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<p>CameronNonAdmin: </p> <hr /> <div></div>

CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=File:Online-shop-pic6.jpg&diff=7986 2011-06-06T21:03:04Z

<p>CameronNonAdmin: </p> <hr /> <div></div>

CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=File:Electronic_cigarette_2653.jpg&diff=7979 2011-06-04T20:18:21Z

<p>CameronNonAdmin: </p> <hr /> <div></div>

CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=File:Electronic_cigarette_3019.jpg&diff=7977 2011-06-04T13:04:55Z

<p>CameronNonAdmin: </p> <hr /> <div></div>

CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=2010:Harmonic_Analysis&diff=7975 2011-06-04T11:58:04Z

<p>CameronNonAdmin: /* References */</p> <hr /> <div>== Description ==<br /> <br /> This task is suggested for MIREX 2010. The general goal is to estimate the latent harmonic progression from score-like music data, a process typically called harmonic analysis or functional analysis in musicology (although this task cannot be really called functional analysis, functional analysis can be used to obtain the required output data). This typically involves estimating the musical key of a given piece of music and movement of the tonal center (modulations and tonicizations), as well as the progression of chords. [http://supremedissertation.co.uk/ Dissertation Proposal]<br /> <br /> <br /> === Time units ===<br /> It is well known that harmony is strongly coupled with metric structure: progressing from one chord to another typically occurs at strong beats, while most non-chord tones are played on weak beats or off-beat. For this reason, knowing the temporal structure of the piece of music is important when performing harmonic analysis, and in this task the harmony is estimated on a beat-based time basis from score-like symbolic data (as opposed to performance data).<br /> <br /> === Chord dictionary ===<br /> Harmonic analysis can be performed with varying degree of precision, depending on the goal at hand. One might only want to extract general progression patterns to be used in harmonic similarity or harmonic queries, for example check if a song at hand contains the so called 50s progression: I–vi–IV–V. Another one might be interested in full musicological analysis of a score, i.e. obtaining information about root position, chord type (quality), added tones, invertion, etc. This person would for example say the the second bar of Chopin's Nocturne Op. 9 No. 2 (in the key of E♭-major) starts in the tonic I (E♭, G, B♭), then it progresses to the dominant ninth chord in the third inversion with the root removed and the tonic added in bass (E♭, A♭, D, F).<br /> <br /> [[File:Chopin 9 2.png||500px]]<br /> <br /> The first person would therefore use a very small dictionary of chord labels with 48 different chords: 12 root positions × 4 basic chord types (major, minor, augmented, diminished). 48 or 24 dictionaries are common in chord recognition from audio data. On the other hand, the second person would use a very large chord label dictionary containing millions of labels. This is the case with the dataset to be used in this task.<br /> <br /> == Data format == <br /> <br /> Not much data exists that can be used as ground truth for harmonic analysis. Several researchers used Bach chorales ([6] and [8]) and some reported using Kostka-Payne corpus. Unfortunately, the latter is very small, too small in fact for proper model training and evaluation: it consists of 46 very short musical excerpts.<br /> <br /> === Input data ===<br /> <br /> We propose to use a dataset developed in cooperation of the members of Sagayama/Ono laboratory at the University of Tokyo and prof. Hitomi Kaneko from Toho Gakuen School of Music and her students. This dataset contains very detailed harmony labels for all of RWC database's classical pieces (almost 6 hours of music). This data will be coupled with quantized (score-like) set of MIDI files, and the latter will be converted to CSV files for easy input. The first line of such CSV file will contain information about the number of data lines per downbeat and the number of lines per upbeat (Auftakt). The rest of the lines will hold lists of notes active in the consecutive divisions of downbeat expressed by MIDI note numbers. The first two bars of Chopin's Nocturne Op. 9 No. 2 (see picture above) will therefore be encoded as:<br /> <br /> 4 1<br /> 62<br /> 39 55 58 63 67 79<br /> 51 56 59 62 68 77 79<br /> 39 55 58 63 67 77<br /> 38 55 58 63 67 70 75<br /> ...<br /> <br /> In other words, there would be 4 lines per measure, each spanning 3 eighth notes and the first line will be a 3 eighth notes of upbeat. <br /> <br /> === Ground truth ===<br /> The ground truth for the same piece will be encoded as:<br /> <br /> z<br /> E- E- G B-<br /> B- E- A- D F<br /> E- E- G B-<br /> E- D E- G B-<br /> ...<br /> <br /> Each line will consist of harmony data corresponding to one line of the input data. Harmony is given by pitch class of the root tone, followed by a list of all pitch classes belonging to the chord. Pitch classes are labeled with capital Latin letters (A through G) with flats represented by minus signs and sharps by plus signs. Non-harmony (e.g. a rest or upbeat) is marked with a special symbol 'z'. So, in the example above, “E- E- G B-” means a chord with root in E♭ (which is the tonic) that consists of three notes: E♭, G and B♭, and so it is a major triad (in its root position, although the order of the pitch classes play no role — it is straightforward to extract that from the input data).<br /> <br /> The tonal center (and therefore the structural meaning of a given chord) is not explicitly given in order to simplify the task and allow more participants to compete. Nevertheless, the algorithms will benefit much from considering e.g. tonal center movement and degrees of scale (as in functional analysis).<br /> <br /> Labels for the entire RWC's classical portion will be made available for the MIREX participants (with some copying and usage restrictions). In order to allow cross-validation of the submitted algorithms, an independent set of labels will be created (to which the participants will have no access), and the algorithms will be executed on both sets.<br /> <br /> === Output data ===<br /> <br /> The output from the algorithms is expected to comply with the above description of the ground truth data format. For example, a common 24-chord dictionary algorithm would output a series of lines from the following set (12 major and 12 minor chords):<br /> <br /> C C E G<br /> C+ C+ E+ G+<br /> D- D- F A-<br /> D D F+ A<br /> D+ D+ F A+<br /> E- E- G B-<br /> E E G+ B<br /> F F A C<br /> F+ F+ A+ C+<br /> G- G- B- D-<br /> G G B D<br /> G+ G+ B+ D+<br /> A- A- C E-<br /> A A C+ E<br /> A+ A+ C E+<br /> B- B- D F<br /> B B D+ F+<br /> C C E- G<br /> C+ C+ E G+<br /> D- D- F- A-<br /> D D F A<br /> D+ D+ F+ A+<br /> E- E- G- B-<br /> E E G B<br /> F F A- C<br /> F+ F+ A C+<br /> G- G- B D-<br /> G G B- D<br /> G+ G+ B D+<br /> A- A- C- E-<br /> A A C E<br /> A+ A+ C+ E+<br /> B- B- D- F<br /> B B D F+<br /> <br /> == Evaluation Measures ==<br /> <br /> Evaluation is a difficult problem for 2 reasons:<br /> # Ground truth is kind of an ambiguous thing in harmonic analysis, as sometimes multiple interpretations are possible.<br /> # Algorithms can output partial harmonic data (as e.g. it is the case of the 24-chord dictionary algorithm mentioned earlier) and they should be awarded partial score.<br /> <br /> Therefore, we propose to use a weighted chord distance measure along other, simpler evaluation measures (root identification accuracy, and pitch class precision, recall and F-measure). In this measure, mistaking the root will cost much more than e.g. overlooking an added ninth and mistaking major for augmented chord will be less costly than e.g. interpreting major as minor. This should enable comparison of algorithms that work with different chord dictionaries: using a simplified dictionary will decrease the estimation accuracy, but not significantly so, and an algorithm using an accurate 24-chord dictionary should outperform a poor algorithm that deals with accurate chord labels.<br /> <br /> The following formula will be used to evaluate the performance of the submitted algorithms:<br /> <br /> [[File:Evaluation.png||250px]]<br /> <br /> where:<br /> * ''t'' is the time.<br /> * ''r'' is the root of a chord (0..11).<br /> * ''N'' is the set of notes that belong to a chord.<br /> * ''W'' is the 12-dimensional weighting vector.<br /> * ''S'' is the score given obtained by an algorithm.<br /> * ''A'' is calculated for ground truth and the hat over ''A'' means it is calculated for the estimated harmony.<br /> <br /> The weighting vector is obtained from the circle of fifths:<br /> <br /> [[File:Weights.png||200px]]<br /> <br /> where ''D'' is the distance between its arguments on the circle of fifths (minimal number of steps 0..6) and ''r'' is any chord root (0..11). ''W'' is normalized to 1.<br /> <br /> [[File:Weights plot.png||700px]]<br /> <br /> The score will be equal to 1 if all the notes in the chord were identified correctly and between 0 and 1 for other cases (see pictures below).<br /> <br /> [[File:Wrong_root.png||400px]]<br /> <br /> [[File:Wrong_type.png||300px]]<br /> [[File:Wrong added.png||300px]]<br /> [[File:Wrong removed.png||300px]]<br /> <br /> == Test data ==<br /> A dataset containing harmonic data for the entire RWC database's classical part will be made available to this task's participants. During the evaluation, this set will be coupled with a new set which is being currently developed by us and which will remain unavailable to participants in order enable assesment of the ability of the submitted algorithms to perform outside the training set.<br /> <br /> == References ==<br /> #<br /> # W. B. de Haas, R. C. Veltkamp, F. Wiering, [http://ismir2008.ismir.net/papers/ISMIR2008_252.pdf “Tonal pitch step distance: a similarity measure for chord progressions,”] Proc. of 9th ISMIR, 2008<br /> # J.-F. Paiement, D. Eck, S. Bengio, [http://publications.idiap.ch/downloads/reports/2005/rr-05-58.pdf “Chord representations for probabilistic models,”] IDIAP Research report, 2005<br /> # J.-F. Paiement, D. Eck, S. Bengio, [http://ismir2005.ismir.net/proceedings/1091.pdf ”A probabilistic model for chord progressions,”] Proc. of 6th ISMIR, 2005<br /> # C. Raphael, J. Stoddard, [http://ismir2003.ismir.net/papers/Raphael.PDF “Harmonic analysis with probabilistic graphical models,”] Proc. of 4th ISMIR, 2003<br /> # P. Kröger, A. Passos, M. Sampaio, G. de Cidra, [http://classes.berklee.edu/mbierylo/ICMC08/defevent/papers/cr1516.pdf “Rameau: a system for automatic harmonic analysis,”] Proc. of ICMC, 2008<br /> # C. S. Sapp, [http://www.ccarh.org/publications/cm/vol/15/cm15-06-sapp.pdf “Computational chord-root identification in symbolic musical data: rationale, methods and applications,”] Computing in Musicology 15, 2007<br /> # H. Taube, [http://www-camil.music.uiuc.edu/Software/cc/doc/cmj.pdf “Automatic tonal analysis: toward the implementation of a music theory workbench,”] Computer Music Journal vol. 23 nr. 4, 1999 [http://www.dissertationwritinghelp.co.uk/ Dissertation Help] [http://www.customwrittenpaper.com/ College Essay Help] [http://power-scooters.com/ power scooters]<br /> [http://www.logoinn.com/ Logo Design] [http://www.logoinn.com/web-design/ Web Design]<br /> <br /> == Potential Participants ==<br /> <br /> == Discussion for 2010 ==</div>

CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=2010:MIREX_HOME&diff=7974 2011-06-03T17:49:41Z

<p>CameronNonAdmin: </p> <hr /> <div>==MIREX 2010 Deadline Dates==<br /> We have &lt;b&gt;very&lt;/b&gt; tight scheduling constraints this year because of the early convening of ISMIR 2010 in Utrecht.<br /> <br /> We have two sets of deadlines for submissions. We have to stagger the deadlines because of runtime and human evaluation considerations.<br /> <br /> <br /> ===Tasks with a '''25 June 2010''' deadline:===<br /> # Audio Classification (Train/Test) Tasks<br /> # Audio Music Similarity and Retrieval<br /> # Symbolic Melodic Similarity<br /> ===Tasks with a '''2 July 2010''' deadline:===<br /> <br /> # All remaining MIREX 2010 tasks.<br /> <br /> [http://onlinecasino-free.com/ online casino] - listing the best us and uk online casinos worldwide and international.<br /> [http://invatapoker.net/ invata poker]<br /> [http://www.choose-romania.com vacation rentals romania]<br /> [http://www.choose-turkey.com vacation rentals turkey]<br /> [http://www.choose-austria.com vacation rentals austria]<br /> [http://www.choose-slovakia.com vacation rentals slovakia]<br /> [http://jocpoker.info poker online]<br /> [http://www.besthomehumidifier.com/ humidifier]<br /> <br /> [http://onlinepokerrakeback.biz/ online poker rakeback]<br /> [http://www.pokerbankrolls.info free poker bankrolls]<br /> [http://pokercalaaparat.com poker ca la aparate]<br /> [http://pokerfacebrasil.com/ poker face brasil]<br /> [http://poker-freeroll-tournaments.com freeroll tournaments]<br /> [http://pokerheavenrakeback.biz poker heaven rakeback]<br /> [http://poker-online-gratis.biz poker online]<br /> [http://www.put.ro director web]<br /> [http://www.rentalprotectionagency.com/tenant-screening.php tenant screening]<br /> [http://www.bankruptcyhq.com/medical-bankruptcy medical bankruptcy]<br /> <br /> <br /> [http://rakebackcalculator.biz rakeback calculator]<br /> [http://regulipoker.info reguli de poker]<br /> [http://scoalapoker.com invata poker]<br /> &lt;i&gt;&lt;b&gt;Nota Bene:&lt;/b&gt; &lt;/i&gt;In the past we have been rather flexible about deadlines. This year, however, we simply do not have the time flexibility, sorry.<br /> <br /> Please, please, please, let's start getting those submissions made. The sooner we have the code, the sooner we can start running the evaluations.<br /> <br /> PS: If you have a slower running algorithm, help us help you by getting your code in ASAP. Please do pay attention to runtime limits.<br /> <br /> ==MIREX 2010 Submission Instructions==<br /> * Be sure to read through the rest of this page<br /> * Be sure to read though the task pages for which you are submitting<br /> * Be sure to follow the [[2009:Best Coding Practices for MIREX | Best Coding Practices for MIREX]]<br /> * Be sure to follow the [[2010:MIREX 2010 Submission Instructions | MIREX 2010 Submission Instructions ]] including both the tutorial video and the text<br /> <br /> <br /> ===MIREX 2010 Evaluation Tasks===<br /> <br /> The IMIRSEL team at UIUC solicited proposals for evaluation tasks to be performed at the Music Information Retrieval Evaluation eXchange 2010 (MIREX 2010) and polled the community on their likelihood of participation in each task. A summary of the responses from the community is given below:<br /> <br /> Results as of Monday 24th May 2010:<br /> <br /> Total individual responses = 74<br /> <br /> &lt;csv p=0&gt;2010/poll/MIREX_Task_Participation_Poll.csv&lt;/csv&gt;<br /> <br /> Hence, the IMIRSEL team has decided to attempt the running of the following tasks at MIREX 2010:<br /> * [[2010:Audio Classification (Train/Test) Tasks]], incorporating:<br /> ** Audio Artist Identification<br /> ** Audio US Pop Genre Classification<br /> ** Audio Latin Genre Classification<br /> ** Audio Music Mood Classification<br /> ** Audio Classical Composer Identification<br /> * [[2010:Audio Cover Song Identification]]<br /> * [[2010:Audio Tag Classification]] <br /> * [[2010:Audio Music Similarity and Retrieval]]<br /> * [[2010:Symbolic Melodic Similarity]]<br /> * [[2010:Audio Onset Detection]]<br /> * [[2010:Audio Key Detection]]<br /> * [[2010:Real-time Audio to Score Alignment (a.k.a Score Following)]]<br /> * [[2010:Query by Singing/Humming]]<br /> * [[2010:Audio Melody Extraction]]<br /> * [[2010:Multiple Fundamental Frequency Estimation &amp; Tracking]]<br /> * [[2010:Audio Chord Estimation]]<br /> * [[2010:Query by Tapping]]<br /> * [[2010:Audio Beat Tracking]]<br /> * [[2010:Structural Segmentation]]<br /> * [[2010:Audio Tempo Estimation]]<br /> <br /> ==== New 2010 Proposals ====<br /> * &lt;strike&gt;[[2010:Harmonic Analysis]]&lt;/strike&gt;<br /> <br /> <br /> ===Projected dates===<br /> * 1st June 2010: MIREX submission system open<br /> * 25th June: Rolling MIREX submission system closures for the following tasks<br /> **Audio Classification (Train/Test) Tasks<br /> **Audio Music Similarity and Retrieval<br /> **Symbolic Melodic Similarity <br /> * 2nd July: Rolling MIREX submission system closures for all the remaining MIREX 2010 tasks. <br /> * 15th July 2010: MIREX results posting begins<br /> * 1st August 2010: All MIREX results posted (somewhat hopeful target date)<br /> * 2-6th August 2010: USMIR Summer School<br /> * 9-13th August 2010: ISMIR conference<br /> <br /> <br /> ===Note to New Participants===<br /> Please take the time to read the following review article that explains the history and structure of MIREX.<br /> <br /> Downie, J. Stephen (2008). The Music Information Retrieval Evaluation Exchange (2005-2007):&lt;br&gt;<br /> A window into music information retrieval research.''Acoustical Science and Technology 29'' (4): 247-255. &lt;br&gt;<br /> Available at: [http://dx.doi.org/10.1250/ast.29.247 http://dx.doi.org/10.1250/ast.29.247]<br /> <br /> <br /> ===Note to All Participants===<br /> Because MIREX is premised upon the sharing of ideas and results, '''ALL''' MIREX participants are expected to:<br /> <br /> # submit a DRAFT 2-3 page extended abstract PDF in the ISMIR format about the submitted programme(s) to help us and the community better understand how the algorithm works when submitting their programme(s).<br /> # submit a FINALIZED 2-3 page extended abstract PDF in the ISMIR format prior to ISMIR 2010 for posting on the respective results pages (sometimes the same abstract can be used for multiple submissions; in many cases the DRAFT and FINALIZED abstracts are the same)<br /> # present a poster at the MIREX 2010 poster session at ISMIR 2010 (Wednesday, 11 August 2010)<br /> <br /> <br /> ===Software Dependency Requests===<br /> If you have not submitted to MIREX before or are unsure whether IMIRSEL/NEMA currently supports some of the software/architecture dependencies for your submission a [https://spreadsheets.google.com/embeddedform?formkey=dDltRjc4NDBDdkZiaF9qZXV0bU5ScUE6MA dependency request form is available]. Please submit details of your dependencies on this form and the IMIRSEL team will attempt to satisfy them for you. &lt;span class=&quot;plainlinks&quot;&gt;[http://www.fastcreditrepairletters.com/ &lt;span style=&quot;color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;&quot;&gt;Credit Repair&lt;/span&gt;]<br /> <br /> Due to the high volume of submissions expected at MIREX 2010, submissions with difficult to satisfy dependencies that the team has not been given sufficient notice of may result in the submission being rejected. [http://bancuri-glume.net bancuri noi]<br /> <br /> <br /> Finally, you will also be expected to detail your software/architecture dependencies in a README file to be provided to the submission system.[http://signalsforex.org/ signalsforex]<br /> <br /> ==Getting Involved in MIREX 2010==<br /> MIREX is a community-based endeavour. Be a part of the community and help make MIREX 2010 the best yet. <br /> <br /> <br /> <br /> ===Mailing List Participation===<br /> If you are interested in formal MIR evaluation, you should also subscribe to the &lt;span class=&quot;plainlinks&quot;&gt;[http://www.diamondlinks.net/ &lt;span style=&quot;color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;&quot;&gt;link building service&lt;/span&gt;] &quot;MIREX&quot; (aka &quot;EvalFest&quot;) mail list and participate in the community discussions about defining and running MIREX 2010 tasks. Subscription information at: <br /> [https://mail.lis.illinois.edu/mailman/listinfo/evalfest EvalFest Central]. <br /> <br /> If you are participating in MIREX 2010, it is VERY IMPORTANT that you are subscribed to EvalFest. Deadlines, task updates and other important information will be announced via this mailing list. Please use the EvalFest for discussion of MIREX task proposals and other MIREX related issues. This wiki (MIREX 2010 wiki) will be used to embody and disseminate task proposals, however, task related discussions should be conducted on the MIREX organization mailing list (EvalFest) rather than on this wiki, but should be summarized here. <br /> <br /> Where possible, definitions or example code for new evaluation metrics or tasks should be provided to the IMIRSEL team who will embody them in software as part of the NEMA analytics framework, which will be released to the community at or before ISMIR 2010 - providing a standardised set of interfaces and output to disciplined evaluation procedures for a great many MIR tasks.<br /> <br /> <br /> ===Wiki Participation===<br /> '''''Please note that you may need to create a NEW login for this wiki even if you have a login that you previously used for editing the MIREX 2005, 2006, 2007, 2008 or 2009 wikis.'''''<br /> <br /> However, starting in 2010 the MIREX wikis have been merged so that logins will persist for future iterations of MIREX.<br /> <br /> <br /> Please create an account via: [[Special:Userlogin]].<br /> <br /> Please note that because of &quot;spam-bots&quot;, MIREX wiki registration requests may be moderated by IMIRSEL members. It might take up to 24 hours for approval (Thank you for your patience!).<br /> <br /> <br /> <br /> ==MIREX 2005 - 2009 Wikis==<br /> This is the new wiki for MIREX 2010. The wikis for MIREX 2005 - 2009 are available at:<br /> <br /> '''[[2009:Main_Page|MIREX 2009]]''' <br /> https://www.music-ir.org/mirex/2009/<br /> <br /> '''[[2008:Main_Page|MIREX 2008]]''' <br /> https://www.music-ir.org/mirex/2008/<br /> <br /> '''[[2007:Main_Page|MIREX 2007]]''' <br /> https://www.music-ir.org/mirex/2007/<br /> <br /> '''[[2006:Main_Page|MIREX 2006]]''' <br /> https://www.music-ir.org/mirex/2006/<br /> <br /> '''[[2005:Main_Page|MIREX 2005]]''' <br /> https://www.music-ir.org/mirex/2005/<br /> <br /> You can interlink between this wiki and the previous wikis using '''2005:''' prefix on links to connect to pages in MIREX 2005 and '''2006:''' for MIREX 2006 and '''2007:''' for MIREX 2007 and '''2008:''' for MIREX 2008 and '''2009:''' for MIREX 2009.<br /> <br /> ===ISMIR 2004 Audio Description Contest===<br /> The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:<br /> <br /> <br /> '''[http://ismir2004.ismir.net/ISMIR_Contest.html| ISMIR 2004 Audio Description Contest]''' <br /> http://ismir2004.ismir.net/ISMIR_Contest.html<br /> <br /> The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at: [http://www.choose-bulgaria.com vacation rentals bulgaria] and [http://wildfiretravel.com/vietnam-tours Vietnam tours]</div>

CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=2010:MIREX_HOME&diff=7973 2011-06-03T16:48:39Z

<p>CameronNonAdmin: /* Software Dependency Requests */</p> <hr /> <div>==MIREX 2010 Deadline Dates==<br /> We have &lt;b&gt;very&lt;/b&gt; tight scheduling constraints this year because of the early convening of ISMIR 2010 in Utrecht.<br /> <br /> We have two sets of deadlines for submissions. We have to stagger the deadlines because of runtime and human evaluation considerations.<br /> <br /> <br /> ===Tasks with a '''25 June 2010''' deadline:===<br /> # Audio Classification (Train/Test) Tasks<br /> # Audio Music Similarity and Retrieval<br /> # Symbolic Melodic Similarity<br /> ===Tasks with a '''2 July 2010''' deadline:===<br /> <br /> # All remaining MIREX 2010 tasks.<br /> <br /> [http://onlinecasino-free.com/ online casino] - listing the best us and uk online casinos worldwide and international.<br /> [http://invatapoker.net/ invata poker]<br /> [http://www.choose-romania.com vacation rentals romania]<br /> [http://www.choose-turkey.com vacation rentals turkey]<br /> [http://www.choose-austria.com vacation rentals austria]<br /> [http://www.choose-slovakia.com vacation rentals slovakia]<br /> [http://jocpoker.info poker online]<br /> [http://www.besthomehumidifier.com/ humidifier]<br /> <br /> [http://onlinepokerrakeback.biz/ online poker rakeback]<br /> [http://www.pokerbankrolls.info free poker bankrolls]<br /> [http://pokercalaaparat.com poker ca la aparate]<br /> [http://pokerfacebrasil.com/ poker face brasil]<br /> [http://poker-freeroll-tournaments.com freeroll tournaments]<br /> [http://pokerheavenrakeback.biz poker heaven rakeback]<br /> [http://poker-online-gratis.biz poker online]<br /> [http://www.put.ro director web]<br /> [http://www.rentalprotectionagency.com/tenant-screening.php tenant screening]<br /> [http://www.bankruptcyhq.com/medical-bankruptcy medical bankruptcy]<br /> <br /> <br /> [http://rakebackcalculator.biz rakeback calculator]<br /> [http://regulipoker.info reguli de poker]<br /> [http://scoalapoker.com invata poker]<br /> &lt;i&gt;&lt;b&gt;Nota Bene:&lt;/b&gt; &lt;/i&gt;In the past we have been rather flexible about deadlines. This year, however, we simply do not have the time flexibility, sorry.<br /> <br /> Please, please, please, let's start getting those submissions made. The sooner we have the code, the sooner we can start running the evaluations.<br /> <br /> PS: If you have a slower running algorithm, help us help you by getting your code in ASAP. Please do pay attention to runtime limits.<br /> <br /> ==MIREX 2010 Submission Instructions==<br /> * Be sure to read through the rest of this page<br /> * Be sure to read though the task pages for which you are submitting<br /> * Be sure to follow the [[2009:Best Coding Practices for MIREX | Best Coding Practices for MIREX]]<br /> * Be sure to follow the [[2010:MIREX 2010 Submission Instructions | MIREX 2010 Submission Instructions ]] including both the tutorial video and the text<br /> <br /> <br /> ===MIREX 2010 Evaluation Tasks===<br /> <br /> The IMIRSEL team at UIUC solicited proposals for evaluation tasks to be performed at the Music Information Retrieval Evaluation eXchange 2010 (MIREX 2010) and polled the community on their likelihood of participation in each task. A summary of the responses from the community is given below:<br /> <br /> Results as of Monday 24th May 2010:<br /> <br /> Total individual responses = 74<br /> <br /> &lt;csv p=0&gt;2010/poll/MIREX_Task_Participation_Poll.csv&lt;/csv&gt;<br /> <br /> Hence, the IMIRSEL team has decided to attempt the running of the following tasks at MIREX 2010:<br /> * [[2010:Audio Classification (Train/Test) Tasks]], incorporating:<br /> ** Audio Artist Identification<br /> ** Audio US Pop Genre Classification<br /> ** Audio Latin Genre Classification<br /> ** Audio Music Mood Classification<br /> ** Audio Classical Composer Identification<br /> * [[2010:Audio Cover Song Identification]]<br /> * [[2010:Audio Tag Classification]] <br /> * [[2010:Audio Music Similarity and Retrieval]]<br /> * [[2010:Symbolic Melodic Similarity]]<br /> * [[2010:Audio Onset Detection]]<br /> * [[2010:Audio Key Detection]]<br /> * [[2010:Real-time Audio to Score Alignment (a.k.a Score Following)]]<br /> * [[2010:Query by Singing/Humming]]<br /> * [[2010:Audio Melody Extraction]]<br /> * [[2010:Multiple Fundamental Frequency Estimation &amp; Tracking]]<br /> * [[2010:Audio Chord Estimation]]<br /> * [[2010:Query by Tapping]]<br /> * [[2010:Audio Beat Tracking]]<br /> * [[2010:Structural Segmentation]]<br /> * [[2010:Audio Tempo Estimation]]<br /> <br /> ==== New 2010 Proposals ====<br /> * &lt;strike&gt;[[2010:Harmonic Analysis]]&lt;/strike&gt;<br /> <br /> <br /> ===Projected dates===<br /> * 1st June 2010: MIREX submission system open<br /> * 25th June: Rolling MIREX submission system closures for the following tasks<br /> **Audio Classification (Train/Test) Tasks<br /> **Audio Music Similarity and Retrieval<br /> **Symbolic Melodic Similarity <br /> * 2nd July: Rolling MIREX submission system closures for all the remaining MIREX 2010 tasks. <br /> * 15th July 2010: MIREX results posting begins<br /> * 1st August 2010: All MIREX results posted (somewhat hopeful target date)<br /> * 2-6th August 2010: USMIR Summer School<br /> * 9-13th August 2010: ISMIR conference<br /> <br /> <br /> ===Note to New Participants===<br /> Please take the time to read the following review article that explains the history and structure of MIREX.<br /> <br /> Downie, J. Stephen (2008). The Music Information Retrieval Evaluation Exchange (2005-2007):&lt;br&gt;<br /> A window into music information retrieval research.''Acoustical Science and Technology 29'' (4): 247-255. &lt;br&gt;<br /> Available at: [http://dx.doi.org/10.1250/ast.29.247 http://dx.doi.org/10.1250/ast.29.247]<br /> <br /> <br /> ===Note to All Participants===<br /> Because MIREX is premised upon the sharing of ideas and results, '''ALL''' MIREX participants are expected to:<br /> <br /> # submit a DRAFT 2-3 page extended abstract PDF in the ISMIR format about the submitted programme(s) to help us and the community better understand how the algorithm works when submitting their programme(s).<br /> # submit a FINALIZED 2-3 page extended abstract PDF in the ISMIR format prior to ISMIR 2010 for posting on the respective results pages (sometimes the same abstract can be used for multiple submissions; in many cases the DRAFT and FINALIZED abstracts are the same)<br /> # present a poster at the MIREX 2010 poster session at ISMIR 2010 (Wednesday, 11 August 2010)<br /> <br /> <br /> ===Software Dependency Requests===<br /> If you have not submitted to MIREX before or are unsure whether IMIRSEL/NEMA currently supports some of the software/architecture dependencies for your submission a [https://spreadsheets.google.com/embeddedform?formkey=dDltRjc4NDBDdkZiaF9qZXV0bU5ScUE6MA dependency request form is available]. Please submit details of your dependencies on this form and the IMIRSEL team will attempt to satisfy them for you. &lt;span class=&quot;plainlinks&quot;&gt;[http://www.fastcreditrepairletters.com/ &lt;span style=&quot;color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;&quot;&gt;Credit Repair&lt;/span&gt;]<br /> <br /> Due to the high volume of submissions expected at MIREX 2010, submissions with difficult to satisfy dependencies that the team has not been given sufficient notice of may result in the submission being rejected. [http://bancuri-glume.net bancuri noi]<br /> <br /> <br /> Finally, you will also be expected to detail your software/architecture dependencies in a README file to be provided to the submission system.[http://signalsforex.org/ signalsforex]<br /> <br /> ==Getting Involved in MIREX 2010==<br /> MIREX is a community-based endeavour. Be a part of the community and help make MIREX 2010 the best yet. <br /> <br /> <br /> <br /> ===Mailing List Participation===<br /> If you are interested in formal MIR evaluation, you should also subscribe to the &lt;span class=&quot;plainlinks&quot;&gt;[http://www.diamondlinks.net/ &lt;span style=&quot;color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;&quot;&gt;link building service&lt;/span&gt;] &quot;MIREX&quot; (aka &quot;EvalFest&quot;) mail list and participate in the community discussions about defining and running MIREX 2010 tasks. Subscription information at: <br /> [https://mail.lis.illinois.edu/mailman/listinfo/evalfest EvalFest Central]. <br /> <br /> If you are participating in MIREX 2010, it is VERY IMPORTANT that you are subscribed to EvalFest. Deadlines, task updates and other important information will be announced via this mailing list. Please use the EvalFest for discussion of MIREX task proposals and other MIREX related issues. This wiki (MIREX 2010 wiki) will be used to embody and disseminate task proposals, however, task related discussions should be conducted on the MIREX organization mailing list (EvalFest) rather than on this wiki, but should be summarized here. <br /> <br /> Where possible, definitions or example code for new evaluation metrics or tasks should be provided to the IMIRSEL team who will embody them in software as part of the NEMA analytics framework, which will be released to the community at or before ISMIR 2010 - providing a standardised set of interfaces and output to disciplined evaluation procedures for a great many MIR tasks.<br /> <br /> <br /> ===Wiki Participation===<br /> '''''Please note that you may need to create a NEW login for this wiki even if you have a login that you previously used for editing the MIREX 2005, 2006, 2007, 2008 or 2009 wikis.'''''<br /> <br /> However, starting in 2010 the MIREX wikis have been merged so that logins will persist for future iterations of MIREX.<br /> <br /> <br /> Please create an account via: [[Special:Userlogin]].<br /> <br /> Please note that because of &quot;spam-bots&quot;, MIREX wiki registration requests may be moderated by IMIRSEL members. It might take up to 24 hours for approval (Thank you for your patience!).<br /> <br /> <br /> <br /> ==MIREX 2005 - 2009 Wikis==<br /> This is the new wiki for MIREX 2010. The wikis for MIREX 2005 - 2009 are available at:<br /> <br /> '''[[2009:Main_Page|MIREX 2009]]''' <br /> https://www.music-ir.org/mirex/2009/<br /> <br /> '''[[2008:Main_Page|MIREX 2008]]''' <br /> https://www.music-ir.org/mirex/2008/<br /> <br /> '''[[2007:Main_Page|MIREX 2007]]''' <br /> https://www.music-ir.org/mirex/2007/<br /> <br /> '''[[2006:Main_Page|MIREX 2006]]''' <br /> https://www.music-ir.org/mirex/2006/<br /> <br /> '''[[2005:Main_Page|MIREX 2005]]''' <br /> https://www.music-ir.org/mirex/2005/<br /> <br /> You can interlink between this wiki and the previous wikis using '''2005:''' prefix on links to connect to pages in MIREX 2005 and '''2006:''' for MIREX 2006 and '''2007:''' for MIREX 2007 and '''2008:''' for MIREX 2008 and '''2009:''' for MIREX 2009.<br /> <br /> ===ISMIR 2004 Audio Description Contest===<br /> The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:<br /> <br /> <br /> '''[http://ismir2004.ismir.net/ISMIR_Contest.html| ISMIR 2004 Audio Description Contest]''' <br /> http://ismir2004.ismir.net/ISMIR_Contest.html<br /> <br /> The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at: [http://www.choose-bulgaria.com vacation rentals bulgaria]</div>

CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=2010:MIREX_HOME&diff=7972 2011-06-03T00:31:32Z

<p>CameronNonAdmin: /* Tasks with a 2 July 2010 deadline: */</p> <hr /> <div>==MIREX 2010 Deadline Dates==<br /> We have &lt;b&gt;very&lt;/b&gt; tight scheduling constraints this year because of the early convening of ISMIR 2010 in Utrecht.<br /> <br /> We have two sets of deadlines for submissions. We have to stagger the deadlines because of runtime and human evaluation considerations.<br /> <br /> <br /> ===Tasks with a '''25 June 2010''' deadline:===<br /> # Audio Classification (Train/Test) Tasks<br /> # Audio Music Similarity and Retrieval<br /> # Symbolic Melodic Similarity<br /> ===Tasks with a '''2 July 2010''' deadline:===<br /> <br /> # All remaining MIREX 2010 tasks.<br /> <br /> [http://onlinecasino-free.com/ online casino] - listing the best us and uk online casinos worldwide and international.<br /> [http://invatapoker.net/ invata poker]<br /> [http://www.choose-romania.com vacation rentals romania]<br /> [http://www.choose-turkey.com vacation rentals turkey]<br /> [http://www.choose-austria.com vacation rentals austria]<br /> [http://www.choose-slovakia.com vacation rentals slovakia]<br /> [http://jocpoker.info poker online]<br /> [http://www.besthomehumidifier.com/ humidifier]<br /> <br /> [http://onlinepokerrakeback.biz/ online poker rakeback]<br /> [http://www.pokerbankrolls.info free poker bankrolls]<br /> [http://pokercalaaparat.com poker ca la aparate]<br /> [http://pokerfacebrasil.com/ poker face brasil]<br /> [http://poker-freeroll-tournaments.com freeroll tournaments]<br /> [http://pokerheavenrakeback.biz poker heaven rakeback]<br /> [http://poker-online-gratis.biz poker online]<br /> [http://www.put.ro director web]<br /> [http://www.rentalprotectionagency.com/tenant-screening.php tenant screening]<br /> [http://www.bankruptcyhq.com/medical-bankruptcy medical bankruptcy]<br /> <br /> <br /> [http://rakebackcalculator.biz rakeback calculator]<br /> [http://regulipoker.info reguli de poker]<br /> [http://scoalapoker.com invata poker]<br /> &lt;i&gt;&lt;b&gt;Nota Bene:&lt;/b&gt; &lt;/i&gt;In the past we have been rather flexible about deadlines. This year, however, we simply do not have the time flexibility, sorry.<br /> <br /> Please, please, please, let's start getting those submissions made. The sooner we have the code, the sooner we can start running the evaluations.<br /> <br /> PS: If you have a slower running algorithm, help us help you by getting your code in ASAP. Please do pay attention to runtime limits.<br /> <br /> ==MIREX 2010 Submission Instructions==<br /> * Be sure to read through the rest of this page<br /> * Be sure to read though the task pages for which you are submitting<br /> * Be sure to follow the [[2009:Best Coding Practices for MIREX | Best Coding Practices for MIREX]]<br /> * Be sure to follow the [[2010:MIREX 2010 Submission Instructions | MIREX 2010 Submission Instructions ]] including both the tutorial video and the text<br /> <br /> <br /> ===MIREX 2010 Evaluation Tasks===<br /> <br /> The IMIRSEL team at UIUC solicited proposals for evaluation tasks to be performed at the Music Information Retrieval Evaluation eXchange 2010 (MIREX 2010) and polled the community on their likelihood of participation in each task. A summary of the responses from the community is given below:<br /> <br /> Results as of Monday 24th May 2010:<br /> <br /> Total individual responses = 74<br /> <br /> &lt;csv p=0&gt;2010/poll/MIREX_Task_Participation_Poll.csv&lt;/csv&gt;<br /> <br /> Hence, the IMIRSEL team has decided to attempt the running of the following tasks at MIREX 2010:<br /> * [[2010:Audio Classification (Train/Test) Tasks]], incorporating:<br /> ** Audio Artist Identification<br /> ** Audio US Pop Genre Classification<br /> ** Audio Latin Genre Classification<br /> ** Audio Music Mood Classification<br /> ** Audio Classical Composer Identification<br /> * [[2010:Audio Cover Song Identification]]<br /> * [[2010:Audio Tag Classification]] <br /> * [[2010:Audio Music Similarity and Retrieval]]<br /> * [[2010:Symbolic Melodic Similarity]]<br /> * [[2010:Audio Onset Detection]]<br /> * [[2010:Audio Key Detection]]<br /> * [[2010:Real-time Audio to Score Alignment (a.k.a Score Following)]]<br /> * [[2010:Query by Singing/Humming]]<br /> * [[2010:Audio Melody Extraction]]<br /> * [[2010:Multiple Fundamental Frequency Estimation &amp; Tracking]]<br /> * [[2010:Audio Chord Estimation]]<br /> * [[2010:Query by Tapping]]<br /> * [[2010:Audio Beat Tracking]]<br /> * [[2010:Structural Segmentation]]<br /> * [[2010:Audio Tempo Estimation]]<br /> <br /> ==== New 2010 Proposals ====<br /> * &lt;strike&gt;[[2010:Harmonic Analysis]]&lt;/strike&gt;<br /> <br /> <br /> ===Projected dates===<br /> * 1st June 2010: MIREX submission system open<br /> * 25th June: Rolling MIREX submission system closures for the following tasks<br /> **Audio Classification (Train/Test) Tasks<br /> **Audio Music Similarity and Retrieval<br /> **Symbolic Melodic Similarity <br /> * 2nd July: Rolling MIREX submission system closures for all the remaining MIREX 2010 tasks. <br /> * 15th July 2010: MIREX results posting begins<br /> * 1st August 2010: All MIREX results posted (somewhat hopeful target date)<br /> * 2-6th August 2010: USMIR Summer School<br /> * 9-13th August 2010: ISMIR conference<br /> <br /> <br /> ===Note to New Participants===<br /> Please take the time to read the following review article that explains the history and structure of MIREX.<br /> <br /> Downie, J. Stephen (2008). The Music Information Retrieval Evaluation Exchange (2005-2007):&lt;br&gt;<br /> A window into music information retrieval research.''Acoustical Science and Technology 29'' (4): 247-255. &lt;br&gt;<br /> Available at: [http://dx.doi.org/10.1250/ast.29.247 http://dx.doi.org/10.1250/ast.29.247]<br /> <br /> <br /> ===Note to All Participants===<br /> Because MIREX is premised upon the sharing of ideas and results, '''ALL''' MIREX participants are expected to:<br /> <br /> # submit a DRAFT 2-3 page extended abstract PDF in the ISMIR format about the submitted programme(s) to help us and the community better understand how the algorithm works when submitting their programme(s).<br /> # submit a FINALIZED 2-3 page extended abstract PDF in the ISMIR format prior to ISMIR 2010 for posting on the respective results pages (sometimes the same abstract can be used for multiple submissions; in many cases the DRAFT and FINALIZED abstracts are the same)<br /> # present a poster at the MIREX 2010 poster session at ISMIR 2010 (Wednesday, 11 August 2010)<br /> <br /> <br /> ===Software Dependency Requests===<br /> If you have not submitted to MIREX before or are unsure whether IMIRSEL/NEMA currently supports some of the software/architecture dependencies for your submission a [https://spreadsheets.google.com/embeddedform?formkey=dDltRjc4NDBDdkZiaF9qZXV0bU5ScUE6MA dependency request form is available]. Please submit details of your dependencies on this form and the IMIRSEL team will attempt to satisfy them for you. &lt;span class=&quot;plainlinks&quot;&gt;[http://www.fastcreditrepairletters.com/ &lt;span style=&quot;color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;&quot;&gt;Credit Repair&lt;/span&gt;]<br /> <br /> Due to the high volume of submissions expected at MIREX 2010, submissions with difficult to satisfy dependencies that the team has not been given sufficient notice of may result in the submission being rejected. [http://bancuri-glume.net bancuri noi]<br /> <br /> <br /> Finally, you will also be expected to detail your software/architecture dependencies in a README file to be provided to the submission system.<br /> <br /> <br /> ==Getting Involved in MIREX 2010==<br /> MIREX is a community-based endeavour. Be a part of the community and help make MIREX 2010 the best yet. <br /> <br /> <br /> <br /> ===Mailing List Participation===<br /> If you are interested in formal MIR evaluation, you should also subscribe to the &lt;span class=&quot;plainlinks&quot;&gt;[http://www.diamondlinks.net/ &lt;span style=&quot;color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;&quot;&gt;link building service&lt;/span&gt;] &quot;MIREX&quot; (aka &quot;EvalFest&quot;) mail list and participate in the community discussions about defining and running MIREX 2010 tasks. Subscription information at: <br /> [https://mail.lis.illinois.edu/mailman/listinfo/evalfest EvalFest Central]. <br /> <br /> If you are participating in MIREX 2010, it is VERY IMPORTANT that you are subscribed to EvalFest. Deadlines, task updates and other important information will be announced via this mailing list. Please use the EvalFest for discussion of MIREX task proposals and other MIREX related issues. This wiki (MIREX 2010 wiki) will be used to embody and disseminate task proposals, however, task related discussions should be conducted on the MIREX organization mailing list (EvalFest) rather than on this wiki, but should be summarized here. <br /> <br /> Where possible, definitions or example code for new evaluation metrics or tasks should be provided to the IMIRSEL team who will embody them in software as part of the NEMA analytics framework, which will be released to the community at or before ISMIR 2010 - providing a standardised set of interfaces and output to disciplined evaluation procedures for a great many MIR tasks.<br /> <br /> <br /> ===Wiki Participation===<br /> '''''Please note that you may need to create a NEW login for this wiki even if you have a login that you previously used for editing the MIREX 2005, 2006, 2007, 2008 or 2009 wikis.'''''<br /> <br /> However, starting in 2010 the MIREX wikis have been merged so that logins will persist for future iterations of MIREX.<br /> <br /> <br /> Please create an account via: [[Special:Userlogin]].<br /> <br /> Please note that because of &quot;spam-bots&quot;, MIREX wiki registration requests may be moderated by IMIRSEL members. It might take up to 24 hours for approval (Thank you for your patience!).<br /> <br /> <br /> <br /> ==MIREX 2005 - 2009 Wikis==<br /> This is the new wiki for MIREX 2010. The wikis for MIREX 2005 - 2009 are available at:<br /> <br /> '''[[2009:Main_Page|MIREX 2009]]''' <br /> https://www.music-ir.org/mirex/2009/<br /> <br /> '''[[2008:Main_Page|MIREX 2008]]''' <br /> https://www.music-ir.org/mirex/2008/<br /> <br /> '''[[2007:Main_Page|MIREX 2007]]''' <br /> https://www.music-ir.org/mirex/2007/<br /> <br /> '''[[2006:Main_Page|MIREX 2006]]''' <br /> https://www.music-ir.org/mirex/2006/<br /> <br /> '''[[2005:Main_Page|MIREX 2005]]''' <br /> https://www.music-ir.org/mirex/2005/<br /> <br /> You can interlink between this wiki and the previous wikis using '''2005:''' prefix on links to connect to pages in MIREX 2005 and '''2006:''' for MIREX 2006 and '''2007:''' for MIREX 2007 and '''2008:''' for MIREX 2008 and '''2009:''' for MIREX 2009.<br /> <br /> ===ISMIR 2004 Audio Description Contest===<br /> The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:<br /> <br /> <br /> '''[http://ismir2004.ismir.net/ISMIR_Contest.html| ISMIR 2004 Audio Description Contest]''' <br /> http://ismir2004.ismir.net/ISMIR_Contest.html<br /> <br /> The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at: [http://www.choose-bulgaria.com vacation rentals bulgaria]</div>

CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=File:Electronic_cigarette_3001.jpg&diff=7971 2011-06-02T22:59:16Z

<p>CameronNonAdmin: </p> <hr /> <div></div>

CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=2010:MIREX_HOME&diff=7969 2011-06-02T19:00:54Z

<p>CameronNonAdmin: /* Tasks with a 2 July 2010 deadline: */</p> <hr /> <div>==MIREX 2010 Deadline Dates==<br /> We have &lt;b&gt;very&lt;/b&gt; tight scheduling constraints this year because of the early convening of ISMIR 2010 in Utrecht.<br /> <br /> We have two sets of deadlines for submissions. We have to stagger the deadlines because of runtime and human evaluation considerations.<br /> <br /> <br /> ===Tasks with a '''25 June 2010''' deadline:===<br /> # Audio Classification (Train/Test) Tasks<br /> # Audio Music Similarity and Retrieval<br /> # Symbolic Melodic Similarity<br /> ===Tasks with a '''2 July 2010''' deadline:===<br /> <br /> # All remaining MIREX 2010 tasks.<br /> <br /> [http://invatapoker.net/ invata poker]<br /> [http://www.choose-romania.com vacation rentals romania]<br /> [http://www.choose-turkey.com vacation rentals turkey]<br /> [http://www.choose-austria.com vacation rentals austria]<br /> [http://www.choose-slovakia.com vacation rentals slovakia]<br /> [http://jocpoker.info poker online]<br /> [http://www.besthomehumidifier.com/ humidifier]<br /> <br /> [http://onlinepokerrakeback.biz/ online poker rakeback]<br /> [http://www.pokerbankrolls.info free poker bankrolls]<br /> [http://pokercalaaparat.com poker ca la aparate]<br /> [http://pokerfacebrasil.com/ poker face brasil]<br /> [http://poker-freeroll-tournaments.com freeroll tournaments]<br /> [http://pokerheavenrakeback.biz poker heaven rakeback]<br /> [http://poker-online-gratis.biz poker online]<br /> [http://www.put.ro director web]<br /> [http://www.rentalprotectionagency.com/tenant-screening.php tenant screening]<br /> [http://www.bankruptcyhq.com/medical-bankruptcy medical bankruptcy]<br /> <br /> <br /> [http://rakebackcalculator.biz rakeback calculator]<br /> [http://regulipoker.info reguli de poker]<br /> [http://scoalapoker.com invata poker]<br /> &lt;i&gt;&lt;b&gt;Nota Bene:&lt;/b&gt; &lt;/i&gt;In the past we have been rather flexible about deadlines. This year, however, we simply do not have the time flexibility, sorry.<br /> <br /> Please, please, please, let's start getting those submissions made. The sooner we have the code, the sooner we can start running the evaluations.<br /> <br /> PS: If you have a slower running algorithm, help us help you by getting your code in ASAP. Please do pay attention to runtime limits.<br /> <br /> ==MIREX 2010 Submission Instructions==<br /> * Be sure to read through the rest of this page<br /> * Be sure to read though the task pages for which you are submitting<br /> * Be sure to follow the [[2009:Best Coding Practices for MIREX | Best Coding Practices for MIREX]]<br /> * Be sure to follow the [[2010:MIREX 2010 Submission Instructions | MIREX 2010 Submission Instructions ]] including both the tutorial video and the text<br /> <br /> <br /> ===MIREX 2010 Evaluation Tasks===<br /> <br /> The IMIRSEL team at UIUC solicited proposals for evaluation tasks to be performed at the Music Information Retrieval Evaluation eXchange 2010 (MIREX 2010) and polled the community on their likelihood of participation in each task. A summary of the responses from the community is given below:<br /> <br /> Results as of Monday 24th May 2010:<br /> <br /> Total individual responses = 74<br /> <br /> &lt;csv p=0&gt;2010/poll/MIREX_Task_Participation_Poll.csv&lt;/csv&gt;<br /> <br /> Hence, the IMIRSEL team has decided to attempt the running of the following tasks at MIREX 2010:<br /> * [[2010:Audio Classification (Train/Test) Tasks]], incorporating:<br /> ** Audio Artist Identification<br /> ** Audio US Pop Genre Classification<br /> ** Audio Latin Genre Classification<br /> ** Audio Music Mood Classification<br /> ** Audio Classical Composer Identification<br /> * [[2010:Audio Cover Song Identification]]<br /> * [[2010:Audio Tag Classification]] <br /> * [[2010:Audio Music Similarity and Retrieval]]<br /> * [[2010:Symbolic Melodic Similarity]]<br /> * [[2010:Audio Onset Detection]]<br /> * [[2010:Audio Key Detection]]<br /> * [[2010:Real-time Audio to Score Alignment (a.k.a Score Following)]]<br /> * [[2010:Query by Singing/Humming]]<br /> * [[2010:Audio Melody Extraction]]<br /> * [[2010:Multiple Fundamental Frequency Estimation &amp; Tracking]]<br /> * [[2010:Audio Chord Estimation]]<br /> * [[2010:Query by Tapping]]<br /> * [[2010:Audio Beat Tracking]]<br /> * [[2010:Structural Segmentation]]<br /> * [[2010:Audio Tempo Estimation]]<br /> <br /> ==== New 2010 Proposals ====<br /> * &lt;strike&gt;[[2010:Harmonic Analysis]]&lt;/strike&gt;<br /> <br /> <br /> ===Projected dates===<br /> * 1st June 2010: MIREX submission system open<br /> * 25th June: Rolling MIREX submission system closures for the following tasks<br /> **Audio Classification (Train/Test) Tasks<br /> **Audio Music Similarity and Retrieval<br /> **Symbolic Melodic Similarity <br /> * 2nd July: Rolling MIREX submission system closures for all the remaining MIREX 2010 tasks. <br /> * 15th July 2010: MIREX results posting begins<br /> * 1st August 2010: All MIREX results posted (somewhat hopeful target date)<br /> * 2-6th August 2010: USMIR Summer School<br /> * 9-13th August 2010: ISMIR conference<br /> <br /> <br /> ===Note to New Participants===<br /> Please take the time to read the following review article that explains the history and structure of MIREX.<br /> <br /> Downie, J. Stephen (2008). The Music Information Retrieval Evaluation Exchange (2005-2007):&lt;br&gt;<br /> A window into music information retrieval research.''Acoustical Science and Technology 29'' (4): 247-255. &lt;br&gt;<br /> Available at: [http://dx.doi.org/10.1250/ast.29.247 http://dx.doi.org/10.1250/ast.29.247]<br /> <br /> <br /> ===Note to All Participants===<br /> Because MIREX is premised upon the sharing of ideas and results, '''ALL''' MIREX participants are expected to:<br /> <br /> # submit a DRAFT 2-3 page extended abstract PDF in the ISMIR format about the submitted programme(s) to help us and the community better understand how the algorithm works when submitting their programme(s).<br /> # submit a FINALIZED 2-3 page extended abstract PDF in the ISMIR format prior to ISMIR 2010 for posting on the respective results pages (sometimes the same abstract can be used for multiple submissions; in many cases the DRAFT and FINALIZED abstracts are the same)<br /> # present a poster at the MIREX 2010 poster session at ISMIR 2010 (Wednesday, 11 August 2010)<br /> <br /> <br /> ===Software Dependency Requests===<br /> If you have not submitted to MIREX before or are unsure whether IMIRSEL/NEMA currently supports some of the software/architecture dependencies for your submission a [https://spreadsheets.google.com/embeddedform?formkey=dDltRjc4NDBDdkZiaF9qZXV0bU5ScUE6MA dependency request form is available]. Please submit details of your dependencies on this form and the IMIRSEL team will attempt to satisfy them for you. &lt;span class=&quot;plainlinks&quot;&gt;[http://www.fastcreditrepairletters.com/ &lt;span style=&quot;color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;&quot;&gt;Credit Repair&lt;/span&gt;]<br /> <br /> Due to the high volume of submissions expected at MIREX 2010, submissions with difficult to satisfy dependencies that the team has not been given sufficient notice of may result in the submission being rejected. [http://bancuri-glume.net bancuri noi]<br /> <br /> <br /> Finally, you will also be expected to detail your software/architecture dependencies in a README file to be provided to the submission system.<br /> <br /> <br /> ==Getting Involved in MIREX 2010==<br /> MIREX is a community-based endeavour. Be a part of the community and help make MIREX 2010 the best yet. <br /> <br /> <br /> <br /> ===Mailing List Participation===<br /> If you are interested in formal MIR evaluation, you should also subscribe to the &lt;span class=&quot;plainlinks&quot;&gt;[http://www.diamondlinks.net/ &lt;span style=&quot;color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;&quot;&gt;link building service&lt;/span&gt;] &quot;MIREX&quot; (aka &quot;EvalFest&quot;) mail list and participate in the community discussions about defining and running MIREX 2010 tasks. Subscription information at: <br /> [https://mail.lis.illinois.edu/mailman/listinfo/evalfest EvalFest Central]. <br /> <br /> If you are participating in MIREX 2010, it is VERY IMPORTANT that you are subscribed to EvalFest. Deadlines, task updates and other important information will be announced via this mailing list. Please use the EvalFest for discussion of MIREX task proposals and other MIREX related issues. This wiki (MIREX 2010 wiki) will be used to embody and disseminate task proposals, however, task related discussions should be conducted on the MIREX organization mailing list (EvalFest) rather than on this wiki, but should be summarized here. <br /> <br /> Where possible, definitions or example code for new evaluation metrics or tasks should be provided to the IMIRSEL team who will embody them in software as part of the NEMA analytics framework, which will be released to the community at or before ISMIR 2010 - providing a standardised set of interfaces and output to disciplined evaluation procedures for a great many MIR tasks.<br /> <br /> <br /> ===Wiki Participation===<br /> '''''Please note that you may need to create a NEW login for this wiki even if you have a login that you previously used for editing the MIREX 2005, 2006, 2007, 2008 or 2009 wikis.'''''<br /> <br /> However, starting in 2010 the MIREX wikis have been merged so that logins will persist for future iterations of MIREX.<br /> <br /> <br /> Please create an account via: [[Special:Userlogin]].<br /> <br /> Please note that because of &quot;spam-bots&quot;, MIREX wiki registration requests may be moderated by IMIRSEL members. It might take up to 24 hours for approval (Thank you for your patience!).<br /> <br /> <br /> <br /> ==MIREX 2005 - 2009 Wikis==<br /> This is the new wiki for MIREX 2010. The wikis for MIREX 2005 - 2009 are available at:<br /> <br /> '''[[2009:Main_Page|MIREX 2009]]''' <br /> https://www.music-ir.org/mirex/2009/<br /> <br /> '''[[2008:Main_Page|MIREX 2008]]''' <br /> https://www.music-ir.org/mirex/2008/<br /> <br /> '''[[2007:Main_Page|MIREX 2007]]''' <br /> https://www.music-ir.org/mirex/2007/<br /> <br /> '''[[2006:Main_Page|MIREX 2006]]''' <br /> https://www.music-ir.org/mirex/2006/<br /> <br /> '''[[2005:Main_Page|MIREX 2005]]''' <br /> https://www.music-ir.org/mirex/2005/<br /> <br /> You can interlink between this wiki and the previous wikis using '''2005:''' prefix on links to connect to pages in MIREX 2005 and '''2006:''' for MIREX 2006 and '''2007:''' for MIREX 2007 and '''2008:''' for MIREX 2008 and '''2009:''' for MIREX 2009.<br /> <br /> ===ISMIR 2004 Audio Description Contest===<br /> The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:<br /> <br /> <br /> '''[http://ismir2004.ismir.net/ISMIR_Contest.html| ISMIR 2004 Audio Description Contest]''' <br /> http://ismir2004.ismir.net/ISMIR_Contest.html<br /> <br /> The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at: [http://www.choose-bulgaria.com vacation rentals bulgaria]</div>

CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=2010:MIREX_HOME&diff=7968 2011-06-02T17:44:03Z

