MIREX Wiki - User contributions [en]

2010:MIREX HOME

2011-05-19T13:50:57Z

Durrieu: /* MIREX 2010 Evaluation Tasks */ removing spam - should we not do something about it ?...

==MIREX 2010 Deadline Dates==
We have very tight scheduling constraints this year because of the early convening of ISMIR 2010 in Utrecht.

We have two sets of deadlines for submissions. We have to stagger the deadlines because of runtime and human evaluation considerations.

===Tasks with a '''25 June 2010''' deadline:===
# Audio Classification (Train/Test) Tasks
# Audio Music Similarity and Retrieval
# Symbolic Melodic Similarity
===Tasks with a '''2 July 2010''' deadline:===

# All remaining MIREX 2010 tasks.

Nota Bene: In the past we have been rather flexible about deadlines. This year, however, we simply do not have the time flexibility, sorry.

Please, please, please, let's start getting those submissions made. The sooner we have the code, the sooner we can start running the evaluations.

PS: If you have a slower running algorithm, help us help you by getting your code in ASAP. Please do pay attention to runtime limits.

==MIREX 2010 Submission Instructions==
* Be sure to read through the rest of this page
* Be sure to read though the task pages for which you are submitting
* Be sure to follow the [[2009:Best Coding Practices for MIREX | Best Coding Practices for MIREX]]
* Be sure to follow the [[2010:MIREX 2010 Submission Instructions | MIREX 2010 Submission Instructions ]] including both the tutorial video and the text
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===MIREX 2010 Evaluation Tasks===

The IMIRSEL team at UIUC solicited proposals for evaluation tasks to be performed at the Music Information Retrieval Evaluation eXchange 2010 (MIREX 2010) and polled the community on their likelihood of participation in each task. A summary of the responses from the community is given below:

Results as of Monday 24th May 2010:

Total individual responses = 74

<csv p=0>2010/poll/MIREX_Task_Participation_Poll.csv</csv>

Hence, the IMIRSEL team has decided to attempt the running of the following tasks at MIREX 2010:
* [[2010:Audio Classification (Train/Test) Tasks]], incorporating:
** Audio Artist Identification
** Audio US Pop Genre Classification
** Audio Latin Genre Classification
** Audio Music Mood Classification
** Audio Classical Composer Identification
* [[2010:Audio Cover Song Identification]]
* [[2010:Audio Tag Classification]]
* [[2010:Audio Music Similarity and Retrieval]]
* [[2010:Symbolic Melodic Similarity]]
* [[2010:Audio Onset Detection]]
* [[2010:Audio Key Detection]]
* [[2010:Real-time Audio to Score Alignment (a.k.a Score Following)]]
* [[2010:Query by Singing/Humming]]
* [[2010:Audio Melody Extraction]]
* [[2010:Multiple Fundamental Frequency Estimation & Tracking]]
* [[2010:Audio Chord Estimation]]
* [[2010:Query by Tapping]]
* [[2010:Audio Beat Tracking]]
* [[2010:Structural Segmentation]]
* [[2010:Audio Tempo Estimation]]
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===Projected dates===
* 1st June 2010: MIREX submission system open
* 25th June: Rolling MIREX submission system closures for the following tasks
**Audio Classification (Train/Test) Tasks
**Audio Music Similarity and Retrieval
**Symbolic Melodic Similarity
* 2nd July: Rolling MIREX submission system closures for all the remaining MIREX 2010 tasks.
* 15th July 2010: MIREX results posting begins
* 1st August 2010: All MIREX results posted (somewhat hopeful target date)
* 2-6th August 2010: USMIR Summer School
* 9-13th August 2010: ISMIR conference

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===Note to New Participants===
Please take the time to read the following review article that explains the history and structure of MIREX.

