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	<id>https://music-ir.org/mirex/w/api.php?action=feedcontributions&amp;feedformat=atom&amp;user=Hamelphi</id>
	<title>MIREX Wiki - User contributions [en]</title>
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	<updated>2026-04-13T16:13:12Z</updated>
	<subtitle>User contributions</subtitle>
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	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2011:MIREX_2011_Poster_List&amp;diff=8535</id>
		<title>2011:MIREX 2011 Poster List</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2011:MIREX_2011_Poster_List&amp;diff=8535"/>
		<updated>2011-10-24T19:35:19Z</updated>

		<summary type="html">&lt;p&gt;Hamelphi: /* Add your author names here, once for each poster along with &amp;quot;title of some sort&amp;quot; and (Task(s) covered) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==MIREX 2011 Poster Session Planning List==&lt;br /&gt;
The MIREX 2011 Poster Session will be held Thursday, 27  October: 12:00-13:50. We will be holding the MIREX plenary meeting 11:00-12:00 on the same day.&lt;br /&gt;
&lt;br /&gt;
Our hosts in Miami need to know the number of posters so they can set up the room. Please add you name and the task(s) dealt with in your poster. &lt;br /&gt;
&lt;br /&gt;
We had many groups/individuals submit across tasks. You can choose to create one ISMIR poster bringing all your data together or can split up your data across, say, two or three posters. If you have questions, please contact me at jdownie@illinois.edu or the MIREX mailing list about task poster options.&lt;br /&gt;
&lt;br /&gt;
===Poster Guidelines===&lt;br /&gt;
As in the past, MIREX will follow the ISMIR poster guidelines. All poster sessions, excluding the late-breaking/demo session on Friday, the 28th will be held in the Regency Ballroom. The dimension of a poster board is 36in by 48in (or 48in by 36in if used in landscape mode). A presenter will be responsible for removing his/her poster at the conclusion of its session. &lt;br /&gt;
&lt;br /&gt;
===Possible Printing Option===&lt;br /&gt;
A FedEx/Kinko (4441 Collins Avenue) shop is near the conference hotel (4833 Collins Avenue) about four blocks away. The turnaround time is about four hours for walk-in orders. A google map shows the hotel and the shop can be found [http://maps.google.com/maps/ms?f=q&amp;amp;source=s_q&amp;amp;hl=en&amp;amp;geocode=&amp;amp;aq=&amp;amp;vpsrc=6&amp;amp;gl=us&amp;amp;ie=UTF8&amp;amp;hq=fedex+kinkos+miami+beach+collins&amp;amp;hnear=&amp;amp;t=m&amp;amp;msa=0&amp;amp;msid=207227323913999833158.0004af7ffbb36f333fa3b&amp;amp;sll=25.733107,-80.197449&amp;amp;sspn=0.376694,0.473785&amp;amp;ll=25.8172,-80.123162&amp;amp;spn=0.023527,0.029612&amp;amp;z=15 here].&lt;br /&gt;
&lt;br /&gt;
==Add your author names here, once for each poster along with &amp;quot;title of some sort&amp;quot; and (Task(s) covered)==&lt;br /&gt;
