin Dressler ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''LYC1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/LYC1.tar.gz 	Cheng-Te Lee, Yi-Hsuan Yang,Homer Chen ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/RFF1.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF2''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/RFF2.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR1.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR2''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR2.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR3''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR3.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR4''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR4.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=====Info about the filenames=====&lt;br /&gt;
The filenames starting with part* comes from acoustic woodwind recording, the ones starting with RWC are synthesized. The legend about the instruments are:&lt;br /&gt;
&lt;br /&gt;
'''bs''' = bassoon,&lt;br /&gt;
'''cl''' = clarinet,&lt;br /&gt;
'''fl''' = flute,&lt;br /&gt;
'''hn''' = horn,&lt;br /&gt;
'''ob''' = oboe,&lt;br /&gt;
'''vl''' = violin,&lt;br /&gt;
'''cel''' = cello,&lt;br /&gt;
'''gtr''' = guitar,&lt;br /&gt;
'''sax''' = saxophone,&lt;br /&gt;
'''bass''' = electric bass guitar&lt;br /&gt;
&lt;br /&gt;
===Run Times===&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/runtimes_mf0_2011.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Friedman tests for  Multiple Fundamental Frequency Estimation (MF0E)===&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the performance (accuracy) on individual files.&lt;br /&gt;
&lt;br /&gt;
====Tukey-Kramer HSD Multi-Comparison====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
==Task 2:Note Tracking (NT)==&lt;br /&gt;
===NT Mixed Set Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
&lt;br /&gt;
A total of 34 files were used in this subtask: 16 from woodwind recording, 8 from IAL quintet recording and 6 piano.  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Run Times====&lt;br /&gt;
&lt;br /&gt;
TBD&lt;br /&gt;
&lt;br /&gt;
====Friedman Tests for  Note Tracking====&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the F-measure  on individual files.&lt;br /&gt;
&lt;br /&gt;
=====Tukey-Kramer HSD Multi-Comparison for Task2=====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:2012Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
===NT Piano-Only Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
6 piano recordings are evaluated separately for this subtask.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 2===&lt;br /&gt;
'''BD2''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD2.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''BD3''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD3.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''LYC1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/LYC1.tar.gz 	Cheng-Te Lee, Yi-Hsuan Yang,Homer Chen ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/RFF1.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF2''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/RFF2.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/YR1.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR3''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/YR3.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Mertbay</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9034</id>
		<title>2012:Multiple Fundamental Frequency Estimation &amp; Tracking Results</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9034"/>
		<updated>2012-10-03T01:32:32Z</updated>

		<summary type="html">&lt;p&gt;Mertbay: /* General Legend */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Introduction==&lt;br /&gt;
These are the results for the 2008 running of the Multiple Fundamental Frequency Estimation and Tracking task. For background information about this task set please refer to the [[2012:Multiple Fundamental Frequency Estimation &amp;amp; Tracking]] page.&lt;br /&gt;
&lt;br /&gt;
==General Legend==&lt;br /&gt;
{| border=&amp;quot;1&amp;quot; cellspacing=&amp;quot;0&amp;quot; style=&amp;quot;text-align: left; width: 800px;&amp;quot;&lt;br /&gt;
	|- style=&amp;quot;background: yellow;&amp;quot;&lt;br /&gt;
	! width=&amp;quot;80&amp;quot; | Sub code &lt;br /&gt;
	! width=&amp;quot;200&amp;quot; | Submission name &lt;br /&gt;
	! width=&amp;quot;80&amp;quot; style=&amp;quot;text-align: center;&amp;quot; | Abstract &lt;br /&gt;
	! width=&amp;quot;440&amp;quot; | Contributors&lt;br /&gt;
	|-&lt;br /&gt;
	! BD1&lt;br /&gt;
	| BenetosDixon MultiF0  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/BD1.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD2&lt;br /&gt;
	| BenetosDixon NoteTracking1  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD2.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD3&lt;br /&gt;
	| BenetosDixon NoteTracking2  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD3.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! CPG1&lt;br /&gt;
	| Zhuo&amp;amp;DAn_MultiF0   ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/CPG1.pdf PDF] || [http://labrosa.ee.columbia.edu/ Zhuo Chen], [http://www.ee.columbia.edu/~dpwe/ Danile P.W. Ellis] [http://www.ee.columbia.edu/~grindlay/ Graham;Grindlay]&lt;br /&gt;
	|-&lt;br /&gt;
	! CPG2&lt;br /&gt;
	| CPG2   ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/CPG2.pdf PDF] || [http://labrosa.ee.columbia.edu/ Zhuo Chen], [http://www.ee.columbia.edu/~dpwe/ Danile P.W. Ellis] [http://www.ee.columbia.edu/~grindlay/ Graham;Grindlay]&lt;br /&gt;
	|-&lt;br /&gt;
	! CPG3&lt;br /&gt;
	| CPG3  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/CPG3.pdf PDF] || [http://labrosa.ee.columbia.edu/ Zhuo Chen], [http://www.ee.columbia.edu/~dpwe/ Danile P.W. Ellis] [http://www.ee.columbia.edu/~grindlay/ Graham;Grindlay]&lt;br /&gt;
	|-&lt;br /&gt;
	! KD1&lt;br /&gt;
	| Karin Dressler  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/KD1.pdf PDF] || [http://www.idmt.fraunhofer.de/ Karin Dressler ]&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Task 1: Multiple Fundamental Frequency Estimation (MF0E)==&lt;br /&gt;
&lt;br /&gt;
===MF0E Overall Summary Results===&lt;br /&gt;
Below are the average scores across 40 test files. These files come from 3 different sources: woodwind quintet recording of bassoon, clarinet, horn,flute and oboe (UIUC); Rendered MIDI using RWC database donated by IRCAM and a quartet recording of bassoon, clarinet,  violin and sax  donated by Dr. Bryan Pardo`s Interactive Audio Lab (IAL). 20 files coming from 5 sections of the woodwind recording where each section has 4 files ranging from 2 polyphony to 5 polyphony. 12 files from IAL, coming from 4 different songs ranging from 2 polyphony to 4 polyphony and 8 files from RWC synthesized midi ranging from 2 different songs ranging from 2 polphony to 5 polyphony. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.overall.csv&amp;lt;/csv&amp;gt; &lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 1===&lt;br /&gt;
'''BD1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/BD1.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''KD1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/KD1.tar.gz Karin Dressler ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''LYC1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/LYC1.tar.gz 	Cheng-Te Lee, Yi-Hsuan Yang,Homer Chen ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/RFF1.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF2''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/RFF2.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR1.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR2''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR2.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR3''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR3.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR4''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR4.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=====Info about the filenames=====&lt;br /&gt;
The filenames starting with part* comes from acoustic woodwind recording, the ones starting with RWC are synthesized. The legend about the instruments are:&lt;br /&gt;
&lt;br /&gt;
'''bs''' = bassoon,&lt;br /&gt;
'''cl''' = clarinet,&lt;br /&gt;
'''fl''' = flute,&lt;br /&gt;
'''hn''' = horn,&lt;br /&gt;
'''ob''' = oboe,&lt;br /&gt;
'''vl''' = violin,&lt;br /&gt;
'''cel''' = cello,&lt;br /&gt;
'''gtr''' = guitar,&lt;br /&gt;
'''sax''' = saxophone,&lt;br /&gt;
'''bass''' = electric bass guitar&lt;br /&gt;
&lt;br /&gt;
===Run Times===&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/runtimes_mf0_2011.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Friedman tests for  Multiple Fundamental Frequency Estimation (MF0E)===&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the performance (accuracy) on individual files.&lt;br /&gt;
&lt;br /&gt;
====Tukey-Kramer HSD Multi-Comparison====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
==Task 2:Note Tracking (NT)==&lt;br /&gt;
===NT Mixed Set Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
&lt;br /&gt;
A total of 34 files were used in this subtask: 16 from woodwind recording, 8 from IAL quintet recording and 6 piano.  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Run Times====&lt;br /&gt;
&lt;br /&gt;
TBD&lt;br /&gt;
&lt;br /&gt;
====Friedman Tests for  Note Tracking====&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the F-measure  on individual files.&lt;br /&gt;
&lt;br /&gt;
=====Tukey-Kramer HSD Multi-Comparison for Task2=====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:2012Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
===NT Piano-Only Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
6 piano recordings are evaluated separately for this subtask.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 2===&lt;br /&gt;
'''BD2''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD2.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''BD3''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD3.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''LYC1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/LYC1.tar.gz 	Cheng-Te Lee, Yi-Hsuan Yang,Homer Chen ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/RFF1.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF2''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/RFF2.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/YR1.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR3''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/YR3.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Mertbay</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9033</id>
		<title>2012:Multiple Fundamental Frequency Estimation &amp; Tracking Results</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9033"/>
		<updated>2012-10-03T01:31:05Z</updated>

		<summary type="html">&lt;p&gt;Mertbay: /* General Legend */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Introduction==&lt;br /&gt;
These are the results for the 2008 running of the Multiple Fundamental Frequency Estimation and Tracking task. For background information about this task set please refer to the [[2012:Multiple Fundamental Frequency Estimation &amp;amp; Tracking]] page.&lt;br /&gt;
&lt;br /&gt;
==General Legend==&lt;br /&gt;
{| border=&amp;quot;1&amp;quot; cellspacing=&amp;quot;0&amp;quot; style=&amp;quot;text-align: left; width: 800px;&amp;quot;&lt;br /&gt;
	|- style=&amp;quot;background: yellow;&amp;quot;&lt;br /&gt;
	! width=&amp;quot;80&amp;quot; | Sub code &lt;br /&gt;
	! width=&amp;quot;200&amp;quot; | Submission name &lt;br /&gt;
	! width=&amp;quot;80&amp;quot; style=&amp;quot;text-align: center;&amp;quot; | Abstract &lt;br /&gt;
	! width=&amp;quot;440&amp;quot; | Contributors&lt;br /&gt;
	|-&lt;br /&gt;
	! BD1&lt;br /&gt;
	| BenetosDixon MultiF0  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/BD1.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD2&lt;br /&gt;
	| BenetosDixon NoteTracking1  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD2.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD3&lt;br /&gt;
	| BenetosDixon NoteTracking2  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD3.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! CPG1&lt;br /&gt;
	| Zhuo&amp;amp;DAn_MultiF0   ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/CPG1.pdf PDF] || [http://labrosa.ee.columbia.edu/ Zhuo Chen], [http://www.ee.columbia.edu/~dpwe/ Danile P.W. Ellis] [http://www.ee.columbia.edu/~grindlay/ Graham;Grindlay]&lt;br /&gt;
	|-&lt;br /&gt;
	! KD1&lt;br /&gt;
	| Karin Dressler  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/KD1.pdf PDF] || [http://www.idmt.fraunhofer.de/ Karin Dressler ]&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Task 1: Multiple Fundamental Frequency Estimation (MF0E)==&lt;br /&gt;
&lt;br /&gt;
===MF0E Overall Summary Results===&lt;br /&gt;
Below are the average scores across 40 test files. These files come from 3 different sources: woodwind quintet recording of bassoon, clarinet, horn,flute and oboe (UIUC); Rendered MIDI using RWC database donated by IRCAM and a quartet recording of bassoon, clarinet,  violin and sax  donated by Dr. Bryan Pardo`s Interactive Audio Lab (IAL). 20 files coming from 5 sections of the woodwind recording where each section has 4 files ranging from 2 polyphony to 5 polyphony. 12 files from IAL, coming from 4 different songs ranging from 2 polyphony to 4 polyphony and 8 files from RWC synthesized midi ranging from 2 different songs ranging from 2 polphony to 5 polyphony. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.overall.csv&amp;lt;/csv&amp;gt; &lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 1===&lt;br /&gt;
'''BD1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/BD1.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''KD1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/KD1.tar.gz Karin Dressler ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''LYC1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/LYC1.tar.gz 	Cheng-Te Lee, Yi-Hsuan Yang,Homer Chen ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/RFF1.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF2''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/RFF2.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR1.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR2''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR2.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR3''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR3.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR4''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR4.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=====Info about the filenames=====&lt;br /&gt;
The filenames starting with part* comes from acoustic woodwind recording, the ones starting with RWC are synthesized. The legend about the instruments are:&lt;br /&gt;
&lt;br /&gt;
'''bs''' = bassoon,&lt;br /&gt;
'''cl''' = clarinet,&lt;br /&gt;
'''fl''' = flute,&lt;br /&gt;
'''hn''' = horn,&lt;br /&gt;
'''ob''' = oboe,&lt;br /&gt;
'''vl''' = violin,&lt;br /&gt;
'''cel''' = cello,&lt;br /&gt;
'''gtr''' = guitar,&lt;br /&gt;
'''sax''' = saxophone,&lt;br /&gt;
'''bass''' = electric bass guitar&lt;br /&gt;
&lt;br /&gt;
===Run Times===&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/runtimes_mf0_2011.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Friedman tests for  Multiple Fundamental Frequency Estimation (MF0E)===&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the performance (accuracy) on individual files.&lt;br /&gt;
&lt;br /&gt;
====Tukey-Kramer HSD Multi-Comparison====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
==Task 2:Note Tracking (NT)==&lt;br /&gt;
===NT Mixed Set Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
&lt;br /&gt;
A total of 34 files were used in this subtask: 16 from woodwind recording, 8 from IAL quintet recording and 6 piano.  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Run Times====&lt;br /&gt;
&lt;br /&gt;
TBD&lt;br /&gt;
&lt;br /&gt;
====Friedman Tests for  Note Tracking====&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the F-measure  on individual files.&lt;br /&gt;
&lt;br /&gt;
=====Tukey-Kramer HSD Multi-Comparison for Task2=====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:2012Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
===NT Piano-Only Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
6 piano recordings are evaluated separately for this subtask.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 2===&lt;br /&gt;
'''BD2''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD2.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''BD3''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD3.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''LYC1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/LYC1.tar.gz 	Cheng-Te Lee, Yi-Hsuan Yang,Homer Chen ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/RFF1.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF2''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/RFF2.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/YR1.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR3''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/YR3.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Mertbay</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9032</id>
		<title>2012:Multiple Fundamental Frequency Estimation &amp; Tracking Results</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9032"/>
		<updated>2012-10-03T01:30:39Z</updated>