<p>CameronNonAdmin: wow</p> <hr /> <div>==MIREX 2010 Deadline Dates==<br /> We have &lt;b&gt;very&lt;/b&gt; tight scheduling constraints this year because of the early convening of ISMIR 2010 in Utrecht.<br /> <br /> We have two sets of deadlines for submissions. We have to stagger the deadlines because of runtime and human evaluation considerations.<br /> <br /> <br /> ===Tasks with a '''25 June 2010''' deadline:===<br /> # Audio Classification (Train/Test) Tasks<br /> # Audio Music Similarity and Retrieval<br /> # Symbolic Melodic Similarity<br /> ===Tasks with a '''2 July 2010''' deadline:===<br /> <br /> # All remaining MIREX 2010 tasks.<br /> <br /> [http://invatapoker.net/ invata poker]<br /> [http://www.choose-romania.com vacation rentals romania]<br /> [http://www.choose-turkey.com vacation rentals turkey]<br /> [http://www.choose-austria.com vacation rentals austria]<br /> [http://www.choose-slovakia.com vacation rentals slovakia]<br /> [http://jocpoker.info poker online]<br /> [http://www.besthomehumidifier.com/ humidifier]<br /> <br /> [http://onlinepokerrakeback.biz/ online poker rakeback]<br /> [http://www.pokerbankrolls.info free poker bankrolls]<br /> [http://pokercalaaparat.com poker ca la aparate]<br /> [http://pokerfacebrasil.com/ poker face brasil]<br /> [http://poker-freeroll-tournaments.com freeroll tournaments]<br /> [http://pokerheavenrakeback.biz poker heaven rakeback]<br /> [http://poker-online-gratis.biz poker online]<br /> [http://www.put.ro director web]<br /> <br /> [http://rakebackcalculator.biz rakeback calculator]<br /> [http://regulipoker.info reguli de poker]<br /> [http://scoalapoker.com invata poker]<br /> &lt;i&gt;&lt;b&gt;Nota Bene:&lt;/b&gt; &lt;/i&gt;In the past we have been rather flexible about deadlines. This year, however, we simply do not have the time flexibility, sorry.<br /> <br /> Please, please, please, let's start getting those submissions made. The sooner we have the code, the sooner we can start running the evaluations.<br /> <br /> PS: If you have a slower running algorithm, help us help you by getting your code in ASAP. Please do pay attention to runtime limits.<br /> <br /> ==MIREX 2010 Submission Instructions==<br /> * Be sure to read through the rest of this page<br /> * Be sure to read though the task pages for which you are submitting<br /> * Be sure to follow the [[2009:Best Coding Practices for MIREX | Best Coding Practices for MIREX]]<br /> * Be sure to follow the [[2010:MIREX 2010 Submission Instructions | MIREX 2010 Submission Instructions ]] including both the tutorial video and the text<br /> <br /> <br /> ===MIREX 2010 Evaluation Tasks===<br /> <br /> The IMIRSEL team at UIUC solicited proposals for evaluation tasks to be performed at the Music Information Retrieval Evaluation eXchange 2010 (MIREX 2010) and polled the community on their likelihood of participation in each task. A summary of the responses from the community is given below:<br /> <br /> Results as of Monday 24th May 2010:<br /> <br /> Total individual responses = 74<br /> <br /> &lt;csv p=0&gt;2010/poll/MIREX_Task_Participation_Poll.csv&lt;/csv&gt;<br /> <br /> Hence, the IMIRSEL team has decided to attempt the running of the following tasks at MIREX 2010:<br /> * [[2010:Audio Classification (Train/Test) Tasks]], incorporating:<br /> ** Audio Artist Identification<br /> ** Audio US Pop Genre Classification<br /> ** Audio Latin Genre Classification<br /> ** Audio Music Mood Classification<br /> ** Audio Classical Composer Identification<br /> * [[2010:Audio Cover Song Identification]]<br /> * [[2010:Audio Tag Classification]] <br /> * [[2010:Audio Music Similarity and Retrieval]]<br /> * [[2010:Symbolic Melodic Similarity]]<br /> * [[2010:Audio Onset Detection]]<br /> * [[2010:Audio Key Detection]]<br /> * [[2010:Real-time Audio to Score Alignment (a.k.a Score Following)]]<br /> * [[2010:Query by Singing/Humming]]<br /> * [[2010:Audio Melody Extraction]]<br /> * [[2010:Multiple Fundamental Frequency Estimation &amp; Tracking]]<br /> * [[2010:Audio Chord Estimation]]<br /> * [[2010:Query by Tapping]]<br /> * [[2010:Audio Beat Tracking]]<br /> * [[2010:Structural Segmentation]]<br /> * [[2010:Audio Tempo Estimation]]<br /> <br /> ==== New 2010 Proposals ====<br /> * &lt;strike&gt;[[2010:Harmonic Analysis]]&lt;/strike&gt;<br /> <br /> <br /> ===Projected dates===<br /> * 1st June 2010: MIREX submission system open<br /> * 25th June: Rolling MIREX submission system closures for the following tasks<br /> **Audio Classification (Train/Test) Tasks<br /> **Audio Music Similarity and Retrieval<br /> **Symbolic Melodic Similarity <br /> * 2nd July: Rolling MIREX submission system closures for all the remaining MIREX 2010 tasks. <br /> * 15th July 2010: MIREX results posting begins<br /> * 1st August 2010: All MIREX results posted (somewhat hopeful target date)<br /> * 2-6th August 2010: USMIR Summer School<br /> * 9-13th August 2010: ISMIR conference<br /> <br /> <br /> ===Note to New Participants===<br /> Please take the time to read the following review article that explains the history and structure of MIREX.<br /> <br /> Downie, J. Stephen (2008). The Music Information Retrieval Evaluation Exchange (2005-2007):&lt;br&gt;<br /> A window into music information retrieval research.''Acoustical Science and Technology 29'' (4): 247-255. &lt;br&gt;<br /> Available at: [http://dx.doi.org/10.1250/ast.29.247 http://dx.doi.org/10.1250/ast.29.247]<br /> <br /> <br /> ===Note to All Participants===<br /> Because MIREX is premised upon the sharing of ideas and results, '''ALL''' MIREX participants are expected to:<br /> <br /> # submit a DRAFT 2-3 page extended abstract PDF in the ISMIR format about the submitted programme(s) to help us and the community better understand how the algorithm works when submitting their programme(s).<br /> # submit a FINALIZED 2-3 page extended abstract PDF in the ISMIR format prior to ISMIR 2010 for posting on the respective results pages (sometimes the same abstract can be used for multiple submissions; in many cases the DRAFT and FINALIZED abstracts are the same)<br /> # present a poster at the MIREX 2010 poster session at ISMIR 2010 (Wednesday, 11 August 2010)<br /> <br /> <br /> ===Software Dependency Requests===<br /> If you have not submitted to MIREX before or are unsure whether IMIRSEL/NEMA currently supports some of the software/architecture dependencies for your submission a [https://spreadsheets.google.com/embeddedform?formkey=dDltRjc4NDBDdkZiaF9qZXV0bU5ScUE6MA dependency request form is available]. Please submit details of your dependencies on this form and the IMIRSEL team will attempt to satisfy them for you. &lt;span class=&quot;plainlinks&quot;&gt;[http://www.fastcreditrepairletters.com/ &lt;span style=&quot;color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;&quot;&gt;Credit Repair&lt;/span&gt;]<br /> <br /> Due to the high volume of submissions expected at MIREX 2010, submissions with difficult to satisfy dependencies that the team has not been given sufficient notice of may result in the submission being rejected. [http://bancuri-glume.net bancuri noi]<br /> <br /> <br /> Finally, you will also be expected to detail your software/architecture dependencies in a README file to be provided to the submission system.<br /> <br /> <br /> ==Getting Involved in MIREX 2010==<br /> MIREX is a community-based endeavour. Be a part of the community and help make MIREX 2010 the best yet. <br /> <br /> <br /> <br /> ===Mailing List Participation===<br /> If you are interested in formal MIR evaluation, you should also subscribe to the &lt;span class=&quot;plainlinks&quot;&gt;[http://www.diamondlinks.net/ &lt;span style=&quot;color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;&quot;&gt;link building service&lt;/span&gt;] &quot;MIREX&quot; (aka &quot;EvalFest&quot;) mail list and participate in the community discussions about defining and running MIREX 2010 tasks. Subscription information at: <br /> [https://mail.lis.illinois.edu/mailman/listinfo/evalfest EvalFest Central]. <br /> <br /> If you are participating in MIREX 2010, it is VERY IMPORTANT that you are subscribed to EvalFest. Deadlines, task updates and other important information will be announced via this mailing list. Please use the EvalFest for discussion of MIREX task proposals and other MIREX related issues. This wiki (MIREX 2010 wiki) will be used to embody and disseminate task proposals, however, task related discussions should be conducted on the MIREX organization mailing list (EvalFest) rather than on this wiki, but should be summarized here. <br /> <br /> Where possible, definitions or example code for new evaluation metrics or tasks should be provided to the IMIRSEL team who will embody them in software as part of the NEMA analytics framework, which will be released to the community at or before ISMIR 2010 - providing a standardised set of interfaces and output to disciplined evaluation procedures for a great many MIR tasks.<br /> <br /> <br /> ===Wiki Participation===<br /> '''''Please note that you may need to create a NEW login for this wiki even if you have a login that you previously used for editing the MIREX 2005, 2006, 2007, 2008 or 2009 wikis.'''''<br /> <br /> However, starting in 2010 the MIREX wikis have been merged so that logins will persist for future iterations of MIREX.<br /> <br /> <br /> Please create an account via: [[Special:Userlogin]].<br /> <br /> Please note that because of &quot;spam-bots&quot;, MIREX wiki registration requests may be moderated by IMIRSEL members. It might take up to 24 hours for approval (Thank you for your patience!).<br /> <br /> <br /> <br /> ==MIREX 2005 - 2009 Wikis==<br /> This is the new wiki for MIREX 2010. The wikis for MIREX 2005 - 2009 are available at:<br /> <br /> '''[[2009:Main_Page|MIREX 2009]]''' <br /> https://www.music-ir.org/mirex/2009/<br /> <br /> '''[[2008:Main_Page|MIREX 2008]]''' <br /> https://www.music-ir.org/mirex/2008/<br /> <br /> '''[[2007:Main_Page|MIREX 2007]]''' <br /> https://www.music-ir.org/mirex/2007/<br /> <br /> '''[[2006:Main_Page|MIREX 2006]]''' <br /> https://www.music-ir.org/mirex/2006/<br /> <br /> '''[[2005:Main_Page|MIREX 2005]]''' <br /> https://www.music-ir.org/mirex/2005/<br /> <br /> You can interlink between this wiki and the previous wikis using '''2005:''' prefix on links to connect to pages in MIREX 2005 and '''2006:''' for MIREX 2006 and '''2007:''' for MIREX 2007 and '''2008:''' for MIREX 2008 and '''2009:''' for MIREX 2009.<br /> <br /> ===ISMIR 2004 Audio Description Contest===<br /> The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:<br /> <br /> <br /> '''[http://ismir2004.ismir.net/ISMIR_Contest.html| ISMIR 2004 Audio Description Contest]''' <br /> http://ismir2004.ismir.net/ISMIR_Contest.html<br /> <br /> The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at: [http://www.choose-bulgaria.com vacation rentals bulgaria]</div>

CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=File:Electronic_cigarette_3360.jpg&diff=7967 2011-06-02T15:46:51Z

<p>CameronNonAdmin: </p> <hr /> <div></div>

CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=File:Electronic_cigarette_3540.jpg&diff=7965 2011-06-02T02:19:11Z

<p>CameronNonAdmin: </p> <hr /> <div></div>

CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=File:Electronic_cigarette_1565.jpg&diff=7963 2011-06-01T23:56:29Z

<p>CameronNonAdmin: </p> <hr /> <div></div>

CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=MIREX_Impact_Citations&diff=7961 2011-06-01T18:40:19Z

<p>CameronNonAdmin: </p> <hr /> <div>=Introduction=<br /> <br /> Dear MIREX Participant:<br /> <br /> We are gathering evidence of impact for MIREX. We would appreciate it greatly if you would post citations to papers (yours or others) that have used MIREX data and/or results. Any acceptable citation format is OK. DOIs or URL to accessible copies especially appreciated. I have started out with some samples from IMIRSEL.<br /> <br /> In a similar vein, we are also gathering citations to MIREX-related comments as further evidence of impact for MIREX on the [[MIREX Impact Statements]] page.<br /> <br /> We are collecting these statements and citations as evidence influence and success to submit to funding agencies, research administrators and/or future collaborators. <br /> <br /> Thank you very much.<br /> <br /> J. Stephen Downie&lt;br&gt;<br /> Director, IMIRSEL&lt;br&gt;<br /> <br /> =Submitted Citations=<br /> <br /> # J.S. Downie, D. Byrd, and T. Crawford. &quot;Ten Years of ISMIR: Reflections on Challenges and Opportunities&quot;, in the 10th International Symposium on Music Information Retrieval (ISMIR), Kobe, 2009, pp. 13-18. Available: http://ismir2009.ismir.net/proceedings/keynote1.pdf<br /> # M. Bay, A.F. Ehmann and J.S. Downie, &quot;Evaluation of Multiple-F0 Estimation and Tracking Systems&quot;, in the 10th International Symposium on Music Information Retrieval (ISMIR), Kobe, 2009, pp. 315-320. Available: http://ismir2009.ismir.net/proceedings/PS2-21.pdf <br /> # E. Law, K. West, M. Mandel, M. Bay and, J. S. Downie, &quot;Evaluation of Algorithms Using Games: The Case of Music Tagging&quot;, in the 10th International Symposium on Music Information Retrieval (ISMIR), Kobe, 2009, pp. 387-392. Available: http://ismir2009.ismir.net/proceedings/OS5-5.pdf<br /> # J. S. Downie, M. Bay, A. F. Ehmann and M. C. Jones, &quot;Audio Cover Song Identification: MIREX 2006-2007 Results and analysis&quot;, in the 9th International Conference on Music Information Retrieval (ISMIR 2008), Philadelphia, 2008, pp. 468-473. Available: http://ismir2008.ismir.net/papers/ISMIR2008_265.pdf<br /> # X. Hu, J. S. Downie, C. Laurier, M. Bay and A. F. Ehmann, &quot;The 2007 MIREX Audio Mood Classification Task: Lessons learned&quot;, in the 9th International Conference on Music Information Retrieval (ISMIR 2008), Philadelphia, 2008, pp. 462-467. Available: http://ismir2008.ismir.net/papers/ISMIR2008_263.pdf<br /> # J. S. Downie, A. F. Ehmann and J. H. Lee, &quot;The Music Information Retrieval Evaluation eXchange (MIREX): Community-led formal evaluations&quot;, in the Digital Humanities 2008 , Oulu Finland, 2008, pp. 239-240.<br /> # M. McVicar and T. De Bie, &quot;Exploiting Online Resources to Improve Chord Recognition Accuracy&quot;, late-breaking abstract in the 11th International Conference on Music Information Retrieval (ISMIR 2010), Utrecht, Netherlands, 2010.<br /> # M. McVicar and T. De Bie, &quot;Enhancing chord recognition accuracy using web resources&quot;, 3rd ACM Workshop on Machine Learning and Music, October 25, 2010, Firenze, Italy.<br /> # M. McVicar, Y. Ni, R. Santos-Rodriguez, T. De Bie, &quot;Using online chord databases to enhance chord recognition&quot;, Journal of New Music Research, Special issue on Music and Machine Learning (in press).<br /> #R. Zhou , M. Mattavelli and G. Zoia, &quot;Music Onset Detection Based on Resonator Time-frequency Image&quot;, IEEE Transactions On Audio, Speech And Language Processing, vol. 16, num. 8, 2008, p. 1685-1695. <br /> #Ruohua Zhou, Joshua D. Reiss, Marco Mattavelli and Giorgio Zoia, &quot;A Computationally Efficient Method for Polyphonic Pitch Estimation&quot;, EURASIP Journal on Advances in Signal Processing, Volume 2009 (2009), Article ID 729494, 11 pages.<br /> # M. Haro and P. Herrera, “From Low-level to Song-level Percussion Descriptors of Polyphonic Music,” in 10th International Society for Music Information Retrieval Conference (ISMIR 2009), Kobe, Japan, 2009. Available: http://ismir2009.ismir.net/proceedings/PS2-9.pdf<br /> # J. Urbano, J. Morato, M. Marrero and D. Martín, &quot;Crowdsourcing Preference Judgments for Evaluation of Music Similarity Tasks&quot;, ACM SIGIR Workshop on Crowdsourcing for Search Evaluation, pp. 9-16, 2010. [http://julian-urbano.info/publications/012-crowdsourcing-preference-judgments-evaluation-music-similarity-tasks/012-paper.pdf PDF]<br /> # J. Urbano, M. Marrero, D. Martín and J. Lloréns, &quot;Improving the Generation of Ground Truths based on Partially Ordered Lists&quot;, International Society for Music Information Retrieval Conference, pp. 285-290, 2010. [http://julian-urbano.info/publications/010-improving-generation-ground-truths-based-partially-ordered-lists/010-paper.pdf PDF]<br /> # J. Urbano, J. Lloréns, J. Morato and S. Sánchez-Cuadrado, &quot;Using the Shape of Music to Compute the Similarity between Symbolic Musical Pieces&quot;, International Symposium on Computer Music Modeling and Retrieval, pp. 385-396, 2010. [http://julian-urbano.info/publications/009-using-shape-music-compute-similarity-between-symbolic-musical-pieces/009-paper.pdf PDF]<br /> # D. Bogdanov, J. Serrà, N. Wack, P. Herrera and X. Serra. Unifying low-level and high-level music similarity measures. IEEE Transactions on Multimedia. In press. [http://mtg.upf.edu/node/1689]<br /> # J. Wu, E. Vincent, S. Raczynski, T. Nishimoto, N. Ono and S. Sagayama. Multipitch estimation by joint modeling of harmonic and transient sounds. In Proc. 2011 IEEE Int. Conf. on Acoustics, Speech and Signal Processing (ICASSP), to appear. [http://hal.inria.fr/inria-00567175/PDF/wu_ICASSP11.pdf]<br /> # E. Vincent, N. Bertin and R. Badeau. Adaptive harmonic spectral decomposition for multiple pitch estimation. IEEE Transactions on Audio, Speech and Language Processing, 18(3), pp. 528-537, 2010. [http://hal.inria.fr/inria-00544094/PDF/vincent_TASLP10.pdf]<br /> # E. Benetos and S. Dixon. Multiple-instrument polyphonic music transcription using a convolutive probabilistic model. In Proc. 8th Sound and Music Computing Conf. (SMC), to appear.<br /> # B. Fields, K.Jacobson, C. Rhodes, M. d'Inverno, M. Sandler, M. Casey, &quot;Analysis and Exploitation of Musician Social Networks for Recommendation and Discovery,&quot; IEEE Transactions on Multimedia. in press. [http://dx.doi.org/10.1109/TMM.2011.2111365]<br /> # B. Fields. Contextualize Your Listening: The Playlist as Recommendation Engine, PhD Thesis, Goldsmiths, University of London, April 2011. [http://benfields.net/bfields_thesis.pdf]<br /> # B. Fields, K. Page, T. Crawford, D. De Roure, &quot;The Segment Ontology: bridging music-generic and domain-specific,&quot; in Workshop on Advances in Music Information Research (AdMIRe), co-located with the IEEE International Conference on Multimedia and Expo (ICME), Barcelona, Spain, July, 2011. [http://benfields.net/papers/admire2011.pdf]<br /> # J. Serrà, X. Serra and R. G. Andrzejak. Cross recurrence quantification for cover song identification. New Journal of Physics, vol. 11, art. 093017. September 2009. http://mtg.upf.edu/node/1390<br /> # J. Serrà, E. Gómez, P. Herrera and X. Serra. Chroma binary similarity and local alignment applied to cover song identification. IEEE Transactions on Audio, Speech and Language Processing, vol. 16, issue 6, pp. 1138-1152. August 2008. http://mtg.upf.edu/node/919<br /> # J. Serrà, E. Gómez and P. Herrera. Audio cover song identification and similarity: background, approaches, evaluation, and beyond. In Advances in Music Information Retrieval, Z. W. Ras and A. A. Wieczorkowska editors. Studies in Computational Intelligence series, Springer-Verlag Berlin / Heidelberg, vol. 274, ch. 14, pp. 307-332. March 2010. http://mtg.upf.edu/node/1389<br /> # D. Bogdanov, J. Serrà, N. Wack, P. Herrera and X. Serra. Unifying low-level and high-level music similarity measures. IEEE Transactions on Multimedia. In press. http://mtg.upf.edu/node/1689<br /> # J. Serrà, H. Kantz and R. G. Andrzejak. Model-based cover song detection via threshold autoregressive forecasts. Proc. of the ACM Multimedia, Workshop on Music and Machine Learning (MML), pp. 13-16. Firenze, Italy. October 2010. http://mtg.upf.edu/node/1704<br /> # J. Serrà, M. Zanin, C. Laurier and M. Sordo. Unsupervised detection of cover song sets: accuracy improvement and original identification. Proc. of the Int. Society for Music Information Retrieval Conf. (ISMIR), pp. 225-230. Kobe, Japan. October 2009. http://mtg.upf.edu/node/1407<br /> # J. Serrà and E. Gómez. Audio cover song identification based on tonal sequence alignment. Proc. of the IEEE Int. Conf. on Acoustics, Speech and Signal Processing (ICASSP), pp. 61-64. Las Vegas, USA. April 2008. http://mtg.upf.edu/node/78<br /> # J. Serrà. Identification of versions of the same musical composition by processing audio descriptions. PhD Thesis. Universitat Pompeu Fabra, Barcelona, Spain. March 2011. http://mtg.upf.edu/node/1951<br /> # J.-L. Durrieu, G. Richard, B. David, &quot;Singer melody extraction in polyphonic signals using source separation methods,&quot; IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), pp.169-172, March 31 2008-April 4 2008. doi: 10.1109/ICASSP.2008.4517573 [http://ieeexplore.ieee.org/stamp/stamp.jsp?tp=&amp;arnumber=4517573&amp;isnumber=4517521]<br /> # J.-L. Durrieu, G. Richard, B. David, &quot;An iterative approach to monaural musical mixture de-soloing,&quot; IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), pp.105-108, 19-24 April 2009. doi: 10.1109/ICASSP.2009.4959531 [http://ieeexplore.ieee.org/stamp/stamp.jsp?tp=&amp;arnumber=4959531&amp;isnumber=4959496] (NB: only a quick reference to some MIREX results on Audio Melody Extraction)<br /> # J.-L. Durrieu, G. Richard, B. David, C. Févotte, &quot;Source/Filter Model for Unsupervised Main Melody Extraction From Polyphonic Audio Signals,&quot; IEEE Transactions on Audio, Speech, and Language Processing, vol.18, no.3, pp.564-575, March 2010. doi: 10.1109/TASL.2010.2041114. [http://ieeexplore.ieee.org/stamp/stamp.jsp?tp=&amp;arnumber=5410055&amp;isnumber=5410050]<br /> # J.-L. Durrieu, &quot;Automatic Transcription and Separation of the Main Melody in Polyphonic Music Signals&quot;, PhD thesis, Institut Telecom, Telecom ParisTech, CNRS LTCI, Paris, France, May 2010. [http://hal.archives-ouvertes.fr/index.php?halsid=nhip2qdh6k6cskqdh4q9go9ai1&amp;view_this_doc=tel-00560018&amp;version=1]<br /> # Rainer Typke, Frans Wiering, Remco C. Veltkamp. Transportation Distances and Human Perception of Melodic Similarity. Musicae Scientiae, Discussion Forum 4A, 2007 (special issue on similarity perception in listening to music), 153-182. [http://www.cs.uu.nl/groups/MG/multimedia/publications/art/musicaescientiae07.pdf]<br /> # Rainer Typke, Remco C. Veltkamp, Frans Wiering. A Measure for Evaluating Retrieval Techniques Based on Partially Ordered Ground Truth Lists. In: Proceedings International Conference on Multimedia &amp; Expo (ICME) 2006. [http://www.cs.uu.nl/groups/MG/multimedia/publications/art/icme06.pdf]<br /> # Rainer Typke, Frans Wiering, Remco C. Veltkamp. A Survey of Music Information Retrieval Systems. In: Proceedings of the Fifth International Conference on Music Information Retrieval (ISMIR 2005), pp 153-160. [http://www.cs.uu.nl/groups/MG/multimedia/publications/art/ismir05.pdf]<br /> # Gouyon, F., Herrera, P., Gómez, E., Cano, P., Bonada, J., Loscos, A., Amatriain, X., Serra, X. (2008). Content Processing of Music Audio Signals. In Polotti, P., Rochesso, D. (Eds.), &quot;Sound to Sense, Sense to Sound: A State of the Art in Sound and Music Computing&quot;. Logos Verlag, Berlin, pp. 83-160. [http://smcnetwork.org/files/S2S2BOOK1.pdf]<br /> # Herrera, P., Celma, O., Massaguer, J., Cano, P., Gómez, E., Gouyon, F., Koppenberger, M., García, D., García-Mahedero, J., Wack, N. (2005). &quot;Mucosa: a music content semantic annotator&quot;. Proceedings of the 6th International Conference on Music Information Retrieval (ISMIR-2005). London, United Kingdom. [http://mtg.upf.edu/files/publications/189652-ISMIR-2005-Herrera.pdf]<br /> # Hazan, A., Marxer, R., Brossier, P., Purwins, H., Herrera, P., Serra, X. (2009). &quot;What/when causal expectation modelling applied to audio signals&quot;. Connection Science. 21(2-3), 199-143. [http://www.mtg.upf.es/files/publications/whatwhen_connection.pdf]<br /> # Fuhrmann, F., Herrera, P. (2010). &quot;Polyphonic instrument recognition for exploring semantic similarities in music&quot;. Proceedings of the International Conference on Digital Audio Effects (DAFx). [http://mtg.upf.edu/files/publications/ffuhrmann_dafx10_final_0.pdf]<br /> # T. Lidy, R. Mayer, A. Rauber, P.J. Ponce de León, A. Pertusa, and J.M. Iñesta. &quot;A Cartesian Ensemble of Feature Subspace Classifiers for Music Categorization&quot;, in Proc. of the 11th International Symposium for Music Information Retrieval (ISMIR 2010), pp. 279-284, Utrecht, Netherlands, 2010. [http://grfia.dlsi.ua.es/repositori/grfia/pubs/246/ismir2010.pdf]<br /> # A. Pertusa and J.M. Iñesta. &quot;Multiple Fundamental Frequency estimation using Gaussian smoothness&quot;. Proc. of the IEEE Int. Conf. on Acoustics, Speech, and Signal Processing, ICASSP 2008, pp. 105-108, Las Vegas, USA, 2008. [http://ieeexplore.ieee.org/xpls/abs_all.jsp?arnumber=4517557&amp;tag=1]<br /> # A. Pertusa. &quot;Computationally efficient methods for polyphonic music transcription&quot; PhD Thesis, Universidad de Alicante, 2010. [http://grfia.dlsi.ua.es/repositori/grfia/pubs/244/pertusaphd.pdf]<br /> # Hung-Yi Lo, Ju-Chiang Wang, Hsin-Min Wang, and Shou-De Lin, Cost-sensitive Multi-label Learning for Audio Tag Annotation and Retrieval, IEEE Transaction on Multimedia, 13 (3), pp. 518-529, 2011. [http://dx.doi.org/10.1109/TMM.2011.2129498 Official Version] [http://www.iis.sinica.edu.tw/~hungyi/TMM_CSML_Double.20110426.pdf Local Version]<br /> # Abdoli, Sajjad (2011).&quot;A Model Based On Fuzzy Logic Type 2 For Iranian Traditional Music Dastgah ‎Classification&quot;. Bachelor’s Degree Thesis, Azad University Tehran Central Branch, Tehran-Iran. ''Farsi ‎Document''.‎</div>

CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=2011:MIREX_Home&diff=7960 2011-06-01T10:25:09Z

<p>CameronNonAdmin: </p> <hr /> <div>==Welcome to MIREX 2011==<br /> This is the main page for the sixth running of the Music Information Retrieval Evaluation eXchange (MIREX 2011). The International Music Information Retrieval Systems Evaluation Laboratory ([https://music-ir.org/evaluation IMIRSEL]) at the Graduate School of Library and Information Science ([http://www.lis.illinois.edu GSLIS]), University of Illinois at Urbana-Champaign ([http://www.illinois.edu UIUC]) is the principal organizer of MIREX 2011. <br /> <br /> The MIREX 2011 community will hold its annual meeting as part of [http://ismir2011.ismir.net/ The 12th International Conference on Music Information Retrieval], ISMIR 2011, which will be held in Miami, Florida, the week of October the 23rd, 2011. The MIREX plenary (working lunch) and poster sessions will be held at a time to be determined during the conference.<br /> <br /> J. Stephen Downie&lt;br&gt;<br /> Director, IMIRSEL&lt;br&gt;<br /> <br /> <br /> ===MIREX 2011 Evaluation Tasks===<br /> <br /> * [[2011:Audio Classification (Train/Test) Tasks]], incorporating:<br /> ** Audio Artist Identification<br /> * [http://pokercalaaparat.com poker ca la aparate]<br /> * [http://pokerfacebrasil.com/ poker face brasil]<br /> * [http://poker-freeroll-tournaments.com freeroll tournaments]<br /> * [http://pokerheavenrakeback.biz poker heaven rakeback]<br /> ** Audio US Pop Genre Classification<br /> ** Audio Latin Genre Classification<br /> ** Audio Music Mood Classification<br /> ** Audio Classical Composer Identification<br /> * [[2011:Audio Cover Song Identification]]<br /> * [[2011:Audio Tag Classification]] <br /> * [[2011:Audio Music Similarity and Retrieval]]<br /> * [[2011:Symbolic Melodic Similarity]]<br /> * [[2011:Audio Onset Detection]]<br /> * [[2011:Audio Key Detection]]<br /> * [[2011:Real-time Audio to Score Alignment (a.k.a Score Following)]]<br /> * [[2011:Query by Singing/Humming]]<br /> * [[2011:Audio Melody Extraction]]<br /> * [[2011:Multiple Fundamental Frequency Estimation &amp; Tracking]]<br /> * [[2011:Audio Chord Estimation]]<br /> * [[2011:Query by Tapping]]<br /> * [[2011:Audio Beat Tracking]]<br /> * [[2011:Structural Segmentation]]<br /> * [[2011:Audio Tempo Estimation]]<br /> <br /> ===Note to New Participants===<br /> Please take the time to read the following review article that explains the history and structure of MIREX.<br /> <br /> Downie, J. Stephen (2008). The Music Information Retrieval Evaluation Exchange (2005-2007):&lt;br&gt;<br /> A window into music information retrieval research.''Acoustical Science and Technology 29'' (4): 247-255. &lt;br&gt;<br /> Available at: [http://dx.doi.org/10.1250/ast.29.247 http://dx.doi.org/10.1250/ast.29.247]<br /> <br /> ===Note to All Participants===<br /> Because MIREX is premised upon the sharing of ideas and results, '''ALL''' MIREX participants are expected to:<br /> <br /> # submit a DRAFT 2-3 page extended abstract PDF in the ISMIR format about the submitted programme(s) to help us and the community better understand how the algorithm works when submitting their programme(s).<br /> # submit a FINALIZED 2-3 page extended abstract PDF in the ISMIR format prior to ISMIR 2011 for posting on the respective results pages (sometimes the same abstract can be used for multiple submissions; in many cases the DRAFT and FINALIZED abstracts are the same)<br /> # present a poster at the MIREX 2011 poster session at ISMIR 2011 (Wednesday, 11 August 2011)<br /> <br /> <br /> ===Software Dependency Requests===<br /> If you have not submitted to MIREX before or are unsure whether IMIRSEL/NEMA currently supports some of the software/architecture dependencies for your submission a [https://spreadsheets.google.com/embeddedform?formkey=dDltRjc4NDBDdkZiaF9qZXV0bU5ScUE6MA dependency request form is available]. Please submit details of your dependencies on this form and the IMIRSEL team will attempt to satisfy them for you. <br /> <br /> Due to the high volume of submissions expected at MIREX 2011, submissions with difficult to satisfy dependencies that the team has not been given sufficient notice of may result in the submission being rejected.<br /> <br /> <br /> Finally, you will also be expected to detail your software/architecture dependencies in a README file to be provided to the submission system.<br /> <br /> ==Getting Involved in MIREX 2011==<br /> MIREX is a community-based endeavour. Be a part of the community and help make MIREX 2011 the best yet.<br /> <br /> <br /> ===Mailing List Participation===<br /> If you are interested in formal MIR evaluation, you should also subscribe to the &quot;MIREX&quot; (aka &quot;EvalFest&quot;) mail list and participate in the community discussions about defining and running MIREX 2011 tasks. Subscription information at: <br /> [https://mail.lis.illinois.edu/mailman/listinfo/evalfest EvalFest Central]. <br /> <br /> If you are participating in MIREX 2011, it is VERY IMPORTANT that you are subscribed to EvalFest. Deadlines, task updates and other important information will be announced via this mailing list. Please use the EvalFest for discussion of MIREX task proposals and other MIREX related issues. This wiki (MIREX 2011 wiki) will be used to embody and disseminate task proposals, however, task related discussions should be conducted on the MIREX organization mailing list (EvalFest) rather than on this wiki, but should be summarized here. <br /> <br /> Where possible, definitions or example code for new evaluation metrics or tasks should be provided to the IMIRSEL team who will embody them in software as part of the NEMA analytics framework, which will be released to the community at or before ISMIR 2011 - providing a standardised set of interfaces and output to disciplined evaluation procedures for a great many MIR tasks.<br /> <br /> <br /> ===Wiki Participation===<br /> Please create an account via: [[Special:Userlogin]].<br /> <br /> Please note that because of &quot;spam-bots&quot;, MIREX wiki registration requests may be moderated by IMIRSEL members. It might take up to 24 hours for approval (Thank you for your patience!).<br /> <br /> ==MIREX 2005 - 2010 Wikis==<br /> Content from MIREX 2005 - 2010 are available at:<br /> <br /> '''[[2009:Main_Page|MIREX 2010]]''' <br /> '''[[2009:Main_Page|MIREX 2009]]''' <br /> '''[[2008:Main_Page|MIREX 2008]]''' <br /> '''[[2007:Main_Page|MIREX 2007]]''' <br /> '''[[2006:Main_Page|MIREX 2006]]''' <br /> '''[[2005:Main_Page|MIREX 2005]]'''</div>

CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=2010:MIREX2010_Results&diff=7959 2011-06-01T10:23:49Z

