MIREX Wiki - User contributions [en]

2017:MIREX2017 Results

2017-10-19T10:28:14Z

Jcarabias: /* Results by Task (More results are coming) */

==Overall Results Poster==
Coming soon

==Results by Task (More results are coming) ==
* [[2017:Audio Fingerprinting Results|Audio Fingerprinting Results]]
* [[2017:Set List Identification Results | Set List Identification Results]]

*Train-Test Task Set
** [https://www.music-ir.org/nema_out/mirex2017/results/act/composer_report/ Audio Classical Composer Identification Results ]  
** [https://www.music-ir.org/nema_out/mirex2017/results/act/latin_report/ Audio Latin Genre Classification Results ]  
** [https://www.music-ir.org/nema_out/mirex2017/results/act/mood_report/index.html Audio Music Mood Classification Results ]  
** [https://www.music-ir.org/nema_out/mirex2017/results/act/mixed_report/ Audio Mixed Popular Genre Classification Results ]  
** [https://www.music-ir.org/nema_out/mirex2017/results/act/kgenrek_report/ Audio KPOP Genre (Annotated by Korean Annotators) Classification Results ]  
** [https://www.music-ir.org/nema_out/mirex2017/results/act/kgenrea_report/ Audio KPOP Genre (Annotated by American Annotators) Classification Results ]  
** [https://www.music-ir.org/nema_out/mirex2017/results/act/kmoodk_report/ Audio KPOP Mood (Annotated by Korean Annotators) Classification Results ]  
** [https://www.music-ir.org/nema_out/mirex2017/results/act/kmooda_report/ Audio KPOP Mood (Annotated by American Annotators) Classification Results ]  
* [https://nema.lis.illinois.edu/nema_out/mirex2017/results/aod/ Audio Onset Detection Results]  
* [https://nema.lis.illinois.edu/nema_out/mirex2017/results/ate/ Audio Tempo Estimation Results]  

* [[2017:Automatic Lyrics-to-Audio Alignment Results | Automatic Lyrics-to-Audio Alignment Results]]
* [[2017:Discovery of Repeated Themes & Sections Results|Discovery of Repeated Themes & Sections Results]]

* Music Structure Segmentation Results
** [https://nema.lis.illinois.edu/nema_out/mirex2017/results/struct/mrx09/ MIREX09 dataset]  
** [https://nema.lis.illinois.edu/nema_out/mirex2017/results/struct/mrx10_1/ RWC dataset - Quaero (MIREX10) Ground-truth]  
** [https://nema.lis.illinois.edu/nema_out/mirex2017/results/struct/mrx10_2/ RWC dataset - Original RWC Ground-truth]  
** [https://nema.lis.illinois.edu/nema_out/mirex2017/results/struct/salami/ SALAMI dataset] (partial)  

* Audio Beat Tracking Results
** [https://nema.lis.illinois.edu/nema_out/mirex2017/results/abt/smc/ SMC Dataset]  
** [https://nema.lis.illinois.edu/nema_out/mirex2017/results/abt/maz/ MAZ Dataset]  
** [https://nema.lis.illinois.edu/nema_out/mirex2017/results/abt/mck/ MCK Dataset]  

* [[2017:Audio_Chord_Estimation_Results | Audio Chord Estimation]]
** [[2017:Audio_Chord_Estimation_Results#Isophonics2009 | Isophonics2009 Dataset]]  
** [[2017:Audio_Chord_Estimation_Results#Billboard2012 | Billboard2012 Dataset]]  
** [[2017:Audio_Chord_Estimation_Results#Billboard_013 | Billboard2013 Dataset]]  
** [[2017:Audio_Chord_Estimation_Results#JayChou29 | JayChou29 Dataset]]  
** [[2017:Audio_Chord_Estimation_Results#RobbieWilliams | RobbieWilliams Dataset]]  
** [[2017:Audio_Chord_Estimation_Results#RWC-Popular | RWC-Popular Dataset]]  
** [[2017:Audio_Chord_Estimation_Results#USPOP2002Chords | USPOP2002Chords Dataset]]  

* Multiple Fundamental Frequency Estimation & Tracking Results
** [[2017:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results_%2D_MIREX_Dataset | MIREX Dataset]]  

* [[2017:Drum_Transcription_Results | Drum Transcription]]  
* [https://www.music-ir.org/mirex/wiki/2017:Real-time_Audio_to_Score_Alignment_(a.k.a._Score_Following)_Results Real-time Audio to Score Alignment (a.k.a. Score Following) Results]  

2017:Real-time Audio to Score Alignment (a.k.a. Score Following) Results

2017-10-19T09:57:05Z

Jcarabias: /* General Legend */

==Introduction==
These are the results for the 2017 running of the Real-time Audio to Score Alignment (a.k.a Score Following) task. For background information about this task set please refer to the [[2017:Real-time Audio to Score Alignment (a.k.a Score Following)]] page.

== General Legend ==
{| border="1" cellspacing="0" style="text-align: left; width: 800px;"
|- style="background: yellow;"
! width="80" | Sub code
! width="200" | Submission name
! width="80" style="text-align: center;" | Abstract
! width="440" | Contributors
|-
! BV1
| RM1 REAL TIME ONLINE ALIGNMENT ALGORITHM FOR MIREX 2017 (Online version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2017/BV1.pdf PDF] || [http://www.ujaen.es Francisco J. Bris Peñalver], [http://www.ujaen.es Pedro Vera-Candeas]
|-
! BV2
| RM1 REAL TIME ONLINE ALIGNMENT ALGORITHM FOR MIREX 2017 (Backward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2017/BV1.pdf PDF] || [http://www.ujaen.es Francisco Francisco J. Bris Peñalver], [http://www.ujaen.es Pedro Vera-Candeas]
|-
! BV3
| RM1 REAL TIME ONLINE ALIGNMENT ALGORITHM FOR MIREX 2017 (Accomp. Online Tempo Estim. Version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2017/BV1.pdf PDF] || [http://www.ujaen.es Francisco Francisco J. Bris Peñalver], [http://www.ujaen.es Pedro Vera-Candeas]
|-
! BV4
| RM1 REAL TIME ONLINE ALIGNMENT ALGORITHM FOR MIREX 2017 (Accomp. Backtracking Tempo Estim. Version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2017/BV1.pdf PDF] || [http://www.ujaen.es Francisco Francisco J. Bris Peñalver], [http://www.ujaen.es Pedro Vera-Candeas]
|}

[[Category: Results]]

===Summary Results===
<csv>2017/scofo/scofo_summary_results.csv</csv>

===Individual Results===
'''BV1''' = [https://www.music-ir.org/mirex/results/2017/scofo/BV1.csv Francisco J. Bris Peñalver, Pedro Vera-Candeas] 
'''BV2''' = [https://www.music-ir.org/mirex/results/2017/scofo/BV2.csv Francisco J. Bris Peñalver, Pedro Vera-Candeas] 
'''BV3''' = [https://www.music-ir.org/mirex/results/2017/scofo/BV3.csv Francisco J. Bris Peñalver, Pedro Vera-Candeas] 
'''BV4''' = [https://www.music-ir.org/mirex/results/2017/scofo/BV4.csv Francisco J. Bris Peñalver, Pedro Vera-Candeas]

2017:Real-time Audio to Score Alignment (a.k.a. Score Following) Results

2017-10-19T09:56:41Z

Jcarabias: /* General Legend */

==Introduction==
These are the results for the 2017 running of the Real-time Audio to Score Alignment (a.k.a Score Following) task. For background information about this task set please refer to the [[2017:Real-time Audio to Score Alignment (a.k.a Score Following)]] page.

== General Legend ==
{| border="1" cellspacing="0" style="text-align: left; width: 800px;"
|- style="background: yellow;"
! width="80" | Sub code
! width="200" | Submission name
! width="80" style="text-align: center;" | Abstract
! width="440" | Contributors
|-
! BV1
| RM1 REAL TIME ONLINE ALIGNMENT ALGORITHM FOR MIREX 2017 (Forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2017/BV1.pdf PDF] || [http://www.ujaen.es Francisco J. Bris Peñalver], [http://www.ujaen.es Pedro Vera-Candeas]
|-
! BV2
| RM1 REAL TIME ONLINE ALIGNMENT ALGORITHM FOR MIREX 2017 (Backward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2017/BV1.pdf PDF] || [http://www.ujaen.es Francisco Francisco J. Bris Peñalver], [http://www.ujaen.es Pedro Vera-Candeas]
|-
! BV3
| RM1 REAL TIME ONLINE ALIGNMENT ALGORITHM FOR MIREX 2017 (Accomp. Online Tempo Estim. Version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2017/BV1.pdf PDF] || [http://www.ujaen.es Francisco Francisco J. Bris Peñalver], [http://www.ujaen.es Pedro Vera-Candeas]
|-
! BV4
| RM1 REAL TIME ONLINE ALIGNMENT ALGORITHM FOR MIREX 2017 (Accomp. Backtracking Tempo Estim. Version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2017/BV1.pdf PDF] || [http://www.ujaen.es Francisco Francisco J. Bris Peñalver], [http://www.ujaen.es Pedro Vera-Candeas]
|}

[[Category: Results]]

===Summary Results===
<csv>2017/scofo/scofo_summary_results.csv</csv>

===Individual Results===
'''BV1''' = [https://www.music-ir.org/mirex/results/2017/scofo/BV1.csv Francisco J. Bris Peñalver, Pedro Vera-Candeas] 
'''BV2''' = [https://www.music-ir.org/mirex/results/2017/scofo/BV2.csv Francisco J. Bris Peñalver, Pedro Vera-Candeas] 
'''BV3''' = [https://www.music-ir.org/mirex/results/2017/scofo/BV3.csv Francisco J. Bris Peñalver, Pedro Vera-Candeas] 
'''BV4''' = [https://www.music-ir.org/mirex/results/2017/scofo/BV4.csv Francisco J. Bris Peñalver, Pedro Vera-Candeas]

2017:Real-time Audio to Score Alignment (a.k.a. Score Following) Results

2017-10-18T17:09:39Z

Jcarabias: /* Individual Results */

==Introduction==
These are the results for the 2017 running of the Real-time Audio to Score Alignment (a.k.a Score Following) task. For background information about this task set please refer to the [[2017:Real-time Audio to Score Alignment (a.k.a Score Following)]] page.