		<summary type="html">&lt;p&gt;Mertbay: /* General Legend */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Introduction==&lt;br /&gt;
These are the results for the 2008 running of the Multiple Fundamental Frequency Estimation and Tracking task. For background information about this task set please refer to the [[2012:Multiple Fundamental Frequency Estimation &amp;amp; Tracking]] page.&lt;br /&gt;
&lt;br /&gt;
==General Legend==&lt;br /&gt;
{| border=&amp;quot;1&amp;quot; cellspacing=&amp;quot;0&amp;quot; style=&amp;quot;text-align: left; width: 800px;&amp;quot;&lt;br /&gt;
	|- style=&amp;quot;background: yellow;&amp;quot;&lt;br /&gt;
	! width=&amp;quot;80&amp;quot; | Sub code &lt;br /&gt;
	! width=&amp;quot;200&amp;quot; | Submission name &lt;br /&gt;
	! width=&amp;quot;80&amp;quot; style=&amp;quot;text-align: center;&amp;quot; | Abstract &lt;br /&gt;
	! width=&amp;quot;440&amp;quot; | Contributors&lt;br /&gt;
	|-&lt;br /&gt;
	! BD1&lt;br /&gt;
	| BenetosDixon MultiF0  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/BD1.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD2&lt;br /&gt;
	| BenetosDixon NoteTracking1  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD2.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD3&lt;br /&gt;
	| BenetosDixon NoteTracking2  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD3.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! CPG1&lt;br /&gt;
	| BenetosDixon NoteTracking2  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2012/CPG1.pdf PDF] || [http://labrosa.ee.columbia.edu/ Zhuo Chen], [http://www.ee.columbia.edu/~dpwe/ Danile P.W. Ellis] [http://www.ee.columbia.edu/~grindlay/ Graham;Grindlay]&lt;br /&gt;
	|-&lt;br /&gt;
	! KD1&lt;br /&gt;
	| Karin Dressler  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/KD1.pdf PDF] || [http://www.idmt.fraunhofer.de/ Karin Dressler ]&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Task 1: Multiple Fundamental Frequency Estimation (MF0E)==&lt;br /&gt;
&lt;br /&gt;
===MF0E Overall Summary Results===&lt;br /&gt;
Below are the average scores across 40 test files. These files come from 3 different sources: woodwind quintet recording of bassoon, clarinet, horn,flute and oboe (UIUC); Rendered MIDI using RWC database donated by IRCAM and a quartet recording of bassoon, clarinet,  violin and sax  donated by Dr. Bryan Pardo`s Interactive Audio Lab (IAL). 20 files coming from 5 sections of the woodwind recording where each section has 4 files ranging from 2 polyphony to 5 polyphony. 12 files from IAL, coming from 4 different songs ranging from 2 polyphony to 4 polyphony and 8 files from RWC synthesized midi ranging from 2 different songs ranging from 2 polphony to 5 polyphony. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.overall.csv&amp;lt;/csv&amp;gt; &lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 1===&lt;br /&gt;
'''BD1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/BD1.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''KD1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/KD1.tar.gz Karin Dressler ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''LYC1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/LYC1.tar.gz 	Cheng-Te Lee, Yi-Hsuan Yang,Homer Chen ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/RFF1.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF2''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/RFF2.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR1.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR2''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR2.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR3''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR3.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR4''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR4.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=====Info about the filenames=====&lt;br /&gt;
The filenames starting with part* comes from acoustic woodwind recording, the ones starting with RWC are synthesized. The legend about the instruments are:&lt;br /&gt;
&lt;br /&gt;
'''bs''' = bassoon,&lt;br /&gt;
'''cl''' = clarinet,&lt;br /&gt;
'''fl''' = flute,&lt;br /&gt;
'''hn''' = horn,&lt;br /&gt;
'''ob''' = oboe,&lt;br /&gt;
'''vl''' = violin,&lt;br /&gt;
'''cel''' = cello,&lt;br /&gt;
'''gtr''' = guitar,&lt;br /&gt;
'''sax''' = saxophone,&lt;br /&gt;
'''bass''' = electric bass guitar&lt;br /&gt;
&lt;br /&gt;
===Run Times===&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/runtimes_mf0_2011.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Friedman tests for  Multiple Fundamental Frequency Estimation (MF0E)===&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the performance (accuracy) on individual files.&lt;br /&gt;
&lt;br /&gt;
====Tukey-Kramer HSD Multi-Comparison====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
==Task 2:Note Tracking (NT)==&lt;br /&gt;
===NT Mixed Set Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
&lt;br /&gt;
A total of 34 files were used in this subtask: 16 from woodwind recording, 8 from IAL quintet recording and 6 piano.  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Run Times====&lt;br /&gt;
&lt;br /&gt;
TBD&lt;br /&gt;
&lt;br /&gt;
====Friedman Tests for  Note Tracking====&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the F-measure  on individual files.&lt;br /&gt;
&lt;br /&gt;
=====Tukey-Kramer HSD Multi-Comparison for Task2=====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:2012Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
===NT Piano-Only Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
6 piano recordings are evaluated separately for this subtask.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 2===&lt;br /&gt;
'''BD2''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD2.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''BD3''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD3.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''LYC1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/LYC1.tar.gz 	Cheng-Te Lee, Yi-Hsuan Yang,Homer Chen ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/RFF1.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF2''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/RFF2.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/YR1.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR3''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/YR3.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Mertbay</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9031</id>
		<title>2012:Multiple Fundamental Frequency Estimation &amp; Tracking Results</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9031"/>
		<updated>2012-10-03T01:24:22Z</updated>

		<summary type="html">&lt;p&gt;Mertbay: /* General Legend */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Introduction==&lt;br /&gt;
These are the results for the 2008 running of the Multiple Fundamental Frequency Estimation and Tracking task. For background information about this task set please refer to the [[2012:Multiple Fundamental Frequency Estimation &amp;amp; Tracking]] page.&lt;br /&gt;
&lt;br /&gt;
==General Legend==&lt;br /&gt;
{| border=&amp;quot;1&amp;quot; cellspacing=&amp;quot;0&amp;quot; style=&amp;quot;text-align: left; width: 800px;&amp;quot;&lt;br /&gt;
	|- style=&amp;quot;background: yellow;&amp;quot;&lt;br /&gt;
	! width=&amp;quot;80&amp;quot; | Sub code &lt;br /&gt;
	! width=&amp;quot;200&amp;quot; | Submission name &lt;br /&gt;
	! width=&amp;quot;80&amp;quot; style=&amp;quot;text-align: center;&amp;quot; | Abstract &lt;br /&gt;
	! width=&amp;quot;440&amp;quot; | Contributors&lt;br /&gt;
	|-&lt;br /&gt;
	! BD1&lt;br /&gt;
	| BenetosDixon MultiF0  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD1.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD2&lt;br /&gt;
	| BenetosDixon NoteTracking1  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD2.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD3&lt;br /&gt;
	| BenetosDixon NoteTracking2  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD3.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! KD1&lt;br /&gt;
	| Karin Dressler  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/KD1.pdf PDF] || [http://www.idmt.fraunhofer.de/ Karin Dressler ]&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Task 1: Multiple Fundamental Frequency Estimation (MF0E)==&lt;br /&gt;
&lt;br /&gt;
===MF0E Overall Summary Results===&lt;br /&gt;
Below are the average scores across 40 test files. These files come from 3 different sources: woodwind quintet recording of bassoon, clarinet, horn,flute and oboe (UIUC); Rendered MIDI using RWC database donated by IRCAM and a quartet recording of bassoon, clarinet,  violin and sax  donated by Dr. Bryan Pardo`s Interactive Audio Lab (IAL). 20 files coming from 5 sections of the woodwind recording where each section has 4 files ranging from 2 polyphony to 5 polyphony. 12 files from IAL, coming from 4 different songs ranging from 2 polyphony to 4 polyphony and 8 files from RWC synthesized midi ranging from 2 different songs ranging from 2 polphony to 5 polyphony. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.overall.csv&amp;lt;/csv&amp;gt; &lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 1===&lt;br /&gt;
'''BD1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/BD1.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''KD1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/KD1.tar.gz Karin Dressler ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''LYC1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/LYC1.tar.gz 	Cheng-Te Lee, Yi-Hsuan Yang,Homer Chen ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/RFF1.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF2''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/RFF2.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR1.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR2''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR2.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR3''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR3.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR4''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR4.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=====Info about the filenames=====&lt;br /&gt;
The filenames starting with part* comes from acoustic woodwind recording, the ones starting with RWC are synthesized. The legend about the instruments are:&lt;br /&gt;
&lt;br /&gt;
'''bs''' = bassoon,&lt;br /&gt;
'''cl''' = clarinet,&lt;br /&gt;
'''fl''' = flute,&lt;br /&gt;
'''hn''' = horn,&lt;br /&gt;
'''ob''' = oboe,&lt;br /&gt;
'''vl''' = violin,&lt;br /&gt;
'''cel''' = cello,&lt;br /&gt;
'''gtr''' = guitar,&lt;br /&gt;
'''sax''' = saxophone,&lt;br /&gt;
'''bass''' = electric bass guitar&lt;br /&gt;
&lt;br /&gt;
===Run Times===&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/runtimes_mf0_2011.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Friedman tests for  Multiple Fundamental Frequency Estimation (MF0E)===&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the performance (accuracy) on individual files.&lt;br /&gt;
&lt;br /&gt;
====Tukey-Kramer HSD Multi-Comparison====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
==Task 2:Note Tracking (NT)==&lt;br /&gt;
===NT Mixed Set Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
&lt;br /&gt;
A total of 34 files were used in this subtask: 16 from woodwind recording, 8 from IAL quintet recording and 6 piano.  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Run Times====&lt;br /&gt;
&lt;br /&gt;
TBD&lt;br /&gt;
&lt;br /&gt;
====Friedman Tests for  Note Tracking====&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the F-measure  on individual files.&lt;br /&gt;
&lt;br /&gt;
=====Tukey-Kramer HSD Multi-Comparison for Task2=====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:2012Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
===NT Piano-Only Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
6 piano recordings are evaluated separately for this subtask.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 2===&lt;br /&gt;
'''BD2''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD2.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''BD3''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD3.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''LYC1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/LYC1.tar.gz 	Cheng-Te Lee, Yi-Hsuan Yang,Homer Chen ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/RFF1.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF2''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/RFF2.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/YR1.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR3''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/YR3.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Mertbay</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9030</id>
		<title>2012:Multiple Fundamental Frequency Estimation &amp; Tracking Results</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9030"/>
		<updated>2012-10-03T01:23:32Z</updated>