Downie, J. Stephen (2008). The Music Information Retrieval Evaluation Exchange (2005-2007): 
A window into music information retrieval research.''Acoustical Science and Technology 29'' (4): 247-255. 
Available at: [http://dx.doi.org/10.1250/ast.29.247 http://dx.doi.org/10.1250/ast.29.247]

===Note to All Participants===
Because MIREX is premised upon the sharing of ideas and results, '''ALL''' MIREX participants are expected to:

# submit a DRAFT 2-3 page extended abstract PDF in the ISMIR format about the submitted programme(s) to help us and the community better understand how the algorithm works when submitting their programme(s).
# submit a FINALIZED 2-3 page extended abstract PDF in the ISMIR format prior to ISMIR 2010 for posting on the respective results pages (sometimes the same abstract can be used for multiple submissions; in many cases the DRAFT and FINALIZED abstracts are the same)
# present a poster at the MIREX 2010 poster session at ISMIR 2010 (Wednesday, 11 August 2010)

===Software Dependency Requests===
If you have not submitted to MIREX before or are unsure whether IMIRSEL/NEMA currently supports some of the software/architecture dependencies for your submission a [https://spreadsheets.google.com/embeddedform?formkey=dDltRjc4NDBDdkZiaF9qZXV0bU5ScUE6MA dependency request form is available]. Please submit details of your dependencies on this form and the IMIRSEL team will attempt to satisfy them for you.[http://www.essayhelppros.co.uk/ Essay writing]

Due to the high volume of submissions expected at MIREX 2010, submissions with difficult to satisfy dependencies that the team has not been given sufficient notice of may result in the submission being rejected.[http://www.essayinn.co.uk/ Essays Writing]

Finally, you will also be expected to detail your software/architecture dependencies in a README file to be provided to the submission system.[http://www.essayhelppros.co.uk/uk-essay-help.php essay help]

==Getting Involved in MIREX 2010==
MIREX is a community-based endeavour. Be a part of the community and help make MIREX 2010 the best yet.

===Mailing List Participation===
If you are interested in formal MIR evaluation, you should also subscribe to the "MIREX" (aka "EvalFest") mail list and participate in the community discussions about defining and running MIREX 2010 tasks. Subscription information at:
[https://mail.lis.illinois.edu/mailman/listinfo/evalfest EvalFest Central].

If you are participating in MIREX 2010, it is VERY IMPORTANT that you are subscribed to EvalFest. Deadlines, task updates and other important information will be announced via this mailing list. Please use the EvalFest for discussion of MIREX task proposals and other MIREX related issues. This wiki (MIREX 2010 wiki) will be used to embody and disseminate task proposals, however, task related discussions should be conducted on the MIREX organization mailing list (EvalFest) rather than on this wiki, but should be summarized here. [http://www.essayinn.co.uk/write-my-essay/ Write My Essay]

Where possible, definitions or example code for new evaluation metrics or tasks should be provided to the IMIRSEL team who will embody them in software as part of the NEMA analytics framework, which will be released to the community at or before ISMIR 2010 - providing a standardised set of interfaces and output to disciplined evaluation procedures for a great many MIR tasks.

===Wiki Participation===
'''''Please note that you may need to create a NEW login for this wiki even if you have a login that you previously used for editing the MIREX 2005, 2006, 2007, 2008 or 2009 wikis.'''''

However, starting in 2010 the MIREX wikis have been merged so that logins will persist for future iterations of MIREX.[http://www.essayinn.co.uk/cheap-custom-essays/ Cheap Custom Essays]

Please create an account via: [[Special:Userlogin]].

Please note that because of "spam-bots", MIREX wiki registration requests may be moderated by IMIRSEL members. It might take up to 24 hours for approval (Thank you for your patience!).