== General Legend ==
{| border="1" cellspacing="0" style="text-align: left; width: 800px;"
|- style="background: yellow;"
! width="80" | Sub code
! width="200" | Submission name
! width="80" style="text-align: center;" | Abstract
! width="440" | Contributors
|-
! BV1
| RM1 REAL TIME ONLINE ALIGNMENT ALGORITHM FOR MIREX 2017 (Forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2017/BV1.pdf PDF] || [http://www.ujaen.es Francisco J. Bris Peñalver], [http://www.ujaen.es Pedro Vera-Candeas]
|-
! BV2
| RM1 REAL TIME ONLINE ALIGNMENT ALGORITHM FOR MIREX 2017 (Backward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2017/BV1.pdf PDF] || [http://www.ujaen.es Francisco Francisco J. Bris Peñalver], [http://www.ujaen.es Pedro Vera-Candeas]
|-
! BV3
| RM1 REAL TIME ONLINE ALIGNMENT ALGORITHM FOR MIREX 2017 (Accomp. Forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2017/BV1.pdf PDF] || [http://www.ujaen.es Francisco Francisco J. Bris Peñalver], [http://www.ujaen.es Pedro Vera-Candeas]
|-
! BV4
| RM1 REAL TIME ONLINE ALIGNMENT ALGORITHM FOR MIREX 2017 (Accomp. Backward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2017/BV1.pdf PDF] || [http://www.ujaen.es Francisco Francisco J. Bris Peñalver], [http://www.ujaen.es Pedro Vera-Candeas]
|}

[[Category: Results]]

===Summary Results===
<csv>2017/scofo/scofo_summary_results.csv</csv>

===Individual Results===
'''BV1''' = [https://www.music-ir.org/mirex/results/2017/scofo/BV1.csv Francisco J. Bris Peñalver, Pedro Vera-Candeas] 
'''BV2''' = [https://www.music-ir.org/mirex/results/2017/scofo/BV2.csv Francisco J. Bris Peñalver, Pedro Vera-Candeas] 
'''BV3''' = [https://www.music-ir.org/mirex/results/2017/scofo/BV3.csv Francisco J. Bris Peñalver, Pedro Vera-Candeas] 
'''BV4''' = [https://www.music-ir.org/mirex/results/2017/scofo/BV4.csv Francisco J. Bris Peñalver, Pedro Vera-Candeas]

2017:Real-time Audio to Score Alignment (a.k.a. Score Following) Results

2017-10-18T16:56:29Z

Jcarabias: /* Introduction */

==Introduction==
These are the results for the 2017 running of the Real-time Audio to Score Alignment (a.k.a Score Following) task. For background information about this task set please refer to the [[2017:Real-time Audio to Score Alignment (a.k.a Score Following)]] page.

== General Legend ==
{| border="1" cellspacing="0" style="text-align: left; width: 800px;"
|- style="background: yellow;"
! width="80" | Sub code
! width="200" | Submission name
! width="80" style="text-align: center;" | Abstract
! width="440" | Contributors
|-
! BV1
| RM1 REAL TIME ONLINE ALIGNMENT ALGORITHM FOR MIREX 2017 (Forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2017/BV1.pdf PDF] || [http://www.ujaen.es Francisco J. Bris Peñalver], [http://www.ujaen.es Pedro Vera-Candeas]
|-
! BV2
| RM1 REAL TIME ONLINE ALIGNMENT ALGORITHM FOR MIREX 2017 (Backward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2017/BV1.pdf PDF] || [http://www.ujaen.es Francisco Francisco J. Bris Peñalver], [http://www.ujaen.es Pedro Vera-Candeas]
|-
! BV3
| RM1 REAL TIME ONLINE ALIGNMENT ALGORITHM FOR MIREX 2017 (Accomp. Forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2017/BV1.pdf PDF] || [http://www.ujaen.es Francisco Francisco J. Bris Peñalver], [http://www.ujaen.es Pedro Vera-Candeas]
|-
! BV4
| RM1 REAL TIME ONLINE ALIGNMENT ALGORITHM FOR MIREX 2017 (Accomp. Backward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2017/BV1.pdf PDF] || [http://www.ujaen.es Francisco Francisco J. Bris Peñalver], [http://www.ujaen.es Pedro Vera-Candeas]
|}

[[Category: Results]]

===Summary Results===
<csv>2017/scofo/scofo_summary_results.csv</csv>

===Individual Results===
'''BV1''' = [https://www.music-ir.org/mirex/results/2017/scofo/BV1.csv Francisco J. Bris Peñalver, Pedro Vera-Candeas] 
'''BV2''' = [https://www.music-ir.org/mirex/results/2017/scofo/BV1.csv Francisco J. Bris Peñalver, Pedro Vera-Candeas] 
'''BV3''' = [https://www.music-ir.org/mirex/results/2017/scofo/BV3.csv Francisco J. Bris Peñalver, Pedro Vera-Candeas] 
'''BV4''' = [https://www.music-ir.org/mirex/results/2017/scofo/BV4.csv Francisco J. Bris Peñalver, Pedro Vera-Candeas]

2017:Real-time Audio to Score Alignment (a.k.a. Score Following) Results

2017-10-18T16:56:17Z

Jcarabias: /* General Legend */

==Introduction==
These are the results for the 2016 running of the Real-time Audio to Score Alignment (a.k.a Score Following) task. For background information about this task set please refer to the [[2016:Real-time Audio to Score Alignment (a.k.a Score Following)]] page.

== General Legend ==
{| border="1" cellspacing="0" style="text-align: left; width: 800px;"
|- style="background: yellow;"
! width="80" | Sub code
! width="200" | Submission name
! width="80" style="text-align: center;" | Abstract
! width="440" | Contributors
|-
! BV1
| RM1 REAL TIME ONLINE ALIGNMENT ALGORITHM FOR MIREX 2017 (Forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2017/BV1.pdf PDF] || [http://www.ujaen.es Francisco J. Bris Peñalver], [http://www.ujaen.es Pedro Vera-Candeas]
|-
! BV2
| RM1 REAL TIME ONLINE ALIGNMENT ALGORITHM FOR MIREX 2017 (Backward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2017/BV1.pdf PDF] || [http://www.ujaen.es Francisco Francisco J. Bris Peñalver], [http://www.ujaen.es Pedro Vera-Candeas]
|-
! BV3
| RM1 REAL TIME ONLINE ALIGNMENT ALGORITHM FOR MIREX 2017 (Accomp. Forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2017/BV1.pdf PDF] || [http://www.ujaen.es Francisco Francisco J. Bris Peñalver], [http://www.ujaen.es Pedro Vera-Candeas]
|-
! BV4
| RM1 REAL TIME ONLINE ALIGNMENT ALGORITHM FOR MIREX 2017 (Accomp. Backward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2017/BV1.pdf PDF] || [http://www.ujaen.es Francisco Francisco J. Bris Peñalver], [http://www.ujaen.es Pedro Vera-Candeas]
|}

[[Category: Results]]

===Summary Results===
<csv>2017/scofo/scofo_summary_results.csv</csv>

===Individual Results===
'''BV1''' = [https://www.music-ir.org/mirex/results/2017/scofo/BV1.csv Francisco J. Bris Peñalver, Pedro Vera-Candeas] 
'''BV2''' = [https://www.music-ir.org/mirex/results/2017/scofo/BV1.csv Francisco J. Bris Peñalver, Pedro Vera-Candeas] 
'''BV3''' = [https://www.music-ir.org/mirex/results/2017/scofo/BV3.csv Francisco J. Bris Peñalver, Pedro Vera-Candeas] 
'''BV4''' = [https://www.music-ir.org/mirex/results/2017/scofo/BV4.csv Francisco J. Bris Peñalver, Pedro Vera-Candeas]

2017:Real-time Audio to Score Alignment (a.k.a. Score Following) Results

2017-10-18T16:52:12Z

Jcarabias: /* General Legend */

== General Legend ==
{| border="1" cellspacing="0" style="text-align: left; width: 800px;"
|- style="background: yellow;"
! width="80" | Sub code
! width="200" | Submission name
! width="80" style="text-align: center;" | Abstract
! width="440" | Contributors
|-
! BV1
| RM1 REAL TIME ONLINE ALIGNMENT ALGORITHM FOR MIREX 2017 (Forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2017/BV1.pdf PDF] || [http://www.ujaen.es Francisco J. Bris Peñalver], [http://www.ujaen.es Pedro Vera-Candeas]
|-
! BV2
| RM1 REAL TIME ONLINE ALIGNMENT ALGORITHM FOR MIREX 2017 (Backward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2017/BV1.pdf PDF] || [http://www.ujaen.es Francisco Francisco J. Bris Peñalver], [http://www.ujaen.es Pedro Vera-Candeas]
|-
! BV3
| RM1 REAL TIME ONLINE ALIGNMENT ALGORITHM FOR MIREX 2017 (Accomp. Forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2017/BV1.pdf PDF] || [http://www.ujaen.es Francisco Francisco J. Bris Peñalver], [http://www.ujaen.es Pedro Vera-Candeas]
|-
! BV4
| RM1 REAL TIME ONLINE ALIGNMENT ALGORITHM FOR MIREX 2017 (Accomp. Backward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2017/BV1.pdf PDF] || [http://www.ujaen.es Francisco Francisco J. Bris Peñalver], [http://www.ujaen.es Pedro Vera-Candeas]
|}

[[Category: Results]]

===Summary Results===
<csv>2017/scofo/scofo_summary_results.csv</csv>

===Individual Results===
'''BV1''' = [https://www.music-ir.org/mirex/results/2017/scofo/BV1.csv Francisco J. Bris Peñalver, Pedro Vera-Candeas] 
'''BV2''' = [https://www.music-ir.org/mirex/results/2017/scofo/BV1.csv Francisco J. Bris Peñalver, Pedro Vera-Candeas] 
'''BV3''' = [https://www.music-ir.org/mirex/results/2017/scofo/BV3.csv Francisco J. Bris Peñalver, Pedro Vera-Candeas] 
'''BV4''' = [https://www.music-ir.org/mirex/results/2017/scofo/BV4.csv Francisco J. Bris Peñalver, Pedro Vera-Candeas]

2017:Real-time Audio to Score Alignment (a.k.a. Score Following) Results

2017-10-18T16:49:32Z

Jcarabias: /* General Legend */

== General Legend ==
{| border="1" cellspacing="0" style="text-align: left; width: 800px;"
|- style="background: yellow;"
! width="80" | Sub code
! width="200" | Submission name
! width="80" style="text-align: center;" | Abstract
! width="440" | Contributors
|-
! BV1
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (Backward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2017/BV1.pdf PDF] || [http://www.ujaen.es Francisco J. Bris Peñalver], [http://www.ujaen.es Pedro Vera-Candeas]
|-
! BV2
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (Forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2017/BV1.pdf PDF] || [http://www.ujaen.es Francisco Francisco J. Bris Peñalver], [http://www.ujaen.es Pedro Vera-Candeas]
|-
! BV3
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (Forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2017/BV1.pdf PDF] || [http://www.ujaen.es Francisco Francisco J. Bris Peñalver], [http://www.ujaen.es Pedro Vera-Candeas]
|-
! BV4
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (Forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2017/BV1.pdf PDF] || [http://www.ujaen.es Francisco Francisco J. Bris Peñalver], [http://www.ujaen.es Pedro Vera-Candeas]
|}