		<summary type="html">&lt;p&gt;Mertbay: /* Introduction */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Introduction==&lt;br /&gt;
These are the results for the 2008 running of the Multiple Fundamental Frequency Estimation and Tracking task. For background information about this task set please refer to the [[2012:Multiple Fundamental Frequency Estimation &amp;amp; Tracking]] page.&lt;br /&gt;
&lt;br /&gt;
==General Legend==&lt;br /&gt;
{| border=&amp;quot;1&amp;quot; cellspacing=&amp;quot;0&amp;quot; style=&amp;quot;text-align: left; width: 800px;&amp;quot;&lt;br /&gt;
	|- style=&amp;quot;background: yellow;&amp;quot;&lt;br /&gt;
	! width=&amp;quot;80&amp;quot; | Sub code &lt;br /&gt;
	! width=&amp;quot;200&amp;quot; | Submission name &lt;br /&gt;
	! width=&amp;quot;80&amp;quot; style=&amp;quot;text-align: center;&amp;quot; | Abstract &lt;br /&gt;
	! width=&amp;quot;440&amp;quot; | Contributors&lt;br /&gt;
	|-&lt;br /&gt;
	! BD1&lt;br /&gt;
	| BenetosDixon MultiF0  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD1.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD2&lt;br /&gt;
	| BenetosDixon NoteTracking1  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD2.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD3&lt;br /&gt;
	| BenetosDixon NoteTracking2  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD3.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! KD1&lt;br /&gt;
	| Karin Dressler  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/KD1.pdf PDF] || [http://www.idmt.fraunhofer.de/ Karin Dressler ]&lt;br /&gt;
	|-&lt;br /&gt;
	! LYC1&lt;br /&gt;
	| LYC  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/LYC1.pdf PDF] || [http://mpac.ee.ntu.edu.tw/~ader888/ Cheng-Te 	Lee], [http://mpac.ee.ntu.edu.tw/~yihsuan/ Yi-Hsuan Yang],[http://mpac.ee.ntu.edu.tw/people.php Homer Chen]&lt;br /&gt;
	|-&lt;br /&gt;
	! RFF1&lt;br /&gt;
	| AlgorithmUsingPianoSamples  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/RFF1.pdf PDF] || [http://www.estg.ipleiria.pt/~gustavo.reis/ Gustavo 	Reis],[http:///sites.google.com/site/fcofdezdevegaweb/ Francisco 	Fernandéz ],[http://http://paginas.fe.up.pt/~ajf/ Aníbal 	Ferreira ]&lt;br /&gt;
	|-&lt;br /&gt;
	! RFF2&lt;br /&gt;
	| MultiTimbralInternalSamples  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/RFF2.pdf PDF] || [http://www.estg.ipleiria.pt/~gustavo.reis/ Gustavo 	Reis],[http:///sites.google.com/site/fcofdezdevegaweb/ Francisco 	Fernandéz ],[http://http://paginas.fe.up.pt/~ajf/ Aníbal 	Ferreira ]&lt;br /&gt;
	|-&lt;br /&gt;
	! YR1&lt;br /&gt;
	| MultiF0_Yeh_IRCAM f0FrmFile  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/YR1.pdf PDF] || [http://anasynth.ircam.fr/home/english/people/chung... Chunghsin YEH],[http://anasynth.ircam.fr/home/english/people/axelr... Axel 	Roebel ]&lt;br /&gt;
	|-&lt;br /&gt;
	! YR2&lt;br /&gt;
	| MultiF0_Yeh_IRCAM f0TrkFile  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/YR1.pdf PDF] || [http://anasynth.ircam.fr/home/english/people/chung... Chunghsin YEH],[http://anasynth.ircam.fr/home/english/people/axelr... Axel 	Roebel ]&lt;br /&gt;
	|-&lt;br /&gt;
	! YR3&lt;br /&gt;
	| MultiF0_Yeh_IRCAM f0FrmFile -c  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/YR1.pdf PDF] || [http://anasynth.ircam.fr/home/english/people/chung... Chunghsin YEH],[http://anasynth.ircam.fr/home/english/people/axelr... Axel 	Roebel ]&lt;br /&gt;
&lt;br /&gt;
	|-&lt;br /&gt;
	! YR4&lt;br /&gt;
	| MultiF0_Yeh_IRCAM f0TrkFile -c ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/YR1.pdf PDF] || [http://anasynth.ircam.fr/home/english/people/chung... Chunghsin YEH],[http://anasynth.ircam.fr/home/english/people/axelr... Axel 	Roebel ]&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Task 1: Multiple Fundamental Frequency Estimation (MF0E)==&lt;br /&gt;
&lt;br /&gt;
===MF0E Overall Summary Results===&lt;br /&gt;
Below are the average scores across 40 test files. These files come from 3 different sources: woodwind quintet recording of bassoon, clarinet, horn,flute and oboe (UIUC); Rendered MIDI using RWC database donated by IRCAM and a quartet recording of bassoon, clarinet,  violin and sax  donated by Dr. Bryan Pardo`s Interactive Audio Lab (IAL). 20 files coming from 5 sections of the woodwind recording where each section has 4 files ranging from 2 polyphony to 5 polyphony. 12 files from IAL, coming from 4 different songs ranging from 2 polyphony to 4 polyphony and 8 files from RWC synthesized midi ranging from 2 different songs ranging from 2 polphony to 5 polyphony. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.overall.csv&amp;lt;/csv&amp;gt; &lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 1===&lt;br /&gt;
'''BD1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/BD1.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''KD1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/KD1.tar.gz Karin Dressler ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''LYC1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/LYC1.tar.gz 	Cheng-Te Lee, Yi-Hsuan Yang,Homer Chen ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/RFF1.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF2''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/RFF2.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR1.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR2''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR2.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR3''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR3.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR4''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR4.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=====Info about the filenames=====&lt;br /&gt;
The filenames starting with part* comes from acoustic woodwind recording, the ones starting with RWC are synthesized. The legend about the instruments are:&lt;br /&gt;
&lt;br /&gt;
'''bs''' = bassoon,&lt;br /&gt;
'''cl''' = clarinet,&lt;br /&gt;
'''fl''' = flute,&lt;br /&gt;
'''hn''' = horn,&lt;br /&gt;
'''ob''' = oboe,&lt;br /&gt;
'''vl''' = violin,&lt;br /&gt;
'''cel''' = cello,&lt;br /&gt;
'''gtr''' = guitar,&lt;br /&gt;
'''sax''' = saxophone,&lt;br /&gt;
'''bass''' = electric bass guitar&lt;br /&gt;
&lt;br /&gt;
===Run Times===&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/runtimes_mf0_2011.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Friedman tests for  Multiple Fundamental Frequency Estimation (MF0E)===&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the performance (accuracy) on individual files.&lt;br /&gt;
&lt;br /&gt;
====Tukey-Kramer HSD Multi-Comparison====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
==Task 2:Note Tracking (NT)==&lt;br /&gt;
===NT Mixed Set Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
&lt;br /&gt;
A total of 34 files were used in this subtask: 16 from woodwind recording, 8 from IAL quintet recording and 6 piano.  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Run Times====&lt;br /&gt;
&lt;br /&gt;
TBD&lt;br /&gt;
&lt;br /&gt;
====Friedman Tests for  Note Tracking====&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the F-measure  on individual files.&lt;br /&gt;
&lt;br /&gt;
=====Tukey-Kramer HSD Multi-Comparison for Task2=====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:2012Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
===NT Piano-Only Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
6 piano recordings are evaluated separately for this subtask.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 2===&lt;br /&gt;
'''BD2''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD2.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''BD3''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD3.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''LYC1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/LYC1.tar.gz 	Cheng-Te Lee, Yi-Hsuan Yang,Homer Chen ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/RFF1.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF2''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/RFF2.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/YR1.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR3''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/YR3.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Mertbay</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=File:2012Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_Mean_Ranks.png&amp;diff=9029</id>
		<title>File:2012Accuracy Per Song Friedman Mean Rankstask2.friedman.Friedman Mean Ranks.png</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=File:2012Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_Mean_Ranks.png&amp;diff=9029"/>
		<updated>2012-10-03T00:35:36Z</updated>

		<summary type="html">&lt;p&gt;Mertbay: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Mertbay</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9028</id>
		<title>2012:Multiple Fundamental Frequency Estimation &amp; Tracking Results</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9028"/>
		<updated>2012-10-03T00:35:02Z</updated>