==MIREX 2005 - 2009 Wikis==
This is the new wiki for MIREX 2010. The wikis for MIREX 2005 - 2009 are available at:

'''[[2009:Main_Page|MIREX 2009]]'''
https://www.music-ir.org/mirex/2009/

'''[[2008:Main_Page|MIREX 2008]]'''
https://www.music-ir.org/mirex/2008/

'''[[2007:Main_Page|MIREX 2007]]'''
https://www.music-ir.org/mirex/2007/

'''[[2006:Main_Page|MIREX 2006]]'''
https://www.music-ir.org/mirex/2006/

'''[[2005:Main_Page|MIREX 2005]]'''
https://www.music-ir.org/mirex/2005/

You can interlink between this wiki and the previous wikis using '''2005:''' prefix on links to connect to pages in MIREX 2005 and '''2006:''' for MIREX 2006 and '''2007:''' for MIREX 2007 and '''2008:''' for MIREX 2008 and '''2009:''' for MIREX 2009.

===ISMIR 2004 Audio Description Contest===
The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:[http://www.essayinn.co.uk/buy-an-essay/ Buy Essay]
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MIREX HOME

2011-05-19T13:49:58Z

Durrieu:

__TOC__

== Current MIREX Wiki (2010) ==
You can view the current 2010 content here: [[2010:MIREX HOME]]

== Introduction ==
The Music Information Retrieval Evaluation eXchange (MIREX) is an annual evaluation campaign for Music Information Retrieval (MIR) algorithms, coupled to the [http://www.ismir.net International Society (and Conference) for Music Information Retrieval (ISMIR)]. MIREX is hosted by the [https://www.music-ir.org/evaluation/ International Music Information Retrieval Systems Evaluation Laboratory (IMIRSEL)] at the [http://www.lis.illinois.edu/ Graduate School of Library Information Sciences (GSLIS)] which is part of the [http://www.illinois.edu/ University of Illinois at Urbana-Champaign (UIUC)].

Current and Future MIREXs are in part facilitated by the work of the [https://nema.lis.illinois.edu/ Networked Environment for Music Analysis (NEMA) project]. The NEMA projects aims to automate and expose the workings of MIREX and MIR experimentation/evaluation to the MIR community, helping to deal with issues of collection/data/code sharing within the community by handling issues relating to copyright and IP restrictions by allowing MIR researchers to work (remotely) with resources without having to obtain licenses to the content/code.

MIR tasks evaluated at past MIREXs include:
* [[Audio Train/Test Tasks]]
** Audio Artist Identification
** Audio Genre Classification
** Audio Music Mood Classification
** Audio Classical Composer Identification
* [[Symbolic Genre Classification]]
* [[Audio Onset Detection]]
* [[Audio Key Detection]]
* [[Symbolic Key Detection]]
* [[Audio Tag Classification]]
* [[Audio Cover Song Identification]]
* [[Real-time Audio to Score Alignment (a.k.a Score Following)]]
* [[Query by Singing/Humming]]
* [[Multiple Fundamental Frequency Estimation & Tracking]]
* [[Audio Chord Estimation]]
* [[Audio Melody Extraction]]
* [[Query by Tapping]]
* [[Audio Beat Tracking]]
* [[Audio Music Similarity and Retrieval]]
* [[Symbolic Melodic Similarity]]
* [[Structural Segmentation]]
* [[Audio Drum Detection]]
* [[Audio Tempo Extraction]]

== Recent Changes ==
We recently have merged all current and previous iterations of the MIREX wiki into a single wiki installation to make it easier to manage. All the pages, images, abstracts, and images have been migrated, but some links and images may still be broken. We're currently manually inspecting all pages, but would appreciate your help in correcting any errors you see.

Content on the wiki is now organized into mediawiki namespaces, one for each year. You can view the current 2010 content here: [[2010:MIREX HOME]]

Similarly for previous content.
* [[2009:Main_Page]]
* [[2008:Main_Page]]
* [[2007:Main_Page]]
* [[2006:Main_Page]]
* [[2005:Main_Page]]

All links to older wiki content will be redirected to this new wiki, and should take you to the correct page on the new installation, but please update any bookmarks or links you may have which point into current or old wiki content.