[[Category: Results]]

===Summary Results===
<csv>2017/scofo/scofo_summary_results.csv</csv>

===Individual Results===
'''BV1''' = [https://www.music-ir.org/mirex/results/2017/scofo/BV1.csv Francisco J. Bris Peñalver, Pedro Vera-Candeas] 
'''BV2''' = [https://www.music-ir.org/mirex/results/2017/scofo/BV1.csv Francisco J. Bris Peñalver, Pedro Vera-Candeas] 
'''BV3''' = [https://www.music-ir.org/mirex/results/2017/scofo/BV3.csv Francisco J. Bris Peñalver, Pedro Vera-Candeas] 
'''BV4''' = [https://www.music-ir.org/mirex/results/2017/scofo/BV4.csv Francisco J. Bris Peñalver, Pedro Vera-Candeas]

2017:MIREX2017 Results

2017-10-18T16:45:53Z

Jcarabias: /* Results by Task (More results are coming) */

==Overall Results Poster==
Coming soon

==Results by Task (More results are coming) ==
* [[2017:Audio Fingerprinting Results|Audio Fingerprinting Results]]
* [[2017:Set List Identification Results | Set List Identification Results]]

*Train-Test Task Set
** [https://www.music-ir.org/nema_out/mirex2017/results/act/composer_report/ Audio Classical Composer Identification Results ]  
** [https://www.music-ir.org/nema_out/mirex2017/results/act/latin_report/ Audio Latin Genre Classification Results ]  
** [https://www.music-ir.org/nema_out/mirex2017/results/act/mood_report/index.html Audio Music Mood Classification Results ]  
** [https://www.music-ir.org/nema_out/mirex2017/results/act/mixed_report/ Audio Mixed Popular Genre Classification Results ]  
** [https://www.music-ir.org/nema_out/mirex2017/results/act/kgenrek_report/ Audio KPOP Genre (Annotated by Korean Annotators) Classification Results ]  
** [https://www.music-ir.org/nema_out/mirex2017/results/act/kgenrea_report/ Audio KPOP Genre (Annotated by American Annotators) Classification Results ]  
** [https://www.music-ir.org/nema_out/mirex2017/results/act/kmoodk_report/ Audio KPOP Mood (Annotated by Korean Annotators) Classification Results ]  
** [https://www.music-ir.org/nema_out/mirex2017/results/act/kmooda_report/ Audio KPOP Mood (Annotated by American Annotators) Classification Results ]  
* [https://nema.lis.illinois.edu/nema_out/mirex2017/results/aod/ Audio Onset Detection Results]  
* [https://nema.lis.illinois.edu/nema_out/mirex2017/results/ate/ Audio Tempo Estimation Results]  

* [[2017:Automatic Lyrics-to-Audio Alignment Results | Automatic Lyrics-to-Audio Alignment Results]]
* [[2017:Discovery of Repeated Themes & Sections Results|Discovery of Repeated Themes & Sections Results]]
* [https://www.music-ir.org/mirex/wiki/2017:Real-time_Audio_to_Score_Alignment_(a.k.a._Score_Following)_Results#Summary_Results Real-time Audio to Score Alignment (a.k.a. Score Following) Results]  

* Music Structure Segmentation Results
** [https://nema.lis.illinois.edu/nema_out/mirex2017/results/struct/mrx09/ MIREX09 dataset]  
** [https://nema.lis.illinois.edu/nema_out/mirex2017/results/struct/mrx10_1/ RWC dataset - Quaero (MIREX10) Ground-truth]  
** [https://nema.lis.illinois.edu/nema_out/mirex2017/results/struct/mrx10_2/ RWC dataset - Original RWC Ground-truth]  
** [https://nema.lis.illinois.edu/nema_out/mirex2017/results/struct/salami/ SALAMI dataset] (partial)  

* Audio Beat Tracking Results
** [https://nema.lis.illinois.edu/nema_out/mirex2017/results/abt/smc/ SMC Dataset]  
** [https://nema.lis.illinois.edu/nema_out/mirex2017/results/abt/maz/ MAZ Dataset]  
** [https://nema.lis.illinois.edu/nema_out/mirex2017/results/abt/mck/ MCK Dataset]  

* [[2017:Audio_Chord_Estimation_Results | Audio Chord Estimation]]
** [[2017:Audio_Chord_Estimation_Results#Isophonics2009 | Isophonics2009 Dataset]]  
** [[2017:Audio_Chord_Estimation_Results#Billboard2012 | Billboard2012 Dataset]]  
** [[2017:Audio_Chord_Estimation_Results#Billboard_013 | Billboard2013 Dataset]]  
** [[2017:Audio_Chord_Estimation_Results#JayChou29 | JayChou29 Dataset]]  
** [[2017:Audio_Chord_Estimation_Results#RobbieWilliams | RobbieWilliams Dataset]]  
** [[2017:Audio_Chord_Estimation_Results#RWC-Popular | RWC-Popular Dataset]]  
** [[2017:Audio_Chord_Estimation_Results#USPOP2002Chords | USPOP2002Chords Dataset]]  

* Multiple Fundamental Frequency Estimation & Tracking Results
** [[2017:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results_%2D_MIREX_Dataset | MIREX Dataset]]  

* [[2017:Drum_Transcription_Results | Drum Transcription]]  

2017:Real-time Audio to Score Alignment (a.k.a. Score Following) Results

2017-10-18T16:44:27Z

Jcarabias:

== General Legend ==
{| border="1" cellspacing="0" style="text-align: left; width: 800px;"
|- style="background: yellow;"
! width="80" | Sub code
! width="200" | Submission name
! width="80" style="text-align: center;" | Abstract
! width="440" | Contributors
|-
! BV1
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (Backward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2017/BV1.pdf PDF] || [http://www.ujaen.es Francisco J. Bris Peñalver], [http://www.ujaen.es Pedro Vera-Candeas]
|-
! BV2
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (Forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2016/VCR2.pdf PDF] || [http://www.ujaen.es Francisco Francisco J. Bris Peñalver], [http://www.ujaen.es Pedro Vera-Candeas]
|-
! BV3
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (Forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2016/VCR2.pdf PDF] || [http://www.ujaen.es Francisco Francisco J. Bris Peñalver], [http://www.ujaen.es Pedro Vera-Candeas]
|-
! BV4
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (Forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2016/VCR2.pdf PDF] || [http://www.ujaen.es Francisco Francisco J. Bris Peñalver], [http://www.ujaen.es Pedro Vera-Candeas]
|}

[[Category: Results]]

===Summary Results===
<csv>2017/scofo/scofo_summary_results.csv</csv>

===Individual Results===
'''BV1''' = [https://www.music-ir.org/mirex/results/2017/scofo/BV1.csv Francisco J. Bris Peñalver, Pedro Vera-Candeas] 
'''BV2''' = [https://www.music-ir.org/mirex/results/2017/scofo/BV1.csv Francisco J. Bris Peñalver, Pedro Vera-Candeas] 
'''BV3''' = [https://www.music-ir.org/mirex/results/2017/scofo/BV3.csv Francisco J. Bris Peñalver, Pedro Vera-Candeas] 
'''BV4''' = [https://www.music-ir.org/mirex/results/2017/scofo/BV4.csv Francisco J. Bris Peñalver, Pedro Vera-Candeas]

2016:Real-time Audio to Score Alignment (a.k.a Score Following)

2016-08-10T07:51:08Z

Jcarabias: /* Data */

''Real-time Audio to Score Alignment'', also known as ''Score Following''

== Description ==
Score Following is the real-time alignment of an incoming music signal to the music score. The music signal can be symbolic (MIDI) or audio, but we will concentrate here on audio following, unless there are some candidates who'd want their symbolic followers to be evaluated and can propose reference data.

This page describes a proposal for evaluation of score following systems.

Submissions will be required to estimate alignment precision according to the indexed times. In order for your system to participate, please specify the type of alignment (monophonic, polyphonic), type of training and realtime performance, also separated into two domains (upon enough submissions) for symbolic and audio systems. Note that we also do accept systems that don't run in real-time in practice, as soon as their algorithm is on-line, i.e. without making use of global knowledge of the input.

=== Task specific mailing list ===
In the past we have use a specific mailing list for the discussion of this task and related tasks. This year, however, we are asking that all discussions take place on the MIREX [https://mail.lis.illinois.edu/mailman/listinfo/evalfest "EvalFest" list]. If you have an question or comment, simply include the task name in the subject heading.

== Data ==
46 recordings and their corresponding MIDI representations of the score will be used in the evaluation. These 46 excerpts were extracted from 4 distinct musical pieces.
Recordings are in 44.1Khz 16bit wav format. The reference scores are in MIDI format.

Zhiyao Duan and Prof. Bryan Pardo contributed another polyphonic dataset. This dataset consists of 10 pieces of four-part J.S. Bach chorales. The audio file was performed by a quartet of instruments: violin, clarinet, saxophone and bassoon. The ground-truth alignment between audio and midi were generated by human annotation.

Andreas Arzt contributed a heavily polyphonic dataset consisting of 3 piano performances of the Prelude in G minor op. 23-5 by Sergei Rachmaninoff. The 3 performances (by Ashkenazy, Gavrilov and Shelley) differ heavily in their style of interpretation. The ground truth data was compiled by extensive manual correction of off-line alignments. ''Due to an oversight this data was not used for the evaluation runs.''

Marius Miron, Juan Bosch, Julio Carabias and Jordi Janer contributed with four passages of symphonic music from the Classical and Romantic periods. The first passage is a soprano aria of Donna Elvira from the opera Don Giovanni by W. A. Mozart (1756-1791), corresponding to the Classical period, and traditionally played by a small group of musicians. The second passage is from L. van Beethoven's (1770-1827) Symphony no. 7, featuring big chords and string crescendo. The chords and pauses make the reverberation tail of a concert hall clearly audible. The third passage is from Bruckner's (1824-1896) Symphony no. 8, and represents the late Romantic period. It features large dynamics and size of the orchestra. Finally, G. Mahler's Symphony no. 1, also featuring a large orchestra is another example of late romanticism. The ground-truth alignment between audio and midi were generated by human annotation.

== Evaluation procedures ==

Evaluation procedure consists of running score followers on a database of aligned audio to score where the database contains score, and performance audio (for system call) and a reference alignment (for evaluations) --
See http://ismir2007.ismir.net/proceedings/ISMIR2007_p315_cont.pdf for details.