		<summary type="html">&lt;p&gt;Mertbay: /* Tukey-Kramer HSD Multi-Comparison for Task2 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Introduction==&lt;br /&gt;
These are the results for the 2008 running of the Multiple Fundamental Frequency Estimation and Tracking task. For background information about this task set please refer to the [[2011:Multiple Fundamental Frequency Estimation &amp;amp; Tracking]] page.&lt;br /&gt;
&lt;br /&gt;
==General Legend==&lt;br /&gt;
{| border=&amp;quot;1&amp;quot; cellspacing=&amp;quot;0&amp;quot; style=&amp;quot;text-align: left; width: 800px;&amp;quot;&lt;br /&gt;
	|- style=&amp;quot;background: yellow;&amp;quot;&lt;br /&gt;
	! width=&amp;quot;80&amp;quot; | Sub code &lt;br /&gt;
	! width=&amp;quot;200&amp;quot; | Submission name &lt;br /&gt;
	! width=&amp;quot;80&amp;quot; style=&amp;quot;text-align: center;&amp;quot; | Abstract &lt;br /&gt;
	! width=&amp;quot;440&amp;quot; | Contributors&lt;br /&gt;
	|-&lt;br /&gt;
	! BD1&lt;br /&gt;
	| BenetosDixon MultiF0  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD1.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD2&lt;br /&gt;
	| BenetosDixon NoteTracking1  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD2.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD3&lt;br /&gt;
	| BenetosDixon NoteTracking2  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD3.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! KD1&lt;br /&gt;
	| Karin Dressler  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/KD1.pdf PDF] || [http://www.idmt.fraunhofer.de/ Karin Dressler ]&lt;br /&gt;
	|-&lt;br /&gt;
	! LYC1&lt;br /&gt;
	| LYC  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/LYC1.pdf PDF] || [http://mpac.ee.ntu.edu.tw/~ader888/ Cheng-Te 	Lee], [http://mpac.ee.ntu.edu.tw/~yihsuan/ Yi-Hsuan Yang],[http://mpac.ee.ntu.edu.tw/people.php Homer Chen]&lt;br /&gt;
	|-&lt;br /&gt;
	! RFF1&lt;br /&gt;
	| AlgorithmUsingPianoSamples  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/RFF1.pdf PDF] || [http://www.estg.ipleiria.pt/~gustavo.reis/ Gustavo 	Reis],[http:///sites.google.com/site/fcofdezdevegaweb/ Francisco 	Fernandéz ],[http://http://paginas.fe.up.pt/~ajf/ Aníbal 	Ferreira ]&lt;br /&gt;
	|-&lt;br /&gt;
	! RFF2&lt;br /&gt;
	| MultiTimbralInternalSamples  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/RFF2.pdf PDF] || [http://www.estg.ipleiria.pt/~gustavo.reis/ Gustavo 	Reis],[http:///sites.google.com/site/fcofdezdevegaweb/ Francisco 	Fernandéz ],[http://http://paginas.fe.up.pt/~ajf/ Aníbal 	Ferreira ]&lt;br /&gt;
	|-&lt;br /&gt;
	! YR1&lt;br /&gt;
	| MultiF0_Yeh_IRCAM f0FrmFile  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/YR1.pdf PDF] || [http://anasynth.ircam.fr/home/english/people/chung... Chunghsin YEH],[http://anasynth.ircam.fr/home/english/people/axelr... Axel 	Roebel ]&lt;br /&gt;
	|-&lt;br /&gt;
	! YR2&lt;br /&gt;
	| MultiF0_Yeh_IRCAM f0TrkFile  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/YR1.pdf PDF] || [http://anasynth.ircam.fr/home/english/people/chung... Chunghsin YEH],[http://anasynth.ircam.fr/home/english/people/axelr... Axel 	Roebel ]&lt;br /&gt;
	|-&lt;br /&gt;
	! YR3&lt;br /&gt;
	| MultiF0_Yeh_IRCAM f0FrmFile -c  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/YR1.pdf PDF] || [http://anasynth.ircam.fr/home/english/people/chung... Chunghsin YEH],[http://anasynth.ircam.fr/home/english/people/axelr... Axel 	Roebel ]&lt;br /&gt;
&lt;br /&gt;
	|-&lt;br /&gt;
	! YR4&lt;br /&gt;
	| MultiF0_Yeh_IRCAM f0TrkFile -c ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/YR1.pdf PDF] || [http://anasynth.ircam.fr/home/english/people/chung... Chunghsin YEH],[http://anasynth.ircam.fr/home/english/people/axelr... Axel 	Roebel ]&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Task 1: Multiple Fundamental Frequency Estimation (MF0E)==&lt;br /&gt;
&lt;br /&gt;
===MF0E Overall Summary Results===&lt;br /&gt;
Below are the average scores across 40 test files. These files come from 3 different sources: woodwind quintet recording of bassoon, clarinet, horn,flute and oboe (UIUC); Rendered MIDI using RWC database donated by IRCAM and a quartet recording of bassoon, clarinet,  violin and sax  donated by Dr. Bryan Pardo`s Interactive Audio Lab (IAL). 20 files coming from 5 sections of the woodwind recording where each section has 4 files ranging from 2 polyphony to 5 polyphony. 12 files from IAL, coming from 4 different songs ranging from 2 polyphony to 4 polyphony and 8 files from RWC synthesized midi ranging from 2 different songs ranging from 2 polphony to 5 polyphony. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.overall.csv&amp;lt;/csv&amp;gt; &lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 1===&lt;br /&gt;
'''BD1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/BD1.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''KD1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/KD1.tar.gz Karin Dressler ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''LYC1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/LYC1.tar.gz 	Cheng-Te Lee, Yi-Hsuan Yang,Homer Chen ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/RFF1.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF2''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/RFF2.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR1.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR2''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR2.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR3''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR3.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR4''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR4.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=====Info about the filenames=====&lt;br /&gt;
The filenames starting with part* comes from acoustic woodwind recording, the ones starting with RWC are synthesized. The legend about the instruments are:&lt;br /&gt;
&lt;br /&gt;
'''bs''' = bassoon,&lt;br /&gt;
'''cl''' = clarinet,&lt;br /&gt;
'''fl''' = flute,&lt;br /&gt;
'''hn''' = horn,&lt;br /&gt;
'''ob''' = oboe,&lt;br /&gt;
'''vl''' = violin,&lt;br /&gt;
'''cel''' = cello,&lt;br /&gt;
'''gtr''' = guitar,&lt;br /&gt;
'''sax''' = saxophone,&lt;br /&gt;
'''bass''' = electric bass guitar&lt;br /&gt;
&lt;br /&gt;
===Run Times===&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/runtimes_mf0_2011.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Friedman tests for  Multiple Fundamental Frequency Estimation (MF0E)===&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the performance (accuracy) on individual files.&lt;br /&gt;
&lt;br /&gt;
====Tukey-Kramer HSD Multi-Comparison====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
==Task 2:Note Tracking (NT)==&lt;br /&gt;
===NT Mixed Set Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
&lt;br /&gt;
A total of 34 files were used in this subtask: 16 from woodwind recording, 8 from IAL quintet recording and 6 piano.  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Run Times====&lt;br /&gt;
&lt;br /&gt;
TBD&lt;br /&gt;
&lt;br /&gt;
====Friedman Tests for  Note Tracking====&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the F-measure  on individual files.&lt;br /&gt;
&lt;br /&gt;
=====Tukey-Kramer HSD Multi-Comparison for Task2=====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:2012Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
===NT Piano-Only Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
6 piano recordings are evaluated separately for this subtask.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 2===&lt;br /&gt;
'''BD2''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD2.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''BD3''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD3.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''LYC1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/LYC1.tar.gz 	Cheng-Te Lee, Yi-Hsuan Yang,Homer Chen ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/RFF1.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF2''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/RFF2.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/YR1.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR3''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/YR3.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Mertbay</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9027</id>
		<title>2012:Multiple Fundamental Frequency Estimation &amp; Tracking Results</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9027"/>
		<updated>2012-10-03T00:33:28Z</updated>

		<summary type="html">&lt;p&gt;Mertbay: /* Tukey-Kramer HSD Multi-Comparison for Task2 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Introduction==&lt;br /&gt;
These are the results for the 2008 running of the Multiple Fundamental Frequency Estimation and Tracking task. For background information about this task set please refer to the [[2011:Multiple Fundamental Frequency Estimation &amp;amp; Tracking]] page.&lt;br /&gt;
&lt;br /&gt;
==General Legend==&lt;br /&gt;
{| border=&amp;quot;1&amp;quot; cellspacing=&amp;quot;0&amp;quot; style=&amp;quot;text-align: left; width: 800px;&amp;quot;&lt;br /&gt;
	|- style=&amp;quot;background: yellow;&amp;quot;&lt;br /&gt;
	! width=&amp;quot;80&amp;quot; | Sub code &lt;br /&gt;
	! width=&amp;quot;200&amp;quot; | Submission name &lt;br /&gt;
	! width=&amp;quot;80&amp;quot; style=&amp;quot;text-align: center;&amp;quot; | Abstract &lt;br /&gt;
	! width=&amp;quot;440&amp;quot; | Contributors&lt;br /&gt;
	|-&lt;br /&gt;
	! BD1&lt;br /&gt;
	| BenetosDixon MultiF0  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD1.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD2&lt;br /&gt;
	| BenetosDixon NoteTracking1  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD2.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD3&lt;br /&gt;
	| BenetosDixon NoteTracking2  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD3.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! KD1&lt;br /&gt;
	| Karin Dressler  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/KD1.pdf PDF] || [http://www.idmt.fraunhofer.de/ Karin Dressler ]&lt;br /&gt;
	|-&lt;br /&gt;
	! LYC1&lt;br /&gt;
	| LYC  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/LYC1.pdf PDF] || [http://mpac.ee.ntu.edu.tw/~ader888/ Cheng-Te 	Lee], [http://mpac.ee.ntu.edu.tw/~yihsuan/ Yi-Hsuan Yang],[http://mpac.ee.ntu.edu.tw/people.php Homer Chen]&lt;br /&gt;
	|-&lt;br /&gt;
	! RFF1&lt;br /&gt;
	| AlgorithmUsingPianoSamples  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/RFF1.pdf PDF] || [http://www.estg.ipleiria.pt/~gustavo.reis/ Gustavo 	Reis],[http:///sites.google.com/site/fcofdezdevegaweb/ Francisco 	Fernandéz ],[http://http://paginas.fe.up.pt/~ajf/ Aníbal 	Ferreira ]&lt;br /&gt;
	|-&lt;br /&gt;
	! RFF2&lt;br /&gt;
	| MultiTimbralInternalSamples  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/RFF2.pdf PDF] || [http://www.estg.ipleiria.pt/~gustavo.reis/ Gustavo 	Reis],[http:///sites.google.com/site/fcofdezdevegaweb/ Francisco 	Fernandéz ],[http://http://paginas.fe.up.pt/~ajf/ Aníbal 	Ferreira ]&lt;br /&gt;
	|-&lt;br /&gt;
	! YR1&lt;br /&gt;
	| MultiF0_Yeh_IRCAM f0FrmFile  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/YR1.pdf PDF] || [http://anasynth.ircam.fr/home/english/people/chung... Chunghsin YEH],[http://anasynth.ircam.fr/home/english/people/axelr... Axel 	Roebel ]&lt;br /&gt;
	|-&lt;br /&gt;
	! YR2&lt;br /&gt;
	| MultiF0_Yeh_IRCAM f0TrkFile  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/YR1.pdf PDF] || [http://anasynth.ircam.fr/home/english/people/chung... Chunghsin YEH],[http://anasynth.ircam.fr/home/english/people/axelr... Axel 	Roebel ]&lt;br /&gt;
	|-&lt;br /&gt;
	! YR3&lt;br /&gt;
	| MultiF0_Yeh_IRCAM f0FrmFile -c  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/YR1.pdf PDF] || [http://anasynth.ircam.fr/home/english/people/chung... Chunghsin YEH],[http://anasynth.ircam.fr/home/english/people/axelr... Axel 	Roebel ]&lt;br /&gt;
&lt;br /&gt;
	|-&lt;br /&gt;
	! YR4&lt;br /&gt;
	| MultiF0_Yeh_IRCAM f0TrkFile -c ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/YR1.pdf PDF] || [http://anasynth.ircam.fr/home/english/people/chung... Chunghsin YEH],[http://anasynth.ircam.fr/home/english/people/axelr... Axel 	Roebel ]&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Task 1: Multiple Fundamental Frequency Estimation (MF0E)==&lt;br /&gt;
&lt;br /&gt;
===MF0E Overall Summary Results===&lt;br /&gt;
Below are the average scores across 40 test files. These files come from 3 different sources: woodwind quintet recording of bassoon, clarinet, horn,flute and oboe (UIUC); Rendered MIDI using RWC database donated by IRCAM and a quartet recording of bassoon, clarinet,  violin and sax  donated by Dr. Bryan Pardo`s Interactive Audio Lab (IAL). 20 files coming from 5 sections of the woodwind recording where each section has 4 files ranging from 2 polyphony to 5 polyphony. 12 files from IAL, coming from 4 different songs ranging from 2 polyphony to 4 polyphony and 8 files from RWC synthesized midi ranging from 2 different songs ranging from 2 polphony to 5 polyphony. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.overall.csv&amp;lt;/csv&amp;gt; &lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 1===&lt;br /&gt;
'''BD1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/BD1.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''KD1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/KD1.tar.gz Karin Dressler ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''LYC1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/LYC1.tar.gz 	Cheng-Te Lee, Yi-Hsuan Yang,Homer Chen ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/RFF1.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF2''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/RFF2.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR1.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR2''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR2.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR3''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR3.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR4''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR4.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=====Info about the filenames=====&lt;br /&gt;
The filenames starting with part* comes from acoustic woodwind recording, the ones starting with RWC are synthesized. The legend about the instruments are:&lt;br /&gt;
&lt;br /&gt;
'''bs''' = bassoon,&lt;br /&gt;
'''cl''' = clarinet,&lt;br /&gt;
'''fl''' = flute,&lt;br /&gt;
'''hn''' = horn,&lt;br /&gt;
'''ob''' = oboe,&lt;br /&gt;
'''vl''' = violin,&lt;br /&gt;
'''cel''' = cello,&lt;br /&gt;
'''gtr''' = guitar,&lt;br /&gt;
'''sax''' = saxophone,&lt;br /&gt;
'''bass''' = electric bass guitar&lt;br /&gt;
&lt;br /&gt;
===Run Times===&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/runtimes_mf0_2011.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Friedman tests for  Multiple Fundamental Frequency Estimation (MF0E)===&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the performance (accuracy) on individual files.&lt;br /&gt;
&lt;br /&gt;
====Tukey-Kramer HSD Multi-Comparison====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
==Task 2:Note Tracking (NT)==&lt;br /&gt;
===NT Mixed Set Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
&lt;br /&gt;
A total of 34 files were used in this subtask: 16 from woodwind recording, 8 from IAL quintet recording and 6 piano.  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Run Times====&lt;br /&gt;
&lt;br /&gt;
TBD&lt;br /&gt;
&lt;br /&gt;
====Friedman Tests for  Note Tracking====&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the F-measure  on individual files.&lt;br /&gt;
&lt;br /&gt;
=====Tukey-Kramer HSD Multi-Comparison for Task2=====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:2012Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_TukeyKramerHSD.csv|500px]]&lt;br /&gt;
&lt;br /&gt;
===NT Piano-Only Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
6 piano recordings are evaluated separately for this subtask.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 2===&lt;br /&gt;
'''BD2''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD2.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''BD3''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD3.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''LYC1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/LYC1.tar.gz 	Cheng-Te Lee, Yi-Hsuan Yang,Homer Chen ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/RFF1.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF2''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/RFF2.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/YR1.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR3''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/YR3.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Mertbay</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9026</id>
		<title>2012:Multiple Fundamental Frequency Estimation &amp; Tracking Results</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9026"/>
		<updated>2012-10-03T00:31:40Z</updated>