MIREX HOME

2011-05-12T09:14:51Z

Durrieu: /* Recent Changes */ removing spam at the bottom of the home page (links to strange services?)

MIREX Impact Citations

2011-05-12T09:01:00Z

Durrieu: /* Submitted Citations */ articles including j.-l. durrieu as author

=Introduction=

Dear MIREX Participant:

We are gathering evidence of impact for MIREX. We would appreciate it greatly if you would post citations to papers (yours or others) that have used MIREX data and/or results. Any acceptable citation format is OK. DOIs or URL to accessible copies especially appreciated. I have started out with some samples from IMIRSEL.

In a similar vein, we are also gathering citations to MIREX-related comments as further evidence of impact for MIREX on the [[MIREX Impact Statements]] page.

We are collecting these statements and citations as evidence influence and success to submit to funding agencies, research administrators and/or future collaborators.

Thank you very much.

J. Stephen Downie 
Director, IMIRSEL 

=Submitted Citations=

# J.S. Downie, D. Byrd, and T. Crawford. "Ten Years of ISMIR: Reflections on Challenges and Opportunities", in the 10th International Symposium on Music Information Retrieval (ISMIR), Kobe, 2009, pp. 13-18. Available: http://ismir2009.ismir.net/proceedings/keynote1.pdf
# M. Bay, A.F. Ehmann and J.S. Downie, "Evaluation of Multiple-F0 Estimation and Tracking Systems", in the 10th International Symposium on Music Information Retrieval (ISMIR), Kobe, 2009, pp. 315-320. Available: http://ismir2009.ismir.net/proceedings/PS2-21.pdf
# E. Law, K. West, M. Mandel, M. Bay and, J. S. Downie, "Evaluation of Algorithms Using Games: The Case of Music Tagging", in the 10th International Symposium on Music Information Retrieval (ISMIR), Kobe, 2009, pp. 387-392. Available: http://ismir2009.ismir.net/proceedings/OS5-5.pdf
# J. S. Downie, M. Bay, A. F. Ehmann and M. C. Jones, "Audio Cover Song Identification: MIREX 2006-2007 Results and analysis", in the 9th International Conference on Music Information Retrieval (ISMIR 2008), Philadelphia, 2008, pp. 468-473. Available: http://ismir2008.ismir.net/papers/ISMIR2008_265.pdf
# X. Hu, J. S. Downie, C. Laurier, M. Bay and A. F. Ehmann, "The 2007 MIREX Audio Mood Classification Task: Lessons learned", in the 9th International Conference on Music Information Retrieval (ISMIR 2008), Philadelphia, 2008, pp. 462-467. Available: http://ismir2008.ismir.net/papers/ISMIR2008_263.pdf
# J. S. Downie, A. F. Ehmann and J. H. Lee, "The Music Information Retrieval Evaluation eXchange (MIREX): Community-led formal evaluations", in the Digital Humanities 2008 , Oulu Finland, 2008, pp. 239-240.
# M. McVicar and T. De Bie, "Exploiting Online Resources to Improve Chord Recognition Accuracy", late-breaking abstract in the 11th International Conference on Music Information Retrieval (ISMIR 2010), Utrecht, Netherlands, 2010.
# M. McVicar and T. De Bie, "Enhancing chord recognition accuracy using web resources", 3rd ACM Workshop on Machine Learning and Music, October 25, 2010, Firenze, Italy.
# M. McVicar, Y. Ni, R. Santos-Rodriguez, T. De Bie, "Using online chord databases to enhance chord recognition", Journal of New Music Research, Special issue on Music and Machine Learning (in press).
#R. Zhou , M. Mattavelli and G. Zoia, "Music Onset Detection Based on Resonator Time-frequency Image", IEEE Transactions On Audio, Speech And Language Processing, vol. 16, num. 8, 2008, p. 1685-1695.