See the details of 2006 proposal on the [[2006:Score_Following_Proposal|MIREX 2006 Wiki]]

=== I/O Format ===
Each system should conform to the following format:

''doScofo.sh "/path/to/audiofile.wav" "/path/to/midi_score_file.mid" "/path/to/result/filename.txt"

The stdout and stderr will be logged.

"/path/to/result/filenam.txt" should be have one line per detected note with the following 4 columns

1. estimated note onset time in performance audio file (ms)
2. detection time relative to performance audio file (ms)
3. note start time in score (ms)
4. MIDI note number in score (int)

Example :
''1800 1800 0 75''
''2021 2022 187.5 73''
''... ... ... ...''

Remarks: The third column with the detected note's start time in score serves as the unique identifier of a note (or chord for polyphonic scores) that links it to the ground truth onset of that note within the reference alignment files. The fourth column of MIDI note number is there only for your convenience, to know your way around in the result files, if you know the melody in MIDI.

=== Packaging submissions ===
All submissions should be statically linked to all libraries (the presence of
dynamically linked libraries cannot be guarenteed).

All submissions should include a README file including the following the
information:

* Command line calling format for all executables and an example formatted set of commands
* Number of threads/cores used or whether this should be specified on the command line
* Expected memory footprint
* Expected runtime
* Any required environments (and versions), e.g. python, java, bash, matlab.

== Time and hardware limits ==
Due to the potentially high number of particpants in this and other audio tasks,
hard limits on the runtime of submissions are specified.

A hard limit of 12 hours will be imposed on rthe total runtime of algorithms. Submissions that exceed this runtime may not receive a result.

== Potential Participants ==

Francisco Rodriguez / fjrodrig@ujaen.es

2016:Real-time Audio to Score Alignment (a.k.a Score Following)

2016-08-10T07:45:55Z

Jcarabias: /* Data */

''Real-time Audio to Score Alignment'', also known as ''Score Following''

== Description ==
Score Following is the real-time alignment of an incoming music signal to the music score. The music signal can be symbolic (MIDI) or audio, but we will concentrate here on audio following, unless there are some candidates who'd want their symbolic followers to be evaluated and can propose reference data.

This page describes a proposal for evaluation of score following systems.

Submissions will be required to estimate alignment precision according to the indexed times. In order for your system to participate, please specify the type of alignment (monophonic, polyphonic), type of training and realtime performance, also separated into two domains (upon enough submissions) for symbolic and audio systems. Note that we also do accept systems that don't run in real-time in practice, as soon as their algorithm is on-line, i.e. without making use of global knowledge of the input.

=== Task specific mailing list ===
In the past we have use a specific mailing list for the discussion of this task and related tasks. This year, however, we are asking that all discussions take place on the MIREX [https://mail.lis.illinois.edu/mailman/listinfo/evalfest "EvalFest" list]. If you have an question or comment, simply include the task name in the subject heading.

== Data ==
46 recordings and their corresponding MIDI representations of the score will be used in the evaluation. These 46 excerpts were extracted from 4 distinct musical pieces.
Recordings are in 44.1Khz 16bit wav format. The reference scores are in MIDI format.

Zhiyao Duan and Prof. Bryan Pardo contributed another polyphonic dataset. This dataset consists of 10 pieces of four-part J.S. Bach chorales. The audio file was performed by a quartet of instruments: violin, clarinet, saxophone and bassoon. The ground-truth alignment between audio and midi were generated by human annotation.

Andreas Arzt contributed a heavily polyphonic dataset consisting of 3 piano performances of the Prelude in G minor op. 23-5 by Sergei Rachmaninoff. The 3 performances (by Ashkenazy, Gavrilov and Shelley) differ heavily in their style of interpretation. The ground truth data was compiled by extensive manual correction of off-line alignments. ''Due to an oversight this data was not used for the evaluation runs.''

Marius Miron, Julio Carabias, Jordi Janer and Juan Bosch contributed with four passages of symphonic music from the Classical and Romantic periods. The first passage is a soprano aria of Donna Elvira from the opera Don Giovanni by W. A. Mozart (1756-1791), corresponding to the Classical period, and traditionally played by a small group of musicians. The second passage is from L. van Beethoven's (1770-1827) Symphony no. 7, featuring big chords and string crescendo. The chords and pauses make the reverberation tail of a concert hall clearly audible. The third passage is from Bruckner's (1824-1896) Symphony no. 8, and represents the late Romantic period. It features large dynamics and size of the orchestra. Finally, G. Mahler's Symphony no. 1, also featuring a large orchestra is another example of late romanticism. The ground-truth alignment between audio and midi were generated by human annotation.

== Evaluation procedures ==

Evaluation procedure consists of running score followers on a database of aligned audio to score where the database contains score, and performance audio (for system call) and a reference alignment (for evaluations) --
See http://ismir2007.ismir.net/proceedings/ISMIR2007_p315_cont.pdf for details.

See the details of 2006 proposal on the [[2006:Score_Following_Proposal|MIREX 2006 Wiki]]

=== I/O Format ===
Each system should conform to the following format:

''doScofo.sh "/path/to/audiofile.wav" "/path/to/midi_score_file.mid" "/path/to/result/filename.txt"

The stdout and stderr will be logged.

"/path/to/result/filenam.txt" should be have one line per detected note with the following 4 columns

1. estimated note onset time in performance audio file (ms)
2. detection time relative to performance audio file (ms)
3. note start time in score (ms)
4. MIDI note number in score (int)

Example :
''1800 1800 0 75''
''2021 2022 187.5 73''
''... ... ... ...''

Remarks: The third column with the detected note's start time in score serves as the unique identifier of a note (or chord for polyphonic scores) that links it to the ground truth onset of that note within the reference alignment files. The fourth column of MIDI note number is there only for your convenience, to know your way around in the result files, if you know the melody in MIDI.

=== Packaging submissions ===
All submissions should be statically linked to all libraries (the presence of
dynamically linked libraries cannot be guarenteed).

All submissions should include a README file including the following the
information:

* Command line calling format for all executables and an example formatted set of commands
* Number of threads/cores used or whether this should be specified on the command line
* Expected memory footprint
* Expected runtime
* Any required environments (and versions), e.g. python, java, bash, matlab.

== Time and hardware limits ==
Due to the potentially high number of particpants in this and other audio tasks,
hard limits on the runtime of submissions are specified.

A hard limit of 12 hours will be imposed on rthe total runtime of algorithms. Submissions that exceed this runtime may not receive a result.

== Potential Participants ==

Francisco Rodriguez / fjrodrig@ujaen.es

2016:Real-time Audio to Score Alignment (a.k.a Score Following)

2016-08-10T07:43:48Z

Jcarabias: /* Data */

''Real-time Audio to Score Alignment'', also known as ''Score Following''

== Description ==
Score Following is the real-time alignment of an incoming music signal to the music score. The music signal can be symbolic (MIDI) or audio, but we will concentrate here on audio following, unless there are some candidates who'd want their symbolic followers to be evaluated and can propose reference data.

This page describes a proposal for evaluation of score following systems.

Submissions will be required to estimate alignment precision according to the indexed times. In order for your system to participate, please specify the type of alignment (monophonic, polyphonic), type of training and realtime performance, also separated into two domains (upon enough submissions) for symbolic and audio systems. Note that we also do accept systems that don't run in real-time in practice, as soon as their algorithm is on-line, i.e. without making use of global knowledge of the input.

=== Task specific mailing list ===
In the past we have use a specific mailing list for the discussion of this task and related tasks. This year, however, we are asking that all discussions take place on the MIREX [https://mail.lis.illinois.edu/mailman/listinfo/evalfest "EvalFest" list]. If you have an question or comment, simply include the task name in the subject heading.

== Data ==
46 recordings and their corresponding MIDI representations of the score will be used in the evaluation. These 46 excerpts were extracted from 4 distinct musical pieces.
Recordings are in 44.1Khz 16bit wav format. The reference scores are in MIDI format.

Zhiyao Duan and Prof. Bryan Pardo contributed another polyphonic dataset. This dataset consists of 10 pieces of four-part J.S. Bach chorales. The audio file was performed by a quartet of instruments: violin, clarinet, saxophone and bassoon. The ground-truth alignment between audio and midi were generated by human annotation.

Andreas Arzt contributed a heavily polyphonic dataset consisting of 3 piano performances of the Prelude in G minor op. 23-5 by Sergei Rachmaninoff. The 3 performances (by Ashkenazy, Gavrilov and Shelley) differ heavily in their style of interpretation. The ground truth data was compiled by extensive manual correction of off-line alignments. ''Due to an oversight this data was not used for the evaluation runs.''

Marius Miron, Julio Carabias, Jordi Janer and Juan Bosch contributed with four passages of symphonic music from the Classical and Romantic periods. The first passage is a soprano aria of Donna Elvira from the opera Don Giovanni by W. A. Mozart (1756-1791), corresponding to the Classical period, and traditionally played by a small group of musicians. The second passage is from L. van Beethoven's (1770-1827) Symphony no. 7, featuring big chords and string crescendo. The chords and pauses make the reverberation tail of a concert hall clearly audible. The third passage is from Bruckner's (1824-1896) Symphony no. 8, and represents the late Romantic period. It features large dynamics and size of the orchestra. Finally, G. Mahler's Symphony no. 1, also featuring a large orchestra is another example of late romanticism.

== Evaluation procedures ==

Evaluation procedure consists of running score followers on a database of aligned audio to score where the database contains score, and performance audio (for system call) and a reference alignment (for evaluations) --
See http://ismir2007.ismir.net/proceedings/ISMIR2007_p315_cont.pdf for details.

See the details of 2006 proposal on the [[2006:Score_Following_Proposal|MIREX 2006 Wiki]]

=== I/O Format ===
Each system should conform to the following format:

''doScofo.sh "/path/to/audiofile.wav" "/path/to/midi_score_file.mid" "/path/to/result/filename.txt"

The stdout and stderr will be logged.

"/path/to/result/filenam.txt" should be have one line per detected note with the following 4 columns

1. estimated note onset time in performance audio file (ms)
2. detection time relative to performance audio file (ms)
3. note start time in score (ms)
4. MIDI note number in score (int)

Example :
''1800 1800 0 75''
''2021 2022 187.5 73''
''... ... ... ...''

Remarks: The third column with the detected note's start time in score serves as the unique identifier of a note (or chord for polyphonic scores) that links it to the ground truth onset of that note within the reference alignment files. The fourth column of MIDI note number is there only for your convenience, to know your way around in the result files, if you know the melody in MIDI.

=== Packaging submissions ===
All submissions should be statically linked to all libraries (the presence of
dynamically linked libraries cannot be guarenteed).