# IMIRSEL: ''MIREX 2011 Overview, Part I'' (Train Test Tasks)&lt;br /&gt;
# IMIRSEL: ''MIREX 2011 Overview, Part II'' (All Other Tasks)&lt;br /&gt;
# Franz de Leon, Kirk Martinez: WAIS @ MIREX 2011 (AMS and Genre Classifacation Tasks)&lt;br /&gt;
# Brian McFee and Gert Lanckriet: ''Audio similarity via metric learning'' (AMS)&lt;br /&gt;
# J. Urbano, J. Lloréns, J. Morato and S. Sánchez-Cuadrado: ''MIREX 2011 Symbolic Melodic Similarity: Sequence Alignment with Geometric Representations''&lt;br /&gt;
# E. Benetos and S. Dixon: ''Multiple-F0 estimation and note tracking using a convolutive probabilistic model'' (multiF0 and tracking)&lt;br /&gt;
# C. de la Bandera, L.J. Tardón, I. Barbancho and S. Sammartino: ''Audio Key detection system based on probability density functions'' (Audio Key Detection)&lt;br /&gt;
# S. Sammartino, L.J. Tardón, I. Barbancho and C. de la Bandera: ''Audio Music Similarity - timbre, rhythm and tone'' (Audio Music Similarity)&lt;br /&gt;
# K. Seyerlehner, M. Schedl, P. Knees, R. Sonnleitner: ''A Refined Block-Level Feature Set for Classification, Similarity, and Tag Prediction'' (Audio Music Similarity, Genre Classification, Tag Prediction)&lt;br /&gt;
# T. Pohle, D. Schnitzer: ''Audio Music Similarity Mirex Submission: PS1'' (Audio Music Similarity)&lt;br /&gt;
# B. Martin, P. Hanna, M. Robine, J. Allali, P. Ferraro: ''Music Structure Analysis by Iterative Detection of Harmonic Pattern Repeats'' (Structural Segmentation)&lt;br /&gt;
# J. Salamon, J. Zapata and E. Gómez: ''Melody Extraction and Tempo Estimation: MIREX 2011'' (Audio Melody Extraction, Audio Tempo Estimation)&lt;br /&gt;
# Katherine Ellis, Emanuele Coviello and Gert Lanckriet. ''Semantic Annotation and Retrieval of Music Using a Bag of Systems Representation.'' (Audio Tag Classification)&lt;br /&gt;
# Yu-Ren Chien, Hsin-Min Wang, and Shyh-Kang Jeng: ''An Acoustic-Phonetic Approach to Vocal Melody Extraction'' (Audio Melody Extraction)&lt;br /&gt;
# Emanuele Coviello, Luke Barrington, Antoni B. Chan and Gert Lanckriet: ''Time series models for semantic music annotation'' (Audio Tag Classification)&lt;br /&gt;
# Y. Ni, M. Mcvicar, R. Santos-Rodriguez and T. De Bie, ''Harmony Progression Analyzer for Chord Estimation'' (Audio Chord Estimation)&lt;br /&gt;
# D. Tardieu, C. Charbuillet, F. Cornu, G. Peeters, ''GMM Supervector and ARV model for music tagging and similarity'' (Audio Music Similarity, Classification, Tag Prediction)&lt;br /&gt;
# G. Sargent, S. A. Raczynski, F. Bimbot, E. Vincent, S. Sagayama, &amp;quot;A music structure inference algorithm based on symbolic data analysis&amp;quot; (Structural Segmentation)&lt;br /&gt;
# D. J. Jang, C. J. Song, S. Shin, J. S. Lee, S. J. Park, S. J. Jang, S. P. Lee and K. H. Seo, &amp;quot;Query by singing/humming system based on the combination of DTW distances for MIREX 2011&amp;quot; (QbH)&lt;br /&gt;
# S. J. Park, S.-P. Lee, G. P. Nam, T. T. Luong, K. R. Park, K. Kim, M. Y. Kim, J. Y. Yoon and H. Park, &amp;quot;Multiple classifiers-based Query by Singing/Humming system&amp;quot; (QbH)&lt;br /&gt;
# Jea-Yul Yoon, Chai-Jong Song, Seok-Pil Lee and Hochong Park, &amp;quot;Extracting Predominant Melody of Polyphonic Music based on Harmoic Structure&amp;quot;, (Audio Melody Extraction)&lt;br /&gt;
# Philippe Hamel, &amp;quot; Pooled Features Classifier&amp;quot;,(Audio Tag Classification, Train/Test tasks)&lt;br /&gt;
&lt;br /&gt;
==Below are some examples from MIREX 2009==&lt;br /&gt;
&lt;br /&gt;
# Matt Hoffman: ''Using CBA to Automatically Tag Songs'' (Audio tag classification/retrieval)&lt;br /&gt;
# Suman Ravuri, Dan Ellis: ''The Hydra System of Cover Song Classification'' (Cover Song Identification)&lt;br /&gt;
# Joan Serra, Massimiliano Zanin, Ralph G Andrzejak: ''Cover song retrieval by recurrence quantification and unsupervised set detection'' (Cover Song Identification)&lt;br /&gt;
# MTG Team: &amp;quot;Music Type Groupers (MTG): Generic Music Classification Algorithms&amp;quot; (Audio Genre Classification, Mood Classification, Artist Identification, Classical Composer Identification)&lt;br /&gt;
# R. Jang: &amp;quot;Poster #2&amp;quot; (placeholder to get the auto-counter to increment)&lt;br /&gt;
# R. Jang: &amp;quot;Poster #3&amp;quot; (placeholder to get the auto-counter to increment)&lt;/div&gt;</summary>
		<author><name>Hamelphi</name></author>
		