		<summary type="html">&lt;p&gt;Mertbay: /* Run Times */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Introduction==&lt;br /&gt;
These are the results for the 2008 running of the Multiple Fundamental Frequency Estimation and Tracking task. For background information about this task set please refer to the [[2011:Multiple Fundamental Frequency Estimation &amp;amp; Tracking]] page.&lt;br /&gt;
&lt;br /&gt;
==General Legend==&lt;br /&gt;
{| border=&amp;quot;1&amp;quot; cellspacing=&amp;quot;0&amp;quot; style=&amp;quot;text-align: left; width: 800px;&amp;quot;&lt;br /&gt;
	|- style=&amp;quot;background: yellow;&amp;quot;&lt;br /&gt;
	! width=&amp;quot;80&amp;quot; | Sub code &lt;br /&gt;
	! width=&amp;quot;200&amp;quot; | Submission name &lt;br /&gt;
	! width=&amp;quot;80&amp;quot; style=&amp;quot;text-align: center;&amp;quot; | Abstract &lt;br /&gt;
	! width=&amp;quot;440&amp;quot; | Contributors&lt;br /&gt;
	|-&lt;br /&gt;
	! BD1&lt;br /&gt;
	| BenetosDixon MultiF0  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD1.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD2&lt;br /&gt;
	| BenetosDixon NoteTracking1  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD2.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD3&lt;br /&gt;
	| BenetosDixon NoteTracking2  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD3.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! KD1&lt;br /&gt;
	| Karin Dressler  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/KD1.pdf PDF] || [http://www.idmt.fraunhofer.de/ Karin Dressler ]&lt;br /&gt;
	|-&lt;br /&gt;
	! LYC1&lt;br /&gt;
	| LYC  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/LYC1.pdf PDF] || [http://mpac.ee.ntu.edu.tw/~ader888/ Cheng-Te 	Lee], [http://mpac.ee.ntu.edu.tw/~yihsuan/ Yi-Hsuan Yang],[http://mpac.ee.ntu.edu.tw/people.php Homer Chen]&lt;br /&gt;
	|-&lt;br /&gt;
	! RFF1&lt;br /&gt;
	| AlgorithmUsingPianoSamples  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/RFF1.pdf PDF] || [http://www.estg.ipleiria.pt/~gustavo.reis/ Gustavo 	Reis],[http:///sites.google.com/site/fcofdezdevegaweb/ Francisco 	Fernandéz ],[http://http://paginas.fe.up.pt/~ajf/ Aníbal 	Ferreira ]&lt;br /&gt;
	|-&lt;br /&gt;
	! RFF2&lt;br /&gt;
	| MultiTimbralInternalSamples  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/RFF2.pdf PDF] || [http://www.estg.ipleiria.pt/~gustavo.reis/ Gustavo 	Reis],[http:///sites.google.com/site/fcofdezdevegaweb/ Francisco 	Fernandéz ],[http://http://paginas.fe.up.pt/~ajf/ Aníbal 	Ferreira ]&lt;br /&gt;
	|-&lt;br /&gt;
	! YR1&lt;br /&gt;
	| MultiF0_Yeh_IRCAM f0FrmFile  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/YR1.pdf PDF] || [http://anasynth.ircam.fr/home/english/people/chung... Chunghsin YEH],[http://anasynth.ircam.fr/home/english/people/axelr... Axel 	Roebel ]&lt;br /&gt;
	|-&lt;br /&gt;
	! YR2&lt;br /&gt;
	| MultiF0_Yeh_IRCAM f0TrkFile  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/YR1.pdf PDF] || [http://anasynth.ircam.fr/home/english/people/chung... Chunghsin YEH],[http://anasynth.ircam.fr/home/english/people/axelr... Axel 	Roebel ]&lt;br /&gt;
	|-&lt;br /&gt;
	! YR3&lt;br /&gt;
	| MultiF0_Yeh_IRCAM f0FrmFile -c  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/YR1.pdf PDF] || [http://anasynth.ircam.fr/home/english/people/chung... Chunghsin YEH],[http://anasynth.ircam.fr/home/english/people/axelr... Axel 	Roebel ]&lt;br /&gt;
&lt;br /&gt;
	|-&lt;br /&gt;
	! YR4&lt;br /&gt;
	| MultiF0_Yeh_IRCAM f0TrkFile -c ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/YR1.pdf PDF] || [http://anasynth.ircam.fr/home/english/people/chung... Chunghsin YEH],[http://anasynth.ircam.fr/home/english/people/axelr... Axel 	Roebel ]&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Task 1: Multiple Fundamental Frequency Estimation (MF0E)==&lt;br /&gt;
&lt;br /&gt;
===MF0E Overall Summary Results===&lt;br /&gt;
Below are the average scores across 40 test files. These files come from 3 different sources: woodwind quintet recording of bassoon, clarinet, horn,flute and oboe (UIUC); Rendered MIDI using RWC database donated by IRCAM and a quartet recording of bassoon, clarinet,  violin and sax  donated by Dr. Bryan Pardo`s Interactive Audio Lab (IAL). 20 files coming from 5 sections of the woodwind recording where each section has 4 files ranging from 2 polyphony to 5 polyphony. 12 files from IAL, coming from 4 different songs ranging from 2 polyphony to 4 polyphony and 8 files from RWC synthesized midi ranging from 2 different songs ranging from 2 polphony to 5 polyphony. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.overall.csv&amp;lt;/csv&amp;gt; &lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 1===&lt;br /&gt;
'''BD1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/BD1.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''KD1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/KD1.tar.gz Karin Dressler ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''LYC1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/LYC1.tar.gz 	Cheng-Te Lee, Yi-Hsuan Yang,Homer Chen ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/RFF1.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF2''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/RFF2.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR1.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR2''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR2.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR3''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR3.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR4''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR4.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=====Info about the filenames=====&lt;br /&gt;
The filenames starting with part* comes from acoustic woodwind recording, the ones starting with RWC are synthesized. The legend about the instruments are:&lt;br /&gt;
&lt;br /&gt;
'''bs''' = bassoon,&lt;br /&gt;
'''cl''' = clarinet,&lt;br /&gt;
'''fl''' = flute,&lt;br /&gt;
'''hn''' = horn,&lt;br /&gt;
'''ob''' = oboe,&lt;br /&gt;
'''vl''' = violin,&lt;br /&gt;
'''cel''' = cello,&lt;br /&gt;
'''gtr''' = guitar,&lt;br /&gt;
'''sax''' = saxophone,&lt;br /&gt;
'''bass''' = electric bass guitar&lt;br /&gt;
&lt;br /&gt;
===Run Times===&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/runtimes_mf0_2011.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Friedman tests for  Multiple Fundamental Frequency Estimation (MF0E)===&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the performance (accuracy) on individual files.&lt;br /&gt;
&lt;br /&gt;
====Tukey-Kramer HSD Multi-Comparison====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
==Task 2:Note Tracking (NT)==&lt;br /&gt;
===NT Mixed Set Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
&lt;br /&gt;
A total of 34 files were used in this subtask: 16 from woodwind recording, 8 from IAL quintet recording and 6 piano.  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Run Times====&lt;br /&gt;
&lt;br /&gt;
TBD&lt;br /&gt;
&lt;br /&gt;
====Friedman Tests for  Note Tracking====&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the F-measure  on individual files.&lt;br /&gt;
&lt;br /&gt;
=====Tukey-Kramer HSD Multi-Comparison for Task2=====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:2011MF0.Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
===NT Piano-Only Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
6 piano recordings are evaluated separately for this subtask.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 2===&lt;br /&gt;
'''BD2''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD2.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''BD3''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD3.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''LYC1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/LYC1.tar.gz 	Cheng-Te Lee, Yi-Hsuan Yang,Homer Chen ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/RFF1.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF2''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/RFF2.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/YR1.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR3''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/YR3.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Mertbay</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=File:Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_Mean_Ranks.png&amp;diff=9025</id>
		<title>File:Accuracy Per Song Friedman Mean Rankstask1.friedman.Friedman Mean Ranks.png</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=File:Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_Mean_Ranks.png&amp;diff=9025"/>
		<updated>2012-10-03T00:23:13Z</updated>

		<summary type="html">&lt;p&gt;Mertbay: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Mertbay</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9024</id>
		<title>2012:Multiple Fundamental Frequency Estimation &amp; Tracking Results</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9024"/>
		<updated>2012-10-03T00:22:41Z</updated>