All submissions should include a README file including the following the
information:

* Command line calling format for all executables and an example formatted set of commands
* Number of threads/cores used or whether this should be specified on the command line
* Expected memory footprint
* Expected runtime
* Any required environments (and versions), e.g. python, java, bash, matlab.

== Time and hardware limits ==
Due to the potentially high number of particpants in this and other audio tasks,
hard limits on the runtime of submissions are specified.

A hard limit of 12 hours will be imposed on rthe total runtime of algorithms. Submissions that exceed this runtime may not receive a result.

== Potential Participants ==

Francisco Rodriguez / fjrodrig@ujaen.es

2016:Real-time Audio to Score Alignment (a.k.a Score Following)

2016-08-09T12:39:53Z

Jcarabias: /* Potential Participants */

''Real-time Audio to Score Alignment'', also known as ''Score Following''

== Description ==
Score Following is the real-time alignment of an incoming music signal to the music score. The music signal can be symbolic (MIDI) or audio, but we will concentrate here on audio following, unless there are some candidates who'd want their symbolic followers to be evaluated and can propose reference data.

This page describes a proposal for evaluation of score following systems.

Submissions will be required to estimate alignment precision according to the indexed times. In order for your system to participate, please specify the type of alignment (monophonic, polyphonic), type of training and realtime performance, also separated into two domains (upon enough submissions) for symbolic and audio systems. Note that we also do accept systems that don't run in real-time in practice, as soon as their algorithm is on-line, i.e. without making use of global knowledge of the input.

=== Task specific mailing list ===
In the past we have use a specific mailing list for the discussion of this task and related tasks. This year, however, we are asking that all discussions take place on the MIREX [https://mail.lis.illinois.edu/mailman/listinfo/evalfest "EvalFest" list]. If you have an question or comment, simply include the task name in the subject heading.

== Data ==
46 recordings and their corresponding MIDI representations of the score will be used in the evaluation. These 46 excerpts were extracted from 4 distinct musical pieces.
Recordings are in 44.1Khz 16bit wav format. The reference scores are in MIDI format.

Zhiyao Duan and Prof. Bryan Pardo contributed another polyphonic dataset. This dataset consists of 10 pieces of four-part J.S. Bach chorales. The audio file was performed by a quartet of instruments: violin, clarinet, saxophone and bassoon. The ground-truth alignment between audio and midi were generated by human annotation.

Andreas Arzt contributed a heavily polyphonic dataset consisting of 3 piano performances of the Prelude in G minor op. 23-5 by Sergei Rachmaninoff. The 3 performances (by Ashkenazy, Gavrilov and Shelley) differ heavily in their style of interpretation. The ground truth data was compiled by extensive manual correction of off-line alignments. ''Due to an oversight this data was not used for the evaluation runs.''

Marius Miron contributed with four passages of symphonic music from the Classical and Romantic periods. The first passage is a soprano aria of Donna Elvira from the opera Don Giovanni by W. A. Mozart (1756-1791), corresponding to the Classical period, and traditionally played by a small group of musicians. The second passage is from L. van Beethoven's (1770-1827) Symphony no. 7, featuring big chords and string crescendo. The chords and pauses make the reverberation tail of a concert hall clearly audible. The third passage is from Bruckner's (1824-1896) Symphony no. 8, and represents the late Romantic period. It features large dynamics and size of the orchestra. Finally, G. Mahler's Symphony no. 1, also featuring a large orchestra is another example of late romanticism.

== Evaluation procedures ==

Evaluation procedure consists of running score followers on a database of aligned audio to score where the database contains score, and performance audio (for system call) and a reference alignment (for evaluations) --
See http://ismir2007.ismir.net/proceedings/ISMIR2007_p315_cont.pdf for details.

See the details of 2006 proposal on the [[2006:Score_Following_Proposal|MIREX 2006 Wiki]]

=== I/O Format ===
Each system should conform to the following format:

''doScofo.sh "/path/to/audiofile.wav" "/path/to/midi_score_file.mid" "/path/to/result/filename.txt"

The stdout and stderr will be logged.

"/path/to/result/filenam.txt" should be have one line per detected note with the following 4 columns

1. estimated note onset time in performance audio file (ms)
2. detection time relative to performance audio file (ms)
3. note start time in score (ms)
4. MIDI note number in score (int)

Example :
''1800 1800 0 75''
''2021 2022 187.5 73''
''... ... ... ...''

Remarks: The third column with the detected note's start time in score serves as the unique identifier of a note (or chord for polyphonic scores) that links it to the ground truth onset of that note within the reference alignment files. The fourth column of MIDI note number is there only for your convenience, to know your way around in the result files, if you know the melody in MIDI.

=== Packaging submissions ===
All submissions should be statically linked to all libraries (the presence of
dynamically linked libraries cannot be guarenteed).

All submissions should include a README file including the following the
information:

* Command line calling format for all executables and an example formatted set of commands
* Number of threads/cores used or whether this should be specified on the command line
* Expected memory footprint
* Expected runtime
* Any required environments (and versions), e.g. python, java, bash, matlab.

== Time and hardware limits ==
Due to the potentially high number of particpants in this and other audio tasks,
hard limits on the runtime of submissions are specified.

A hard limit of 12 hours will be imposed on rthe total runtime of algorithms. Submissions that exceed this runtime may not receive a result.

== Potential Participants ==

Francisco Rodriguez / fjrodrig@ujaen.es

2016:Real-time Audio to Score Alignment (a.k.a. Score Following) Results

2016-08-09T12:38:24Z

Jcarabias: /* Introduction */

==Introduction==
These are the results for the 2016 running of the Real-time Audio to Score Alignment (a.k.a Score Following) task. For background information about this task set please refer to the [[2016:Real-time Audio to Score Alignment (a.k.a Score Following)]] page.

== General Legend ==
{| border="1" cellspacing="0" style="text-align: left; width: 800px;"
|- style="background: yellow;"
! width="80" | Sub code
! width="200" | Submission name
! width="80" style="text-align: center;" | Abstract
! width="440" | Contributors
|-
! VCR1
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (Backward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2016/VCR1.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.tut.fi Julio Jose Carabias-Orti]
|-
! VCR2
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (Forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2016/VCR2.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.tut.fi Julio Jose Carabias-Orti]
|}

[[Category: Results]]

===Summary Results===
<csv>2016/scofo/scofo_summary_results.csv</csv>

===Individual Results===
'''VCR1''' = [https://www.music-ir.org/mirex/results/2016/scofo/VCR1.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti] 
'''VCR2''' = [https://www.music-ir.org/mirex/results/2016/scofo/VCR2.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti]

2016:Real-time Audio to Score Alignment (a.k.a. Score Following) Results

2016-08-09T12:37:59Z

Jcarabias: /* Introduction */

==Introduction==
These are the results for the 2015 running of the Real-time Audio to Score Alignment (a.k.a Score Following) task. For background information about this task set please refer to the [[2016:Real-time Audio to Score Alignment (a.k.a Score Following)]] page.

== General Legend ==
{| border="1" cellspacing="0" style="text-align: left; width: 800px;"
|- style="background: yellow;"
! width="80" | Sub code
! width="200" | Submission name
! width="80" style="text-align: center;" | Abstract
! width="440" | Contributors
|-
! VCR1
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (Backward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2016/VCR1.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.tut.fi Julio Jose Carabias-Orti]
|-
! VCR2
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (Forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2016/VCR2.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.tut.fi Julio Jose Carabias-Orti]
|}

[[Category: Results]]

===Summary Results===
<csv>2016/scofo/scofo_summary_results.csv</csv>

===Individual Results===
'''VCR1''' = [https://www.music-ir.org/mirex/results/2016/scofo/VCR1.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti] 
'''VCR2''' = [https://www.music-ir.org/mirex/results/2016/scofo/VCR2.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti]

2016:Real-time Audio to Score Alignment (a.k.a. Score Following) Results

2016-08-09T12:36:27Z

Jcarabias: /* Summary Results */

==Introduction==
These are the results for the 2015 running of the Real-time Audio to Score Alignment (a.k.a Score Following) task. For background information about this task set please refer to the [[2008:Real-time Audio to Score Alignment (a.k.a Score Following)]] page.

== General Legend ==
{| border="1" cellspacing="0" style="text-align: left; width: 800px;"
|- style="background: yellow;"
! width="80" | Sub code
! width="200" | Submission name
! width="80" style="text-align: center;" | Abstract
! width="440" | Contributors
|-
! VCR1
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (Backward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2016/VCR1.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.tut.fi Julio Jose Carabias-Orti]
|-
! VCR2
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (Forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2016/VCR2.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.tut.fi Julio Jose Carabias-Orti]
|}

[[Category: Results]]

===Summary Results===
<csv>2016/scofo/scofo_summary_results.csv</csv>

===Individual Results===
'''VCR1''' = [https://www.music-ir.org/mirex/results/2016/scofo/VCR1.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti] 
'''VCR2''' = [https://www.music-ir.org/mirex/results/2016/scofo/VCR2.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti]

2016:Real-time Audio to Score Alignment (a.k.a. Score Following) Results

2016-08-09T12:36:09Z

Jcarabias: /* Summary Results */

==Introduction==
These are the results for the 2015 running of the Real-time Audio to Score Alignment (a.k.a Score Following) task. For background information about this task set please refer to the [[2008:Real-time Audio to Score Alignment (a.k.a Score Following)]] page.

== General Legend ==
{| border="1" cellspacing="0" style="text-align: left; width: 800px;"
|- style="background: yellow;"
! width="80" | Sub code
! width="200" | Submission name
! width="80" style="text-align: center;" | Abstract
! width="440" | Contributors
|-
! VCR1
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (Backward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2016/VCR1.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.tut.fi Julio Jose Carabias-Orti]
|-
! VCR2
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (Forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2016/VCR2.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.tut.fi Julio Jose Carabias-Orti]
|}

[[Category: Results]]

===Summary Results===
<csv>2015/scofo/scofo_summary_results.csv</csv>

===Individual Results===
'''VCR1''' = [https://www.music-ir.org/mirex/results/2016/scofo/VCR1.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti] 
'''VCR2''' = [https://www.music-ir.org/mirex/results/2016/scofo/VCR2.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti]

2016:Real-time Audio to Score Alignment (a.k.a Score Following)

2016-08-09T12:31:27Z

Jcarabias: /* Data */

''Real-time Audio to Score Alignment'', also known as ''Score Following''

== Description ==
Score Following is the real-time alignment of an incoming music signal to the music score. The music signal can be symbolic (MIDI) or audio, but we will concentrate here on audio following, unless there are some candidates who'd want their symbolic followers to be evaluated and can propose reference data.

This page describes a proposal for evaluation of score following systems.