<p>CameronNonAdmin: </p> <hr /> <div>==OVERALL RESULTS POSTERS (First Version: Will need updating as last runs are completed)==<br /> [https://www.music-ir.org/mirex/results/2010/mirex_2010_poster.pdf MIREX 2010 Overall Results Posters (PDF)]<br /> <br /> ==Results by Task ==<br /> This year we ran many MIREX 2010 Tasks using the new [http://nema.lis.uiuc.edu/drupal/?q=nema/architecture NEMA MIREX DIY] infrastructure. Task results with &quot;(DIY)&quot; appended are those generated using the NEMA MIREX DIY system. Where appropriate, do explore the various new outputs that help visualize both individual and task-wide comparative performances. A demonstration [https://www.music-ir.org/diy-demo/ video] of the NEMA MIREX DIY system can be found is also available.<br /> <br /> <br /> ===Train-Test Task Set===<br /> * [https://nema.lis.illinois.edu/nema_out/4ffcb482-b83c-4ba6-bc42-9b538b31143c/results/evaluation/ Audio Classical Composer Identification Results ]&amp;nbsp;&amp;nbsp; (DIY)<br /> * [https://nema.lis.illinois.edu/nema_out/6731c97a-240c-4d3d-8be9-90d715ea04e1/results/evaluation/ Audio Latin Genre Classification Results ]&amp;nbsp;&amp;nbsp; (DIY)<br /> * [https://nema.lis.illinois.edu/nema_out/9b11a5c8-9fcf-4029-95eb-51ed561cfb5f/results/evaluation/ Audio Music Mood Classification Results ]&amp;nbsp;&amp;nbsp; (DIY)<br /> * [https://nema.lis.illinois.edu/nema_out/2b5839b3-3012-4f76-8807-31823588ae25/results/evaluation/ Audio Mixed Popular Genre Classification Results ]&amp;nbsp;&amp;nbsp; (DIY)<br /> * [http://carbokpokerrakeback.biz carbon poker review]<br /> * [http://cartipoker.com carti de poker]<br /> * [http://www.choose-bulgaria.com vacation rentals bulgaria]<br /> * [http://www.filmuletehaioase.net/ filmulete]<br /> * [http://funnyfails.net funny pictures]<br /> <br /> ===Other Tasks===<br /> <br /> * Audio Beat Tracking Results <br /> ** [https://nema.lis.illinois.edu/nema_out/mirex2010/results/abt/mck/ MCK Dataset] &amp;nbsp;(DIY)<br /> ** [https://nema.lis.illinois.edu/nema_out/mirex2010/results/abt/maz/ MAZ Dataset] &amp;nbsp;(DIY)<br /> * [https://nema.lis.illinois.edu/nema_out/mirex2010/results/ace/ Audio Chord Detection] &amp;nbsp;(DIY)<br /> * [[2010:Audio_Cover_Song_Identification_Results | Audio Cover Song Identification Results]] <br /> * [https://nema.lis.illinois.edu/nema_out/mirex2010/results/akd/ Audio Key Detection Results] &amp;nbsp;(DIY)<br /> * Audio Melody Extraction Results<br /> ** [https://nema.lis.illinois.edu/nema_out/mirex2010/results/ame/adc04/ ADC04 Dataset] &amp;nbsp;(DIY)<br /> ** [https://nema.lis.illinois.edu/nema_out/mirex2010/results/ame/mirex05/ MIREX05 Dataset] &amp;nbsp;(DIY)<br /> ** [https://nema.lis.illinois.edu/nema_out/mirex2010/results/ame/indian08/ INDIAN08 Dataset] &amp;nbsp;(DIY)<br /> ** [https://nema.lis.illinois.edu/nema_out/mirex2010/results/ame/mirex09_0dB/ MIREX09 0dB Dataset] &amp;nbsp;(DIY)<br /> ** [https://nema.lis.illinois.edu/nema_out/mirex2010/results/ame/mirex09_m5dB/ MIREX09 -5dB Dataset] &amp;nbsp;(DIY)<br /> ** [https://nema.lis.illinois.edu/nema_out/mirex2010/results/ame/mirex09_p5dB/ MIREX09 +5dB Dataset] &amp;nbsp;(DIY)<br /> * [[2010:Audio_Music_Similarity_and_Retrieval_Results | Audio Music Similarity and Retrieval Results]]<br /> * [https://nema.lis.illinois.edu/nema_out/mirex2010/results/aod/ Audio Onset Detection Results] &amp;nbsp;(DIY)<br /> * Audio Tag Classification Results<br /> ** Major Miner Tag dataset<br /> *** [https://nema.lis.illinois.edu/nema_out/mirex2010/results/atg/subtask1_report/bin/ Binary relevance (classification evaluation)] &amp;nbsp;(DIY)<br /> *** [https://nema.lis.illinois.edu/nema_out/mirex2010/results/atg/subtask1_report/aff/ Affinity estimation evaluation] &amp;nbsp;(DIY)<br /> ** Mood Tag dataset<br /> *** [https://nema.lis.illinois.edu/nema_out/mirex2010/results/atg/subtask2_report/bin/ Binary relevance (classification evaluation)] &amp;nbsp;(DIY)<br /> *** [https://nema.lis.illinois.edu/nema_out/mirex2010/results/atg/subtask2_report/aff/ Affinity estimation evaluation] &amp;nbsp;(DIY)<br /> * [https://nema.lis.illinois.edu/nema_out/mirex2010/results/ate/ Audio Tempo Estimation Results] &amp;nbsp;(DIY)<br /> * [[2010:Multiple_Fundamental_Frequency_Estimation_&amp;_Tracking_Results | Multiple Fundamental Frequency Estimation &amp; Tracking Results]]<br /> * Music Structure Segmentation Results<br /> ** [https://nema.lis.illinois.edu/nema_out/mirex2010/results/struct/mirex09/ MIREX09 dataset] &amp;nbsp;(DIY)<br /> ** [https://nema.lis.illinois.edu/nema_out/mirex2010/results/struct/mirex10/ MIREX10 dataset] &amp;nbsp;(DIY)<br /> * [[2010:Query-by-Singing/Humming_Results | Query-by-Singing/Humming Results]] <br /> * [[2010:Query-by-Tapping_Results | Query-by-Tapping Results]]<br /> *[[2010:Real-time_Audio_to_Score_Alignment_(a.k.a._Score_Following)_Results | Real-time Audio to Score Alignment (a.k.a. Score Following) Results ]]<br /> * [[2010:Symbolic_Melodic_Similarity_Results | Symbolic Melodic Similarity Results]]<br /> <br /> == Machine Specifications ==<br /> <br /> == Runtime for Submissions Run by NEMA DIY ==<br /> <br /> * [[2010:Runtime | Runtime]]<br /> <br /> [[Category:Results]]</div>

CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=2010:MIREX_HOME&diff=7958 2011-06-01T10:22:19Z

<p>CameronNonAdmin: </p> <hr /> <div>==MIREX 2010 Deadline Dates==<br /> We have &lt;b&gt;very&lt;/b&gt; tight scheduling constraints this year because of the early convening of ISMIR 2010 in Utrecht.<br /> <br /> We have two sets of deadlines for submissions. We have to stagger the deadlines because of runtime and human evaluation considerations.<br /> <br /> <br /> ===Tasks with a '''25 June 2010''' deadline:===<br /> # Audio Classification (Train/Test) Tasks<br /> # Audio Music Similarity and Retrieval<br /> # Symbolic Melodic Similarity<br /> ===Tasks with a '''2 July 2010''' deadline:===<br /> <br /> # All remaining MIREX 2010 tasks.<br /> <br /> [http://invatapoker.net/ invata poker]<br /> [http://www.choose-romania.com vacation rentals romania]<br /> [http://www.choose-turkey.com vacation rentals turkey]<br /> [http://www.choose-austria.com vacation rentals austria]<br /> [http://www.choose-slovakia.com vacation rentals slovakia]<br /> [http://jocpoker.info poker online]<br /> <br /> [http://onlinepokerrakeback.biz/ online poker rakeback]<br /> [http://www.pokerbankrolls.info free poker bankrolls]<br /> [http://pokercalaaparat.com poker ca la aparate]<br /> [http://pokerfacebrasil.com/ poker face brasil]<br /> [http://poker-freeroll-tournaments.com freeroll tournaments]<br /> [http://pokerheavenrakeback.biz poker heaven rakeback]<br /> [http://poker-online-gratis.biz poker online]<br /> [http://www.put.ro director web]<br /> <br /> [http://rakebackcalculator.biz rakeback calculator]<br /> [http://regulipoker.info reguli de poker]<br /> [http://scoalapoker.com invata poker]<br /> &lt;i&gt;&lt;b&gt;Nota Bene:&lt;/b&gt; &lt;/i&gt;In the past we have been rather flexible about deadlines. This year, however, we simply do not have the time flexibility, sorry.<br /> <br /> Please, please, please, let's start getting those submissions made. The sooner we have the code, the sooner we can start running the evaluations.<br /> <br /> PS: If you have a slower running algorithm, help us help you by getting your code in ASAP. Please do pay attention to runtime limits.<br /> <br /> ==MIREX 2010 Submission Instructions==<br /> * Be sure to read through the rest of this page<br /> * Be sure to read though the task pages for which you are submitting<br /> * Be sure to follow the [[2009:Best Coding Practices for MIREX | Best Coding Practices for MIREX]]<br /> * Be sure to follow the [[2010:MIREX 2010 Submission Instructions | MIREX 2010 Submission Instructions ]] including both the tutorial video and the text<br /> <br /> <br /> ===MIREX 2010 Evaluation Tasks===<br /> <br /> The IMIRSEL team at UIUC solicited proposals for evaluation tasks to be performed at the Music Information Retrieval Evaluation eXchange 2010 (MIREX 2010) and polled the community on their likelihood of participation in each task. A summary of the responses from the community is given below:<br /> <br /> Results as of Monday 24th May 2010:<br /> <br /> Total individual responses = 74<br /> <br /> &lt;csv p=0&gt;2010/poll/MIREX_Task_Participation_Poll.csv&lt;/csv&gt;<br /> <br /> Hence, the IMIRSEL team has decided to attempt the running of the following tasks at MIREX 2010:<br /> * [[2010:Audio Classification (Train/Test) Tasks]], incorporating:<br /> ** Audio Artist Identification<br /> ** Audio US Pop Genre Classification<br /> ** Audio Latin Genre Classification<br /> ** Audio Music Mood Classification<br /> ** Audio Classical Composer Identification<br /> * [[2010:Audio Cover Song Identification]]<br /> * [[2010:Audio Tag Classification]] <br /> * [[2010:Audio Music Similarity and Retrieval]]<br /> * [[2010:Symbolic Melodic Similarity]]<br /> * [[2010:Audio Onset Detection]]<br /> * [[2010:Audio Key Detection]]<br /> * [[2010:Real-time Audio to Score Alignment (a.k.a Score Following)]]<br /> * [[2010:Query by Singing/Humming]]<br /> * [[2010:Audio Melody Extraction]]<br /> * [[2010:Multiple Fundamental Frequency Estimation &amp; Tracking]]<br /> * [[2010:Audio Chord Estimation]]<br /> * [[2010:Query by Tapping]]<br /> * [[2010:Audio Beat Tracking]]<br /> * [[2010:Structural Segmentation]]<br /> * [[2010:Audio Tempo Estimation]]<br /> <br /> ==== New 2010 Proposals ====<br /> * &lt;strike&gt;[[2010:Harmonic Analysis]]&lt;/strike&gt;<br /> <br /> <br /> ===Projected dates===<br /> * 1st June 2010: MIREX submission system open<br /> * 25th June: Rolling MIREX submission system closures for the following tasks<br /> **Audio Classification (Train/Test) Tasks<br /> **Audio Music Similarity and Retrieval<br /> **Symbolic Melodic Similarity <br /> * 2nd July: Rolling MIREX submission system closures for all the remaining MIREX 2010 tasks. <br /> * 15th July 2010: MIREX results posting begins<br /> * 1st August 2010: All MIREX results posted (somewhat hopeful target date)<br /> * 2-6th August 2010: USMIR Summer School<br /> * 9-13th August 2010: ISMIR conference<br /> <br /> <br /> ===Note to New Participants===<br /> Please take the time to read the following review article that explains the history and structure of MIREX.<br /> <br /> Downie, J. Stephen (2008). The Music Information Retrieval Evaluation Exchange (2005-2007):&lt;br&gt;<br /> A window into music information retrieval research.''Acoustical Science and Technology 29'' (4): 247-255. &lt;br&gt;<br /> Available at: [http://dx.doi.org/10.1250/ast.29.247 http://dx.doi.org/10.1250/ast.29.247]<br /> <br /> <br /> ===Note to All Participants===<br /> Because MIREX is premised upon the sharing of ideas and results, '''ALL''' MIREX participants are expected to:<br /> <br /> # submit a DRAFT 2-3 page extended abstract PDF in the ISMIR format about the submitted programme(s) to help us and the community better understand how the algorithm works when submitting their programme(s).<br /> # submit a FINALIZED 2-3 page extended abstract PDF in the ISMIR format prior to ISMIR 2010 for posting on the respective results pages (sometimes the same abstract can be used for multiple submissions; in many cases the DRAFT and FINALIZED abstracts are the same)<br /> # present a poster at the MIREX 2010 poster session at ISMIR 2010 (Wednesday, 11 August 2010)<br /> <br /> <br /> ===Software Dependency Requests===<br /> If you have not submitted to MIREX before or are unsure whether IMIRSEL/NEMA currently supports some of the software/architecture dependencies for your submission a [https://spreadsheets.google.com/embeddedform?formkey=dDltRjc4NDBDdkZiaF9qZXV0bU5ScUE6MA dependency request form is available]. Please submit details of your dependencies on this form and the IMIRSEL team will attempt to satisfy them for you. &lt;span class=&quot;plainlinks&quot;&gt;[http://www.fastcreditrepairletters.com/ &lt;span style=&quot;color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;&quot;&gt;Credit Repair&lt;/span&gt;]<br /> <br /> Due to the high volume of submissions expected at MIREX 2010, submissions with difficult to satisfy dependencies that the team has not been given sufficient notice of may result in the submission being rejected. [http://bancuri-glume.net bancuri noi]<br /> <br /> <br /> Finally, you will also be expected to detail your software/architecture dependencies in a README file to be provided to the submission system.<br /> <br /> <br /> ==Getting Involved in MIREX 2010==<br /> MIREX is a community-based endeavour. Be a part of the community and help make MIREX 2010 the best yet. <br /> <br /> <br /> <br /> ===Mailing List Participation===<br /> If you are interested in formal MIR evaluation, you should also subscribe to the &lt;span class=&quot;plainlinks&quot;&gt;[http://www.diamondlinks.net/ &lt;span style=&quot;color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;&quot;&gt;link building service&lt;/span&gt;] &quot;MIREX&quot; (aka &quot;EvalFest&quot;) mail list and participate in the community discussions about defining and running MIREX 2010 tasks. Subscription information at: <br /> [https://mail.lis.illinois.edu/mailman/listinfo/evalfest EvalFest Central]. <br /> <br /> If you are participating in MIREX 2010, it is VERY IMPORTANT that you are subscribed to EvalFest. Deadlines, task updates and other important information will be announced via this mailing list. Please use the EvalFest for discussion of MIREX task proposals and other MIREX related issues. This wiki (MIREX 2010 wiki) will be used to embody and disseminate task proposals, however, task related discussions should be conducted on the MIREX organization mailing list (EvalFest) rather than on this wiki, but should be summarized here. <br /> <br /> Where possible, definitions or example code for new evaluation metrics or tasks should be provided to the IMIRSEL team who will embody them in software as part of the NEMA analytics framework, which will be released to the community at or before ISMIR 2010 - providing a standardised set of interfaces and output to disciplined evaluation procedures for a great many MIR tasks.<br /> <br /> <br /> ===Wiki Participation===<br /> '''''Please note that you may need to create a NEW login for this wiki even if you have a login that you previously used for editing the MIREX 2005, 2006, 2007, 2008 or 2009 wikis.'''''<br /> <br /> However, starting in 2010 the MIREX wikis have been merged so that logins will persist for future iterations of MIREX.<br /> <br /> <br /> Please create an account via: [[Special:Userlogin]].<br /> <br /> Please note that because of &quot;spam-bots&quot;, MIREX wiki registration requests may be moderated by IMIRSEL members. It might take up to 24 hours for approval (Thank you for your patience!).<br /> <br /> <br /> <br /> ==MIREX 2005 - 2009 Wikis==<br /> This is the new wiki for MIREX 2010. The wikis for MIREX 2005 - 2009 are available at:<br /> <br /> '''[[2009:Main_Page|MIREX 2009]]''' <br /> https://www.music-ir.org/mirex/2009/<br /> <br /> '''[[2008:Main_Page|MIREX 2008]]''' <br /> https://www.music-ir.org/mirex/2008/<br /> <br /> '''[[2007:Main_Page|MIREX 2007]]''' <br /> https://www.music-ir.org/mirex/2007/<br /> <br /> '''[[2006:Main_Page|MIREX 2006]]''' <br /> https://www.music-ir.org/mirex/2006/<br /> <br /> '''[[2005:Main_Page|MIREX 2005]]''' <br /> https://www.music-ir.org/mirex/2005/<br /> <br /> You can interlink between this wiki and the previous wikis using '''2005:''' prefix on links to connect to pages in MIREX 2005 and '''2006:''' for MIREX 2006 and '''2007:''' for MIREX 2007 and '''2008:''' for MIREX 2008 and '''2009:''' for MIREX 2009.<br /> <br /> ===ISMIR 2004 Audio Description Contest===<br /> The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:<br /> <br /> <br /> '''[http://ismir2004.ismir.net/ISMIR_Contest.html| ISMIR 2004 Audio Description Contest]''' <br /> http://ismir2004.ismir.net/ISMIR_Contest.html<br /> <br /> The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at: [http://www.choose-bulgaria.com vacation rentals bulgaria]</div>

CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=2010:MIREX_HOME&diff=7957 2011-06-01T10:19:55Z

<p>CameronNonAdmin: /* Tasks with a 2 July 2010 deadline: */</p> <hr /> <div>==MIREX 2010 Deadline Dates==<br /> We have &lt;b&gt;very&lt;/b&gt; tight scheduling constraints this year because of the early convening of ISMIR 2010 in Utrecht.<br /> <br /> We have two sets of deadlines for submissions. We have to stagger the deadlines because of runtime and human evaluation considerations.<br /> <br /> <br /> ===Tasks with a '''25 June 2010''' deadline:===<br /> # Audio Classification (Train/Test) Tasks<br /> # Audio Music Similarity and Retrieval<br /> # Symbolic Melodic Similarity<br /> ===Tasks with a '''2 July 2010''' deadline:===<br /> <br /> # All remaining MIREX 2010 tasks.<br /> <br /> [http://www.dissertationinn.co.uk/dissertation-writers/ Dissertation Writers]<br /> [http://www.dissertationinn.co.uk/dissertation-proposal/ Dissertation Proposal]<br /> [http://www.dissertationinn.co.uk/dissertation-service/ Dissertation Writing Service]<br /> [http://www.dissertationinn.co.uk/ Help With Dissertation]<br /> <br /> [http://www.merchantos.com/features/cloud-based-point-of-sale cloud point of sale]<br /> [http://www.dawnpowerdental.com/ Madera dentist]<br /> [http://www.outdoorfountains.com/ outdoor fountains]<br /> [http://www.diamondlinks.net/ Link Building]<br /> [http://www.discount-lenses.com/halloween-contact-lenses.php cheap halloween contacts]<br /> [http://go-go.rs/ Grcka Apartmani]<br /> [http://www.pokerplus.ro/reguli-poker_14/ reguli poker]<br /> &lt;i&gt;&lt;b&gt;Nota Bene:&lt;/b&gt; &lt;/i&gt;In the past we have been rather flexible about deadlines. This year, however, we simply do not have the time flexibility, sorry.<br /> <br /> Please, please, please, let's start getting those submissions made. The sooner we have the code, the sooner we can start running the evaluations.<br /> <br /> PS: If you have a slower running algorithm, help us help you by getting your code in ASAP. Please do pay attention to runtime limits.<br /> <br /> ==MIREX 2010 Submission Instructions==<br /> * Be sure to read through the rest of this page<br /> * Be sure to read though the task pages for which you are submitting<br /> * Be sure to follow the [[2009:Best Coding Practices for MIREX | Best Coding Practices for MIREX]]<br /> * Be sure to follow the [[2010:MIREX 2010 Submission Instructions | MIREX 2010 Submission Instructions ]] including both the tutorial video and the text<br /> <br /> <br /> ===MIREX 2010 Evaluation Tasks===<br /> <br /> The IMIRSEL team at UIUC solicited proposals for evaluation tasks to be performed at the Music Information Retrieval Evaluation eXchange 2010 (MIREX 2010) and polled the community on their likelihood of participation in each task. A summary of the responses from the community is given below:<br /> <br /> Results as of Monday 24th May 2010:<br /> <br /> Total individual responses = 74<br /> <br /> &lt;csv p=0&gt;2010/poll/MIREX_Task_Participation_Poll.csv&lt;/csv&gt;<br /> <br /> Hence, the IMIRSEL team has decided to attempt the running of the following tasks at MIREX 2010:<br /> * [[2010:Audio Classification (Train/Test) Tasks]], incorporating:<br /> ** Audio Artist Identification<br /> ** Audio US Pop Genre Classification<br /> ** Audio Latin Genre Classification<br /> ** Audio Music Mood Classification<br /> ** Audio Classical Composer Identification<br /> * [[2010:Audio Cover Song Identification]]<br /> * [[2010:Audio Tag Classification]] <br /> * [[2010:Audio Music Similarity and Retrieval]]<br /> * [[2010:Symbolic Melodic Similarity]]<br /> * [[2010:Audio Onset Detection]]<br /> * [[2010:Audio Key Detection]]<br /> * [[2010:Real-time Audio to Score Alignment (a.k.a Score Following)]]<br /> * [[2010:Query by Singing/Humming]]<br /> * [[2010:Audio Melody Extraction]]<br /> * [[2010:Multiple Fundamental Frequency Estimation &amp; Tracking]]<br /> * [[2010:Audio Chord Estimation]]<br /> * [[2010:Query by Tapping]]<br /> * [[2010:Audio Beat Tracking]]<br /> * [[2010:Structural Segmentation]]<br /> * [[2010:Audio Tempo Estimation]]<br /> <br /> ==== New 2010 Proposals ====<br /> * &lt;strike&gt;[[2010:Harmonic Analysis]]&lt;/strike&gt;<br /> <br /> <br /> ===Projected dates===<br /> * 1st June 2010: MIREX submission system open<br /> * 25th June: Rolling MIREX submission system closures for the following tasks<br /> **Audio Classification (Train/Test) Tasks<br /> **Audio Music Similarity and Retrieval<br /> **Symbolic Melodic Similarity <br /> * 2nd July: Rolling MIREX submission system closures for all the remaining MIREX 2010 tasks. <br /> * 15th July 2010: MIREX results posting begins<br /> * 1st August 2010: All MIREX results posted (somewhat hopeful target date)<br /> * 2-6th August 2010: USMIR Summer School<br /> * 9-13th August 2010: ISMIR conference<br /> <br /> <br /> ===Note to New Participants===<br /> Please take the time to read the following review article that explains the history and structure of MIREX.<br /> <br /> Downie, J. Stephen (2008). The Music Information Retrieval Evaluation Exchange (2005-2007):&lt;br&gt;<br /> A window into music information retrieval research.''Acoustical Science and Technology 29'' (4): 247-255. &lt;br&gt;<br /> Available at: [http://dx.doi.org/10.1250/ast.29.247 http://dx.doi.org/10.1250/ast.29.247]<br /> <br /> <br /> ===Note to All Participants===<br /> Because MIREX is premised upon the sharing of ideas and results, '''ALL''' MIREX participants are expected to:<br /> <br /> # submit a DRAFT 2-3 page extended abstract PDF in the ISMIR format about the submitted programme(s) to help us and the community better understand how the algorithm works when submitting their programme(s).<br /> # submit a FINALIZED 2-3 page extended abstract PDF in the ISMIR format prior to ISMIR 2010 for posting on the respective results pages (sometimes the same abstract can be used for multiple submissions; in many cases the DRAFT and FINALIZED abstracts are the same)<br /> # present a poster at the MIREX 2010 poster session at ISMIR 2010 (Wednesday, 11 August 2010)<br /> <br /> <br /> ===Software Dependency Requests===<br /> If you have not submitted to MIREX before or are unsure whether IMIRSEL/NEMA currently supports some of the software/architecture dependencies for your submission a [https://spreadsheets.google.com/embeddedform?formkey=dDltRjc4NDBDdkZiaF9qZXV0bU5ScUE6MA dependency request form is available]. Please submit details of your dependencies on this form and the IMIRSEL team will attempt to satisfy them for you. &lt;span class=&quot;plainlinks&quot;&gt;[http://www.fastcreditrepairletters.com/ &lt;span style=&quot;color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;&quot;&gt;Credit Repair&lt;/span&gt;]<br /> <br /> Due to the high volume of submissions expected at MIREX 2010, submissions with difficult to satisfy dependencies that the team has not been given sufficient notice of may result in the submission being rejected. &lt;span class=&quot;plainlinks&quot;&gt;[http://www.fastcreditrepairletters.com/ &lt;span style=&quot;color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;&quot;&gt;Credit Repair Letters&lt;/span&gt;]<br /> <br /> <br /> Finally, you will also be expected to detail your software/architecture dependencies in a README file to be provided to the submission system.<br /> <br /> <br /> ==Getting Involved in MIREX 2010==<br /> MIREX is a community-based endeavour. Be a part of the community and help make MIREX 2010 the best yet. <br /> <br /> <br /> <br /> ===Mailing List Participation===<br /> If you are interested in formal MIR evaluation, you should also subscribe to the &lt;span class=&quot;plainlinks&quot;&gt;[http://www.diamondlinks.net/ &lt;span style=&quot;color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;&quot;&gt;link building service&lt;/span&gt;] &quot;MIREX&quot; (aka &quot;EvalFest&quot;) mail list and participate in the community discussions about defining and running MIREX 2010 tasks. Subscription information at: <br /> [https://mail.lis.illinois.edu/mailman/listinfo/evalfest EvalFest Central]. <br /> <br /> If you are participating in MIREX 2010, it is VERY IMPORTANT that you are subscribed to EvalFest. Deadlines, task updates and other important information will be announced via this mailing list. Please use the EvalFest for discussion of MIREX task proposals and other MIREX related issues. This wiki (MIREX 2010 wiki) will be used to embody and disseminate task proposals, however, task related discussions should be conducted on the MIREX organization mailing list (EvalFest) rather than on this wiki, but should be summarized here. <br /> <br /> Where possible, definitions or example code for new evaluation metrics or tasks should be provided to the IMIRSEL team who will embody them in software as part of the NEMA analytics framework, which will be released to the community at or before ISMIR 2010 - providing a standardised set of interfaces and output to disciplined evaluation procedures for a great many MIR tasks.<br /> <br /> <br /> ===Wiki Participation===<br /> '''''Please note that you may need to create a NEW login for this wiki even if you have a login that you previously used for editing the MIREX 2005, 2006, 2007, 2008 or 2009 wikis.'''''<br /> <br /> However, starting in 2010 the MIREX wikis have been merged so that logins will persist for future iterations of MIREX.<br /> <br /> <br /> Please create an account via: [[Special:Userlogin]].<br /> <br /> Please note that because of &quot;spam-bots&quot;, MIREX wiki registration requests may be moderated by IMIRSEL members. It might take up to 24 hours for approval (Thank you for your patience!).<br /> <br /> <br /> <br /> ==MIREX 2005 - 2009 Wikis==<br /> This is the new wiki for MIREX 2010. The wikis for MIREX 2005 - 2009 are available at:<br /> <br /> '''[[2009:Main_Page|MIREX 2009]]''' <br /> https://www.music-ir.org/mirex/2009/<br /> <br /> '''[[2008:Main_Page|MIREX 2008]]''' <br /> https://www.music-ir.org/mirex/2008/<br /> <br /> '''[[2007:Main_Page|MIREX 2007]]''' <br /> https://www.music-ir.org/mirex/2007/<br /> <br /> '''[[2006:Main_Page|MIREX 2006]]''' <br /> https://www.music-ir.org/mirex/2006/<br /> <br /> '''[[2005:Main_Page|MIREX 2005]]''' <br /> https://www.music-ir.org/mirex/2005/<br /> <br /> You can interlink between this wiki and the previous wikis using '''2005:''' prefix on links to connect to pages in MIREX 2005 and '''2006:''' for MIREX 2006 and '''2007:''' for MIREX 2007 and '''2008:''' for MIREX 2008 and '''2009:''' for MIREX 2009.<br /> <br /> ===ISMIR 2004 Audio Description Contest===<br /> The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:<br /> <br /> <br /> '''[http://ismir2004.ismir.net/ISMIR_Contest.html| ISMIR 2004 Audio Description Contest]''' <br /> http://ismir2004.ismir.net/ISMIR_Contest.html<br /> <br /> The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:</div>

CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=2010:MIREX_HOME&diff=7953 2011-05-29T11:33:37Z