#Ruohua Zhou, Joshua D. Reiss, Marco Mattavelli and Giorgio Zoia, "A Computationally Efficient Method for Polyphonic Pitch Estimation", EURASIP Journal on Advances in Signal Processing, Volume 2009 (2009), Article ID 729494, 11 pages.
# M. Haro and P. Herrera, “From Low-level to Song-level Percussion Descriptors of Polyphonic Music,” in 10th International Society for Music Information Retrieval Conference (ISMIR 2009), Kobe, Japan, 2009. Available: http://ismir2009.ismir.net/proceedings/PS2-9.pdf
# J. Urbano, J. Morato, M. Marrero and D. Martín, "Crowdsourcing Preference Judgments for Evaluation of Music Similarity Tasks", ACM SIGIR Workshop on Crowdsourcing for Search Evaluation, pp. 9-16, 2010. [http://julian-urbano.info/publications/012-crowdsourcing-preference-judgments-evaluation-music-similarity-tasks/012-paper.pdf PDF]
# J. Urbano, M. Marrero, D. Martín and J. Lloréns, "Improving the Generation of Ground Truths based on Partially Ordered Lists", International Society for Music Information Retrieval Conference, pp. 285-290, 2010. [http://julian-urbano.info/publications/010-improving-generation-ground-truths-based-partially-ordered-lists/010-paper.pdf PDF]
# J. Urbano, J. Lloréns, J. Morato and S. Sánchez-Cuadrado, "Using the Shape of Music to Compute the Similarity between Symbolic Musical Pieces", International Symposium on Computer Music Modeling and Retrieval, pp. 385-396, 2010. [http://julian-urbano.info/publications/009-using-shape-music-compute-similarity-between-symbolic-musical-pieces/009-paper.pdf PDF]
# D. Bogdanov, J. Serrà, N. Wack, P. Herrera and X. Serra. Unifying low-level and high-level music similarity measures. IEEE Transactions on Multimedia. In press. [http://mtg.upf.edu/node/1689]
# J. Wu, E. Vincent, S. Raczynski, T. Nishimoto, N. Ono and S. Sagayama. Multipitch estimation by joint modeling of harmonic and transient sounds. In Proc. 2011 IEEE Int. Conf. on Acoustics, Speech and Signal Processing (ICASSP), to appear. [http://hal.inria.fr/inria-00567175/PDF/wu_ICASSP11.pdf]
# E. Vincent, N. Bertin and R. Badeau. Adaptive harmonic spectral decomposition for multiple pitch estimation. IEEE Transactions on Audio, Speech and Language Processing, 18(3), pp. 528-537, 2010. [http://hal.inria.fr/inria-00544094/PDF/vincent_TASLP10.pdf]
# E. Benetos and S. Dixon. Multiple-instrument polyphonic music transcription using a convolutive probabilistic model. In Proc. 8th Sound and Music Computing Conf. (SMC), to appear.
# B. Fields, K.Jacobson, C. Rhodes, M. d'Inverno, M. Sandler, M. Casey, "Analysis and Exploitation of Musician Social Networks for Recommendation and Discovery," IEEE Transactions on Multimedia. in press. [http://dx.doi.org/10.1109/TMM.2011.2111365]
# B. Fields. Contextualize Your Listening: The Playlist as Recommendation Engine, PhD Thesis, Goldsmiths, University of London, April 2011. [http://benfields.net/bfields_thesis.pdf]
# B. Fields, K. Page, T. Crawford, D. De Roure, "The Segment Ontology: bridging music-generic and domain-specific," in Workshop on Advances in Music Information Research (AdMIRe), co-located with the IEEE International Conference on Multimedia and Expo (ICME), Barcelona, Spain, July, 2011. [http://benfields.net/papers/admire2011.pdf]
# J. Serrà, X. Serra and