Submissions will be required to estimate alignment precision according to the indexed times. In order for your system to participate, please specify the type of alignment (monophonic, polyphonic), type of training and realtime performance, also separated into two domains (upon enough submissions) for symbolic and audio systems. Note that we also do accept systems that don't run in real-time in practice, as soon as their algorithm is on-line, i.e. without making use of global knowledge of the input.

=== Task specific mailing list ===
In the past we have use a specific mailing list for the discussion of this task and related tasks. This year, however, we are asking that all discussions take place on the MIREX [https://mail.lis.illinois.edu/mailman/listinfo/evalfest "EvalFest" list]. If you have an question or comment, simply include the task name in the subject heading.

== Data ==
46 recordings and their corresponding MIDI representations of the score will be used in the evaluation. These 46 excerpts were extracted from 4 distinct musical pieces.
Recordings are in 44.1Khz 16bit wav format. The reference scores are in MIDI format.

Zhiyao Duan and Prof. Bryan Pardo contributed another polyphonic dataset. This dataset consists of 10 pieces of four-part J.S. Bach chorales. The audio file was performed by a quartet of instruments: violin, clarinet, saxophone and bassoon. The ground-truth alignment between audio and midi were generated by human annotation.

Andreas Arzt contributed a heavily polyphonic dataset consisting of 3 piano performances of the Prelude in G minor op. 23-5 by Sergei Rachmaninoff. The 3 performances (by Ashkenazy, Gavrilov and Shelley) differ heavily in their style of interpretation. The ground truth data was compiled by extensive manual correction of off-line alignments. ''Due to an oversight this data was not used for the evaluation runs.''

Marius Miron contributed with four passages of symphonic music from the Classical and Romantic periods. The first passage is a soprano aria of Donna Elvira from the opera Don Giovanni by W. A. Mozart (1756-1791), corresponding to the Classical period, and traditionally played by a small group of musicians. The second passage is from L. van Beethoven's (1770-1827) Symphony no. 7, featuring big chords and string crescendo. The chords and pauses make the reverberation tail of a concert hall clearly audible. The third passage is from Bruckner's (1824-1896) Symphony no. 8, and represents the late Romantic period. It features large dynamics and size of the orchestra. Finally, G. Mahler's Symphony no. 1, also featuring a large orchestra is another example of late romanticism.

== Evaluation procedures ==

Evaluation procedure consists of running score followers on a database of aligned audio to score where the database contains score, and performance audio (for system call) and a reference alignment (for evaluations) --
See http://ismir2007.ismir.net/proceedings/ISMIR2007_p315_cont.pdf for details.

See the details of 2006 proposal on the [[2006:Score_Following_Proposal|MIREX 2006 Wiki]]

=== I/O Format ===
Each system should conform to the following format:

''doScofo.sh "/path/to/audiofile.wav" "/path/to/midi_score_file.mid" "/path/to/result/filename.txt"

The stdout and stderr will be logged.

"/path/to/result/filenam.txt" should be have one line per detected note with the following 4 columns

1. estimated note onset time in performance audio file (ms)
2. detection time relative to performance audio file (ms)
3. note start time in score (ms)
4. MIDI note number in score (int)

Example :
''1800 1800 0 75''
''2021 2022 187.5 73''
''... ... ... ...''

Remarks: The third column with the detected note's start time in score serves as the unique identifier of a note (or chord for polyphonic scores) that links it to the ground truth onset of that note within the reference alignment files. The fourth column of MIDI note number is there only for your convenience, to know your way around in the result files, if you know the melody in MIDI.

=== Packaging submissions ===
All submissions should be statically linked to all libraries (the presence of
dynamically linked libraries cannot be guarenteed).

All submissions should include a README file including the following the
information:

* Command line calling format for all executables and an example formatted set of commands
* Number of threads/cores used or whether this should be specified on the command line
* Expected memory footprint
* Expected runtime
* Any required environments (and versions), e.g. python, java, bash, matlab.

== Time and hardware limits ==
Due to the potentially high number of particpants in this and other audio tasks,
hard limits on the runtime of submissions are specified.

A hard limit of 12 hours will be imposed on rthe total runtime of algorithms. Submissions that exceed this runtime may not receive a result.

== Potential Participants ==

name / email

2016:Real-time Audio to Score Alignment (a.k.a. Score Following) Results

2016-08-09T12:17:58Z

Jcarabias: /* Summary Results */

==Introduction==
These are the results for the 2015 running of the Real-time Audio to Score Alignment (a.k.a Score Following) task. For background information about this task set please refer to the [[2008:Real-time Audio to Score Alignment (a.k.a Score Following)]] page.

== General Legend ==
{| border="1" cellspacing="0" style="text-align: left; width: 800px;"
|- style="background: yellow;"
! width="80" | Sub code
! width="200" | Submission name
! width="80" style="text-align: center;" | Abstract
! width="440" | Contributors
|-
! VCR1
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (Backward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2016/VCR1.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.tut.fi Julio Jose Carabias-Orti]
|-
! VCR2
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (Forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2016/VCR2.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.tut.fi Julio Jose Carabias-Orti]
|}

[[Category: Results]]

===Summary Results===
<csv>2016/scofo/scofo_summary_results.csv</csv>

===Individual Results===
'''VCR1''' = [https://www.music-ir.org/mirex/results/2016/scofo/VCR1.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti] 
'''VCR2''' = [https://www.music-ir.org/mirex/results/2016/scofo/VCR2.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti]

2016:Real-time Audio to Score Alignment (a.k.a. Score Following) Results

2016-08-09T12:17:03Z

Jcarabias: /* General Legend */

==Introduction==
These are the results for the 2015 running of the Real-time Audio to Score Alignment (a.k.a Score Following) task. For background information about this task set please refer to the [[2008:Real-time Audio to Score Alignment (a.k.a Score Following)]] page.

== General Legend ==
{| border="1" cellspacing="0" style="text-align: left; width: 800px;"
|- style="background: yellow;"
! width="80" | Sub code
! width="200" | Submission name
! width="80" style="text-align: center;" | Abstract
! width="440" | Contributors
|-
! VCR1
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (Backward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2016/VCR1.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.tut.fi Julio Jose Carabias-Orti]
|-
! VCR2
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (Forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2016/VCR2.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.tut.fi Julio Jose Carabias-Orti]
|}

[[Category: Results]]

===Summary Results===
<csv>https://www.music-ir.org/mirex/results/2016/scofo/scofo_summary_results.csv</csv>

===Individual Results===
'''VCR1''' = [https://www.music-ir.org/mirex/results/2016/scofo/VCR1.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti] 
'''VCR2''' = [https://www.music-ir.org/mirex/results/2016/scofo/VCR2.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti]

2016:Real-time Audio to Score Alignment (a.k.a. Score Following) Results

2016-08-09T12:14:26Z

Jcarabias: /* Summary Results */

==Introduction==
These are the results for the 2015 running of the Real-time Audio to Score Alignment (a.k.a Score Following) task. For background information about this task set please refer to the [[2008:Real-time Audio to Score Alignment (a.k.a Score Following)]] page.

== General Legend ==
{| border="1" cellspacing="0" style="text-align: left; width: 800px;"
|- style="background: yellow;"
! width="80" | Sub code
! width="200" | Submission name
! width="80" style="text-align: center;" | Abstract
! width="440" | Contributors
|-
! VCR1
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (Tempo forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2015/RVC4.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.upf.edu Julio Jose Carabias-Orti]
|-
! VCR2
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2015/RVC5.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.upf.edu Julio Jose Carabias-Orti]
|}

[[Category: Results]]

===Summary Results===
<csv>https://www.music-ir.org/mirex/results/2016/scofo/scofo_summary_results.csv</csv>

===Individual Results===
'''VCR1''' = [https://www.music-ir.org/mirex/results/2016/scofo/VCR1.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti] 
'''VCR2''' = [https://www.music-ir.org/mirex/results/2016/scofo/VCR2.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti]

2016:MIREX2016 Results

2016-08-09T12:06:57Z

Jcarabias:

*Train-Test Task Set
** [https://www.music-ir.org/nema_out/mirex2016/results/act/composer_report/ Audio Classical Composer Identification Results ]  
** [https://www.music-ir.org/nema_out/mirex2016/results/act/latin_report/ Audio Latin Genre Classification Results ]  
** [https://www.music-ir.org/nema_out/mirex2016/results/act/mood_report/index.html Audio Music Mood Classification Results ]  
** [https://www.music-ir.org/nema_out/mirex2016/results/act/mixed_report/ Audio Mixed Popular Genre Classification Results ]  
** [https://www.music-ir.org/nema_out/mirex2016/results/act/kgenrek_report/ Audio KPOP Genre (Annotated by Korean Annotators) Classification Results ]  
** [https://www.music-ir.org/nema_out/mirex2016/results/act/kgenrea_report/ Audio KPOP Genre (Annotated by American Annotators) Classification Results ]  
** [https://www.music-ir.org/nema_out/mirex2016/results/act/kmoodk_report/ Audio KPOP Mood (Annotated by Korean Annotators) Classification Results ]  
** [https://www.music-ir.org/nema_out/mirex2016/results/act/kmooda_report/ Audio KPOP Mood (Annotated by American Annotators) Classification Results ]  

* Audio Key Detection Results
** [https://nema.lis.illinois.edu/nema_out/mirex2016/results/akd/mrx_05 MIREX 2005 Dataset]  
** [https://nema.lis.illinois.edu/nema_out/mirex2016/results/akd/gsteps GiantSteps Dataset]  

* Audio Melody Extraction Results
** [https://nema.lis.illinois.edu/nema_out/mirex2016/results/ame/adc04/ ADC04 Dataset]  
** [https://nema.lis.illinois.edu/nema_out/mirex2016/results/ame/mrx05/ MIREX05 Dataset]  
** [https://nema.lis.illinois.edu/nema_out/mirex2016/results/ame/ind08/ INDIAN08 Dataset]  
** [https://nema.lis.illinois.edu/nema_out/mirex2016/results/ame/mrx09_0db/ MIREX09 0dB Dataset]  
** [https://nema.lis.illinois.edu/nema_out/mirex2016/results/ame/mrx09_m5db/ MIREX09 -5dB Dataset]  
** [https://nema.lis.illinois.edu/nema_out/mirex2016/results/ame/mrx09_p5db/ MIREX09 +5dB Dataset]  
** [https://nema.lis.illinois.edu/nema_out/mirex2016/results/ame/orchset/ ORCHSET15 Dataset]  