<p>CameronNonAdmin: /* Tasks with a 2 July 2010 deadline: */</p> <hr /> <div>==MIREX 2010 Deadline Dates==<br /> We have &lt;b&gt;very&lt;/b&gt; tight scheduling constraints this year because of the early convening of ISMIR 2010 in Utrecht.<br /> <br /> We have two sets of deadlines for submissions. We have to stagger the deadlines because of runtime and human evaluation considerations.<br /> <br /> <br /> ===Tasks with a '''25 June 2010''' deadline:===<br /> # Audio Classification (Train/Test) Tasks<br /> # Audio Music Similarity and Retrieval<br /> # Symbolic Melodic Similarity<br /> ===Tasks with a '''2 July 2010''' deadline:===<br /> <br /> # All remaining MIREX 2010 tasks.<br /> <br /> [http://www.dissertationinn.co.uk/dissertation-writers/ Dissertation Writers]<br /> [http://www.dissertationinn.co.uk/dissertation-proposal/ Dissertation Proposal]<br /> [http://www.dissertationinn.co.uk/dissertation-service/ Dissertation Writing Service]<br /> [http://www.dissertationinn.co.uk/ Help With Dissertation]<br /> <br /> [http://www.merchantos.com/features/cloud-based-point-of-sale cloud point of sale]<br /> [http://www.dawnpowerdental.com/ Madera dentist]<br /> [http://www.outdoorfountains.com/ outdoor fountains]<br /> [http://www.diamondlinks.net/ Link Building]<br /> [http://www.discount-lenses.com/halloween-contact-lenses.php cheap halloween contacts]<br /> [http://go-go.rs/ Grcka Apartmani]<br /> <br /> &lt;i&gt;&lt;b&gt;Nota Bene:&lt;/b&gt; &lt;/i&gt;In the past we have been rather flexible about deadlines. This year, however, we simply do not have the time flexibility, sorry.<br /> <br /> Please, please, please, let's start getting those submissions made. The sooner we have the code, the sooner we can start running the evaluations.<br /> <br /> PS: If you have a slower running algorithm, help us help you by getting your code in ASAP. Please do pay attention to runtime limits.<br /> <br /> ==MIREX 2010 Submission Instructions==<br /> * Be sure to read through the rest of this page<br /> * Be sure to read though the task pages for which you are submitting<br /> * Be sure to follow the [[2009:Best Coding Practices for MIREX | Best Coding Practices for MIREX]]<br /> * Be sure to follow the [[2010:MIREX 2010 Submission Instructions | MIREX 2010 Submission Instructions ]] including both the tutorial video and the text<br /> <br /> <br /> ===MIREX 2010 Evaluation Tasks===<br /> <br /> The IMIRSEL team at UIUC solicited proposals for evaluation tasks to be performed at the Music Information Retrieval Evaluation eXchange 2010 (MIREX 2010) and polled the community on their likelihood of participation in each task. A summary of the responses from the community is given below:<br /> <br /> Results as of Monday 24th May 2010:<br /> <br /> Total individual responses = 74<br /> <br /> &lt;csv p=0&gt;2010/poll/MIREX_Task_Participation_Poll.csv&lt;/csv&gt;<br /> <br /> Hence, the IMIRSEL team has decided to attempt the running of the following tasks at MIREX 2010:<br /> * [[2010:Audio Classification (Train/Test) Tasks]], incorporating:<br /> ** Audio Artist Identification<br /> ** Audio US Pop Genre Classification<br /> ** Audio Latin Genre Classification<br /> ** Audio Music Mood Classification<br /> ** Audio Classical Composer Identification<br /> * [[2010:Audio Cover Song Identification]]<br /> * [[2010:Audio Tag Classification]] <br /> * [[2010:Audio Music Similarity and Retrieval]]<br /> * [[2010:Symbolic Melodic Similarity]]<br /> * [[2010:Audio Onset Detection]]<br /> * [[2010:Audio Key Detection]]<br /> * [[2010:Real-time Audio to Score Alignment (a.k.a Score Following)]]<br /> * [[2010:Query by Singing/Humming]]<br /> * [[2010:Audio Melody Extraction]]<br /> * [[2010:Multiple Fundamental Frequency Estimation &amp; Tracking]]<br /> * [[2010:Audio Chord Estimation]]<br /> * [[2010:Query by Tapping]]<br /> * [[2010:Audio Beat Tracking]]<br /> * [[2010:Structural Segmentation]]<br /> * [[2010:Audio Tempo Estimation]]<br /> <br /> ==== New 2010 Proposals ====<br /> * &lt;strike&gt;[[2010:Harmonic Analysis]]&lt;/strike&gt;<br /> <br /> <br /> ===Projected dates===<br /> * 1st June 2010: MIREX submission system open<br /> * 25th June: Rolling MIREX submission system closures for the following tasks<br /> **Audio Classification (Train/Test) Tasks<br /> **Audio Music Similarity and Retrieval<br /> **Symbolic Melodic Similarity <br /> * 2nd July: Rolling MIREX submission system closures for all the remaining MIREX 2010 tasks. <br /> * 15th July 2010: MIREX results posting begins<br /> * 1st August 2010: All MIREX results posted (somewhat hopeful target date)<br /> * 2-6th August 2010: USMIR Summer School<br /> * 9-13th August 2010: ISMIR conference<br /> <br /> <br /> ===Note to New Participants===<br /> Please take the time to read the following review article that explains the history and structure of MIREX.<br /> <br /> Downie, J. Stephen (2008). The Music Information Retrieval Evaluation Exchange (2005-2007):&lt;br&gt;<br /> A window into music information retrieval research.''Acoustical Science and Technology 29'' (4): 247-255. &lt;br&gt;<br /> Available at: [http://dx.doi.org/10.1250/ast.29.247 http://dx.doi.org/10.1250/ast.29.247]<br /> <br /> <br /> ===Note to All Participants===<br /> Because MIREX is premised upon the sharing of ideas and results, '''ALL''' MIREX participants are expected to:<br /> <br /> # submit a DRAFT 2-3 page extended abstract PDF in the ISMIR format about the submitted programme(s) to help us and the community better understand how the algorithm works when submitting their programme(s).<br /> # submit a FINALIZED 2-3 page extended abstract PDF in the ISMIR format prior to ISMIR 2010 for posting on the respective results pages (sometimes the same abstract can be used for multiple submissions; in many cases the DRAFT and FINALIZED abstracts are the same)<br /> # present a poster at the MIREX 2010 poster session at ISMIR 2010 (Wednesday, 11 August 2010)<br /> <br /> <br /> ===Software Dependency Requests===<br /> If you have not submitted to MIREX before or are unsure whether IMIRSEL/NEMA currently supports some of the software/architecture dependencies for your submission a [https://spreadsheets.google.com/embeddedform?formkey=dDltRjc4NDBDdkZiaF9qZXV0bU5ScUE6MA dependency request form is available]. Please submit details of your dependencies on this form and the IMIRSEL team will attempt to satisfy them for you. &lt;span class=&quot;plainlinks&quot;&gt;[http://www.fastcreditrepairletters.com/ &lt;span style=&quot;color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;&quot;&gt;Credit Repair&lt;/span&gt;]<br /> <br /> Due to the high volume of submissions expected at MIREX 2010, submissions with difficult to satisfy dependencies that the team has not been given sufficient notice of may result in the submission being rejected. &lt;span class=&quot;plainlinks&quot;&gt;[http://www.fastcreditrepairletters.com/ &lt;span style=&quot;color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;&quot;&gt;Credit Repair Letters&lt;/span&gt;]<br /> <br /> <br /> Finally, you will also be expected to detail your software/architecture dependencies in a README file to be provided to the submission system.<br /> <br /> <br /> ==Getting Involved in MIREX 2010==<br /> MIREX is a community-based endeavour. Be a part of the community and help make MIREX 2010 the best yet. <br /> <br /> <br /> <br /> ===Mailing List Participation===<br /> If you are interested in formal MIR evaluation, you should also subscribe to the &lt;span class=&quot;plainlinks&quot;&gt;[http://www.diamondlinks.net/ &lt;span style=&quot;color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;&quot;&gt;link building service&lt;/span&gt;] &quot;MIREX&quot; (aka &quot;EvalFest&quot;) mail list and participate in the community discussions about defining and running MIREX 2010 tasks. Subscription information at: <br /> [https://mail.lis.illinois.edu/mailman/listinfo/evalfest EvalFest Central]. <br /> <br /> If you are participating in MIREX 2010, it is VERY IMPORTANT that you are subscribed to EvalFest. Deadlines, task updates and other important information will be announced via this mailing list. Please use the EvalFest for discussion of MIREX task proposals and other MIREX related issues. This wiki (MIREX 2010 wiki) will be used to embody and disseminate task proposals, however, task related discussions should be conducted on the MIREX organization mailing list (EvalFest) rather than on this wiki, but should be summarized here. <br /> <br /> Where possible, definitions or example code for new evaluation metrics or tasks should be provided to the IMIRSEL team who will embody them in software as part of the NEMA analytics framework, which will be released to the community at or before ISMIR 2010 - providing a standardised set of interfaces and output to disciplined evaluation procedures for a great many MIR tasks.<br /> <br /> <br /> ===Wiki Participation===<br /> '''''Please note that you may need to create a NEW login for this wiki even if you have a login that you previously used for editing the MIREX 2005, 2006, 2007, 2008 or 2009 wikis.'''''<br /> <br /> However, starting in 2010 the MIREX wikis have been merged so that logins will persist for future iterations of MIREX.<br /> <br /> <br /> Please create an account via: [[Special:Userlogin]].<br /> <br /> Please note that because of &quot;spam-bots&quot;, MIREX wiki registration requests may be moderated by IMIRSEL members. It might take up to 24 hours for approval (Thank you for your patience!).<br /> <br /> <br /> <br /> ==MIREX 2005 - 2009 Wikis==<br /> This is the new wiki for MIREX 2010. The wikis for MIREX 2005 - 2009 are available at:<br /> <br /> '''[[2009:Main_Page|MIREX 2009]]''' <br /> https://www.music-ir.org/mirex/2009/<br /> <br /> '''[[2008:Main_Page|MIREX 2008]]''' <br /> https://www.music-ir.org/mirex/2008/<br /> <br /> '''[[2007:Main_Page|MIREX 2007]]''' <br /> https://www.music-ir.org/mirex/2007/<br /> <br /> '''[[2006:Main_Page|MIREX 2006]]''' <br /> https://www.music-ir.org/mirex/2006/<br /> <br /> '''[[2005:Main_Page|MIREX 2005]]''' <br /> https://www.music-ir.org/mirex/2005/<br /> <br /> You can interlink between this wiki and the previous wikis using '''2005:''' prefix on links to connect to pages in MIREX 2005 and '''2006:''' for MIREX 2006 and '''2007:''' for MIREX 2007 and '''2008:''' for MIREX 2008 and '''2009:''' for MIREX 2009.<br /> <br /> ===ISMIR 2004 Audio Description Contest===<br /> The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:<br /> <br /> <br /> '''[http://ismir2004.ismir.net/ISMIR_Contest.html| ISMIR 2004 Audio Description Contest]''' <br /> http://ismir2004.ismir.net/ISMIR_Contest.html<br /> <br /> The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:</div>

CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=2010:MIREX_HOME&diff=7952 2011-05-29T10:19:14Z

<p>CameronNonAdmin: </p> <hr /> <div>==MIREX 2010 Deadline Dates==<br /> We have &lt;b&gt;very&lt;/b&gt; tight scheduling constraints this year because of the early convening of ISMIR 2010 in Utrecht.<br /> <br /> We have two sets of deadlines for submissions. We have to stagger the deadlines because of runtime and human evaluation considerations.<br /> <br /> <br /> ===Tasks with a '''25 June 2010''' deadline:===<br /> # Audio Classification (Train/Test) Tasks<br /> # Audio Music Similarity and Retrieval<br /> # Symbolic Melodic Similarity<br /> ===Tasks with a '''2 July 2010''' deadline:===<br /> <br /> # All remaining MIREX 2010 tasks.<br /> <br /> [http://www.dissertationinn.co.uk/dissertation-writers/ Dissertation Writers]<br /> [http://www.dissertationinn.co.uk/dissertation-proposal/ Dissertation Proposal]<br /> [http://www.dissertationinn.co.uk/dissertation-service/ Dissertation Writing Service]<br /> [http://www.dissertationinn.co.uk/ Help With Dissertation]<br /> <br /> [http://www.dawnpowerdental.com/ Madera dentist]<br /> [http://www.outdoorfountains.com/ outdoor fountains]<br /> [http://www.diamondlinks.net/ Link Building]<br /> [http://www.discount-lenses.com/halloween-contact-lenses.php cheap halloween contacts]<br /> [http://go-go.rs/ Grcka Apartmani]<br /> <br /> &lt;i&gt;&lt;b&gt;Nota Bene:&lt;/b&gt; &lt;/i&gt;In the past we have been rather flexible about deadlines. This year, however, we simply do not have the time flexibility, sorry.<br /> <br /> Please, please, please, let's start getting those submissions made. The sooner we have the code, the sooner we can start running the evaluations.<br /> <br /> PS: If you have a slower running algorithm, help us help you by getting your code in ASAP. Please do pay attention to runtime limits.<br /> <br /> ==MIREX 2010 Submission Instructions==<br /> * Be sure to read through the rest of this page<br /> * Be sure to read though the task pages for which you are submitting<br /> * Be sure to follow the [[2009:Best Coding Practices for MIREX | Best Coding Practices for MIREX]]<br /> * Be sure to follow the [[2010:MIREX 2010 Submission Instructions | MIREX 2010 Submission Instructions ]] including both the tutorial video and the text<br /> <br /> <br /> ===MIREX 2010 Evaluation Tasks===<br /> <br /> The IMIRSEL team at UIUC solicited proposals for evaluation tasks to be performed at the Music Information Retrieval Evaluation eXchange 2010 (MIREX 2010) and polled the community on their likelihood of participation in each task. A summary of the responses from the community is given below:<br /> <br /> Results as of Monday 24th May 2010:<br /> <br /> Total individual responses = 74<br /> <br /> &lt;csv p=0&gt;2010/poll/MIREX_Task_Participation_Poll.csv&lt;/csv&gt;<br /> <br /> Hence, the IMIRSEL team has decided to attempt the running of the following tasks at MIREX 2010:<br /> * [[2010:Audio Classification (Train/Test) Tasks]], incorporating:<br /> ** Audio Artist Identification<br /> ** Audio US Pop Genre Classification<br /> ** Audio Latin Genre Classification<br /> ** Audio Music Mood Classification<br /> ** Audio Classical Composer Identification<br /> * [[2010:Audio Cover Song Identification]]<br /> * [[2010:Audio Tag Classification]] <br /> * [[2010:Audio Music Similarity and Retrieval]]<br /> * [[2010:Symbolic Melodic Similarity]]<br /> * [[2010:Audio Onset Detection]]<br /> * [[2010:Audio Key Detection]]<br /> * [[2010:Real-time Audio to Score Alignment (a.k.a Score Following)]]<br /> * [[2010:Query by Singing/Humming]]<br /> * [[2010:Audio Melody Extraction]]<br /> * [[2010:Multiple Fundamental Frequency Estimation &amp; Tracking]]<br /> * [[2010:Audio Chord Estimation]]<br /> * [[2010:Query by Tapping]]<br /> * [[2010:Audio Beat Tracking]]<br /> * [[2010:Structural Segmentation]]<br /> * [[2010:Audio Tempo Estimation]]<br /> <br /> ==== New 2010 Proposals ====<br /> * &lt;strike&gt;[[2010:Harmonic Analysis]]&lt;/strike&gt;<br /> <br /> <br /> ===Projected dates===<br /> * 1st June 2010: MIREX submission system open<br /> * 25th June: Rolling MIREX submission system closures for the following tasks<br /> **Audio Classification (Train/Test) Tasks<br /> **Audio Music Similarity and Retrieval<br /> **Symbolic Melodic Similarity <br /> * 2nd July: Rolling MIREX submission system closures for all the remaining MIREX 2010 tasks. <br /> * 15th July 2010: MIREX results posting begins<br /> * 1st August 2010: All MIREX results posted (somewhat hopeful target date)<br /> * 2-6th August 2010: USMIR Summer School<br /> * 9-13th August 2010: ISMIR conference<br /> <br /> <br /> ===Note to New Participants===<br /> Please take the time to read the following review article that explains the history and structure of MIREX.<br /> <br /> Downie, J. Stephen (2008). The Music Information Retrieval Evaluation Exchange (2005-2007):&lt;br&gt;<br /> A window into music information retrieval research.''Acoustical Science and Technology 29'' (4): 247-255. &lt;br&gt;<br /> Available at: [http://dx.doi.org/10.1250/ast.29.247 http://dx.doi.org/10.1250/ast.29.247]<br /> <br /> <br /> ===Note to All Participants===<br /> Because MIREX is premised upon the sharing of ideas and results, '''ALL''' MIREX participants are expected to:<br /> <br /> # submit a DRAFT 2-3 page extended abstract PDF in the ISMIR format about the submitted programme(s) to help us and the community better understand how the algorithm works when submitting their programme(s).<br /> # submit a FINALIZED 2-3 page extended abstract PDF in the ISMIR format prior to ISMIR 2010 for posting on the respective results pages (sometimes the same abstract can be used for multiple submissions; in many cases the DRAFT and FINALIZED abstracts are the same)<br /> # present a poster at the MIREX 2010 poster session at ISMIR 2010 (Wednesday, 11 August 2010)<br /> <br /> <br /> ===Software Dependency Requests===<br /> If you have not submitted to MIREX before or are unsure whether IMIRSEL/NEMA currently supports some of the software/architecture dependencies for your submission a [https://spreadsheets.google.com/embeddedform?formkey=dDltRjc4NDBDdkZiaF9qZXV0bU5ScUE6MA dependency request form is available]. Please submit details of your dependencies on this form and the IMIRSEL team will attempt to satisfy them for you. &lt;span class=&quot;plainlinks&quot;&gt;[http://www.fastcreditrepairletters.com/ &lt;span style=&quot;color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;&quot;&gt;Credit Repair&lt;/span&gt;]<br /> <br /> Due to the high volume of submissions expected at MIREX 2010, submissions with difficult to satisfy dependencies that the team has not been given sufficient notice of may result in the submission being rejected. &lt;span class=&quot;plainlinks&quot;&gt;[http://www.fastcreditrepairletters.com/ &lt;span style=&quot;color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;&quot;&gt;Credit Repair Letters&lt;/span&gt;]<br /> <br /> <br /> Finally, you will also be expected to detail your software/architecture dependencies in a README file to be provided to the submission system.<br /> <br /> <br /> ==Getting Involved in MIREX 2010==<br /> MIREX is a community-based endeavour. Be a part of the community and help make MIREX 2010 the best yet. <br /> <br /> <br /> <br /> ===Mailing List Participation===<br /> If you are interested in formal MIR evaluation, you should also subscribe to the &lt;span class=&quot;plainlinks&quot;&gt;[http://www.diamondlinks.net/ &lt;span style=&quot;color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;&quot;&gt;link building service&lt;/span&gt;] &quot;MIREX&quot; (aka &quot;EvalFest&quot;) mail list and participate in the community discussions about defining and running MIREX 2010 tasks. Subscription information at: <br /> [https://mail.lis.illinois.edu/mailman/listinfo/evalfest EvalFest Central]. <br /> <br /> If you are participating in MIREX 2010, it is VERY IMPORTANT that you are subscribed to EvalFest. Deadlines, task updates and other important information will be announced via this mailing list. Please use the EvalFest for discussion of MIREX task proposals and other MIREX related issues. This wiki (MIREX 2010 wiki) will be used to embody and disseminate task proposals, however, task related discussions should be conducted on the MIREX organization mailing list (EvalFest) rather than on this wiki, but should be summarized here. <br /> <br /> Where possible, definitions or example code for new evaluation metrics or tasks should be provided to the IMIRSEL team who will embody them in software as part of the NEMA analytics framework, which will be released to the community at or before ISMIR 2010 - providing a standardised set of interfaces and output to disciplined evaluation procedures for a great many MIR tasks.<br /> <br /> <br /> ===Wiki Participation===<br /> '''''Please note that you may need to create a NEW login for this wiki even if you have a login that you previously used for editing the MIREX 2005, 2006, 2007, 2008 or 2009 wikis.'''''<br /> <br /> However, starting in 2010 the MIREX wikis have been merged so that logins will persist for future iterations of MIREX.<br /> <br /> <br /> Please create an account via: [[Special:Userlogin]].<br /> <br /> Please note that because of &quot;spam-bots&quot;, MIREX wiki registration requests may be moderated by IMIRSEL members. It might take up to 24 hours for approval (Thank you for your patience!).<br /> <br /> <br /> <br /> ==MIREX 2005 - 2009 Wikis==<br /> This is the new wiki for MIREX 2010. The wikis for MIREX 2005 - 2009 are available at:<br /> <br /> '''[[2009:Main_Page|MIREX 2009]]''' <br /> https://www.music-ir.org/mirex/2009/<br /> <br /> '''[[2008:Main_Page|MIREX 2008]]''' <br /> https://www.music-ir.org/mirex/2008/<br /> <br /> '''[[2007:Main_Page|MIREX 2007]]''' <br /> https://www.music-ir.org/mirex/2007/<br /> <br /> '''[[2006:Main_Page|MIREX 2006]]''' <br /> https://www.music-ir.org/mirex/2006/<br /> <br /> '''[[2005:Main_Page|MIREX 2005]]''' <br /> https://www.music-ir.org/mirex/2005/<br /> <br /> You can interlink between this wiki and the previous wikis using '''2005:''' prefix on links to connect to pages in MIREX 2005 and '''2006:''' for MIREX 2006 and '''2007:''' for MIREX 2007 and '''2008:''' for MIREX 2008 and '''2009:''' for MIREX 2009.<br /> <br /> ===ISMIR 2004 Audio Description Contest===<br /> The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:<br /> <br /> <br /> '''[http://ismir2004.ismir.net/ISMIR_Contest.html| ISMIR 2004 Audio Description Contest]''' <br /> http://ismir2004.ismir.net/ISMIR_Contest.html<br /> <br /> The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:</div>

CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=2010:Multiple_Fundamental_Frequency_Estimation_%26_Tracking&diff=7951 2011-05-26T12:58:00Z

<p>CameronNonAdmin: /* Submission closing date */</p> <hr /> <div>==Description==<br /> <br /> That a complex music signal can be represented by the F0 contours of its constituent sources is a very useful concept for most music information retrieval systems. There have been many attempts at multiple (aka polyphonic) F0 estimation and melody extraction, a related area. The goal of multiple F0 estimation and tracking is to identify the active F0s in each time frame and to track notes and timbres continuously in a complex music signal. In this task, we would like to evaluate state-of-the-art multiple-F0 estimation and tracking algorithms. Since F0 tracking of all sources in a complex audio mixture can be very hard, we are restricting the problem to 3 cases:<br /> <br /> # Estimate active fundamental frequencies on a frame-by-frame basis.<br /> # Track note contours on a continuous time basis. (as in audio-to-midi). This task will also include a piano transcription sub task.<br /> # Track timbre on a continous time basis. [http://supremedissertation.co.uk/ Phd Dissertation]<br /> <br /> <br /> <br /> <br /> === Task Specific Mailing List ===<br /> please add your name and email address here and also please sign up for the Multi-F0 mail list:<br /> [https://mail.lis.uiuc.edu/mailman/listinfo/mrx-com03 Multi-F0 Estimation Tracking email list]<br /> <br /> ==Data==<br /> The 2009 Multi-F0 dataset will be reused, which is composed of:<br /> * A woodwind quintet transcription of the fifth variation from L. van Beethoven's Variations for String Quartet Op.18 No. 5. Each part (flute, oboe, clarinet, horn, or bassoon) was recorded separately while the performer listened to the other parts (recorded previously) through headphones. Later the parts were mixed to a monaural 44.1kHz/16bits file.<br /> * Synthesized pieces using RWC MIDI and RWC samples. Includes pieces from Classical and Jazz collections. Polyphony changes from 1 to 4 sources.<br /> * Polyphonic piano recordings generated using a disklavier playback piano.<br /> <br /> There are:<br /> * 6, 30-sec clips for each polyphony (2-3-4-5) for a total of 30 examples, <br /> * 10 30-sec polyphonic piano clips. <br /> <br /> <br /> === Development Dataset ===<br /> A development dataset can be found at:<br /> [https://www.music-ir.org/evaluation/MIREX/data/2007/multiF0/index.htm Development Set for MIREX 2007 MultiF0 Estimation Tracking Task]. <br /> <br /> Send an email to [mailto:mertbay@uiuc.edu mertbay@uiuc.edu] for the username and password.<br /> <br /> <br /> ==Evaluation==<br /> <br /> This year, We would like to discuss different evaluation methods. From last year`s result, it can be seen that on note tracking, algorithms performed poorly when evaluated using note offsets. Below is the evaluation methods we used last year: <br /> <br /> For Task 1 (frame level evaluation), systems will report the number of active pitches every 10ms. Precision (the portion of correct retrieved pitches for all pitches retrieved for each frame) and Recall (the ratio of correct pitches to all ground truth pitches for each frame) will be reported. A Returned Pitch is assumed to be correct if it is within a half semitone (+ - 3%) of a ground-truth pitch for that frame. Only one ground-truth pitch can be associated with each Returned Pitch.<br /> Also as suggested, an error score as described in [http://www.hindawi.com/GetArticle.aspx?doi=10.1155/2007/48317 Poliner and Ellis p.g. 5 ] will be calculated. <br /> The frame level ground truth will be calculated by [http://www.ircam.fr/pcm/cheveign/sw/yin.zip YIN] and hand corrected.<br /> <br /> For Task 2 (note tracking), again Precision (the ratio of correctly transcribed ground truth notes to the number of ground truth notes for that input clip) and Recall (ratio of correctly transcribed ground truth notes to the number of transcribed notes) will be reported. A ground truth note is assumed to be correctly transcribed if the system returns a note that is within a half semitone (+ - 3%) of that note AND the returned note`s onset is within a 100ms range( + - 50ms) of the onset of the ground truth note, and its offset is within 20% range of the ground truth note`s offset. Again, one ground truth note can only be associated with one transcribed note.<br /> <br /> The ground truth for this task will be annotated by hand. An amplitude threshold relative to the file/instrument will be determined. Note onset is going to be set to the time where its amplitude rises higher than the threshold and the offset is going to be set to the the time where the note`s amplitude decays lower than the threshold. The ground truth is going to be set as the average F0 between the onset and the offset of the note.<br /> In the case of legato, the onset/offset is going to be set to the time where the F0 deviates more than 3% of the average F0 through out the the note up to that point. There is not going to be any vibrato larger than a half semitone in the test data.<br /> <br /> Different statistics can also be reported if agreed by the participants.<br /> <br /> == Submission Format ==<br /> <br /> === Audio Format ===<br /> The audio files are encoded as 44.1kHz / 16 bit WAV files. <br /> <br /> <br /> === Command line calling format ===<br /> Submissions have to conform to the specified format below:<br /> <br /> ''doMultiF0 &quot;path/to/file.wav&quot; &quot;path/to/output/file.F0&quot; ''<br /> <br /> where: <br /> * path/to/file.wav: Path to the input audio file.<br /> * path/to/output/file.F0: The output file. <br /> <br /> Programs can use their working directory if they need to keep temporary cache files or internal debuggin info. Stdout and stderr will be logged.<br /> <br /> <br /> === I/O format ===<br /> For each task, the format of the output file is going to be different:<br /> <br /> For the first task, F0-estimation on frame basis, the output will be a file where each row has a time stamp and a number of active F0s in that frame, separated by a tab for every 10ms increments. <br /> <br /> Example :<br /> ''time F01 F02 F03 ''<br /> ''time F01 F02 F03 F04''<br /> ''time ... ... ... ...''<br /> <br /> which might look like:<br /> <br /> ''0.78 146.83 220.00 349.23''<br /> ''0.79 349.23 146.83 369.99 220.00 ''<br /> ''0.80 ... ... ... ...''<br /> <br /> <br /> For the second task, for each row, the file should contain the onset, offset and the F0 of each note event separated by a tab, ordered in terms of onset times:<br /> <br /> onset offset F01<br /> onset offset F02<br /> ... ... ...<br /> <br /> which might look like:<br /> <br /> 0.68 1.20 349.23<br /> 0.72 1.02 220.00<br /> ... ... ...<br /> <br /> <br /> === Packaging submissions ===<br /> All submissions should be statically linked to all libraries (the presence of dynamically linked libraries cannot be guarenteed).<br /> <br /> All submissions should include a README file including the following the information:<br /> <br /> * Command line calling format for all executables and an example formatted set of commands<br /> * Number of threads/cores used or whether this should be specified on the command line<br /> * Expected memory footprint<br /> * Expected runtime<br /> * Any required environments (and versions), e.g. python, java, bash, matlab.<br /> <br /> <br /> == Time and hardware limits ==<br /> Due to the potentially high number of particpants in this and other audio tasks,<br /> hard limits on the runtime of submissions are specified. <br /> <br /> A hard limit of 24 hours will be imposed on runs. Submissions that exceed this runtime may not receive a result.<br /> <br /> <br /> == Submission opening date ==<br /> <br /> Friday 4th June 2010<br /> <br /> == Submission closing date ==<br /> End now<br /> -<br /> * [http://www.logoinn.com/ Logo Design]<br /> * [http://www.customwrittenpaper.com/ Essay Writing Help] TBA</div>

CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=2010:MIREX_HOME&diff=7950 2011-05-26T01:53:36Z