	</entry>
	<entry>
		<id>https://music-ir.org/mirex/w/index.php?title=2010:MIREX_2010_Poster_List&amp;diff=7713</id>
		<title>2010:MIREX 2010 Poster List</title>
		<link rel="alternate" type="text/html" href="https://music-ir.org/mirex/w/index.php?title=2010:MIREX_2010_Poster_List&amp;diff=7713"/>
		<updated>2010-08-04T15:06:59Z</updated>

		<summary type="html">&lt;p&gt;Hamelphi: /* Add your author names here, once for each poster along with &amp;quot;title of some sort&amp;quot; and (Task(s) covered) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==MIREX 2010 Poster Session Planning List==&lt;br /&gt;
The MIREX 2010 Poster Session will be held Wednesday, 11 August: 16:00 - 17:45. We will be holding the MIREX plenary meeting 13:00-14:00 as a working lunch on the same day.&lt;br /&gt;
&lt;br /&gt;
Our hosts in Utrecht need to know the number of posters so they can set up the room. Please add you name and the task(s) dealt with in your poster. &lt;br /&gt;
&lt;br /&gt;
We had many groups/individuals submit across tasks. You can choose to create one ISMIR poster bringing all your data together or can split up your data across, say, two or three posters. If you have questions, please contact me at jdownie@illinois.edu or the MIREX mailing list about task poster options.&lt;br /&gt;
&lt;br /&gt;
As a reminder, the MIREX posters need to follow the [http://ismir2010.ismir.net/information-for-authors/information-for-presenters/ ISMIR 2010 poster guidelines] (i.e., A0, portrait orientation).&lt;br /&gt;
&lt;br /&gt;
==Add your author names here, once for each poster along with &amp;quot;title of some sort&amp;quot; and (Task(s) covered)==&lt;br /&gt;
# IMIRSEL: ''MIREX 2010 Overview, Part I'' (Train Test Tasks)&lt;br /&gt;
# IMIRSEL: ''MIREX 2010 Overview, Part II'' (All Other Tasks)&lt;br /&gt;
# Andreas Arzt and Gerhard Widmer: &amp;quot;Real-time Music Tracking using Tempo-aware On-line Dynamic Time Warping&amp;quot; (Real-time Audio to Score Alignment (a.k.a Score Following))&lt;br /&gt;
# Pasi Saari and Olivier Lartillot: &amp;quot;SubEnsemble - Classification framework based on the Ensemble Approach and Feature Selection&amp;quot; (Train Test Tasks)&lt;br /&gt;
# Gabriel Sargent, Frédéric Bimbot and Emmanuel Vincent: &amp;quot;Structural segmentation of songs using multi-criteria generalized likelihood ratio and regularity constraints&amp;quot; (Structural Segmentation Task)&lt;br /&gt;
# Emmanouil Benetos and Simon Dixon: &amp;quot;Multiple fundamental frequency estimation using spectral structure and temporal evolution rules&amp;quot; (Multiple Fundamental Frequency Estimation &amp;amp; Tracking Task)&lt;br /&gt;
# J. Urbano, J. Lloréns, J. Morato and S. Sánchez-Cuadrado: ''Local Alignment with Geometric Representations'' (Symbolic Melodic Similarity)&lt;br /&gt;
# F.J.Rodriguez-Serrano, P.Vera-Candeas, P.Cabanas-Molero, J.J.Carabias-Orti, N.Ruiz-Reyes: ''AM Sinusoidal Modeling for Onset Detection FOR ONSET DETECTION'' (Audio Onset