* Query-by-Singing/Humming Results
** [https://nema.lis.illinois.edu/nema_out/mirex2016/results/qbsh/qbsh_task1_hidden/ Hidden Jang Dataset]  
** [https://nema.lis.illinois.edu/nema_out/mirex2016/results/qbsh/qbsh_task1_jang/ Jang Dataset]  
** [https://nema.lis.illinois.edu/nema_out/mirex2016/results/qbsh/qbsh_task1_thinkit/ ThinkIt Dataset]  
** [https://nema.lis.illinois.edu/nema_out/mirex2016/results/qbsh/qbsh_task1_ioacas/ IOACAS Dataset]  
** [https://nema.lis.illinois.edu/nema_out/mirex2016/results/qbsh/qbsh_task2_jang/ Subtask2 Dataset]  

* [[2016:Audio Downbeat Estimation Results|Audio Downbeat Estimation Results]]
* [[2016:Audio Fingerprinting Results|Audio Fingerprinting Results]]
* [https://www.music-ir.org/mirex/wiki/2016:Real-time_Audio_to_Score_Alignment_(a.k.a._Score_Following)_Results#Summary_Results Real-time Audio to Score Alignment (a.k.a. Score Following) Results]  

* Music Structure Segmentation Results
** [https://nema.lis.illinois.edu/nema_out/mirex2016/results/struct/mrx09/ MIREX09 dataset]  
** [https://nema.lis.illinois.edu/nema_out/mirex2016/results/struct/mrx10_1/ RWC dataset - Quaero (MIREX10) Ground-truth]  
** [https://nema.lis.illinois.edu/nema_out/mirex2016/results/struct/mrx10_2/ RWC dataset - Original RWC Ground-truth]  
** [https://nema.lis.illinois.edu/nema_out/mirex2016/results/struct/salami/ SALAMI dataset] (partial)  

* Audio Beat Tracking Results
** [https://nema.lis.illinois.edu/nema_out/mirex2016/results/abt/smc/ SMC Dataset]  
** [https://nema.lis.illinois.edu/nema_out/mirex2016/results/abt/maz/ MAZ Dataset]  
** [https://nema.lis.illinois.edu/nema_out/mirex2016/results/abt/mck/ MCK Dataset]  

* [https://nema.lis.illinois.edu/nema_out/mirex2016/results/aod/ Audio Onset Detection Results]  
* [https://nema.lis.illinois.edu/nema_out/mirex2016/results/ate/ Audio Tempo Estimation Results]  

* [[2016:Audio_Chord_Estimation_Results | Audio Chord Estimation]]
** [[2016:Audio_Chord_Estimation_Results#Isophonics_2009 | Isophonics 2009 Dataset]]  
** [[2016:Audio_Chord_Estimation_Results#Billboard_2012 | Billboard 2012 Dataset]]  
** [[2016:Audio_Chord_Estimation_Results#Billboard_2013 | Billboard 2013 Dataset]]  
** [[2016:Audio_Chord_Estimation_Results#JayChou_2015 | JayChou 2015 Dataset]]  
** [[2016:Audio_Chord_Estimation_Results#RobbieWilliams_2016 | RobbieWilliams 2016 Dataset]]  

* Multiple Fundamental Frequency Estimation & Tracking Results
** [[2016:Multiple_Fundamental_Frequency_Estimation_%26_Tracking_Results_%2D_MIREX_Dataset | MIREX Dataset]]  

* [[2016:Set List Identification Results | Set List Identification Results]]

* [https://www.music-ir.org/mirex/wiki/2016:Singing_Voice_Separation_Results Singing Voice Separation]

* [[2016:Audio Cover Song Identification Results|Audio Cover Song Identification Results]] (partial)

2016:Real-time Audio to Score Alignment (a.k.a. Score Following) Results

2016-08-09T11:54:06Z

Jcarabias: Created page with "==Introduction== These are the results for the 2015 running of the Real-time Audio to Score Alignment (a.k.a Score Following) task. For background information about this task set..."

==Introduction==
These are the results for the 2015 running of the Real-time Audio to Score Alignment (a.k.a Score Following) task. For background information about this task set please refer to the [[2008:Real-time Audio to Score Alignment (a.k.a Score Following)]] page.

== General Legend ==
{| border="1" cellspacing="0" style="text-align: left; width: 800px;"
|- style="background: yellow;"
! width="80" | Sub code
! width="200" | Submission name
! width="80" style="text-align: center;" | Abstract
! width="440" | Contributors
|-
! VCR1
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (Tempo forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2015/RVC4.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.upf.edu Julio Jose Carabias-Orti]
|-
! VCR2
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2015/RVC5.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.upf.edu Julio Jose Carabias-Orti]
|}

[[Category: Results]]

===Summary Results===
<csv>2016/scofo/scofo_summary_results.csv</csv>

===Individual Results===
'''VCR1''' = [https://www.music-ir.org/mirex/results/2016/scofo/VCR1.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti] 
'''VCR2''' = [https://www.music-ir.org/mirex/results/2016/scofo/VCR2.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti]

2016:Task Captains

2016-02-22T11:02:18Z

Jcarabias:

Like ISMIR 2015, we are prepared to improve the distribution of tasks for the upcoming MIREX 2016. To do so, we really need leaders to help us organize and run each task.

To volunteer to lead one or more tasks, please add your name in the "Captains" column.

What does it mean to lead a task?
* Update wiki pages as needed
* Communicate with submitters and troubleshooting submissions
* Execution and evaluation of submissions
* Publishing final results

Due to the proprietary nature of much of the data, the submission system, evaluation framework, and most of the datasets will continue to be hosted by IMIRSEL. However, we are prepared to provide access to task organizers to manage and run submissions on the IMIRSEL systems.

{| class="wikitable" style="margin-left: 20px"
!ID !! Task !! Captain(s)
|-
|abt
|[[2016:Audio Beat Tracking]]
|Sebastian Böck, Florian Krebs
|-
|ace
|[[2016:Audio Chord Estimation]]
|
|-
|act
|[[2016:Audio Classification (Train/Test) Tasks]]
|IMIRSEL
|-
|acs
|[[2016:Audio Cover Song Identification]]
|
|-
|ade
|[[2016:Audio Downbeat Estimation]]
|Florian Krebs, Sebastian Böck
|-
|akd
|[[2016:Audio Key Detection]]
|
|-
|ame
|[[2016:Audio Melody Extraction]]
|
|-
|ams
|[[2016:Audio Music Similarity and Retrieval]]
|IMIRSEL
|-
|aod
|[[2016:Audio Onset Detection]]
|Sebastian Böck
|-
|ate
|[[2016:Audio Tempo Estimation]]
|Aggelos Gkiokas
|-
|atg
|[[2016:Audio Tag Classification]]
|
|-
|mf0
|[[2016:Multiple Fundamental Frequency Estimation & Tracking]]
|
|-
|qbsh
|[[2016:Query by Singing/Humming]]
|
|-
|scofo
|[[2016:Real-time Audio to Score Alignment (a.k.a Score Following)]]
| Julio Carabias
|
|-
|sms
|[[2016:Symbolic Melodic Similarity]]
|
|-
|struct
|[[2016:Structural Segmentation]]
|IMIRSEL
|-
|drts
|[[2016:Discovery of Repeated Themes & Sections]]
|
|-
|sli
|[[2016:Set List Identification ]]
|
|-
|mscd
|[[2016:Music/Speech Classification and Detection]]
|
|-
|aod
|[[2016:Audio Offset Detection ]]
|
|-
|afp
|[[2016:Audio_Fingerprinting]]
|
|-
|svs
|[[2016:Singing Voice Separation]]
|
|}

2015:Real-time Audio to Score Alignment (a.k.a. Score Following) Results

2015-10-27T23:45:06Z

Jcarabias:

==Introduction==
These are the results for the 2015 running of the Real-time Audio to Score Alignment (a.k.a Score Following) task. For background information about this task set please refer to the [[2008:Real-time Audio to Score Alignment (a.k.a Score Following)]] page.

== General Legend ==
{| border="1" cellspacing="0" style="text-align: left; width: 800px;"
|- style="background: yellow;"
! width="80" | Sub code
! width="200" | Submission name
! width="80" style="text-align: center;" | Abstract
! width="440" | Contributors
|-
! RVC4
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (Tempo forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2015/RVC4.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.upf.edu Julio Jose Carabias-Orti]
|-
! RVC5
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2015/RVC5.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.upf.edu Julio Jose Carabias-Orti]
|-
! RVC6
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (backward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2015/RVC6.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.upf.edu Julio Jose Carabias-Orti]
|}

[[Category: Results]]

===Summary Results===
<csv>2015/scofo/scofo_summary_results.csv</csv>

===Individual Results===
'''RVC4''' = [https://www.music-ir.org/mirex/results/2015/scofo/RVC4.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti] 
'''RVC5''' = [https://www.music-ir.org/mirex/results/2015/scofo/RVC5.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti] 
'''RVC6''' = [https://www.music-ir.org/mirex/results/2015/scofo/RVC6.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti]

2015:Real-time Audio to Score Alignment (a.k.a. Score Following) Results

2015-10-22T11:38:53Z

Jcarabias:

==Introduction==
These are the results for the 2015 running of the Real-time Audio to Score Alignment (a.k.a Score Following) task. For background information about this task set please refer to the [[2008:Real-time Audio to Score Alignment (a.k.a Score Following)]] page.

== General Legend ==
{| border="1" cellspacing="0" style="text-align: left; width: 800px;"
|- style="background: yellow;"
! width="80" | Sub code
! width="200" | Submission name
! width="80" style="text-align: center;" | Abstract
! width="440" | Contributors
|-
! RVC4
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (Tempo forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2015/RVC1.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.upf.edu Julio Jose Carabias-Orti]
|-
! RVC5
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2015/RVC2.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.upf.edu Julio Jose Carabias-Orti]
|-
! RVC6
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (backward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2015/RVC3.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.upf.edu Julio Jose Carabias-Orti]
|}

[[Category: Results]]

===Summary Results===
<csv>2015/scofo/scofo_summary_results.csv</csv>

===Individual Results===
'''RVC4''' = [https://www.music-ir.org/mirex/results/2015/scofo/RVC4.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti] 
'''RVC5''' = [https://www.music-ir.org/mirex/results/2015/scofo/RVC5.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti] 
'''RVC6''' = [https://www.music-ir.org/mirex/results/2015/scofo/RVC6.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti]

2015:Real-time Audio to Score Alignment (a.k.a. Score Following) Results

2015-10-22T11:38:38Z

Jcarabias:

==Introduction==
These are the results for the 2015 running of the Real-time Audio to Score Alignment (a.k.a Score Following) task. For background information about this task set please refer to the [[2008:Real-time Audio to Score Alignment (a.k.a Score Following)]] page.