<p>CameronNonAdmin: /* Tasks with a 2 July 2010 deadline: */</p> <hr /> <div>==MIREX 2010 Deadline Dates==<br /> We have &lt;b&gt;very&lt;/b&gt; tight scheduling constraints this year because of the early convening of ISMIR 2010 in Utrecht.<br /> <br /> We have two sets of deadlines for submissions. We have to stagger the deadlines because of runtime and human evaluation considerations.<br /> <br /> <br /> ===Tasks with a '''25 June 2010''' deadline:===<br /> # Audio Classification (Train/Test) Tasks<br /> # Audio Music Similarity and Retrieval<br /> # Symbolic Melodic Similarity<br /> ===Tasks with a '''2 July 2010''' deadline:===<br /> <br /> # All remaining MIREX 2010 tasks.<br /> <br /> [http://www.dissertationinn.co.uk/dissertation-writers/ Dissertation Writers]<br /> [http://www.dissertationinn.co.uk/dissertation-proposal/ Dissertation Proposal]<br /> [http://www.dissertationinn.co.uk/dissertation-service/ Dissertation Writing Service]<br /> [http://www.dissertationinn.co.uk/ Help With Dissertation]<br /> <br /> [http://www.dawnpowerdental.com/ Madera dentist]<br /> [http://www.outdoorfountains.com/ outdoor fountains]<br /> [http://www.diamondlinks.net/ Link Building]<br /> [http://www.discount-lenses.com/halloween-contact-lenses.php cheap halloween contacts]<br /> <br /> &lt;i&gt;&lt;b&gt;Nota Bene:&lt;/b&gt; &lt;/i&gt;In the past we have been rather flexible about deadlines. This year, however, we simply do not have the time flexibility, sorry.<br /> <br /> Please, please, please, let's start getting those submissions made. The sooner we have the code, the sooner we can start running the evaluations.<br /> <br /> PS: If you have a slower running algorithm, help us help you by getting your code in ASAP. Please do pay attention to runtime limits.<br /> <br /> ==MIREX 2010 Submission Instructions==<br /> * Be sure to read through the rest of this page<br /> * Be sure to read though the task pages for which you are submitting<br /> * Be sure to follow the [[2009:Best Coding Practices for MIREX | Best Coding Practices for MIREX]]<br /> * Be sure to follow the [[2010:MIREX 2010 Submission Instructions | MIREX 2010 Submission Instructions ]] including both the tutorial video and the text<br /> <br /> <br /> ===MIREX 2010 Evaluation Tasks===<br /> <br /> The IMIRSEL team at UIUC solicited proposals for evaluation tasks to be performed at the Music Information Retrieval Evaluation eXchange 2010 (MIREX 2010) and polled the community on their likelihood of participation in each task. A summary of the responses from the community is given below:<br /> <br /> Results as of Monday 24th May 2010:<br /> <br /> Total individual responses = 74<br /> <br /> &lt;csv p=0&gt;2010/poll/MIREX_Task_Participation_Poll.csv&lt;/csv&gt;<br /> <br /> Hence, the IMIRSEL team has decided to attempt the running of the following tasks at MIREX 2010:<br /> * [[2010:Audio Classification (Train/Test) Tasks]], incorporating:<br /> ** Audio Artist Identification<br /> ** Audio US Pop Genre Classification<br /> ** Audio Latin Genre Classification<br /> ** Audio Music Mood Classification<br /> ** Audio Classical Composer Identification<br /> * [[2010:Audio Cover Song Identification]]<br /> * [[2010:Audio Tag Classification]] <br /> * [[2010:Audio Music Similarity and Retrieval]]<br /> * [[2010:Symbolic Melodic Similarity]]<br /> * [[2010:Audio Onset Detection]]<br /> * [[2010:Audio Key Detection]]<br /> * [[2010:Real-time Audio to Score Alignment (a.k.a Score Following)]]<br /> * [[2010:Query by Singing/Humming]]<br /> * [[2010:Audio Melody Extraction]]<br /> * [[2010:Multiple Fundamental Frequency Estimation &amp; Tracking]]<br /> * [[2010:Audio Chord Estimation]]<br /> * [[2010:Query by Tapping]]<br /> * [[2010:Audio Beat Tracking]]<br /> * [[2010:Structural Segmentation]]<br /> * [[2010:Audio Tempo Estimation]]<br /> <br /> ==== New 2010 Proposals ====<br /> * &lt;strike&gt;[[2010:Harmonic Analysis]]&lt;/strike&gt;<br /> <br /> <br /> ===Projected dates===<br /> * 1st June 2010: MIREX submission system open<br /> * 25th June: Rolling MIREX submission system closures for the following tasks<br /> **Audio Classification (Train/Test) Tasks<br /> **Audio Music Similarity and Retrieval<br /> **Symbolic Melodic Similarity <br /> * 2nd July: Rolling MIREX submission system closures for all the remaining MIREX 2010 tasks. <br /> * 15th July 2010: MIREX results posting begins<br /> * 1st August 2010: All MIREX results posted (somewhat hopeful target date)<br /> * 2-6th August 2010: USMIR Summer School<br /> * 9-13th August 2010: ISMIR conference<br /> <br /> <br /> ===Note to New Participants===<br /> Please take the time to read the following review article that explains the history and structure of MIREX.<br /> <br /> Downie, J. Stephen (2008). The Music Information Retrieval Evaluation Exchange (2005-2007):&lt;br&gt;<br /> A window into music information retrieval research.''Acoustical Science and Technology 29'' (4): 247-255. &lt;br&gt;<br /> Available at: [http://dx.doi.org/10.1250/ast.29.247 http://dx.doi.org/10.1250/ast.29.247]<br /> <br /> <br /> ===Note to All Participants===<br /> Because MIREX is premised upon the sharing of ideas and results, '''ALL''' MIREX participants are expected to:<br /> <br /> # submit a DRAFT 2-3 page extended abstract PDF in the ISMIR format about the submitted programme(s) to help us and the community better understand how the algorithm works when submitting their programme(s).<br /> # submit a FINALIZED 2-3 page extended abstract PDF in the ISMIR format prior to ISMIR 2010 for posting on the respective results pages (sometimes the same abstract can be used for multiple submissions; in many cases the DRAFT and FINALIZED abstracts are the same)<br /> # present a poster at the MIREX 2010 poster session at ISMIR 2010 (Wednesday, 11 August 2010)<br /> <br /> <br /> ===Software Dependency Requests===<br /> If you have not submitted to MIREX before or are unsure whether IMIRSEL/NEMA currently supports some of the software/architecture dependencies for your submission a [https://spreadsheets.google.com/embeddedform?formkey=dDltRjc4NDBDdkZiaF9qZXV0bU5ScUE6MA dependency request form is available]. Please submit details of your dependencies on this form and the IMIRSEL team will attempt to satisfy them for you. &lt;span class=&quot;plainlinks&quot;&gt;[http://www.fastcreditrepairletters.com/ &lt;span style=&quot;color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;&quot;&gt;Credit Repair&lt;/span&gt;]<br /> <br /> Due to the high volume of submissions expected at MIREX 2010, submissions with difficult to satisfy dependencies that the team has not been given sufficient notice of may result in the submission being rejected. &lt;span class=&quot;plainlinks&quot;&gt;[http://www.fastcreditrepairletters.com/ &lt;span style=&quot;color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;&quot;&gt;Credit Repair Letters&lt;/span&gt;]<br /> <br /> <br /> Finally, you will also be expected to detail your software/architecture dependencies in a README file to be provided to the submission system.<br /> <br /> <br /> ==Getting Involved in MIREX 2010==<br /> MIREX is a community-based endeavour. Be a part of the community and help make MIREX 2010 the best yet. <br /> <br /> <br /> <br /> ===Mailing List Participation===<br /> If you are interested in formal MIR evaluation, you should also subscribe to the &lt;span class=&quot;plainlinks&quot;&gt;[http://www.diamondlinks.net/ &lt;span style=&quot;color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;&quot;&gt;link building service&lt;/span&gt;] &quot;MIREX&quot; (aka &quot;EvalFest&quot;) mail list and participate in the community discussions about defining and running MIREX 2010 tasks. Subscription information at: <br /> [https://mail.lis.illinois.edu/mailman/listinfo/evalfest EvalFest Central]. <br /> <br /> If you are participating in MIREX 2010, it is VERY IMPORTANT that you are subscribed to EvalFest. Deadlines, task updates and other important information will be announced via this mailing list. Please use the EvalFest for discussion of MIREX task proposals and other MIREX related issues. This wiki (MIREX 2010 wiki) will be used to embody and disseminate task proposals, however, task related discussions should be conducted on the MIREX organization mailing list (EvalFest) rather than on this wiki, but should be summarized here. <br /> <br /> Where possible, definitions or example code for new evaluation metrics or tasks should be provided to the IMIRSEL team who will embody them in software as part of the NEMA analytics framework, which will be released to the community at or before ISMIR 2010 - providing a standardised set of interfaces and output to disciplined evaluation procedures for a great many MIR tasks.<br /> <br /> <br /> ===Wiki Participation===<br /> '''''Please note that you may need to create a NEW login for this wiki even if you have a login that you previously used for editing the MIREX 2005, 2006, 2007, 2008 or 2009 wikis.'''''<br /> <br /> However, starting in 2010 the MIREX wikis have been merged so that logins will persist for future iterations of MIREX.<br /> <br /> <br /> Please create an account via: [[Special:Userlogin]].<br /> <br /> Please note that because of &quot;spam-bots&quot;, MIREX wiki registration requests may be moderated by IMIRSEL members. It might take up to 24 hours for approval (Thank you for your patience!).<br /> <br /> <br /> <br /> ==MIREX 2005 - 2009 Wikis==<br /> This is the new wiki for MIREX 2010. The wikis for MIREX 2005 - 2009 are available at:<br /> <br /> '''[[2009:Main_Page|MIREX 2009]]''' <br /> https://www.music-ir.org/mirex/2009/<br /> <br /> '''[[2008:Main_Page|MIREX 2008]]''' <br /> https://www.music-ir.org/mirex/2008/<br /> <br /> '''[[2007:Main_Page|MIREX 2007]]''' <br /> https://www.music-ir.org/mirex/2007/<br /> <br /> '''[[2006:Main_Page|MIREX 2006]]''' <br /> https://www.music-ir.org/mirex/2006/<br /> <br /> '''[[2005:Main_Page|MIREX 2005]]''' <br /> https://www.music-ir.org/mirex/2005/<br /> <br /> You can interlink between this wiki and the previous wikis using '''2005:''' prefix on links to connect to pages in MIREX 2005 and '''2006:''' for MIREX 2006 and '''2007:''' for MIREX 2007 and '''2008:''' for MIREX 2008 and '''2009:''' for MIREX 2009.<br /> <br /> ===ISMIR 2004 Audio Description Contest===<br /> The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:<br /> <br /> <br /> '''[http://ismir2004.ismir.net/ISMIR_Contest.html| ISMIR 2004 Audio Description Contest]''' <br /> http://ismir2004.ismir.net/ISMIR_Contest.html<br /> <br /> The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:</div>

CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=2010:Audio_Chord_Estimationphp/Ways_To_Avoid_Shopping_Cart_Robbery_or_Reduction&diff=7949 2011-05-25T05:37:54Z

<p>CameronNonAdmin: Ways To Avoid Shopping Cart Robbery or Reduction</p> <hr /> <div>Due to the fact times are difficult, theft oftentimes is noticed as a straightforward option to survive. The fact is, theft cases today are rising at an alarming pace. Pushout thieves, folks placing stuff in the cart and wheeling it from the save premises purposely bypassing the money sign-up, are lingering in lots of establishments. Many people also steal searching carts left by clients somewhere with the retail store vicinity. For anybody who is a store-owner, you know that merchandise and procuring '''[http://onlineshop013.oggix.org/ online shop software]''' theft conditions necessarily mean hundreds of dollars of reduction. But here are strategies to maintain thieves from coming in your save and stealing your browsing carts together with your merchandise.<br /> <br /> Hire safety personnel. When you've got the suggests, contemplate hiring safety people today. Assign them with the exit locations to ensure they will very easily watch the consumers coming from the shop premises and in the end catch any human being during the act of stealing your [http://onlineshop013.oggix.org/ online shop software]. Be sure to place a safety guard at the exit stage within the parking great deal too.<br /> Install protection cameras. They could price tag you some amount, but safety cameras can reduce shopping cart theft within your keep. When shoplifters see your save is secured by cameras, they'll almost certainly hesitate to commit purchasing cart theft. But just in case theft transpires, the cameras can offer you with proof and show you how to track the culprit.<br /> Use purchasing carts with automated lock. The automated lock process would make utilization of a wireless connection that specifies should the merchandise being wheeled out of the retail outlet continues to be paid. If the method determines it will be unpaid, the connection will deliver signals towards the '''shopping cart software''' and automatically lock them, preventing the cart from going over and above the pre-specified boundary.<br /> Use browsing carts with alarm. Aside from the carts with automated wheel lock method, you may also make use of carts with alarm. The alarm will buzz once the looking cart with unpaid merchandise passes by way of the boundary. The alarm is useful in calling the interest from the shop workers and can make them quick to reply to a possible shoplifting.<br /> Attach poles around the buying carts. Considering that of these poles, buying carts can't depart the store. This in due course discourages pushout theft and prevents buying cart loss. Even though poles benefit store-owners, they can be relatively disadvantageous to consumers. This really is given that prospects ought to manually carry their buys in the shop to their vehicle.<br /> Make use of sensor technologies. You will discover several sensor technologies you can actually employ in the retailer. You may, for example, use tags, that can make an alarm sound when the unpaid merchandise reaches the store�s exit level. These tags are locked on the merchandise and won�t arrive off except if the merchandise is paid. Apart from stopping the actual pushout theft, sensor technologies avert an try. This is mainly because shoplifters will more than likely not get an merchandise which could be detected and will draw consideration to their selves.<br /> <br /> For those who have these theft prevention schemes, you are able to significantly minimize theft cases as part of your store. Contemplating your shop is safeguarded, both small-time shoplifters and organized groups will refrain from going for your retail store.<br /> [[Image : onlineshop2.jpg]]</div>

CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=2010:Audio_Chord_Estimationphp/Ways_To_Build_an_internet_based_E-commerce_Software&diff=7948 2011-05-24T21:34:14Z

<p>CameronNonAdmin: Ways To Build an internet based E-commerce Software</p> <hr /> <div>A web-based purchasing cart is surely an World wide web company component where you use a virtual cart to offer and method all your products and companies. The process is extremely just like a grocery or department store. You choose a products that you just want to obtain after which you place it within a procuring cart! Only this time, you might be doing it within the virtual community. Amazing, isn't it? This individual aspect will even preserve all your picked merchandise inside the event which you want to depart the site. Any time you arrive back, many of the services that you have set during the cart are even now there. It can be genuinely a time saver! This is the reason quite a few internet outlets choose to produce an online searching cart. It basically may make it simplier and easier for all World-wide-web buyers! Read through on to learn much more about the best way to set it up.<br /> <br /> Consider some different '''shopping cart software''' or organizations in the Online. Websites like eCommerce, Style and design Cart and PayPal are perfect for all newcomers. On the web '''shopping cart software''' could be downloaded absolutely free. Then again, these type of packages have some limits. If your web-site is by now established and you have a regular incoming customers, you might desire to invest in very good, large quality software that could accommodate all your requirements. Having said that, it is crucial you uncover the proper business for you. For tiny businesses, obtaining an economical purchasing cart might be great. These application have distinctive ranges of memberships so be sure you pick out pretty wisely.<br /> Whenever you by now know which '''[http://onlineshop011.unblog.fr/2011/05/20/shy-people-enjoylike-purchasing-products-from-online-shop/ online shop software]''' you might be very likely to employ, you have to sign-up on their web site. This will assure the exclusivity and safety of their provider to you. You must give your company's specifics, your business' banking particulars plus the like. It is so they can deposit all solutions rendered for your account promptly. You might also be needing a username, password along with a functioning email deal with for confirmation.<br /> Customize your looking cart. Start getting into each of the products' info, charges, discount rates, promos, and so forth. You have to input all these details on the cart's website. A type will be offered so just examine and adhere to the instructions. You can get shopping cart software that allow you to decide upon your own layouts, templates, designs and shades.<br /> Lastly, you are able to now add your recently constructed shopping cart to your private webpage. An HTML code could be give on the looking cart's web page. All you have to undertake is to copy the whole code and paste it to any of one's chosen location in your web-site. Yet another way to do this should be to add a website link. When clicked, you can expect to automatically visit the '''[http://onlineshop011.unblog.fr/2011/05/20/shy-people-enjoylike-purchasing-products-from-online-shop/ online shop software]'''.<br /> <br /> See how extremely easy it really is to setup your especially own on-line procuring cart? It truly is so uncomplicated that virtually everyone can try this! Include to cart buttons can give your site and your business just a little edge from other on the internet companies. This element may make all your clients particularly pleased all the time! Now launch subsequent these rather painless steps and your small business will soon flourish. Excellent luck and don't overlook to have entertaining!<br /> [[Image : onlineshop5.jpg]]</div>

CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=2010:MIREX_HOME&diff=7947 2011-05-24T13:48:14Z

<p>CameronNonAdmin: /* Tasks with a 2 July 2010 deadline: */</p> <hr /> <div>==MIREX 2010 Deadline Dates==<br /> We have &lt;b&gt;very&lt;/b&gt; tight scheduling constraints this year because of the early convening of ISMIR 2010 in Utrecht.<br /> <br /> We have two sets of deadlines for submissions. We have to stagger the deadlines because of runtime and human evaluation considerations.<br /> <br /> <br /> ===Tasks with a '''25 June 2010''' deadline:===<br /> # Audio Classification (Train/Test) Tasks<br /> # Audio Music Similarity and Retrieval<br /> # Symbolic Melodic Similarity<br /> ===Tasks with a '''2 July 2010''' deadline:===<br /> <br /> # All remaining MIREX 2010 tasks.<br /> <br /> [http://www.dissertationinn.co.uk/dissertation-writers/ Dissertation Writers]<br /> [http://www.dissertationinn.co.uk/dissertation-proposal/ Dissertation Proposal]<br /> [http://www.dissertationinn.co.uk/dissertation-service/ Dissertation Writing Service]<br /> [http://www.dissertationinn.co.uk/ Help With Dissertation]<br /> <br /> [http://www.dawnpowerdental.com/ Madera dentist]<br /> [http://www.outdoorfountains.com/ outdoor fountains]<br /> <br /> <br /> &lt;i&gt;&lt;b&gt;Nota Bene:&lt;/b&gt; &lt;/i&gt;In the past we have been rather flexible about deadlines. This year, however, we simply do not have the time flexibility, sorry.<br /> <br /> Please, please, please, let's start getting those submissions made. The sooner we have the code, the sooner we can start running the evaluations.<br /> <br /> PS: If you have a slower running algorithm, help us help you by getting your code in ASAP. Please do pay attention to runtime limits.<br /> <br /> ==MIREX 2010 Submission Instructions==<br /> * Be sure to read through the rest of this page<br /> * Be sure to read though the task pages for which you are submitting<br /> * Be sure to follow the [[2009:Best Coding Practices for MIREX | Best Coding Practices for MIREX]]<br /> * Be sure to follow the [[2010:MIREX 2010 Submission Instructions | MIREX 2010 Submission Instructions ]] including both the tutorial video and the text<br /> <br /> <br /> ===MIREX 2010 Evaluation Tasks===<br /> <br /> The IMIRSEL team at UIUC solicited proposals for evaluation tasks to be performed at the Music Information Retrieval Evaluation eXchange 2010 (MIREX 2010) and polled the community on their likelihood of participation in each task. A summary of the responses from the community is given below:<br /> <br /> Results as of Monday 24th May 2010:<br /> <br /> Total individual responses = 74<br /> <br /> &lt;csv p=0&gt;2010/poll/MIREX_Task_Participation_Poll.csv&lt;/csv&gt;<br /> <br /> Hence, the IMIRSEL team has decided to attempt the running of the following tasks at MIREX 2010:<br /> * [[2010:Audio Classification (Train/Test) Tasks]], incorporating:<br /> ** Audio Artist Identification<br /> ** Audio US Pop Genre Classification<br /> ** Audio Latin Genre Classification<br /> ** Audio Music Mood Classification<br /> ** Audio Classical Composer Identification<br /> * [[2010:Audio Cover Song Identification]]<br /> * [[2010:Audio Tag Classification]] <br /> * [[2010:Audio Music Similarity and Retrieval]]<br /> * [[2010:Symbolic Melodic Similarity]]<br /> * [[2010:Audio Onset Detection]]<br /> * [[2010:Audio Key Detection]]<br /> * [[2010:Real-time Audio to Score Alignment (a.k.a Score Following)]]<br /> * [[2010:Query by Singing/Humming]]<br /> * [[2010:Audio Melody Extraction]]<br /> * [[2010:Multiple Fundamental Frequency Estimation &amp; Tracking]]<br /> * [[2010:Audio Chord Estimation]]<br /> * [[2010:Query by Tapping]]<br /> * [[2010:Audio Beat Tracking]]<br /> * [[2010:Structural Segmentation]]<br /> * [[2010:Audio Tempo Estimation]]<br /> <br /> ==== New 2010 Proposals ====<br /> * &lt;strike&gt;[[2010:Harmonic Analysis]]&lt;/strike&gt;<br /> <br /> <br /> ===Projected dates===<br /> * 1st June 2010: MIREX submission system open<br /> * 25th June: Rolling MIREX submission system closures for the following tasks<br /> **Audio Classification (Train/Test) Tasks<br /> **Audio Music Similarity and Retrieval<br /> **Symbolic Melodic Similarity <br /> * 2nd July: Rolling MIREX submission system closures for all the remaining MIREX 2010 tasks. <br /> * 15th July 2010: MIREX results posting begins<br /> * 1st August 2010: All MIREX results posted (somewhat hopeful target date)<br /> * 2-6th August 2010: USMIR Summer School<br /> * 9-13th August 2010: ISMIR conference<br /> <br /> <br /> ===Note to New Participants===<br /> Please take the time to read the following review article that explains the history and structure of MIREX.<br /> <br /> Downie, J. Stephen (2008). The Music Information Retrieval Evaluation Exchange (2005-2007):&lt;br&gt;<br /> A window into music information retrieval research.''Acoustical Science and Technology 29'' (4): 247-255. &lt;br&gt;<br /> Available at: [http://dx.doi.org/10.1250/ast.29.247 http://dx.doi.org/10.1250/ast.29.247]<br /> <br /> <br /> ===Note to All Participants===<br /> Because MIREX is premised upon the sharing of ideas and results, '''ALL''' MIREX participants are expected to:<br /> <br /> # submit a DRAFT 2-3 page extended abstract PDF in the ISMIR format about the submitted programme(s) to help us and the community better understand how the algorithm works when submitting their programme(s).<br /> # submit a FINALIZED 2-3 page extended abstract PDF in the ISMIR format prior to ISMIR 2010 for posting on the respective results pages (sometimes the same abstract can be used for multiple submissions; in many cases the DRAFT and FINALIZED abstracts are the same)<br /> # present a poster at the MIREX 2010 poster session at ISMIR 2010 (Wednesday, 11 August 2010)<br /> <br /> <br /> ===Software Dependency Requests===<br /> If you have not submitted to MIREX before or are unsure whether IMIRSEL/NEMA currently supports some of the software/architecture dependencies for your submission a [https://spreadsheets.google.com/embeddedform?formkey=dDltRjc4NDBDdkZiaF9qZXV0bU5ScUE6MA dependency request form is available]. Please submit details of your dependencies on this form and the IMIRSEL team will attempt to satisfy them for you. &lt;span class=&quot;plainlinks&quot;&gt;[http://www.fastcreditrepairletters.com/ &lt;span style=&quot;color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;&quot;&gt;Credit Repair&lt;/span&gt;]<br /> <br /> Due to the high volume of submissions expected at MIREX 2010, submissions with difficult to satisfy dependencies that the team has not been given sufficient notice of may result in the submission being rejected. &lt;span class=&quot;plainlinks&quot;&gt;[http://www.fastcreditrepairletters.com/ &lt;span style=&quot;color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;&quot;&gt;Credit Repair Letters&lt;/span&gt;]<br /> <br /> <br /> Finally, you will also be expected to detail your software/architecture dependencies in a README file to be provided to the submission system.<br /> <br /> <br /> ==Getting Involved in MIREX 2010==<br /> MIREX is a community-based endeavour. Be a part of the community and help make MIREX 2010 the best yet. <br /> <br /> <br /> <br /> ===Mailing List Participation===<br /> If you are interested in formal MIR evaluation, you should also subscribe to the &lt;span class=&quot;plainlinks&quot;&gt;[http://www.diamondlinks.net/ &lt;span style=&quot;color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;&quot;&gt;link building service&lt;/span&gt;] &quot;MIREX&quot; (aka &quot;EvalFest&quot;) mail list and participate in the community discussions about defining and running MIREX 2010 tasks. Subscription information at: <br /> [https://mail.lis.illinois.edu/mailman/listinfo/evalfest EvalFest Central]. <br /> <br /> If you are participating in MIREX 2010, it is VERY IMPORTANT that you are subscribed to EvalFest. Deadlines, task updates and other important information will be announced via this mailing list. Please use the EvalFest for discussion of MIREX task proposals and other MIREX related issues. This wiki (MIREX 2010 wiki) will be used to embody and disseminate task proposals, however, task related discussions should be conducted on the MIREX organization mailing list (EvalFest) rather than on this wiki, but should be summarized here. <br /> <br /> Where possible, definitions or example code for new evaluation metrics or tasks should be provided to the IMIRSEL team who will embody them in software as part of the NEMA analytics framework, which will be released to the community at or before ISMIR 2010 - providing a standardised set of interfaces and output to disciplined evaluation procedures for a great many MIR tasks.<br /> <br /> <br /> ===Wiki Participation===<br /> '''''Please note that you may need to create a NEW login for this wiki even if you have a login that you previously used for editing the MIREX 2005, 2006, 2007, 2008 or 2009 wikis.'''''<br /> <br /> However, starting in 2010 the MIREX wikis have been merged so that logins will persist for future iterations of MIREX.<br /> <br /> <br /> Please create an account via: [[Special:Userlogin]].<br /> <br /> Please note that because of &quot;spam-bots&quot;, MIREX wiki registration requests may be moderated by IMIRSEL members. It might take up to 24 hours for approval (Thank you for your patience!).<br /> <br /> <br /> <br /> ==MIREX 2005 - 2009 Wikis==<br /> This is the new wiki for MIREX 2010. The wikis for MIREX 2005 - 2009 are available at:<br /> <br /> '''[[2009:Main_Page|MIREX 2009]]''' <br /> https://www.music-ir.org/mirex/2009/<br /> <br /> '''[[2008:Main_Page|MIREX 2008]]''' <br /> https://www.music-ir.org/mirex/2008/<br /> <br /> '''[[2007:Main_Page|MIREX 2007]]''' <br /> https://www.music-ir.org/mirex/2007/<br /> <br /> '''[[2006:Main_Page|MIREX 2006]]''' <br /> https://www.music-ir.org/mirex/2006/<br /> <br /> '''[[2005:Main_Page|MIREX 2005]]''' <br /> https://www.music-ir.org/mirex/2005/<br /> <br /> You can interlink between this wiki and the previous wikis using '''2005:''' prefix on links to connect to pages in MIREX 2005 and '''2006:''' for MIREX 2006 and '''2007:''' for MIREX 2007 and '''2008:''' for MIREX 2008 and '''2009:''' for MIREX 2009.<br /> <br /> ===ISMIR 2004 Audio Description Contest===<br /> The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:<br /> <br /> <br /> '''[http://ismir2004.ismir.net/ISMIR_Contest.html| ISMIR 2004 Audio Description Contest]''' <br /> http://ismir2004.ismir.net/ISMIR_Contest.html<br /> <br /> The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:</div>

CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=2010:MIREX_HOME&diff=7946 2011-05-24T09:30:44Z

<p>CameronNonAdmin: /* MIREX 2010 Deadline Dates */</p> <hr /> <div>==MIREX 2010 Deadline Dates==<br /> We have &lt;b&gt;very&lt;/b&gt; tight scheduling constraints this year because of the early convening of ISMIR 2010 in Utrecht.<br /> <br /> We have two sets of deadlines for submissions. We have to stagger the deadlines because of runtime and human evaluation considerations.<br /> <br /> <br /> ===Tasks with a '''25 June 2010''' deadline:===<br /> # Audio Classification (Train/Test) Tasks<br /> # Audio Music Similarity and Retrieval<br /> # Symbolic Melodic Similarity<br /> ===Tasks with a '''2 July 2010''' deadline:===<br /> <br /> # All remaining MIREX 2010 tasks.<br /> <br /> [http://www.dissertationinn.co.uk/dissertation-writers/ Dissertation Writers]<br /> [http://www.dissertationinn.co.uk/dissertation-proposal/ Dissertation Proposal]<br /> [http://www.dissertationinn.co.uk/dissertation-service/ Dissertation Writing Service]<br /> [http://www.dissertationinn.co.uk/ Help With Dissertation]<br /> <br /> <br /> <br /> &lt;i&gt;&lt;b&gt;Nota Bene:&lt;/b&gt; &lt;/i&gt;In the past we have been rather flexible about deadlines. This year, however, we simply do not have the time flexibility, sorry.<br /> <br /> Please, please, please, let's start getting those submissions made. The sooner we have the code, the sooner we can start running the evaluations.<br /> <br /> PS: If you have a slower running algorithm, help us help you by getting your code in ASAP. Please do pay attention to runtime limits.<br /> <br /> ==MIREX 2010 Submission Instructions==<br /> * Be sure to read through the rest of this page<br /> * Be sure to read though the task pages for which you are submitting<br /> * Be sure to follow the [[2009:Best Coding Practices for MIREX | Best Coding Practices for MIREX]]<br /> * Be sure to follow the [[2010:MIREX 2010 Submission Instructions | MIREX 2010 Submission Instructions ]] including both the tutorial video and the text<br /> <br /> <br /> ===MIREX 2010 Evaluation Tasks===<br /> <br /> The IMIRSEL team at UIUC solicited proposals for evaluation tasks to be performed at the Music Information Retrieval Evaluation eXchange 2010 (MIREX 2010) and polled the community on their likelihood of participation in each task. A summary of the responses from the community is given below:<br /> <br /> Results as of Monday 24th May 2010:<br /> <br /> Total individual responses = 74<br /> <br /> &lt;csv p=0&gt;2010/poll/MIREX_Task_Participation_Poll.csv&lt;/csv&gt;<br /> <br /> Hence, the IMIRSEL team has decided to attempt the running of the following tasks at MIREX 2010:<br /> * [[2010:Audio Classification (Train/Test) Tasks]], incorporating:<br /> ** Audio Artist Identification<br /> ** Audio US Pop Genre Classification<br /> ** Audio Latin Genre Classification<br /> ** Audio Music Mood Classification<br /> ** Audio Classical Composer Identification<br /> * [[2010:Audio Cover Song Identification]]<br /> * [[2010:Audio Tag Classification]] <br /> * [[2010:Audio Music Similarity and Retrieval]]<br /> * [[2010:Symbolic Melodic Similarity]]<br /> * [[2010:Audio Onset Detection]]<br /> * [[2010:Audio Key Detection]]<br /> * [[2010:Real-time Audio to Score Alignment (a.k.a Score Following)]]<br /> * [[2010:Query by Singing/Humming]]<br /> * [[2010:Audio Melody Extraction]]<br /> * [[2010:Multiple Fundamental Frequency Estimation &amp; Tracking]]<br /> * [[2010:Audio Chord Estimation]]<br /> * [[2010:Query by Tapping]]<br /> * [[2010:Audio Beat Tracking]]<br /> * [[2010:Structural Segmentation]]<br /> * [[2010:Audio Tempo Estimation]]<br /> <br /> ==== New 2010 Proposals ====<br /> * &lt;strike&gt;[[2010:Harmonic Analysis]]&lt;/strike&gt;<br /> <br /> <br /> ===Projected dates===<br /> * 1st June 2010: MIREX submission system open<br /> * 25th June: Rolling MIREX submission system closures for the following tasks<br /> **Audio Classification (Train/Test) Tasks<br /> **Audio Music Similarity and Retrieval<br /> **Symbolic Melodic Similarity <br /> * 2nd July: Rolling MIREX submission system closures for all the remaining MIREX 2010 tasks. <br /> * 15th July 2010: MIREX results posting begins<br /> * 1st August 2010: All MIREX results posted (somewhat hopeful target date)<br /> * 2-6th August 2010: USMIR Summer School<br /> * 9-13th August 2010: ISMIR conference<br /> <br /> <br /> ===Note to New Participants===<br /> Please take the time to read the following review article that explains the history and structure of MIREX.<br /> <br /> Downie, J. Stephen (2008). The Music Information Retrieval Evaluation Exchange (2005-2007):&lt;br&gt;<br /> A window into music information retrieval research.''Acoustical Science and Technology 29'' (4): 247-255. &lt;br&gt;<br /> Available at: [http://dx.doi.org/10.1250/ast.29.247 http://dx.doi.org/10.1250/ast.29.247]<br /> <br /> <br /> ===Note to All Participants===<br /> Because MIREX is premised upon the sharing of ideas and results, '''ALL''' MIREX participants are expected to:<br /> <br /> # submit a DRAFT 2-3 page extended abstract PDF in the ISMIR format about the submitted programme(s) to help us and the community better understand how the algorithm works when submitting their programme(s).<br /> # submit a FINALIZED 2-3 page extended abstract PDF in the ISMIR format prior to ISMIR 2010 for posting on the respective results pages (sometimes the same abstract can be used for multiple submissions; in many cases the DRAFT and FINALIZED abstracts are the same)<br /> # present a poster at the MIREX 2010 poster session at ISMIR 2010 (Wednesday, 11 August 2010)<br /> <br /> <br /> ===Software Dependency Requests===<br /> If you have not submitted to MIREX before or are unsure whether IMIRSEL/NEMA currently supports some of the software/architecture dependencies for your submission a [https://spreadsheets.google.com/embeddedform?formkey=dDltRjc4NDBDdkZiaF9qZXV0bU5ScUE6MA dependency request form is available]. Please submit details of your dependencies on this form and the IMIRSEL team will attempt to satisfy them for you. &lt;span class=&quot;plainlinks&quot;&gt;[http://www.fastcreditrepairletters.com/ &lt;span style=&quot;color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;&quot;&gt;Credit Repair&lt;/span&gt;]<br /> <br /> Due to the high volume of submissions expected at MIREX 2010, submissions with difficult to satisfy dependencies that the team has not been given sufficient notice of may result in the submission being rejected. &lt;span class=&quot;plainlinks&quot;&gt;[http://www.fastcreditrepairletters.com/ &lt;span style=&quot;color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;&quot;&gt;Credit Repair Letters&lt;/span&gt;]<br /> <br /> <br /> Finally, you will also be expected to detail your software/architecture dependencies in a README file to be provided to the submission system.<br /> <br /> <br /> ==Getting Involved in MIREX 2010==<br /> MIREX is a community-based endeavour. Be a part of the community and help make MIREX 2010 the best yet. <br /> <br /> <br /> <br /> ===Mailing List Participation===<br /> If you are interested in formal MIR evaluation, you should also subscribe to the &lt;span class=&quot;plainlinks&quot;&gt;[http://www.diamondlinks.net/ &lt;span style=&quot;color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;&quot;&gt;link building service&lt;/span&gt;] &quot;MIREX&quot; (aka &quot;EvalFest&quot;) mail list and participate in the community discussions about defining and running MIREX 2010 tasks. Subscription information at: <br /> [https://mail.lis.illinois.edu/mailman/listinfo/evalfest EvalFest Central]. <br /> <br /> If you are participating in MIREX 2010, it is VERY IMPORTANT that you are subscribed to EvalFest. Deadlines, task updates and other important information will be announced via this mailing list. Please use the EvalFest for discussion of MIREX task proposals and other MIREX related issues. This wiki (MIREX 2010 wiki) will be used to embody and disseminate task proposals, however, task related discussions should be conducted on the MIREX organization mailing list (EvalFest) rather than on this wiki, but should be summarized here. <br /> <br /> Where possible, definitions or example code for new evaluation metrics or tasks should be provided to the IMIRSEL team who will embody them in software as part of the NEMA analytics framework, which will be released to the community at or before ISMIR 2010 - providing a standardised set of interfaces and output to disciplined evaluation procedures for a great many MIR tasks.<br /> <br /> <br /> ===Wiki Participation===<br /> '''''Please note that you may need to create a NEW login for this wiki even if you have a login that you previously used for editing the MIREX 2005, 2006, 2007, 2008 or 2009 wikis.'''''<br /> <br /> However, starting in 2010 the MIREX wikis have been merged so that logins will persist for future iterations of MIREX.<br /> <br /> <br /> Please create an account via: [[Special:Userlogin]].<br /> <br /> Please note that because of &quot;spam-bots&quot;, MIREX wiki registration requests may be moderated by IMIRSEL members. It might take up to 24 hours for approval (Thank you for your patience!).<br /> <br /> <br /> <br /> ==MIREX 2005 - 2009 Wikis==<br /> This is the new wiki for MIREX 2010. The wikis for MIREX 2005 - 2009 are available at:<br /> <br /> '''[[2009:Main_Page|MIREX 2009]]''' <br /> https://www.music-ir.org/mirex/2009/<br /> <br /> '''[[2008:Main_Page|MIREX 2008]]''' <br /> https://www.music-ir.org/mirex/2008/<br /> <br /> '''[[2007:Main_Page|MIREX 2007]]''' <br /> https://www.music-ir.org/mirex/2007/<br /> <br /> '''[[2006:Main_Page|MIREX 2006]]''' <br /> https://www.music-ir.org/mirex/2006/<br /> <br /> '''[[2005:Main_Page|MIREX 2005]]''' <br /> https://www.music-ir.org/mirex/2005/<br /> <br /> You can interlink between this wiki and the previous wikis using '''2005:''' prefix on links to connect to pages in MIREX 2005 and '''2006:''' for MIREX 2006 and '''2007:''' for MIREX 2007 and '''2008:''' for MIREX 2008 and '''2009:''' for MIREX 2009.<br /> <br /> ===ISMIR 2004 Audio Description Contest===<br /> The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:<br /> <br /> <br /> '''[http://ismir2004.ismir.net/ISMIR_Contest.html| ISMIR 2004 Audio Description Contest]''' <br /> http://ismir2004.ismir.net/ISMIR_Contest.html<br /> <br /> The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:</div>

CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=2010:MIREX_HOME&diff=7945 2011-05-23T12:33:51Z

<p>CameronNonAdmin: </p> <hr /> <div>==MIREX 2010 Deadline Dates==<br /> We have &lt;b&gt;very&lt;/b&gt; tight scheduling constraints this year because of the early convening of ISMIR 2010 in Utrecht.<br /> <br /> We have two sets of deadlines for submissions. We have to stagger the deadlines because of runtime and human evaluation considerations.<br /> <br /> <br /> ===Tasks with a '''25 June 2010''' deadline:===<br /> # Audio Classification (Train/Test) Tasks<br /> # Audio Music Similarity and Retrieval<br /> # Symbolic Melodic Similarity<br /> ===Tasks with a '''2 July 2010''' deadline:===<br /> <br /> # All remaining MIREX 2010 tasks.<br /> <br /> <br /> &lt;i&gt;&lt;b&gt;Nota Bene:&lt;/b&gt; &lt;/i&gt;In the past we have been rather flexible about deadlines. This year, however, we simply do not have the time flexibility, sorry.<br /> <br /> Please, please, please, let's start getting those submissions made. The sooner we have the code, the sooner we can start running the evaluations.<br /> <br /> PS: If you have a slower running algorithm, help us help you by getting your code in ASAP. Please do pay attention to runtime limits.<br /> <br /> ==MIREX 2010 Submission Instructions==<br /> * Be sure to read through the rest of this page<br /> * Be sure to read though the task pages for which you are submitting<br /> * Be sure to follow the [[2009:Best Coding Practices for MIREX | Best Coding Practices for MIREX]]<br /> * Be sure to follow the [[2010:MIREX 2010 Submission Instructions | MIREX 2010 Submission Instructions ]] including both the tutorial video and the text<br /> <br /> <br /> ===MIREX 2010 Evaluation Tasks===<br /> <br /> The IMIRSEL team at UIUC solicited proposals for evaluation tasks to be performed at the Music Information Retrieval Evaluation eXchange 2010 (MIREX 2010) and polled the community on their likelihood of participation in each task. A summary of the responses from the community is given below:<br /> <br /> Results as of Monday 24th May 2010:<br /> <br /> Total individual responses = 74<br /> <br /> &lt;csv p=0&gt;2010/poll/MIREX_Task_Participation_Poll.csv&lt;/csv&gt;<br /> <br /> Hence, the IMIRSEL team has decided to attempt the running of the following tasks at MIREX 2010:<br /> * [[2010:Audio Classification (Train/Test) Tasks]], incorporating:<br /> ** Audio Artist Identification<br /> ** Audio US Pop Genre Classification<br /> ** Audio Latin Genre Classification<br /> ** Audio Music Mood Classification<br /> ** Audio Classical Composer Identification<br /> * [[2010:Audio Cover Song Identification]]<br /> * [[2010:Audio Tag Classification]] <br /> * [[2010:Audio Music Similarity and Retrieval]]<br /> * [[2010:Symbolic Melodic Similarity]]<br /> * [[2010:Audio Onset Detection]]<br /> * [[2010:Audio Key Detection]]<br /> * [[2010:Real-time Audio to Score Alignment (a.k.a Score Following)]]<br /> * [[2010:Query by Singing/Humming]]<br /> * [[2010:Audio Melody Extraction]]<br /> * [[2010:Multiple Fundamental Frequency Estimation &amp; Tracking]]<br /> * [[2010:Audio Chord Estimation]]<br /> * [[2010:Query by Tapping]]<br /> * [[2010:Audio Beat Tracking]]<br /> * [[2010:Structural Segmentation]]<br /> * [[2010:Audio Tempo Estimation]]<br /> <br /> ==== New 2010 Proposals ====<br /> * &lt;strike&gt;[[2010:Harmonic Analysis]]&lt;/strike&gt;<br /> <br /> <br /> ===Projected dates===<br /> * 1st June 2010: MIREX submission system open<br /> * 25th June: Rolling MIREX submission system closures for the following tasks<br /> **Audio Classification (Train/Test) Tasks<br /> **Audio Music Similarity and Retrieval<br /> **Symbolic Melodic Similarity <br /> * 2nd July: Rolling MIREX submission system closures for all the remaining MIREX 2010 tasks. <br /> * 15th July 2010: MIREX results posting begins<br /> * 1st August 2010: All MIREX results posted (somewhat hopeful target date)<br /> * 2-6th August 2010: USMIR Summer School<br /> * 9-13th August 2010: ISMIR conference<br /> <br /> <br /> ===Note to New Participants===<br /> Please take the time to read the following review article that explains the history and structure of MIREX.<br /> <br /> Downie, J. Stephen (2008). The Music Information Retrieval Evaluation Exchange (2005-2007):&lt;br&gt;<br /> A window into music information retrieval research.''Acoustical Science and Technology 29'' (4): 247-255. &lt;br&gt;<br /> Available at: [http://dx.doi.org/10.1250/ast.29.247 http://dx.doi.org/10.1250/ast.29.247]<br /> <br /> <br /> ===Note to All Participants===<br /> Because MIREX is premised upon the sharing of ideas and results, '''ALL''' MIREX participants are expected to:<br /> <br /> # submit a DRAFT 2-3 page extended abstract PDF in the ISMIR format about the submitted programme(s) to help us and the community better understand how the algorithm works when submitting their programme(s).<br /> # submit a FINALIZED 2-3 page extended abstract PDF in the ISMIR format prior to ISMIR 2010 for posting on the respective results pages (sometimes the same abstract can be used for multiple submissions; in many cases the DRAFT and FINALIZED abstracts are the same)<br /> # present a poster at the MIREX 2010 poster session at ISMIR 2010 (Wednesday, 11 August 2010)<br /> <br /> <br /> ===Software Dependency Requests===<br /> If you have not submitted to MIREX before or are unsure whether IMIRSEL/NEMA currently supports some of the software/architecture dependencies for your submission a [https://spreadsheets.google.com/embeddedform?formkey=dDltRjc4NDBDdkZiaF9qZXV0bU5ScUE6MA dependency request form is available]. Please submit details of your dependencies on this form and the IMIRSEL team will attempt to satisfy them for you. &lt;span class=&quot;plainlinks&quot;&gt;[http://www.fastcreditrepairletters.com/ &lt;span style=&quot;color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;&quot;&gt;Credit Repair&lt;/span&gt;]<br /> <br /> Due to the high volume of submissions expected at MIREX 2010, submissions with difficult to satisfy dependencies that the team has not been given sufficient notice of may result in the submission being rejected. &lt;span class=&quot;plainlinks&quot;&gt;[http://www.fastcreditrepairletters.com/ &lt;span style=&quot;color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;&quot;&gt;Credit Repair Letters&lt;/span&gt;]<br /> <br /> <br /> Finally, you will also be expected to detail your software/architecture dependencies in a README file to be provided to the submission system.<br /> <br /> <br /> ==Getting Involved in MIREX 2010==<br /> MIREX is a community-based endeavour. Be a part of the community and help make MIREX 2010 the best yet. <br /> <br /> <br /> <br /> ===Mailing List Participation===<br /> If you are interested in formal MIR evaluation, you should also subscribe to the &lt;span class=&quot;plainlinks&quot;&gt;[http://www.diamondlinks.net/ &lt;span style=&quot;color:black;font-weight:normal; text-decoration:none!important; background:none!important; text-decoration:none;&quot;&gt;link building service&lt;/span&gt;] &quot;MIREX&quot; (aka &quot;EvalFest&quot;) mail list and participate in the community discussions about defining and running MIREX 2010 tasks. Subscription information at: <br /> [https://mail.lis.illinois.edu/mailman/listinfo/evalfest EvalFest Central]. <br /> <br /> If you are participating in MIREX 2010, it is VERY IMPORTANT that you are subscribed to EvalFest. Deadlines, task updates and other important information will be announced via this mailing list. Please use the EvalFest for discussion of MIREX task proposals and other MIREX related issues. This wiki (MIREX 2010 wiki) will be used to embody and disseminate task proposals, however, task related discussions should be conducted on the MIREX organization mailing list (EvalFest) rather than on this wiki, but should be summarized here. <br /> <br /> Where possible, definitions or example code for new evaluation metrics or tasks should be provided to the IMIRSEL team who will embody them in software as part of the NEMA analytics framework, which will be released to the community at or before ISMIR 2010 - providing a standardised set of interfaces and output to disciplined evaluation procedures for a great many MIR tasks.<br /> <br /> <br /> ===Wiki Participation===<br /> '''''Please note that you may need to create a NEW login for this wiki even if you have a login that you previously used for editing the MIREX 2005, 2006, 2007, 2008 or 2009 wikis.'''''<br /> <br /> However, starting in 2010 the MIREX wikis have been merged so that logins will persist for future iterations of MIREX.<br /> <br /> <br /> Please create an account via: [[Special:Userlogin]].<br /> <br /> Please note that because of &quot;spam-bots&quot;, MIREX wiki registration requests may be moderated by IMIRSEL members. It might take up to 24 hours for approval (Thank you for your patience!).<br /> <br /> <br /> <br /> ==MIREX 2005 - 2009 Wikis==<br /> This is the new wiki for MIREX 2010. The wikis for MIREX 2005 - 2009 are available at:<br /> <br /> '''[[2009:Main_Page|MIREX 2009]]''' <br /> https://www.music-ir.org/mirex/2009/<br /> <br /> '''[[2008:Main_Page|MIREX 2008]]''' <br /> https://www.music-ir.org/mirex/2008/<br /> <br /> '''[[2007:Main_Page|MIREX 2007]]''' <br /> https://www.music-ir.org/mirex/2007/<br /> <br /> '''[[2006:Main_Page|MIREX 2006]]''' <br /> https://www.music-ir.org/mirex/2006/<br /> <br /> '''[[2005:Main_Page|MIREX 2005]]''' <br /> https://www.music-ir.org/mirex/2005/<br /> <br /> You can interlink between this wiki and the previous wikis using '''2005:''' prefix on links to connect to pages in MIREX 2005 and '''2006:''' for MIREX 2006 and '''2007:''' for MIREX 2007 and '''2008:''' for MIREX 2008 and '''2009:''' for MIREX 2009.<br /> <br /> ===ISMIR 2004 Audio Description Contest===<br /> The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:<br /> <br /> <br /> '''[http://ismir2004.ismir.net/ISMIR_Contest.html| ISMIR 2004 Audio Description Contest]''' <br /> http://ismir2004.ismir.net/ISMIR_Contest.html<br /> <br /> The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. Details of the ISMIR 2004 Audio Description Contest can be found at:</div>

CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=2010:MIREX_HOME&diff=7943 2011-05-23T03:31:08Z

<p>CameronNonAdmin: /* New 2010 Proposals */</p> <hr /> <div>==MIREX 2010 Deadline Dates==<br /> We have &lt;b&gt;very&lt;/b&gt; tight scheduling constraints this year because of the early convening of ISMIR 2010 in Utrecht.<br /> <br /> We have two sets of deadlines for submissions. We have to stagger the deadlines because of runtime and human evaluation considerations.<br /> [http://www.allwritingsource.co.uk/write-my-essay.php/ Write My Essay]<br /> [http://www.allwritingsource.co.uk/university-essays.php/ University Essays]<br /> <br /> <br /> <br /> ===Tasks with a '''25 June 2010''' deadline:===<br /> # Audio Classification (Train/Test) Tasks<br /> # Audio Music Similarity and Retrieval<br /> # Symbolic Melodic Similarity<br /> ===Tasks with a '''2 July 2010''' deadline:===<br /> <br /> # All remaining MIREX 2010 tasks.<br /> <br /> <br /> &lt;i&gt;&lt;b&gt;Nota Bene:&lt;/b&gt; &lt;/i&gt;In the past we have been rather flexible about deadlines. This year, however, we simply do not have the time flexibility, sorry.<br /> <br /> Please, please, please, let's start getting those submissions made. The sooner we have the code, the sooner we can start running the evaluations.<br /> <br /> PS: If you have a slower running algorithm, help us help you by getting your code in ASAP. Please do pay attention to runtime limits.<br /> [http://www.essaymojo.co.uk/essay-service.php/ Essay Writing]|[http://www.essaymojo.co.uk/university-essays-uk.php/ University Essays]|[http://www.essaymojo.co.uk/write-my-essay.php/ Write My Essay]|[http://www.essaymojo.co.uk/Essay-writing.php/ Essay Help]<br /> <br /> ==MIREX 2010 Submission Instructions==<br /> * Be sure to read through the rest of this page<br /> * Be sure to read though the task pages for which you are submitting<br /> * Be sure to follow the [[2009:Best Coding Practices for MIREX | Best Coding Practices for MIREX]]<br /> * Be sure to follow the [[2010:MIREX 2010 Submission Instructions | MIREX 2010 Submission Instructions ]] including both the tutorial video and the text<br /> [http://logodesignmaestro.com/ Logo Design] <br /> <br /> <br /> <br /> ===MIREX 2010 Evaluation Tasks===<br /> <br /> The IMIRSEL team at UIUC solicited proposals for evaluation tasks to be performed at the Music Information Retrieval Evaluation eXchange 2010 (MIREX 2010) and polled the community on their likelihood of participation in each task. A summary of the responses from the community is given below:<br /> <br /> Results as of Monday 24th May 2010:<br /> <br /> Total individual responses = 74<br /> <br /> &lt;csv p=0&gt;2010/poll/MIREX_Task_Participation_Poll.csv&lt;/csv&gt;<br /> <br /> Hence, the IMIRSEL team has decided to attempt the running of the following tasks at MIREX 2010:<br /> * [[2010:Audio Classification (Train/Test) Tasks]], incorporating:<br /> ** Audio Artist Identification<br /> ** Audio US Pop Genre Classification<br /> ** Audio Latin Genre Classification<br /> ** Audio Music Mood Classification<br /> ** Audio Classical Composer Identification<br /> * [[2010:Audio Cover Song Identification]]<br /> * [[2010:Audio Tag Classification]] <br /> * [[2010:Audio Music Similarity and Retrieval]]<br /> * [[2010:Symbolic Melodic Similarity]]<br /> * [[2010:Audio Onset Detection]]<br /> * [[2010:Audio Key Detection]]<br /> * [[2010:Real-time Audio to Score Alignment (a.k.a Score Following)]]<br /> * [[2010:Query by Singing/Humming]]<br /> * [[2010:Audio Melody Extraction]]<br /> * [[2010:Multiple Fundamental Frequency Estimation &amp; Tracking]]<br /> * [[2010:Audio Chord Estimation]]<br /> * [[2010:Query by Tapping]]<br /> * [[2010:Audio Beat Tracking]]<br /> * [[2010:Structural Segmentation]]<br /> * [[2010:Audio Tempo Estimation]]<br /> * [http://www.essaymojo.co.uk/dissertation-proposal.php/ Dissertation Proposal]<br /> * [http://www.essaymojo.co.uk/dissertation.php/ Dissertation Writing]<br /> ==== New 2010 Proposals ====<br /> * &lt;strike&gt;[[2010:Harmonic Analysis]]&lt;/strike&gt;<br /> <br /> * [http://www.customessayhelp.com/essay-writers.html essay writers]<br /> * [http://www.customessayhelp.com/analysis-essay.html analysis essay]<br /> * [http://www.essayhelppros.com Essay Writing]<br /> * [http://www.essayhelppros.com/cheap-custom-essay.php/ Cheap Custom Essay]<br /> * [http://www.essayhelppros.com/analysis-essay.php/ Analysis Essay]<br /> * [http://www.essayhelppros.com/buy-essay.php/ Buy Essay]<br /> * [http://www.essaymojo.co.uk/ Cheap Custom Essays]<br /> * [http://www.essaymojo.co.uk/UK-Essay-Help.php/ Buy Essay]<br /> * [http://www.essaymojo.co.uk/dissertation-proposal.php/ Dissertation Proposal]<br /> * [http://www.essaymojo.co.uk/dissertation.php/ Help With Dissertation]<br /> * [http://www.mightydesigners.com/ Logo Design Contest]<br /> * [http://www.dawnpowerdental.com/ Madera dentist]<br /> * [http://www.outdoorfountains.com/ outdoor fountains]<br /> <br /> ====great article====<br /> * [http://www.essayhelppros.co.uk/cheap-essays.php cheap custom essays]<br /> * [http://www.essayhelppros.co.uk/university-essays.php university essays]<br /> * [http://www.essayhelppros.co.uk/buy-essay.php buy essay]<br /> * [http://www.hyipdata.com/ hyip monitor]<br /> * [http://www.dissertationmojo.co.uk Dissertation Help uk]<br /> * [http://www.dissertationmojo.co.uk/dissertation-topics/ dissertation topics]<br /> * [http://www.dissertationmojo.co.uk/uk-dissertations/ uk dissertations]<br /> * [http://www.dissertationmojo.co.uk/dissertation-writing-services/ Dissertaion Service]<br /> * [http://www.dissertationmojo.co.uk/dissertation-writers/ Dissertation Writers]<br /> * [http://www.insurancesos.co.uk/articles/car-insurance/index.html Car Insurance UK]<br /> ====great resource====<br /> * [http://www.simonlydealsandcontracts.co.uk SIM only deals]<br /> * [http://www.simonlydealsandcontracts.co.uk SIM only contracts]<br /> * [http://www.hyiprates.com/ hyip monitor]<br /> <br /> ===Projected dates===<br /> * 1st June 2010: MIREX submission system open<br /> * 25th June: Rolling MIREX submission system closures for the following tasks<br /> **Audio Classification (Train/Test) Tasks<br /> **Audio Music Similarity and Retrieval<br /> **Symbolic Melodic Similarity <br /> * 2nd July: Rolling MIREX submission system closures for all the remaining MIREX 2010 tasks. <br /> * 15th July 2010: MIREX results posting begins<br /> * 1st August 2010: All MIREX results posted (somewhat hopeful target date)<br /> * 2-6th August 2010: USMIR Summer School<br /> * 9-13th August 2010: ISMIR conference<br /> <br /> * [http://www.logodesignmaestro.co.uk Logo Design]<br /> <br /> ===Note to New Participants===<br /> Please take the time to read the following review article that explains the history and structure of MIREX.<br /> <br /> Downie, J. Stephen (2008). The Music Information Retrieval Evaluation Exchange (2005-2007):&lt;br&gt;<br /> A window into music information retrieval research.''Acoustical Science and Technology 29'' (4): 247-255. &lt;br&gt;<br /> Available at: [http://dx.doi.org/10.1250/ast.29.247 http://dx.doi.org/10.1250/ast.29.247]<br /> <br /> <br /> ===Note to All Participants===<br /> Because MIREX is premised upon the sharing of ideas and results, '''ALL''' MIREX participants are expected to:<br /> <br /> # submit a DRAFT 2-3 page extended abstract PDF in the ISMIR format about the submitted programme(s) to help us and the community better understand how the algorithm works when submitting their programme(s).<br /> # submit a FINALIZED 2-3 page extended abstract PDF in the ISMIR format prior to ISMIR 2010 for posting on the respective results pages (sometimes the same abstract can be used for multiple submissions; in many cases the DRAFT and FINALIZED abstracts are the same)<br /> # present a poster at the MIREX 2010 poster session at ISMIR 2010 (Wednesday, 11 August 2010)<br /> <br /> <br /> ===Software Dependency Requests===<br /> If you have not submitted to MIREX before or are unsure whether IMIRSEL/NEMA currently supports some of the software/architecture dependencies for your submission a [https://spreadsheets.google.com/embeddedform?formkey=dDltRjc4NDBDdkZiaF9qZXV0bU5ScUE6MA dependency request form is available]. Please submit details of your dependencies on this form and the IMIRSEL team will attempt to satisfy them for you.[http://www.essayhelppros.co.uk/ Essay writing]<br /> <br /> Due to the high volume of submissions expected at MIREX 2010, submissions with difficult to satisfy dependencies that the team has not been given sufficient notice of may result in the submission being rejected.[http://www.essayinn.co.uk/ Essays Writing]<br /> <br /> <br /> Finally, you will also be expected to detail your software/architecture dependencies in a README file to be provided to the submission system.[http://www.essayhelppros.co.uk/uk-essay-help.php essay help]<br /> <br /> <br /> ==Getting Involved in MIREX 2010==<br /> MIREX is a community-based endeavour. Be a part of the community and help make MIREX 2010 the best yet. [http://www.allwritingsource.co.uk/assignment-writing-help.php/ Assignment Writing Help]<br /> <br /> <br /> <br /> ===Mailing List Participation===<br /> If you are interested in formal MIR evaluation, you should also subscribe to the &quot;MIREX&quot; (aka &quot;EvalFest&quot;) mail list and participate in the community discussions about defining and running MIREX 2010 tasks. Subscription information at: <br /> [https://mail.lis.illinois.edu/mailman/listinfo/evalfest EvalFest Central]. <br /> <br /> If you are participating in MIREX 2010, it is VERY IMPORTANT that you are subscribed to EvalFest. Deadlines, task updates and other important information will be announced via this mailing list. Please use the EvalFest for discussion of MIREX task proposals and other MIREX related issues. This wiki (MIREX 2010 wiki) will be used to embody and disseminate task proposals, however, task related discussions should be conducted on the MIREX organization mailing list (EvalFest) rather than on this wiki, but should be summarized here. [http://www.essayinn.co.uk/write-my-essay/ Write My Essay]<br /> <br /> Where possible, definitions or example code for new evaluation metrics or tasks should be provided to the IMIRSEL team who will embody them in software as part of the NEMA analytics framework, which will be released to the community at or before ISMIR 2010 - providing a standardised set of interfaces and output to disciplined evaluation procedures for a great many MIR tasks.<br /> [http://www.allwritingsource.co.uk/essay-help.php/ Essay Help]<br /> <br /> <br /> ===Wiki Participation===<br /> '''''Please note that you may need to create a NEW login for this wiki even if you have a login that you previously used for editing the MIREX 2005, 2006, 2007, 2008 or 2009 wikis.'''''<br /> <br /> However, starting in 2010 the MIREX wikis have been merged so that logins will persist for future iterations of MIREX.[http://www.essayinn.co.uk/cheap-custom-essays/ Cheap Custom Essays]<br /> <br /> Please create an account via: [[Special:Userlogin]].<br /> <br /> Please note that because of &quot;spam-bots&quot;, MIREX wiki registration requests may be moderated by IMIRSEL members. It might take up to 24 hours for approval (Thank you for your patience!).<br /> <br /> <br /> <br /> <br /> <br /> ==MIREX 2005 - 2009 Wikis==<br /> This is the new wiki for MIREX 2010. 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CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=2010:MIREX_HOME&diff=7941 2011-05-22T13:14:02Z

<p>CameronNonAdmin: </p> <hr /> <div>==MIREX 2010 Deadline Dates==<br /> We have &lt;b&gt;very&lt;/b&gt; tight scheduling constraints this year because of the early convening of ISMIR 2010 in Utrecht.<br /> <br /> We have two sets of deadlines for submissions. We have to stagger the deadlines because of runtime and human evaluation considerations.<br /> [http://www.allwritingsource.co.uk/write-my-essay.php/ Write My Essay]<br /> [http://www.allwritingsource.co.uk/university-essays.php/ University Essays]<br /> <br /> <br /> <br /> ===Tasks with a '''25 June 2010''' deadline:===<br /> # Audio Classification (Train/Test) Tasks<br /> # Audio Music Similarity and Retrieval<br /> # Symbolic Melodic Similarity<br /> ===Tasks with a '''2 July 2010''' deadline:===<br /> <br /> # All remaining MIREX 2010 tasks.<br /> <br /> <br /> &lt;i&gt;&lt;b&gt;Nota Bene:&lt;/b&gt; &lt;/i&gt;In the past we have been rather flexible about deadlines. This year, however, we simply do not have the time flexibility, sorry.<br /> <br /> Please, please, please, let's start getting those submissions made. The sooner we have the code, the sooner we can start running the evaluations.<br /> <br /> PS: If you have a slower running algorithm, help us help you by getting your code in ASAP. 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Stephen (2008). The Music Information Retrieval Evaluation Exchange (2005-2007):&lt;br&gt;<br /> A window into music information retrieval research.''Acoustical Science and Technology 29'' (4): 247-255. &lt;br&gt;<br /> Available at: [http://dx.doi.org/10.1250/ast.29.247 http://dx.doi.org/10.1250/ast.29.247]<br /> <br /> <br /> ===Note to All Participants===<br /> Because MIREX is premised upon the sharing of ideas and results, '''ALL''' MIREX participants are expected to:<br /> <br /> # submit a DRAFT 2-3 page extended abstract PDF in the ISMIR format about the submitted programme(s) to help us and the community better understand how the algorithm works when submitting their programme(s).<br /> # submit a FINALIZED 2-3 page extended abstract PDF in the ISMIR format prior to ISMIR 2010 for posting on the respective results pages (sometimes the same abstract can be used for multiple submissions; in many cases the DRAFT and FINALIZED abstracts are the same)<br /> # present a poster at the MIREX 2010 poster session at ISMIR 2010 (Wednesday, 11 August 2010)<br /> <br /> <br /> ===Software Dependency Requests===<br /> If you have not submitted to MIREX before or are unsure whether IMIRSEL/NEMA currently supports some of the software/architecture dependencies for your submission a [https://spreadsheets.google.com/embeddedform?formkey=dDltRjc4NDBDdkZiaF9qZXV0bU5ScUE6MA dependency request form is available]. Please submit details of your dependencies on this form and the IMIRSEL team will attempt to satisfy them for you.[http://www.essayhelppros.co.uk/ Essay writing]<br /> <br /> Due to the high volume of submissions expected at MIREX 2010, submissions with difficult to satisfy dependencies that the team has not been given sufficient notice of may result in the submission being rejected.[http://www.essayinn.co.uk/ Essays Writing]<br /> <br /> <br /> Finally, you will also be expected to detail your software/architecture dependencies in a README file to be provided to the submission system.[http://www.essayhelppros.co.uk/uk-essay-help.php essay help]<br /> <br /> <br /> ==Getting Involved in MIREX 2010==<br /> MIREX is a community-based endeavour. Be a part of the community and help make MIREX 2010 the best yet. [http://www.allwritingsource.co.uk/assignment-writing-help.php/ Assignment Writing Help]<br /> <br /> <br /> <br /> ===Mailing List Participation===<br /> If you are interested in formal MIR evaluation, you should also subscribe to the &quot;MIREX&quot; (aka &quot;EvalFest&quot;) mail list and participate in the community discussions about defining and running MIREX 2010 tasks. Subscription information at: <br /> [https://mail.lis.illinois.edu/mailman/listinfo/evalfest EvalFest Central]. <br /> <br /> If you are participating in MIREX 2010, it is VERY IMPORTANT that you are subscribed to EvalFest. Deadlines, task updates and other important information will be announced via this mailing list. Please use the EvalFest for discussion of MIREX task proposals and other MIREX related issues. 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[http://www.essayinn.co.uk/write-my-essay/ Write My Essay]<br /> <br /> Where possible, definitions or example code for new evaluation metrics or tasks should be provided to the IMIRSEL team who will embody them in software as part of the NEMA analytics framework, which will be released to the community at or before ISMIR 2010 - providing a standardised set of interfaces and output to disciplined evaluation procedures for a great many MIR tasks.<br /> [http://www.allwritingsource.co.uk/essay-help.php/ Essay Help]<br /> <br /> <br /> ===Wiki Participation===<br /> '''''Please note that you may need to create a NEW login for this wiki even if you have a login that you previously used for editing the MIREX 2005, 2006, 2007, 2008 or 2009 wikis.'''''<br /> <br /> However, starting in 2010 the MIREX wikis have been merged so that logins will persist for future iterations of MIREX.[http://www.essayinn.co.uk/cheap-custom-essays/ Cheap Custom Essays]<br /> <br /> Please create an account via: [[Special:Userlogin]].<br /> <br /> Please note that because of &quot;spam-bots&quot;, MIREX wiki registration requests may be moderated by IMIRSEL members. It might take up to 24 hours for approval (Thank you for your patience!).<br /> <br /> <br /> <br /> <br /> <br /> ==MIREX 2005 - 2009 Wikis==<br /> This is the new wiki for MIREX 2010. The wikis for MIREX 2005 - 2009 are available at:<br /> <br /> '''[[2009:Main_Page|MIREX 2009]]''' <br /> https://www.music-ir.org/mirex/2009/<br /> <br /> '''[[2008:Main_Page|MIREX 2008]]''' <br /> https://www.music-ir.org/mirex/2008/<br /> <br /> '''[[2007:Main_Page|MIREX 2007]]''' <br /> https://www.music-ir.org/mirex/2007/<br /> <br /> '''[[2006:Main_Page|MIREX 2006]]''' <br /> https://www.music-ir.org/mirex/2006/<br /> <br /> '''[[2005:Main_Page|MIREX 2005]]''' <br /> https://www.music-ir.org/mirex/2005/<br /> <br /> You can interlink between this wiki and the previous wikis using '''2005:''' prefix on links to connect to pages in MIREX 2005 and '''2006:''' for MIREX 2006 and '''2007:''' for MIREX 2007 and '''2008:''' for MIREX 2008 and '''2009:''' for MIREX 2009.<br /> <br /> ===ISMIR 2004 Audio Description Contest===<br /> The Audio Description Contest held at ISMIR 2004 is a precursor to MIREX. 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CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=2010:Audio_Chord_Estimationphp/How_You_Can_Arrange_a_web_based_Web_Store_Software&diff=7940 2011-05-21T23:28:35Z