		<summary type="html">&lt;p&gt;Mertbay: /* Tukey-Kramer HSD Multi-Comparison */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Introduction==&lt;br /&gt;
These are the results for the 2008 running of the Multiple Fundamental Frequency Estimation and Tracking task. For background information about this task set please refer to the [[2011:Multiple Fundamental Frequency Estimation &amp;amp; Tracking]] page.&lt;br /&gt;
&lt;br /&gt;
==General Legend==&lt;br /&gt;
{| border=&amp;quot;1&amp;quot; cellspacing=&amp;quot;0&amp;quot; style=&amp;quot;text-align: left; width: 800px;&amp;quot;&lt;br /&gt;
	|- style=&amp;quot;background: yellow;&amp;quot;&lt;br /&gt;
	! width=&amp;quot;80&amp;quot; | Sub code &lt;br /&gt;
	! width=&amp;quot;200&amp;quot; | Submission name &lt;br /&gt;
	! width=&amp;quot;80&amp;quot; style=&amp;quot;text-align: center;&amp;quot; | Abstract &lt;br /&gt;
	! width=&amp;quot;440&amp;quot; | Contributors&lt;br /&gt;
	|-&lt;br /&gt;
	! BD1&lt;br /&gt;
	| BenetosDixon MultiF0  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD1.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD2&lt;br /&gt;
	| BenetosDixon NoteTracking1  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD2.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD3&lt;br /&gt;
	| BenetosDixon NoteTracking2  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD3.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! KD1&lt;br /&gt;
	| Karin Dressler  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/KD1.pdf PDF] || [http://www.idmt.fraunhofer.de/ Karin Dressler ]&lt;br /&gt;
	|-&lt;br /&gt;
	! LYC1&lt;br /&gt;
	| LYC  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/LYC1.pdf PDF] || [http://mpac.ee.ntu.edu.tw/~ader888/ Cheng-Te 	Lee], [http://mpac.ee.ntu.edu.tw/~yihsuan/ Yi-Hsuan Yang],[http://mpac.ee.ntu.edu.tw/people.php Homer Chen]&lt;br /&gt;
	|-&lt;br /&gt;
	! RFF1&lt;br /&gt;
	| AlgorithmUsingPianoSamples  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/RFF1.pdf PDF] || [http://www.estg.ipleiria.pt/~gustavo.reis/ Gustavo 	Reis],[http:///sites.google.com/site/fcofdezdevegaweb/ Francisco 	Fernandéz ],[http://http://paginas.fe.up.pt/~ajf/ Aníbal 	Ferreira ]&lt;br /&gt;
	|-&lt;br /&gt;
	! RFF2&lt;br /&gt;
	| MultiTimbralInternalSamples  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/RFF2.pdf PDF] || [http://www.estg.ipleiria.pt/~gustavo.reis/ Gustavo 	Reis],[http:///sites.google.com/site/fcofdezdevegaweb/ Francisco 	Fernandéz ],[http://http://paginas.fe.up.pt/~ajf/ Aníbal 	Ferreira ]&lt;br /&gt;
	|-&lt;br /&gt;
	! YR1&lt;br /&gt;
	| MultiF0_Yeh_IRCAM f0FrmFile  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/YR1.pdf PDF] || [http://anasynth.ircam.fr/home/english/people/chung... Chunghsin YEH],[http://anasynth.ircam.fr/home/english/people/axelr... Axel 	Roebel ]&lt;br /&gt;
	|-&lt;br /&gt;
	! YR2&lt;br /&gt;
	| MultiF0_Yeh_IRCAM f0TrkFile  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/YR1.pdf PDF] || [http://anasynth.ircam.fr/home/english/people/chung... Chunghsin YEH],[http://anasynth.ircam.fr/home/english/people/axelr... Axel 	Roebel ]&lt;br /&gt;
	|-&lt;br /&gt;
	! YR3&lt;br /&gt;
	| MultiF0_Yeh_IRCAM f0FrmFile -c  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/YR1.pdf PDF] || [http://anasynth.ircam.fr/home/english/people/chung... Chunghsin YEH],[http://anasynth.ircam.fr/home/english/people/axelr... Axel 	Roebel ]&lt;br /&gt;
&lt;br /&gt;
	|-&lt;br /&gt;
	! YR4&lt;br /&gt;
	| MultiF0_Yeh_IRCAM f0TrkFile -c ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/YR1.pdf PDF] || [http://anasynth.ircam.fr/home/english/people/chung... Chunghsin YEH],[http://anasynth.ircam.fr/home/english/people/axelr... Axel 	Roebel ]&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Task 1: Multiple Fundamental Frequency Estimation (MF0E)==&lt;br /&gt;
&lt;br /&gt;
===MF0E Overall Summary Results===&lt;br /&gt;
Below are the average scores across 40 test files. These files come from 3 different sources: woodwind quintet recording of bassoon, clarinet, horn,flute and oboe (UIUC); Rendered MIDI using RWC database donated by IRCAM and a quartet recording of bassoon, clarinet,  violin and sax  donated by Dr. Bryan Pardo`s Interactive Audio Lab (IAL). 20 files coming from 5 sections of the woodwind recording where each section has 4 files ranging from 2 polyphony to 5 polyphony. 12 files from IAL, coming from 4 different songs ranging from 2 polyphony to 4 polyphony and 8 files from RWC synthesized midi ranging from 2 different songs ranging from 2 polphony to 5 polyphony. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.overall.csv&amp;lt;/csv&amp;gt; &lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 1===&lt;br /&gt;
'''BD1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/BD1.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''KD1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/KD1.tar.gz Karin Dressler ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''LYC1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/LYC1.tar.gz 	Cheng-Te Lee, Yi-Hsuan Yang,Homer Chen ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/RFF1.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF2''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/RFF2.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR1.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR2''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR2.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR3''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR3.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR4''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR4.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=====Info about the filenames=====&lt;br /&gt;
The filenames starting with part* comes from acoustic woodwind recording, the ones starting with RWC are synthesized. The legend about the instruments are:&lt;br /&gt;
&lt;br /&gt;
'''bs''' = bassoon,&lt;br /&gt;
'''cl''' = clarinet,&lt;br /&gt;
'''fl''' = flute,&lt;br /&gt;
'''hn''' = horn,&lt;br /&gt;
'''ob''' = oboe,&lt;br /&gt;
'''vl''' = violin,&lt;br /&gt;
'''cel''' = cello,&lt;br /&gt;
'''gtr''' = guitar,&lt;br /&gt;
'''sax''' = saxophone,&lt;br /&gt;
'''bass''' = electric bass guitar&lt;br /&gt;
&lt;br /&gt;
===Run Times===&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/runtimes_mf0_2011.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Friedman tests for  Multiple Fundamental Frequency Estimation (MF0E)===&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the performance (accuracy) on individual files.&lt;br /&gt;
&lt;br /&gt;
====Tukey-Kramer HSD Multi-Comparison====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
==Task 2:Note Tracking (NT)==&lt;br /&gt;
===NT Mixed Set Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
&lt;br /&gt;
A total of 34 files were used in this subtask: 16 from woodwind recording, 8 from IAL quintet recording and 6 piano.  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Run Times====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/runtimes_NT_2011.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
====Friedman Tests for  Note Tracking====&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the F-measure  on individual files.&lt;br /&gt;
&lt;br /&gt;
=====Tukey-Kramer HSD Multi-Comparison for Task2=====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:2011MF0.Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
===NT Piano-Only Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
6 piano recordings are evaluated separately for this subtask.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 2===&lt;br /&gt;
'''BD2''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD2.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''BD3''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD3.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''LYC1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/LYC1.tar.gz 	Cheng-Te Lee, Yi-Hsuan Yang,Homer Chen ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/RFF1.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF2''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/RFF2.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/YR1.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR3''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/YR3.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Mertbay</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9023</id>
		<title>2012:Multiple Fundamental Frequency Estimation &amp; Tracking Results</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9023"/>
		<updated>2012-10-03T00:21:24Z</updated>

		<summary type="html">&lt;p&gt;Mertbay: /* MF0E Overall Summary Results */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Introduction==&lt;br /&gt;
These are the results for the 2008 running of the Multiple Fundamental Frequency Estimation and Tracking task. For background information about this task set please refer to the [[2011:Multiple Fundamental Frequency Estimation &amp;amp; Tracking]] page.&lt;br /&gt;
&lt;br /&gt;
==General Legend==&lt;br /&gt;
{| border=&amp;quot;1&amp;quot; cellspacing=&amp;quot;0&amp;quot; style=&amp;quot;text-align: left; width: 800px;&amp;quot;&lt;br /&gt;
	|- style=&amp;quot;background: yellow;&amp;quot;&lt;br /&gt;
	! width=&amp;quot;80&amp;quot; | Sub code &lt;br /&gt;
	! width=&amp;quot;200&amp;quot; | Submission name &lt;br /&gt;
	! width=&amp;quot;80&amp;quot; style=&amp;quot;text-align: center;&amp;quot; | Abstract &lt;br /&gt;
	! width=&amp;quot;440&amp;quot; | Contributors&lt;br /&gt;
	|-&lt;br /&gt;
	! BD1&lt;br /&gt;
	| BenetosDixon MultiF0  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD1.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD2&lt;br /&gt;
	| BenetosDixon NoteTracking1  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD2.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD3&lt;br /&gt;
	| BenetosDixon NoteTracking2  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD3.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! KD1&lt;br /&gt;
	| Karin Dressler  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/KD1.pdf PDF] || [http://www.idmt.fraunhofer.de/ Karin Dressler ]&lt;br /&gt;
	|-&lt;br /&gt;
	! LYC1&lt;br /&gt;
	| LYC  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/LYC1.pdf PDF] || [http://mpac.ee.ntu.edu.tw/~ader888/ Cheng-Te 	Lee], [http://mpac.ee.ntu.edu.tw/~yihsuan/ Yi-Hsuan Yang],[http://mpac.ee.ntu.edu.tw/people.php Homer Chen]&lt;br /&gt;
	|-&lt;br /&gt;
	! RFF1&lt;br /&gt;
	| AlgorithmUsingPianoSamples  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/RFF1.pdf PDF] || [http://www.estg.ipleiria.pt/~gustavo.reis/ Gustavo 	Reis],[http:///sites.google.com/site/fcofdezdevegaweb/ Francisco 	Fernandéz ],[http://http://paginas.fe.up.pt/~ajf/ Aníbal 	Ferreira ]&lt;br /&gt;
	|-&lt;br /&gt;
	! RFF2&lt;br /&gt;
	| MultiTimbralInternalSamples  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/RFF2.pdf PDF] || [http://www.estg.ipleiria.pt/~gustavo.reis/ Gustavo 	Reis],[http:///sites.google.com/site/fcofdezdevegaweb/ Francisco 	Fernandéz ],[http://http://paginas.fe.up.pt/~ajf/ Aníbal 	Ferreira ]&lt;br /&gt;
	|-&lt;br /&gt;
	! YR1&lt;br /&gt;
	| MultiF0_Yeh_IRCAM f0FrmFile  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/YR1.pdf PDF] || [http://anasynth.ircam.fr/home/english/people/chung... Chunghsin YEH],[http://anasynth.ircam.fr/home/english/people/axelr... Axel 	Roebel ]&lt;br /&gt;
	|-&lt;br /&gt;
	! YR2&lt;br /&gt;
	| MultiF0_Yeh_IRCAM f0TrkFile  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/YR1.pdf PDF] || [http://anasynth.ircam.fr/home/english/people/chung... Chunghsin YEH],[http://anasynth.ircam.fr/home/english/people/axelr... Axel 	Roebel ]&lt;br /&gt;
	|-&lt;br /&gt;
	! YR3&lt;br /&gt;
	| MultiF0_Yeh_IRCAM f0FrmFile -c  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/YR1.pdf PDF] || [http://anasynth.ircam.fr/home/english/people/chung... Chunghsin YEH],[http://anasynth.ircam.fr/home/english/people/axelr... Axel 	Roebel ]&lt;br /&gt;
&lt;br /&gt;
	|-&lt;br /&gt;
	! YR4&lt;br /&gt;
	| MultiF0_Yeh_IRCAM f0TrkFile -c ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/YR1.pdf PDF] || [http://anasynth.ircam.fr/home/english/people/chung... Chunghsin YEH],[http://anasynth.ircam.fr/home/english/people/axelr... Axel 	Roebel ]&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Task 1: Multiple Fundamental Frequency Estimation (MF0E)==&lt;br /&gt;
&lt;br /&gt;
===MF0E Overall Summary Results===&lt;br /&gt;
Below are the average scores across 40 test files. These files come from 3 different sources: woodwind quintet recording of bassoon, clarinet, horn,flute and oboe (UIUC); Rendered MIDI using RWC database donated by IRCAM and a quartet recording of bassoon, clarinet,  violin and sax  donated by Dr. Bryan Pardo`s Interactive Audio Lab (IAL). 20 files coming from 5 sections of the woodwind recording where each section has 4 files ranging from 2 polyphony to 5 polyphony. 12 files from IAL, coming from 4 different songs ranging from 2 polyphony to 4 polyphony and 8 files from RWC synthesized midi ranging from 2 different songs ranging from 2 polphony to 5 polyphony. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.overall.csv&amp;lt;/csv&amp;gt; &lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 1===&lt;br /&gt;
'''BD1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/BD1.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''KD1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/KD1.tar.gz Karin Dressler ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''LYC1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/LYC1.tar.gz 	Cheng-Te Lee, Yi-Hsuan Yang,Homer Chen ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/RFF1.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF2''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/RFF2.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR1.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR2''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR2.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR3''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR3.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR4''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR4.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=====Info about the filenames=====&lt;br /&gt;
The filenames starting with part* comes from acoustic woodwind recording, the ones starting with RWC are synthesized. The legend about the instruments are:&lt;br /&gt;
&lt;br /&gt;
'''bs''' = bassoon,&lt;br /&gt;
'''cl''' = clarinet,&lt;br /&gt;
'''fl''' = flute,&lt;br /&gt;
'''hn''' = horn,&lt;br /&gt;
'''ob''' = oboe,&lt;br /&gt;
'''vl''' = violin,&lt;br /&gt;
'''cel''' = cello,&lt;br /&gt;
'''gtr''' = guitar,&lt;br /&gt;
'''sax''' = saxophone,&lt;br /&gt;
'''bass''' = electric bass guitar&lt;br /&gt;
&lt;br /&gt;
===Run Times===&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/runtimes_mf0_2011.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Friedman tests for  Multiple Fundamental Frequency Estimation (MF0E)===&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the performance (accuracy) on individual files.&lt;br /&gt;
&lt;br /&gt;
====Tukey-Kramer HSD Multi-Comparison====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:2011MF0task1.friedman.Friedman Mean Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
==Task 2:Note Tracking (NT)==&lt;br /&gt;
===NT Mixed Set Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
&lt;br /&gt;
A total of 34 files were used in this subtask: 16 from woodwind recording, 8 from IAL quintet recording and 6 piano.  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Run Times====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/runtimes_NT_2011.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
====Friedman Tests for  Note Tracking====&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the F-measure  on individual files.&lt;br /&gt;
&lt;br /&gt;
=====Tukey-Kramer HSD Multi-Comparison for Task2=====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:2011MF0.Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
===NT Piano-Only Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
6 piano recordings are evaluated separately for this subtask.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 2===&lt;br /&gt;
'''BD2''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD2.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''BD3''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD3.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''LYC1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/LYC1.tar.gz 	Cheng-Te Lee, Yi-Hsuan Yang,Homer Chen ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/RFF1.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF2''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/RFF2.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/YR1.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR3''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/YR3.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Mertbay</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9022</id>
		<title>2012:Multiple Fundamental Frequency Estimation &amp; Tracking Results</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9022"/>
		<updated>2012-10-02T22:22:30Z</updated>