== General Legend ==
{| border="1" cellspacing="0" style="text-align: left; width: 800px;"
|- style="background: yellow;"
! width="80" | Sub code
! width="200" | Submission name
! width="80" style="text-align: center;" | Abstract
! width="440" | Contributors
|-
! RVC4
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (Tempo forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2015/RVC1.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.upf.edu Julio Jose Carabias-Orti]
|-
! RVC5
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2015/RVC2.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.upf.edu Julio Jose Carabias-Orti]
|-
! RVC6
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (Tempo backward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2015/RVC3.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.upf.edu Julio Jose Carabias-Orti]
|}

[[Category: Results]]

===Summary Results===
<csv>2015/scofo/scofo_summary_results.csv</csv>

===Individual Results===
'''RVC4''' = [https://www.music-ir.org/mirex/results/2015/scofo/RVC4.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti] 
'''RVC5''' = [https://www.music-ir.org/mirex/results/2015/scofo/RVC5.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti] 
'''RVC6''' = [https://www.music-ir.org/mirex/results/2015/scofo/RVC6.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti]

2015:Real-time Audio to Score Alignment (a.k.a. Score Following) Results

2015-10-20T22:43:35Z

Jcarabias:

==Introduction==
These are the results for the 2015 running of the Real-time Audio to Score Alignment (a.k.a Score Following) task. For background information about this task set please refer to the [[2008:Real-time Audio to Score Alignment (a.k.a Score Following)]] page.

== General Legend ==
{| border="1" cellspacing="0" style="text-align: left; width: 800px;"
|- style="background: yellow;"
! width="80" | Sub code
! width="200" | Submission name
! width="80" style="text-align: center;" | Abstract
! width="440" | Contributors
|-
! RVC4
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2015/RVC1.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.upf.edu Julio Jose Carabias-Orti]
|-
! RVC5
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (Tempo forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2015/RVC2.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.upf.edu Julio Jose Carabias-Orti]
|-
! RVC6
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (Tempo backward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2015/RVC3.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.upf.edu Julio Jose Carabias-Orti]
|}

[[Category: Results]]

===Summary Results===
<csv>2015/scofo/scofo_summary_results.csv</csv>

===Individual Results===
'''RVC4''' = [https://www.music-ir.org/mirex/results/2015/scofo/RVC4.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti] 
'''RVC5''' = [https://www.music-ir.org/mirex/results/2015/scofo/RVC5.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti] 
'''RVC6''' = [https://www.music-ir.org/mirex/results/2015/scofo/RVC6.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti]

2015:Real-time Audio to Score Alignment (a.k.a. Score Following) Results

2015-10-20T22:43:19Z

Jcarabias: Blanked the page

2015:Real-time Audio to Score Alignment (a.k.a. Score Following) Results

2015-10-20T22:42:40Z

Jcarabias: moved Talk:2015:Real-time Audio to Score Alignment (a.k.a. Score Following) Results to 2015:Real-time Audio to Score Alignment (a.k.a. Score Following) Results

==Introduction==
These are the results for the 2015 running of the Real-time Audio to Score Alignment (a.k.a Score Following) task. For background information about this task set please refer to the [[2008:Real-time Audio to Score Alignment (a.k.a Score Following)]] page.

== General Legend ==
{| border="1" cellspacing="0" style="text-align: left; width: 800px;"
|- style="background: yellow;"
! width="80" | Sub code
! width="200" | Submission name
! width="80" style="text-align: center;" | Abstract
! width="440" | Contributors
|-
! RVC4
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2015/RVC1.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.upf.edu Julio Jose Carabias-Orti]
|-
! RVC5
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (Tempo forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2015/RVC2.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.upf.edu Julio Jose Carabias-Orti]
|-
! RVC6
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (Tempo backward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2015/RVC3.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.upf.edu Julio Jose Carabias-Orti]
|}

[[Category: Results]]

===Summary Results===
<csv>2015/scofo/scofo_summary_results.csv</csv>

===Individual Results===
'''RVC4''' = [https://www.music-ir.org/mirex/results/2015/scofo/RVC4.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti] 
'''RVC5''' = [https://www.music-ir.org/mirex/results/2015/scofo/RVC5.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti] 
'''RVC6''' = [https://www.music-ir.org/mirex/results/2015/scofo/RVC6.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti]

Talk:2015:Real-time Audio to Score Alignment (a.k.a. Score Following) Results

2015-10-20T22:42:40Z

Jcarabias: moved Talk:2015:Real-time Audio to Score Alignment (a.k.a. Score Following) Results to 2015:Real-time Audio to Score Alignment (a.k.a. Score Following) Results

#REDIRECT [[2015:Real-time Audio to Score Alignment (a.k.a. Score Following) Results]]

2015:Real-time Audio to Score Alignment (a.k.a. Score Following) Results

2015-10-20T22:39:37Z

Jcarabias:

==Introduction==
These are the results for the 2015 running of the Real-time Audio to Score Alignment (a.k.a Score Following) task. For background information about this task set please refer to the [[2008:Real-time Audio to Score Alignment (a.k.a Score Following)]] page.

== General Legend ==
{| border="1" cellspacing="0" style="text-align: left; width: 800px;"
|- style="background: yellow;"
! width="80" | Sub code
! width="200" | Submission name
! width="80" style="text-align: center;" | Abstract
! width="440" | Contributors
|-
! RVC4
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2015/RVC1.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.upf.edu Julio Jose Carabias-Orti]
|-
! RVC5
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (Tempo forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2015/RVC2.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.upf.edu Julio Jose Carabias-Orti]
|-
! RVC6
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (Tempo backward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2015/RVC3.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.upf.edu Julio Jose Carabias-Orti]
|}

[[Category: Results]]

===Summary Results===
<csv>2015/scofo/scofo_summary_results.csv</csv>

===Individual Results===
'''RVC4''' = [https://www.music-ir.org/mirex/results/2015/scofo/RVC4.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti] 
'''RVC5''' = [https://www.music-ir.org/mirex/results/2015/scofo/RVC5.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti] 
'''RVC6''' = [https://www.music-ir.org/mirex/results/2015/scofo/RVC6.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti]

2015:Real-time Audio to Score Alignment (a.k.a. Score Following) Results

2015-10-20T22:39:09Z

Jcarabias:

==Introduction==
These are the results for the 2015 running of the Real-time Audio to Score Alignment (a.k.a Score Following) task. For background information about this task set please refer to the [[2008:Real-time Audio to Score Alignment (a.k.a Score Following)]] page.

== General Legend ==
{| border="1" cellspacing="0" style="text-align: left; width: 800px;"
|- style="background: yellow;"
! width="80" | Sub code
! width="200" | Submission name
! width="80" style="text-align: center;" | Abstract
! width="440" | Contributors
|-
! RVC4
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2015/RVC1.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.upf.edu Julio Jose Carabias-Orti]
|-
! RVC5
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (Tempo forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2015/RVC2.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.upf.edu Julio Jose Carabias-Orti]
|-
! RVC6
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (Tempo backward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2015/RVC3.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.upf.edu Julio Jose Carabias-Orti]
|}

[[Category: Results]]

===Summary Results===
<csv>2015/scofo/scofo_summary_results.csv</csv>

===Individual Results===
'''RVC4''' = [https://www.music-ir.org/mirex/results/2015/scofo/RVC4.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti] 
'''RVC5''' = [https://www.music-ir.org/mirex/results/2015/scofo/RVC5.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti] 
'''RVC6''' = [https://www.music-ir.org/mirex/results/2015/scofo/RVC6.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti] 

aaa

2015:Real-time Audio to Score Alignment (a.k.a. Score Following) Results

2015-10-20T22:18:18Z

Jcarabias:

==Introduction==
These are the results for the 2015 running of the Real-time Audio to Score Alignment (a.k.a Score Following) task. For background information about this task set please refer to the [[2008:Real-time Audio to Score Alignment (a.k.a Score Following)]] page.

== General Legend ==
{| border="1" cellspacing="0" style="text-align: left; width: 800px;"
|- style="background: yellow;"
! width="80" | Sub code
! width="200" | Submission name
! width="80" style="text-align: center;" | Abstract
! width="440" | Contributors
|-
! RVC4
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2015/RVC1.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.upf.edu Julio Jose Carabias-Orti]
|-
! RVC5
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (Tempo forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2015/RVC2.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.upf.edu Julio Jose Carabias-Orti]
|-
! RVC6
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (Tempo backward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2015/RVC3.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.upf.edu Julio Jose Carabias-Orti]
|}

[[Category: Results]]

===Summary Results===
<csv>2015/scofo/scofo_summary_results.csv</csv>

===Individual Results===
'''RVC4''' = [https://www.music-ir.org/mirex/results/2015/scofo/RVC4.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti] 
'''RVC5''' = [https://www.music-ir.org/mirex/results/2015/scofo/RVC5.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti] 
'''RVC6''' = [https://www.music-ir.org/mirex/results/2015/scofo/RVC6.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti]

2015:Real-time Audio to Score Alignment (a.k.a. Score Following) Results

2015-10-20T22:14:28Z

==Introduction==
These are the results for the 2015 running of the Real-time Audio to Score Alignment (a.k.a Score Following) task. For background information about this task set please refer to the [[2008:Real-time Audio to Score Alignment (a.k.a Score Following)]] page.

== General Legend ==
{| border="1" cellspacing="0" style="text-align: left; width: 800px;"
|- style="background: yellow;"
! width="80" | Sub code
! width="200" | Submission name
! width="80" style="text-align: center;" | Abstract
! width="440" | Contributors
|-
! RVC4
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2015/RVC1.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.upf.edu Julio Jose Carabias-Orti]
|-
! RVC5
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (forward version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2015/RVC2.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.upf.edu Julio Jose Carabias-Orti]
|-
! RVC6
| A RealTime Score Follower using Spectral Factorization and Online Time Warping (backtrack version) || style="text-align: center;" | [https://www.music-ir.org/mirex/abstracts/2015/RVC3.pdf PDF] || [http://www.ujaen.es Francisco Jose Rodriguez-Serrano], [http://www.ujaen.es Pedro Vera-Candeas], [http://www.upf.edu Julio Jose Carabias-Orti]
|}

[[Category: Results]]

===Summary Results===
<csv>2015/scofo/scofo_summary_results.csv</csv>

===Individual Results===
'''RVC4''' = [https://www.music-ir.org/mirex/results/2015/scofo/RVC4.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti] 
'''RVC5''' = [https://www.music-ir.org/mirex/results/2015/scofo/RVC5.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti] 
'''RVC6''' = [https://www.music-ir.org/mirex/results/2015/scofo/RVC6.csv Francisco J. Rodriguez-Serrano, Pedro Vera-Candeas, Julio J. Carabias-Orti]