R. G. Andrzejak. Cross recurrence quantification for cover song identification. New Journal of Physics, vol. 11, art. 093017. September 2009. http://mtg.upf.edu/node/1390
# J. Serrà, E. Gómez, P. Herrera and X. Serra. Chroma binary similarity and local alignment applied to cover song identification. IEEE Transactions on Audio, Speech and Language Processing, vol. 16, issue 6, pp. 1138-1152. August 2008. http://mtg.upf.edu/node/919
# J. Serrà, E. Gómez and P. Herrera. Audio cover song identification and similarity: background, approaches, evaluation, and beyond. In Advances in Music Information Retrieval, Z. W. Ras and A. A. Wieczorkowska editors. Studies in Computational Intelligence series, Springer-Verlag Berlin / Heidelberg, vol. 274, ch. 14, pp. 307-332. March 2010. http://mtg.upf.edu/node/1389
# D. Bogdanov, J. Serrà, N. Wack, P. Herrera and X. Serra. Unifying low-level and high-level music similarity measures. IEEE Transactions on Multimedia. In press. http://mtg.upf.edu/node/1689
# J. Serrà, H. Kantz and R. G. Andrzejak. Model-based cover song detection via threshold autoregressive forecasts. Proc. of the ACM Multimedia, Workshop on Music and Machine Learning (MML), pp. 13-16. Firenze, Italy. October 2010. http://mtg.upf.edu/node/1704
# J. Serrà, M. Zanin, C. Laurier and M. Sordo. Unsupervised detection of cover song sets: accuracy improvement and original identification. Proc. of the Int. Society for Music Information Retrieval Conf. (ISMIR), pp. 225-230. Kobe, Japan. October 2009. http://mtg.upf.edu/node/1407
# J. Serrà and E. Gómez. Audio cover song identification based on tonal sequence alignment. Proc. of the IEEE Int. Conf. on Acoustics, Speech and Signal Processing (ICASSP), pp. 61-64. Las Vegas, USA. April 2008. http://mtg.upf.edu/node/78
# J. Serrà. Identification of versions of the same musical composition by processing audio descriptions. PhD Thesis. Universitat Pompeu Fabra, Barcelona, Spain. March 2011. http://mtg.upf.edu/node/1951
# J.-L. Durrieu, G. Richard, B. David, "Singer melody extraction in polyphonic signals using source separation methods," IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), pp.169-172, March 31 2008-April 4 2008. doi: 10.1109/ICASSP.2008.4517573 [http://ieeexplore.ieee.org/stamp/stamp.jsp?tp=&arnumber=4517573&isnumber=4517521]
# J.-L. Durrieu, G. Richard, B. David, "An iterative approach to monaural musical mixture de-soloing," IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), pp.105-108, 19-24 April 2009. doi: 10.1109/ICASSP.2009.4959531 [http://ieeexplore.ieee.org/stamp/stamp.jsp?tp=&arnumber=4959531&isnumber=4959496] (NB: only a quick reference to some MIREX results on Audio Melody Extraction)
# J.-L. Durrieu, G. Richard, B. David, C. Févotte, "Source/Filter Model for Unsupervised Main Melody Extraction From Polyphonic Audio Signals," IEEE Transactions on Audio, Speech, and Language Processing, vol.18, no.3, pp.564-575, March 2010. doi: 10.1109/TASL.2010.2041114. [http://ieeexplore.ieee.org/stamp/stamp.jsp?tp=&arnumber=5410055&isnumber=5410050]
# J.-L. Durrieu, "Automatic Transcription and Separation of the Main Melody in Polyphonic Music Signals", PhD thesis, Institut Telecom, Telecom ParisTech, CNRS LTCI, Paris, France, May 2010. [http://hal.archives-ouvertes.fr/index.php?halsid=nhip2qdh6k6cskqdh4q9go9ai1&view_this_doc=tel-00560018&version=1]