		<summary type="html">&lt;p&gt;Mertbay: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Introduction==&lt;br /&gt;
These are the results for the 2008 running of the Multiple Fundamental Frequency Estimation and Tracking task. For background information about this task set please refer to the [[2011:Multiple Fundamental Frequency Estimation &amp;amp; Tracking]] page.&lt;br /&gt;
&lt;br /&gt;
==General Legend==&lt;br /&gt;
{| border=&amp;quot;1&amp;quot; cellspacing=&amp;quot;0&amp;quot; style=&amp;quot;text-align: left; width: 800px;&amp;quot;&lt;br /&gt;
	|- style=&amp;quot;background: yellow;&amp;quot;&lt;br /&gt;
	! width=&amp;quot;80&amp;quot; | Sub code &lt;br /&gt;
	! width=&amp;quot;200&amp;quot; | Submission name &lt;br /&gt;
	! width=&amp;quot;80&amp;quot; style=&amp;quot;text-align: center;&amp;quot; | Abstract &lt;br /&gt;
	! width=&amp;quot;440&amp;quot; | Contributors&lt;br /&gt;
	|-&lt;br /&gt;
	! BD1&lt;br /&gt;
	| BenetosDixon MultiF0  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD1.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD2&lt;br /&gt;
	| BenetosDixon NoteTracking1  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD2.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD3&lt;br /&gt;
	| BenetosDixon NoteTracking2  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD3.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! KD1&lt;br /&gt;
	| Karin Dressler  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/KD1.pdf PDF] || [http://www.idmt.fraunhofer.de/ Karin Dressler ]&lt;br /&gt;
	|-&lt;br /&gt;
	! LYC1&lt;br /&gt;
	| LYC  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/LYC1.pdf PDF] || [http://mpac.ee.ntu.edu.tw/~ader888/ Cheng-Te 	Lee], [http://mpac.ee.ntu.edu.tw/~yihsuan/ Yi-Hsuan Yang],[http://mpac.ee.ntu.edu.tw/people.php Homer Chen]&lt;br /&gt;
	|-&lt;br /&gt;
	! RFF1&lt;br /&gt;
	| AlgorithmUsingPianoSamples  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/RFF1.pdf PDF] || [http://www.estg.ipleiria.pt/~gustavo.reis/ Gustavo 	Reis],[http:///sites.google.com/site/fcofdezdevegaweb/ Francisco 	Fernandéz ],[http://http://paginas.fe.up.pt/~ajf/ Aníbal 	Ferreira ]&lt;br /&gt;
	|-&lt;br /&gt;
	! RFF2&lt;br /&gt;
	| MultiTimbralInternalSamples  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/RFF2.pdf PDF] || [http://www.estg.ipleiria.pt/~gustavo.reis/ Gustavo 	Reis],[http:///sites.google.com/site/fcofdezdevegaweb/ Francisco 	Fernandéz ],[http://http://paginas.fe.up.pt/~ajf/ Aníbal 	Ferreira ]&lt;br /&gt;
	|-&lt;br /&gt;
	! YR1&lt;br /&gt;
	| MultiF0_Yeh_IRCAM f0FrmFile  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/YR1.pdf PDF] || [http://anasynth.ircam.fr/home/english/people/chung... Chunghsin YEH],[http://anasynth.ircam.fr/home/english/people/axelr... Axel 	Roebel ]&lt;br /&gt;
	|-&lt;br /&gt;
	! YR2&lt;br /&gt;
	| MultiF0_Yeh_IRCAM f0TrkFile  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/YR1.pdf PDF] || [http://anasynth.ircam.fr/home/english/people/chung... Chunghsin YEH],[http://anasynth.ircam.fr/home/english/people/axelr... Axel 	Roebel ]&lt;br /&gt;
	|-&lt;br /&gt;
	! YR3&lt;br /&gt;
	| MultiF0_Yeh_IRCAM f0FrmFile -c  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/YR1.pdf PDF] || [http://anasynth.ircam.fr/home/english/people/chung... Chunghsin YEH],[http://anasynth.ircam.fr/home/english/people/axelr... Axel 	Roebel ]&lt;br /&gt;
&lt;br /&gt;
	|-&lt;br /&gt;
	! YR4&lt;br /&gt;
	| MultiF0_Yeh_IRCAM f0TrkFile -c ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/YR1.pdf PDF] || [http://anasynth.ircam.fr/home/english/people/chung... Chunghsin YEH],[http://anasynth.ircam.fr/home/english/people/axelr... Axel 	Roebel ]&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Task 1: Multiple Fundamental Frequency Estimation (MF0E)==&lt;br /&gt;
&lt;br /&gt;
===MF0E Overall Summary Results===&lt;br /&gt;
Below are the average scores across 40 test files. These files come from 3 different sources: woodwind quintet recording of bassoon, clarinet, horn,flute and oboe (UIUC); Rendered MIDI using RWC database donated by IRCAM and a quartet recording of bassoon, clarinet,  violin and sax  donated by Dr. Bryan Pardo`s Interactive Audio Lab (IAL). 20 files coming from 5 sections of the woodwind recording  where each section has 4 files ranging from 2 polyphony to 5 polyphony. 12 files from IAL, coming from 4 different songs ranging from 2 polyphony to 4 polyphony and 8 files from RWC synthesized midi ranging from 2 different songs ranging from 2 polphony to 5 polyphony. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.overall.csv&amp;lt;/csv&amp;gt; &lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/task1.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 1===&lt;br /&gt;
'''BD1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/BD1.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''KD1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/KD1.tar.gz Karin Dressler ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''LYC1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/LYC1.tar.gz 	Cheng-Te Lee, Yi-Hsuan Yang,Homer Chen ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/RFF1.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF2''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/RFF2.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR1''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR1.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR2''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR2.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR3''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR3.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR4''' = [https://music-ir.org/mirex/results/2012/mf0/est/tars/YR4.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=====Info about the filenames=====&lt;br /&gt;
The filenames starting with part* comes from acoustic woodwind recording, the ones starting with RWC are synthesized. The legend about the instruments are:&lt;br /&gt;
&lt;br /&gt;
'''bs''' = bassoon,&lt;br /&gt;
'''cl''' = clarinet,&lt;br /&gt;
'''fl''' = flute,&lt;br /&gt;
'''hn''' = horn,&lt;br /&gt;
'''ob''' = oboe,&lt;br /&gt;
'''vl''' = violin,&lt;br /&gt;
'''cel''' = cello,&lt;br /&gt;
'''gtr''' = guitar,&lt;br /&gt;
'''sax''' = saxophone,&lt;br /&gt;
'''bass''' = electric bass guitar&lt;br /&gt;
&lt;br /&gt;
===Run Times===&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/runtimes_mf0_2011.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Friedman tests for  Multiple Fundamental Frequency Estimation (MF0E)===&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the performance (accuracy) on individual files.&lt;br /&gt;
&lt;br /&gt;
====Tukey-Kramer HSD Multi-Comparison====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/est/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:2011MF0task1.friedman.Friedman Mean Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
==Task 2:Note Tracking (NT)==&lt;br /&gt;
===NT Mixed Set Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
&lt;br /&gt;
A total of 34 files were used in this subtask: 16 from woodwind recording, 8 from IAL quintet recording and 6 piano.  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/task2.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Run Times====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/runtimes_NT_2011.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
====Friedman Tests for  Note Tracking====&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the F-measure  on individual files.&lt;br /&gt;
&lt;br /&gt;
=====Tukey-Kramer HSD Multi-Comparison for Task2=====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:2011MF0.Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
===NT Piano-Only Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
6 piano recordings are evaluated separately for this subtask.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2012/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 2===&lt;br /&gt;
'''BD2''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD2.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''BD3''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/BD3.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''LYC1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/LYC1.tar.gz 	Cheng-Te Lee, Yi-Hsuan Yang,Homer Chen ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/RFF1.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF2''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/RFF2.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR1''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/YR1.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR3''' = [https://music-ir.org/mirex/results/2012/mf0/nt/tars/YR3.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Mertbay</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9021</id>
		<title>2012:Multiple Fundamental Frequency Estimation &amp; Tracking Results</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2012:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results&amp;diff=9021"/>
		<updated>2012-10-02T22:19:29Z</updated>