Detection)&lt;br /&gt;
# R.Mata-Campos, F.J.Rodriguez-Serrano, P.Vera-Candeas, J.J.Carabias-Orti, F.J.Canadas-Quesada: ''Beat Tracking improved by AM Sinusoidal Modeled Onsets'' (Audio Beat Tracking)&lt;br /&gt;
# F.J.Rodriguez-Serrano, P.Vera-Candeas,  J.J.Carabias-Orti,P.Cabanas-Molero, N.Ruiz-Reyes: ''Real time audio to score alignment based on NLS multipitch estimation'' (Real-time Audio to Score Alignment (a.k.a Score Following))&lt;br /&gt;
# F.J. Cañadas-Quesada, F. Rodríguez-Serrano, P. Vera-Candeas, N. Ruiz-Reyes and J. Carabias-Orti: ''Multiple Fundamental Frequency Estimation &amp;amp; Tracking in Polyphonic Music for MIREX 2010'' (Multiple Fundamental Frequency Estimation &amp;amp; Tracking)&lt;br /&gt;
# Zhiyao Duan and Bryan Pardo: &amp;quot;A Real-time Score Follower for MIREX 2010&amp;quot; (Real-time Audio to Score Alignment (a.k.a Score Following))&lt;br /&gt;
# Zhiyao Duan, Jinyu Han and Bryan Pardo: &amp;quot;A Multi-pitch Estimation and Tracking System&amp;quot; (Multiple Fundamental Frequency Estimation &amp;amp; Tracking Task)&lt;br /&gt;
# I.S.H.Suyoto and A.L.Uitdenbogerd: &amp;quot;Orthogonal Pitch with IOI Symbolic Music Matching&amp;quot; (Symbolic Melodic Similarity)&lt;br /&gt;
# J.-C. Wang, H.-Y. Lo, S.-K. Jeng and H.-M. Wang: &amp;quot;IISSLG Team: Audio Train/Test and Tag Classification for MIREX 2010&amp;quot; (Audio Train/Test Classification, Audio Tag Classification)&lt;br /&gt;
# E. Di Buccio, N. Montecchio and N. Orio: &amp;quot;Applying Text-Based IR Techniques to Cover Song Identification&amp;quot; (Audio Cover Song Identification)&lt;br /&gt;
# F. Eyben, B. Schuller:  &amp;quot;MIREX 2010: Music Classification with the Munich openSMILE toolkit.&amp;quot; (Audio Train/Test Tasks; Audio Tempo Estimation)&lt;br /&gt;
# A. Gkiokas, V. Katsouros, G. Carayannis : &amp;quot;MIREX 2010 : Tempo Induction Using Filterbank Analysis and Tonal Features&amp;quot; (Audio Tempo Estimation)&lt;br /&gt;
# Y. Zhu, H. Tan, L. Chaisorn: &amp;quot;Poster #1&amp;quot; on Audio Beat Tracking&lt;br /&gt;
# H. Tan, Y. Zhu, L. Chaisorn: &amp;quot;Poster #2&amp;quot; on Audio Onset Detection&lt;br /&gt;
# J. Salamon, E. Gómez: ''Melody Extraction from Polyphonic Audio Music'' (Audio Melody Extraction)&lt;br /&gt;
# P. Hamel, D. Eck : &amp;quot;Learning features from music audio with Deep Belief Networks&amp;quot; (Audio genre and tag classification)&lt;br /&gt;
&lt;br /&gt;
==Below are some examples from MIREX 2009==&lt;br /&gt;
&lt;br /&gt;
# Matt Hoffman: ''Using CBA to Automatically Tag Songs'' (Audio tag classification/retrieval)&lt;br /&gt;
# Suman Ravuri, Dan Ellis: ''The Hydra System of Cover Song Classification'' (Cover Song Identification)&lt;br /&gt;
# Joan Serra, Massimiliano Zanin, Ralph G Andrzejak: ''Cover song retrieval by recurrence quantification and unsupervised set detection'' (Cover Song Identification)&lt;br /&gt;
# MTG Team: &amp;quot;Music Type Groupers (MTG): Generic Music Classification Algorithms&amp;quot; (Audio Genre Classification, Mood Classification, Artist Identification, Classical Composer Identification)&lt;br /&gt;
# R. Jang: &amp;quot;Poster #2&amp;quot; (placeholder to get the auto-counter to increment)&lt;br /&gt;
# R. Jang: &amp;quot;Poster #3&amp;quot; (placeholder to get the auto-counter to increment)&lt;/div&gt;</summary>
		<author><name>Hamelphi</name></author>
		
	</entry>
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