		<summary type="html">&lt;p&gt;Mertbay: Created page with &amp;quot;==Introduction== These are the results for the 2008 running of the Multiple Fundamental Frequency Estimation and Tracking task. For background information about this task set ple...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Introduction==&lt;br /&gt;
These are the results for the 2008 running of the Multiple Fundamental Frequency Estimation and Tracking task. For background information about this task set please refer to the [[2011:Multiple Fundamental Frequency Estimation &amp;amp; Tracking]] page.&lt;br /&gt;
&lt;br /&gt;
==General Legend==&lt;br /&gt;
{| border=&amp;quot;1&amp;quot; cellspacing=&amp;quot;0&amp;quot; style=&amp;quot;text-align: left; width: 800px;&amp;quot;&lt;br /&gt;
	|- style=&amp;quot;background: yellow;&amp;quot;&lt;br /&gt;
	! width=&amp;quot;80&amp;quot; | Sub code &lt;br /&gt;
	! width=&amp;quot;200&amp;quot; | Submission name &lt;br /&gt;
	! width=&amp;quot;80&amp;quot; style=&amp;quot;text-align: center;&amp;quot; | Abstract &lt;br /&gt;
	! width=&amp;quot;440&amp;quot; | Contributors&lt;br /&gt;
	|-&lt;br /&gt;
	! BD1&lt;br /&gt;
	| BenetosDixon MultiF0  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD1.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD2&lt;br /&gt;
	| BenetosDixon NoteTracking1  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD2.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! BD3&lt;br /&gt;
	| BenetosDixon NoteTracking2  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/BD3.pdf PDF] || [http://www.dcs.qmul.ac.uk/~emmanouilb Emmanouil Benetos], [http://www.eecs.qmul.ac.uk/~simond Simon Dixon]&lt;br /&gt;
	|-&lt;br /&gt;
	! KD1&lt;br /&gt;
	| Karin Dressler  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/KD1.pdf PDF] || [http://www.idmt.fraunhofer.de/ Karin Dressler ]&lt;br /&gt;
	|-&lt;br /&gt;
	! LYC1&lt;br /&gt;
	| LYC  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/LYC1.pdf PDF] || [http://mpac.ee.ntu.edu.tw/~ader888/ Cheng-Te 	Lee], [http://mpac.ee.ntu.edu.tw/~yihsuan/ Yi-Hsuan Yang],[http://mpac.ee.ntu.edu.tw/people.php Homer Chen]&lt;br /&gt;
	|-&lt;br /&gt;
	! RFF1&lt;br /&gt;
	| AlgorithmUsingPianoSamples  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/RFF1.pdf PDF] || [http://www.estg.ipleiria.pt/~gustavo.reis/ Gustavo 	Reis],[http:///sites.google.com/site/fcofdezdevegaweb/ Francisco 	Fernandéz ],[http://http://paginas.fe.up.pt/~ajf/ Aníbal 	Ferreira ]&lt;br /&gt;
	|-&lt;br /&gt;
	! RFF2&lt;br /&gt;
	| MultiTimbralInternalSamples  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/RFF2.pdf PDF] || [http://www.estg.ipleiria.pt/~gustavo.reis/ Gustavo 	Reis],[http:///sites.google.com/site/fcofdezdevegaweb/ Francisco 	Fernandéz ],[http://http://paginas.fe.up.pt/~ajf/ Aníbal 	Ferreira ]&lt;br /&gt;
	|-&lt;br /&gt;
	! YR1&lt;br /&gt;
	| MultiF0_Yeh_IRCAM f0FrmFile  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/YR1.pdf PDF] || [http://anasynth.ircam.fr/home/english/people/chung... Chunghsin YEH],[http://anasynth.ircam.fr/home/english/people/axelr... Axel 	Roebel ]&lt;br /&gt;
	|-&lt;br /&gt;
	! YR2&lt;br /&gt;
	| MultiF0_Yeh_IRCAM f0TrkFile  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/YR1.pdf PDF] || [http://anasynth.ircam.fr/home/english/people/chung... Chunghsin YEH],[http://anasynth.ircam.fr/home/english/people/axelr... Axel 	Roebel ]&lt;br /&gt;
	|-&lt;br /&gt;
	! YR3&lt;br /&gt;
	| MultiF0_Yeh_IRCAM f0FrmFile -c  ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/YR1.pdf PDF] || [http://anasynth.ircam.fr/home/english/people/chung... Chunghsin YEH],[http://anasynth.ircam.fr/home/english/people/axelr... Axel 	Roebel ]&lt;br /&gt;
&lt;br /&gt;
	|-&lt;br /&gt;
	! YR4&lt;br /&gt;
	| MultiF0_Yeh_IRCAM f0TrkFile -c ||  style=&amp;quot;text-align: center;&amp;quot; | [https://www.music-ir.org/mirex/abstracts/2011/YR1.pdf PDF] || [http://anasynth.ircam.fr/home/english/people/chung... Chunghsin YEH],[http://anasynth.ircam.fr/home/english/people/axelr... Axel 	Roebel ]&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Task 1: Multiple Fundamental Frequency Estimation (MF0E)==&lt;br /&gt;
&lt;br /&gt;
===MF0E Overall Summary Results===&lt;br /&gt;
Below are the average scores across 40 test files. These files come from 3 different sources: woodwind quintet recording of bassoon, clarinet, horn,flute and oboe (UIUC); Rendered MIDI using RWC database donated by IRCAM and a quartet recording of bassoon, clarinet,  violin and sax  donated by Dr. Bryan Pardo`s Interactive Audio Lab (IAL). 20 files coming from 5 sections of the woodwind recording  where each section has 4 files ranging from 2 polyphony to 5 polyphony. 12 files from IAL, coming from 4 different songs ranging from 2 polyphony to 4 polyphony and 8 files from RWC synthesized midi ranging from 2 different songs ranging from 2 polphony to 5 polyphony. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2011/mf0/est/summary/task1.overall.csv&amp;lt;/csv&amp;gt; &lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2011/mf0/est/summary/task1.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2011/mf0/est/summary/task1.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 1===&lt;br /&gt;
'''BD1''' = [https://music-ir.org/mirex/results/2011/mf0/est/tars/BD1.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''KD1''' = [https://music-ir.org/mirex/results/2011/mf0/est/tars/KD1.tar.gz Karin Dressler ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''LYC1''' = [https://music-ir.org/mirex/results/2011/mf0/est/tars/LYC1.tar.gz 	Cheng-Te Lee, Yi-Hsuan Yang,Homer Chen ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF1''' = [https://music-ir.org/mirex/results/2011/mf0/est/tars/RFF1.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF2''' = [https://music-ir.org/mirex/results/2011/mf0/est/tars/RFF2.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR1''' = [https://music-ir.org/mirex/results/2011/mf0/est/tars/YR1.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR2''' = [https://music-ir.org/mirex/results/2011/mf0/est/tars/YR2.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR3''' = [https://music-ir.org/mirex/results/2011/mf0/est/tars/YR3.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR4''' = [https://music-ir.org/mirex/results/2011/mf0/est/tars/YR4.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=====Info about the filenames=====&lt;br /&gt;
The filenames starting with part* comes from acoustic woodwind recording, the ones starting with RWC are synthesized. The legend about the instruments are:&lt;br /&gt;
&lt;br /&gt;
'''bs''' = bassoon,&lt;br /&gt;
'''cl''' = clarinet,&lt;br /&gt;
'''fl''' = flute,&lt;br /&gt;
'''hn''' = horn,&lt;br /&gt;
'''ob''' = oboe,&lt;br /&gt;
'''vl''' = violin,&lt;br /&gt;
'''cel''' = cello,&lt;br /&gt;
'''gtr''' = guitar,&lt;br /&gt;
'''sax''' = saxophone,&lt;br /&gt;
'''bass''' = electric bass guitar&lt;br /&gt;
&lt;br /&gt;
===Run Times===&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2011/mf0/est/runtimes_mf0_2011.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Friedman tests for  Multiple Fundamental Frequency Estimation (MF0E)===&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the performance (accuracy) on individual files.&lt;br /&gt;
&lt;br /&gt;
====Tukey-Kramer HSD Multi-Comparison====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2011/mf0/est/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask1.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:2011MF0task1.friedman.Friedman Mean Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
==Task 2:Note Tracking (NT)==&lt;br /&gt;
===NT Mixed Set Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
&lt;br /&gt;
A total of 34 files were used in this subtask: 16 from woodwind recording, 8 from IAL quintet recording and 6 piano.  &lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2011/mf0/nt/summary/task2.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2011/mf0/nt/summary/task2.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2011/mf0/nt/summary/task2.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2011/mf0/nt/summary/task2.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2011/mf0/nt/summary/task2.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Run Times====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2011/mf0/nt/runtimes_NT_2011.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
====Friedman Tests for  Note Tracking====&lt;br /&gt;
The Friedman test was run in MATLAB to test significant differences amongst systems with regard to the F-measure  on individual files.&lt;br /&gt;
&lt;br /&gt;
=====Tukey-Kramer HSD Multi-Comparison for Task2=====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2011/mf0/nt/summary/Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_TukeyKramerHSD.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:2011MF0.Accuracy_Per_Song_Friedman_Mean_Rankstask2.friedman.Friedman_Mean_Ranks.png|500px]]&lt;br /&gt;
&lt;br /&gt;
===NT Piano-Only Overall Summary Results===&lt;br /&gt;
This subtask is evaluated in two different ways. In the first setup , a returned note is assumed correct if its onset is within +-50ms of a ref note and its F0 is within +- quarter tone of the corresponding reference note, ignoring the returned offset values. In the second setup, on top of the above requirements, a correct returned note is required to have an offset value within 20% of the ref notes duration around the ref note`s offset, or within 50ms whichever is larger.&lt;br /&gt;
6 piano recordings are evaluated separately for this subtask.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2011/mf0/nt/summary_piano_subtask/task2_piano.overall.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Results====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2011/mf0/nt/summary_piano_subtask/task2_piano.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Detailed Chroma Results====&lt;br /&gt;
Here, accuracy is assessed on chroma results (i.e. all F0's are mapped to a single octave before evaluating)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2011/mf0/nt/summary_piano_subtask/task2_piano.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2011/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
====Chroma Results Based on Onset Only====&lt;br /&gt;
&lt;br /&gt;
&amp;lt;csv&amp;gt;2011/mf0/nt/summary_piano_subtask/task2_piano.onsetOnly.chroma.results.csv&amp;lt;/csv&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Individual Results Files for Task 2===&lt;br /&gt;
'''BD2''' = [https://music-ir.org/mirex/results/2011/mf0/nt/tars/BD2.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''BD3''' = [https://music-ir.org/mirex/results/2011/mf0/nt/tars/BD3.tar.gz Emmanouil Benetos, Simon Dixon]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''LYC1''' = [https://music-ir.org/mirex/results/2011/mf0/nt/tars/LYC1.tar.gz 	Cheng-Te Lee, Yi-Hsuan Yang,Homer Chen ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF1''' = [https://music-ir.org/mirex/results/2011/mf0/nt/tars/RFF1.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''RFF2''' = [https://music-ir.org/mirex/results/2011/mf0/nt/tars/RFF2.tar.gz Gustavo Reis,Francisco Fernandéz ,Aníbal Ferreira ]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR1''' = [https://music-ir.org/mirex/results/2011/mf0/nt/tars/YR1.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;br /&gt;
'''YR3''' = [https://music-ir.org/mirex/results/2011/mf0/nt/tars/YR3.tar.gz Chunghsin YEH,Axel Roebel]&amp;lt;br /&amp;gt;&lt;/div&gt;</summary>
		<author><name>Mertbay</name></author>
		
	</entry>
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