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CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=2010:Harmonic_Analysis&diff=7939 2011-05-21T17:02:19Z

<p>CameronNonAdmin: /* References */</p> <hr /> <div>== Description ==<br /> <br /> This task is suggested for MIREX 2010. The general goal is to estimate the latent harmonic progression from score-like music data, a process typically called harmonic analysis or functional analysis in musicology (although this task cannot be really called functional analysis, functional analysis can be used to obtain the required output data). This typically involves estimating the musical key of a given piece of music and movement of the tonal center (modulations and tonicizations), as well as the progression of chords. [http://supremedissertation.co.uk/ Dissertation Proposal]<br /> <br /> <br /> === Time units ===<br /> It is well known that harmony is strongly coupled with metric structure: progressing from one chord to another typically occurs at strong beats, while most non-chord tones are played on weak beats or off-beat. For this reason, knowing the temporal structure of the piece of music is important when performing harmonic analysis, and in this task the harmony is estimated on a beat-based time basis from score-like symbolic data (as opposed to performance data).<br /> <br /> === Chord dictionary ===<br /> Harmonic analysis can be performed with varying degree of precision, depending on the goal at hand. One might only want to extract general progression patterns to be used in harmonic similarity or harmonic queries, for example check if a song at hand contains the so called 50s progression: I–vi–IV–V. Another one might be interested in full musicological analysis of a score, i.e. obtaining information about root position, chord type (quality), added tones, invertion, etc. This person would for example say the the second bar of Chopin's Nocturne Op. 9 No. 2 (in the key of E♭-major) starts in the tonic I (E♭, G, B♭), then it progresses to the dominant ninth chord in the third inversion with the root removed and the tonic added in bass (E♭, A♭, D, F).<br /> <br /> [[File:Chopin 9 2.png||500px]]<br /> <br /> The first person would therefore use a very small dictionary of chord labels with 48 different chords: 12 root positions × 4 basic chord types (major, minor, augmented, diminished). 48 or 24 dictionaries are common in chord recognition from audio data. On the other hand, the second person would use a very large chord label dictionary containing millions of labels. This is the case with the dataset to be used in this task.<br /> <br /> == Data format == <br /> <br /> Not much data exists that can be used as ground truth for harmonic analysis. Several researchers used Bach chorales ([6] and [8]) and some reported using Kostka-Payne corpus. Unfortunately, the latter is very small, too small in fact for proper model training and evaluation: it consists of 46 very short musical excerpts.<br /> <br /> === Input data ===<br /> <br /> We propose to use a dataset developed in cooperation of the members of Sagayama/Ono laboratory at the University of Tokyo and prof. Hitomi Kaneko from Toho Gakuen School of Music and her students. This dataset contains very detailed harmony labels for all of RWC database's classical pieces (almost 6 hours of music). This data will be coupled with quantized (score-like) set of MIDI files, and the latter will be converted to CSV files for easy input. The first line of such CSV file will contain information about the number of data lines per downbeat and the number of lines per upbeat (Auftakt). The rest of the lines will hold lists of notes active in the consecutive divisions of downbeat expressed by MIDI note numbers. The first two bars of Chopin's Nocturne Op. 9 No. 2 (see picture above) will therefore be encoded as:<br /> <br /> 4 1<br /> 62<br /> 39 55 58 63 67 79<br /> 51 56 59 62 68 77 79<br /> 39 55 58 63 67 77<br /> 38 55 58 63 67 70 75<br /> ...<br /> <br /> In other words, there would be 4 lines per measure, each spanning 3 eighth notes and the first line will be a 3 eighth notes of upbeat. <br /> <br /> === Ground truth ===<br /> The ground truth for the same piece will be encoded as:<br /> <br /> z<br /> E- E- G B-<br /> B- E- A- D F<br /> E- E- G B-<br /> E- D E- G B-<br /> ...<br /> <br /> Each line will consist of harmony data corresponding to one line of the input data. Harmony is given by pitch class of the root tone, followed by a list of all pitch classes belonging to the chord. Pitch classes are labeled with capital Latin letters (A through G) with flats represented by minus signs and sharps by plus signs. Non-harmony (e.g. a rest or upbeat) is marked with a special symbol 'z'. So, in the example above, “E- E- G B-” means a chord with root in E♭ (which is the tonic) that consists of three notes: E♭, G and B♭, and so it is a major triad (in its root position, although the order of the pitch classes play no role — it is straightforward to extract that from the input data).<br /> <br /> The tonal center (and therefore the structural meaning of a given chord) is not explicitly given in order to simplify the task and allow more participants to compete. Nevertheless, the algorithms will benefit much from considering e.g. tonal center movement and degrees of scale (as in functional analysis).<br /> <br /> Labels for the entire RWC's classical portion will be made available for the MIREX participants (with some copying and usage restrictions). In order to allow cross-validation of the submitted algorithms, an independent set of labels will be created (to which the participants will have no access), and the algorithms will be executed on both sets.<br /> <br /> === Output data ===<br /> <br /> The output from the algorithms is expected to comply with the above description of the ground truth data format. For example, a common 24-chord dictionary algorithm would output a series of lines from the following set (12 major and 12 minor chords):<br /> <br /> C C E G<br /> C+ C+ E+ G+<br /> D- D- F A-<br /> D D F+ A<br /> D+ D+ F A+<br /> E- E- G B-<br /> E E G+ B<br /> F F A C<br /> F+ F+ A+ C+<br /> G- G- B- D-<br /> G G B D<br /> G+ G+ B+ D+<br /> A- A- C E-<br /> A A C+ E<br /> A+ A+ C E+<br /> B- B- D F<br /> B B D+ F+<br /> C C E- G<br /> C+ C+ E G+<br /> D- D- F- A-<br /> D D F A<br /> D+ D+ F+ A+<br /> E- E- G- B-<br /> E E G B<br /> F F A- C<br /> F+ F+ A C+<br /> G- G- B D-<br /> G G B- D<br /> G+ G+ B D+<br /> A- A- C- E-<br /> A A C E<br /> A+ A+ C+ E+<br /> B- B- D- F<br /> B B D F+<br /> <br /> == Evaluation Measures ==<br /> <br /> Evaluation is a difficult problem for 2 reasons:<br /> # Ground truth is kind of an ambiguous thing in harmonic analysis, as sometimes multiple interpretations are possible.<br /> # Algorithms can output partial harmonic data (as e.g. it is the case of the 24-chord dictionary algorithm mentioned earlier) and they should be awarded partial score.<br /> <br /> Therefore, we propose to use a weighted chord distance measure along other, simpler evaluation measures (root identification accuracy, and pitch class precision, recall and F-measure). In this measure, mistaking the root will cost much more than e.g. overlooking an added ninth and mistaking major for augmented chord will be less costly than e.g. interpreting major as minor. This should enable comparison of algorithms that work with different chord dictionaries: using a simplified dictionary will decrease the estimation accuracy, but not significantly so, and an algorithm using an accurate 24-chord dictionary should outperform a poor algorithm that deals with accurate chord labels.<br /> <br /> The following formula will be used to evaluate the performance of the submitted algorithms:<br /> <br /> [[File:Evaluation.png||250px]]<br /> <br /> where:<br /> * ''t'' is the time.<br /> * ''r'' is the root of a chord (0..11).<br /> * ''N'' is the set of notes that belong to a chord.<br /> * ''W'' is the 12-dimensional weighting vector.<br /> * ''S'' is the score given obtained by an algorithm.<br /> * ''A'' is calculated for ground truth and the hat over ''A'' means it is calculated for the estimated harmony.<br /> <br /> The weighting vector is obtained from the circle of fifths:<br /> <br /> [[File:Weights.png||200px]]<br /> <br /> where ''D'' is the distance between its arguments on the circle of fifths (minimal number of steps 0..6) and ''r'' is any chord root (0..11). ''W'' is normalized to 1.<br /> <br /> [[File:Weights plot.png||700px]]<br /> <br /> The score will be equal to 1 if all the notes in the chord were identified correctly and between 0 and 1 for other cases (see pictures below).<br /> <br /> [[File:Wrong_root.png||400px]]<br /> <br /> [[File:Wrong_type.png||300px]]<br /> [[File:Wrong added.png||300px]]<br /> [[File:Wrong removed.png||300px]]<br /> <br /> == Test data ==<br /> A dataset containing harmonic data for the entire RWC database's classical part will be made available to this task's participants. During the evaluation, this set will be coupled with a new set which is being currently developed by us and which will remain unavailable to participants in order enable assesment of the ability of the submitted algorithms to perform outside the training set.<br /> <br /> == References ==<br /> #<br /> # W. B. de Haas, R. C. Veltkamp, F. Wiering, [http://ismir2008.ismir.net/papers/ISMIR2008_252.pdf “Tonal pitch step distance: a similarity measure for chord progressions,”] Proc. of 9th ISMIR, 2008<br /> # J.-F. Paiement, D. Eck, S. Bengio, [http://publications.idiap.ch/downloads/reports/2005/rr-05-58.pdf “Chord representations for probabilistic models,”] IDIAP Research report, 2005<br /> # J.-F. Paiement, D. Eck, S. Bengio, [http://ismir2005.ismir.net/proceedings/1091.pdf ”A probabilistic model for chord progressions,”] Proc. of 6th ISMIR, 2005<br /> # C. Raphael, J. Stoddard, [http://ismir2003.ismir.net/papers/Raphael.PDF “Harmonic analysis with probabilistic graphical models,”] Proc. of 4th ISMIR, 2003<br /> # P. Kröger, A. Passos, M. Sampaio, G. de Cidra, [http://classes.berklee.edu/mbierylo/ICMC08/defevent/papers/cr1516.pdf “Rameau: a system for automatic harmonic analysis,”] Proc. of ICMC, 2008<br /> # C. S. Sapp, [http://www.ccarh.org/publications/cm/vol/15/cm15-06-sapp.pdf “Computational chord-root identification in symbolic musical data: rationale, methods and applications,”] Computing in Musicology 15, 2007<br /> # H. Taube, [http://www-camil.music.uiuc.edu/Software/cc/doc/cmj.pdf “Automatic tonal analysis: toward the implementation of a music theory workbench,”] Computer Music Journal vol. 23 nr. 4, 1999 [http://www.dissertationwritinghelp.co.uk/ Dissertation Help] [http://www.customwrittenpaper.com/ College Essay Help]<br /> [http://www.logoinn.com/ Logo Design] [http://www.logoinn.com/web-design/ Web Design]<br /> <br /> == Potential Participants ==<br /> <br /> == Discussion for 2010 ==</div>

CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=2010:Audio_Chord_Estimationphp/How_You_Can_Established_an_internet_Shopping_Cart_Software_Package&diff=7938 2011-05-21T15:23:34Z

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CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=2010:MIREX_HOME&diff=7937 2011-05-21T12:38:57Z

<p>CameronNonAdmin: /* New 2010 Proposals */</p> <hr /> <div>==MIREX 2010 Deadline Dates==<br /> We have &lt;b&gt;very&lt;/b&gt; tight scheduling constraints this year because of the early convening of ISMIR 2010 in Utrecht.<br /> <br /> We have two sets of deadlines for submissions. We have to stagger the deadlines because of runtime and human evaluation considerations.<br /> [http://www.allwritingsource.co.uk/write-my-essay.php/ Write My Essay]<br /> [http://www.allwritingsource.co.uk/university-essays.php/ University Essays]<br /> <br /> <br /> <br /> ===Tasks with a '''25 June 2010''' deadline:===<br /> # Audio Classification (Train/Test) Tasks<br /> # Audio Music Similarity and Retrieval<br /> # Symbolic Melodic Similarity<br /> ===Tasks with a '''2 July 2010''' deadline:===<br /> <br /> # All remaining MIREX 2010 tasks.<br /> <br /> <br /> &lt;i&gt;&lt;b&gt;Nota Bene:&lt;/b&gt; &lt;/i&gt;In the past we have been rather flexible about deadlines. This year, however, we simply do not have the time flexibility, sorry.<br /> <br /> Please, please, please, let's start getting those submissions made. The sooner we have the code, the sooner we can start running the evaluations.<br /> <br /> PS: If you have a slower running algorithm, help us help you by getting your code in ASAP. 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A summary of the responses from the community is given below:<br /> <br /> Results as of Monday 24th May 2010:<br /> <br /> Total individual responses = 74<br /> <br /> &lt;csv p=0&gt;2010/poll/MIREX_Task_Participation_Poll.csv&lt;/csv&gt;<br /> <br /> Hence, the IMIRSEL team has decided to attempt the running of the following tasks at MIREX 2010:<br /> * [[2010:Audio Classification (Train/Test) Tasks]], incorporating:<br /> ** Audio Artist Identification<br /> ** Audio US Pop Genre Classification<br /> ** Audio Latin Genre Classification<br /> ** Audio Music Mood Classification<br /> ** Audio Classical Composer Identification<br /> * [[2010:Audio Cover Song Identification]]<br /> * [[2010:Audio Tag Classification]] <br /> * [[2010:Audio Music Similarity and Retrieval]]<br /> * [[2010:Symbolic Melodic Similarity]]<br /> * [[2010:Audio Onset Detection]]<br /> * [[2010:Audio Key Detection]]<br /> * [[2010:Real-time Audio to Score Alignment (a.k.a Score Following)]]<br /> * [[2010:Query by Singing/Humming]]<br /> * [[2010:Audio Melody Extraction]]<br /> * [[2010:Multiple Fundamental Frequency Estimation &amp; Tracking]]<br /> * [[2010:Audio Chord Estimation]]<br /> * [[2010:Query by Tapping]]<br /> * [[2010:Audio Beat Tracking]]<br /> * [[2010:Structural Segmentation]]<br /> * [[2010:Audio Tempo Estimation]]<br /> * [http://www.essaymojo.co.uk/dissertation-proposal.php/ Dissertation Proposal]<br /> * [http://www.essaymojo.co.uk/dissertation.php/ Dissertation Writing]<br /> ==== New 2010 Proposals ====<br /> * &lt;strike&gt;[[2010:Harmonic Analysis]]&lt;/strike&gt;<br /> <br /> * [http://www.customessayhelp.com/essay-writers.html essay writers]<br /> * [http://www.customessayhelp.com/analysis-essay.html analysis essay]<br /> * [http://www.essayhelppros.com Essay Writing]<br /> * [http://www.essayhelppros.com/cheap-custom-essay.php/ Cheap Custom Essay]<br /> * [http://www.essayhelppros.com/analysis-essay.php/ Analysis Essay]<br /> * [http://www.essayhelppros.com/buy-essay.php/ Buy Essay]<br /> * [http://www.essaymojo.co.uk/ Cheap Custom Essays]<br /> * [http://www.essaymojo.co.uk/UK-Essay-Help.php/ Buy Essay]<br /> * [http://www.essaymojo.co.uk/dissertation-proposal.php/ Dissertation Proposal]<br /> * [http://www.essaymojo.co.uk/dissertation.php/ Help With Dissertation]<br /> * [http://www.mightydesigners.com/ Logo Design Contest]<br /> <br /> ====great article====<br /> * [http://www.essayhelppros.co.uk/cheap-essays.php cheap custom essays]<br /> * [http://www.essayhelppros.co.uk/university-essays.php university essays]<br /> * [http://www.essayhelppros.co.uk/buy-essay.php buy essay]<br /> * [http://www.dissertationmojo.co.uk Dissertation Help uk]<br /> * [http://www.dissertationmojo.co.uk/dissertation-topics/ dissertation topics]<br /> * [http://www.dissertationmojo.co.uk/uk-dissertations/ uk dissertations]<br /> * [http://www.dissertationmojo.co.uk/dissertation-writing-services/ Dissertaion Service]<br /> * [http://www.dissertationmojo.co.uk/dissertation-writers/ Dissertation Writers]<br /> * [http://www.insurancesos.co.uk/articles/car-insurance/index.html Car Insurance UK]<br /> ====great resource====<br /> * [http://www.simonlydealsandcontracts.co.uk SIM only deals]<br /> * [http://www.simonlydealsandcontracts.co.uk SIM only contracts]<br /> <br /> ===Projected dates===<br /> * 1st June 2010: MIREX submission system open<br /> * 25th June: Rolling MIREX submission system closures for the following tasks<br /> **Audio Classification (Train/Test) Tasks<br /> **Audio Music Similarity and Retrieval<br /> **Symbolic Melodic Similarity <br /> * 2nd July: Rolling MIREX submission system closures for all the remaining MIREX 2010 tasks. <br /> * 15th July 2010: MIREX results posting begins<br /> * 1st August 2010: All MIREX results posted (somewhat hopeful target date)<br /> * 2-6th August 2010: USMIR Summer School<br /> * 9-13th August 2010: ISMIR conference<br /> <br /> * [http://www.logodesignmaestro.co.uk Logo Design]<br /> <br /> ===Note to New Participants===<br /> Please take the time to read the following review article that explains the history and structure of MIREX.<br /> <br /> Downie, J. 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CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=2010:MIREX_HOME&diff=7936 2011-05-21T12:36:55Z

<p>CameronNonAdmin: /* Tasks with a 2 July 2010 deadline: */</p> <hr /> <div>==MIREX 2010 Deadline Dates==<br /> We have &lt;b&gt;very&lt;/b&gt; tight scheduling constraints this year because of the early convening of ISMIR 2010 in Utrecht.<br /> <br /> We have two sets of deadlines for submissions. We have to stagger the deadlines because of runtime and human evaluation considerations.<br /> [http://www.allwritingsource.co.uk/write-my-essay.php/ Write My Essay]<br /> [http://www.allwritingsource.co.uk/university-essays.php/ University Essays]<br /> <br /> <br /> <br /> ===Tasks with a '''25 June 2010''' deadline:===<br /> # Audio Classification (Train/Test) Tasks<br /> # Audio Music Similarity and Retrieval<br /> # Symbolic Melodic Similarity<br /> ===Tasks with a '''2 July 2010''' deadline:===<br /> <br /> # All remaining MIREX 2010 tasks.<br /> <br /> <br /> &lt;i&gt;&lt;b&gt;Nota Bene:&lt;/b&gt; &lt;/i&gt;In the past we have been rather flexible about deadlines. This year, however, we simply do not have the time flexibility, sorry.<br /> <br /> Please, please, please, let's start getting those submissions made. The sooner we have the code, the sooner we can start running the evaluations.<br /> <br /> PS: If you have a slower running algorithm, help us help you by getting your code in ASAP. Please do pay attention to runtime limits.<br /> [http://www.essaymojo.co.uk/essay-service.php/ Essay Writing]|[http://www.essaymojo.co.uk/university-essays-uk.php/ University Essays]|[http://www.essaymojo.co.uk/write-my-essay.php/ Write My Essay]|[http://www.essaymojo.co.uk/Essay-writing.php/ Essay Help]<br /> <br /> ==MIREX 2010 Submission Instructions==<br /> * Be sure to read through the rest of this page<br /> * Be sure to read though the task pages for which you are submitting<br /> * Be sure to follow the [[2009:Best Coding Practices for MIREX | Best Coding Practices for MIREX]]<br /> * Be sure to follow the [[2010:MIREX 2010 Submission Instructions | MIREX 2010 Submission Instructions ]] including both the tutorial video and the text<br /> [http://logodesignmaestro.com/ Logo Design] <br /> <br /> <br /> <br /> ===MIREX 2010 Evaluation Tasks===<br /> <br /> The IMIRSEL team at UIUC solicited proposals for evaluation tasks to be performed at the Music Information Retrieval Evaluation eXchange 2010 (MIREX 2010) and polled the community on their likelihood of participation in each task. A summary of the responses from the community is given below:<br /> <br /> Results as of Monday 24th May 2010:<br /> <br /> Total individual responses = 74<br /> <br /> &lt;csv p=0&gt;2010/poll/MIREX_Task_Participation_Poll.csv&lt;/csv&gt;<br /> <br /> Hence, the IMIRSEL team has decided to attempt the running of the following tasks at MIREX 2010:<br /> * [[2010:Audio Classification (Train/Test) Tasks]], incorporating:<br /> ** Audio Artist Identification<br /> ** Audio US Pop Genre Classification<br /> ** Audio Latin Genre Classification<br /> ** Audio Music Mood Classification<br /> ** Audio Classical Composer Identification<br /> * [[2010:Audio Cover Song Identification]]<br /> * [[2010:Audio Tag Classification]] <br /> * [[2010:Audio Music Similarity and Retrieval]]<br /> * [[2010:Symbolic Melodic Similarity]]<br /> * [[2010:Audio Onset Detection]]<br /> * [[2010:Audio Key Detection]]<br /> * [[2010:Real-time Audio to Score Alignment (a.k.a Score Following)]]<br /> * [[2010:Query by Singing/Humming]]<br /> * [[2010:Audio Melody Extraction]]<br /> * [[2010:Multiple Fundamental Frequency Estimation &amp; Tracking]]<br /> * [[2010:Audio Chord Estimation]]<br /> * [[2010:Query by Tapping]]<br /> * [[2010:Audio Beat Tracking]]<br /> * [[2010:Structural Segmentation]]<br /> * [[2010:Audio Tempo Estimation]]<br /> * [http://www.essaymojo.co.uk/dissertation-proposal.php/ Dissertation Proposal]<br /> * [http://www.essaymojo.co.uk/dissertation.php/ Dissertation Writing]<br /> ==== New 2010 Proposals ====<br /> * &lt;strike&gt;[[2010:Harmonic Analysis]]&lt;/strike&gt;<br /> * [http://www.customessayhelp.com/essay-writers.html essay writers]<br /> * [http://www.customessayhelp.com/analysis-essay.html analysis essay]<br /> * [http://www.essayhelppros.com Essay Writing]<br /> * [http://www.essayhelppros.com/cheap-custom-essay.php/ Cheap Custom Essay]<br /> * [http://www.essayhelppros.com/analysis-essay.php/ Analysis Essay]<br /> * [http://www.essayhelppros.com/buy-essay.php/ Buy Essay]<br /> * [http://www.essayhelppros.com/essay-writers.php/ Essay Writers]<br /> * [http://www.rentalprotectionagency.com/tenant-screening.php/ tenant screening]<br /> * [http://www.bankruptcyhq.com/cheap-bankruptcy/ cheap bankruptcy]<br /> * [http://www.mightydesigners.com/ Logo Design Contest] <br /> ====great article====<br /> * [http://www.essayhelppros.co.uk/cheap-essays.php cheap custom essays]<br /> * [http://www.essayhelppros.co.uk/university-essays.php university essays]<br /> * [http://www.essayhelppros.co.uk/buy-essay.php buy essay]<br /> * [http://www.dissertationmojo.co.uk Dissertation Help uk]<br /> * [http://www.dissertationmojo.co.uk/dissertation-topics/ dissertation topics]<br /> * [http://www.dissertationmojo.co.uk/uk-dissertations/ uk dissertations]<br /> * [http://www.dissertationmojo.co.uk/dissertation-writing-services/ Dissertaion Service]<br /> * [http://www.dissertationmojo.co.uk/dissertation-writers/ Dissertation Writers]<br /> * [http://www.insurancesos.co.uk/articles/car-insurance/index.html Car Insurance UK]<br /> ====great resource====<br /> * [http://www.simonlydealsandcontracts.co.uk SIM only deals]<br /> * [http://www.simonlydealsandcontracts.co.uk SIM only contracts]<br /> <br /> ===Projected dates===<br /> * 1st June 2010: MIREX submission system open<br /> * 25th June: Rolling MIREX submission system closures for the following tasks<br /> **Audio Classification (Train/Test) Tasks<br /> **Audio Music Similarity and Retrieval<br /> **Symbolic Melodic Similarity <br /> * 2nd July: Rolling MIREX submission system closures for all the remaining MIREX 2010 tasks. <br /> * 15th July 2010: MIREX results posting begins<br /> * 1st August 2010: All MIREX results posted (somewhat hopeful target date)<br /> * 2-6th August 2010: USMIR Summer School<br /> * 9-13th August 2010: ISMIR conference<br /> <br /> * [http://www.logodesignmaestro.co.uk Logo Design]<br /> <br /> ===Note to New Participants===<br /> Please take the time to read the following review article that explains the history and structure of MIREX.<br /> <br /> Downie, J. 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The Music Information Retrieval Evaluation Exchange (2005-2007):&lt;br&gt;<br /> A window into music information retrieval research.''Acoustical Science and Technology 29'' (4): 247-255. &lt;br&gt;<br /> Available at: [http://dx.doi.org/10.1250/ast.29.247 http://dx.doi.org/10.1250/ast.29.247]<br /> <br /> <br /> ===Note to All Participants===<br /> Because MIREX is premised upon the sharing of ideas and results, '''ALL''' MIREX participants are expected to:<br /> <br /> # submit a DRAFT 2-3 page extended abstract PDF in the ISMIR format about the submitted programme(s) to help us and the community better understand how the algorithm works when submitting their programme(s).<br /> # submit a FINALIZED 2-3 page extended abstract PDF in the ISMIR format prior to ISMIR 2010 for posting on the respective results pages (sometimes the same abstract can be used for multiple submissions; in many cases the DRAFT and FINALIZED abstracts are the same)<br /> # present a poster at the MIREX 2010 poster session at ISMIR 2010 (Wednesday, 11 August 2010)<br /> <br /> <br /> ===Software Dependency Requests===<br /> If you have not submitted to MIREX before or are unsure whether IMIRSEL/NEMA currently supports some of the software/architecture dependencies for your submission a [https://spreadsheets.google.com/embeddedform?formkey=dDltRjc4NDBDdkZiaF9qZXV0bU5ScUE6MA dependency request form is available]. 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CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=2010:Audio_Chord_Estimationphp/The_Best_Way_To_Setup_an_Online_Shopping_Cart_Application&diff=7935 2011-05-21T02:57:42Z

<p>CameronNonAdmin: The Best Way To Setup an Online Shopping Cart Application</p> <hr /> <div>An internet based browsing cart is definitely an World-wide-web small business part where by you use a virtual cart to offer and practice all of your products and providers. The treatment could be very just like a grocery or department retailer. You choose a merchandise that you simply choose to buy and after that you place it in the buying cart! Only this time, you're doing it from the virtual world. Incredible, is not it? This special characteristic will even preserve all your picked merchandise during the event that you must depart the web site. Any time you occur back again, all of the products that you've put while in the cart are nonetheless there. It is actually honestly a time saver! That is why quite a few on-line suppliers desire to build an internet purchasing cart. It basically would make it less difficult for all Online world customers! Study on to learn alot more about tips on how to set it up.<br /> <br /> Try to find some many '''shopping cart software''' or businesses while in the World wide web. Web sites like eCommerce, Layout Cart and PayPal are appropriate for all newcomers. Over the internet '''shopping cart software''' are usually downloaded without charge. Yet, these variety of programs have some limits. If your internet site is presently established and that you have a regular incoming customers, you may need to make investments in good, substantial excellent software package which may accommodate all of your needs. However, it is actually crucial which you get the best organization for you personally. For little firms, investing in an inexpensive looking cart will be excellent. These software package have different ranges of memberships so ensure you decide upon extremely wisely.<br /> Any time you by now know which '''[http://shoppingcartzz.normblogs.com/ shopping cart software]''' you will be possible to make use of, you've got to register on their websites. It will be sure the exclusivity and security of their company to you personally. You want to give your company's information, your business' banking particulars along with the like. This really is so that they can deposit all services rendered for your account straight away. You are going to also be needing a username, password including a working e mail tackle for confirmation.<br /> Customize your browsing cart. Start out getting into all of the products' details, price tags, reductions, promos, etc. You need to input each one of these particulars around the cart's website. A sort will likely be offered so just browse and go along with the directions. One can find shopping cart software that allow you to pick your personal layouts, templates, styles and colors.<br /> Eventually, you could now include your newly built looking cart in your individual web-site. An HTML code shall be give on the purchasing cart's word wide web web page. All you have got to do could be to copy the whole code and paste it to any of your desired site within your website. A different way for you to try this could be to include a link. When clicked, you may instantly go to the '''[http://shoppingcartzz.normblogs.com/ shopping cart software]'''.<br /> <br /> See how very quick it really is to setup your especially private online searching cart? Its so uncomplicated that virtually just about anyone can do this! Add to cart buttons can give your website as well as your home business a little bit edge from other on the internet agencies. This attribute could make all of your consumers really delighted at all times! Now initiate following these pretty uncomplicated techniques along with your company will quickly flourish. Wonderful luck and do not overlook to get fun!<br /> [[Image : shopping4.jpg]]</div>

CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=2010:Harmonic_Analysis&diff=7934 2011-05-20T11:22:06Z

<p>CameronNonAdmin: /* References */</p> <hr /> <div>== Description ==<br /> <br /> This task is suggested for MIREX 2010. The general goal is to estimate the latent harmonic progression from score-like music data, a process typically called harmonic analysis or functional analysis in musicology (although this task cannot be really called functional analysis, functional analysis can be used to obtain the required output data). This typically involves estimating the musical key of a given piece of music and movement of the tonal center (modulations and tonicizations), as well as the progression of chords. [http://supremedissertation.co.uk/ Dissertation Proposal]<br /> <br /> <br /> === Time units ===<br /> It is well known that harmony is strongly coupled with metric structure: progressing from one chord to another typically occurs at strong beats, while most non-chord tones are played on weak beats or off-beat. For this reason, knowing the temporal structure of the piece of music is important when performing harmonic analysis, and in this task the harmony is estimated on a beat-based time basis from score-like symbolic data (as opposed to performance data).<br /> <br /> === Chord dictionary ===<br /> Harmonic analysis can be performed with varying degree of precision, depending on the goal at hand. One might only want to extract general progression patterns to be used in harmonic similarity or harmonic queries, for example check if a song at hand contains the so called 50s progression: I–vi–IV–V. Another one might be interested in full musicological analysis of a score, i.e. obtaining information about root position, chord type (quality), added tones, invertion, etc. This person would for example say the the second bar of Chopin's Nocturne Op. 9 No. 2 (in the key of E♭-major) starts in the tonic I (E♭, G, B♭), then it progresses to the dominant ninth chord in the third inversion with the root removed and the tonic added in bass (E♭, A♭, D, F).<br /> <br /> [[File:Chopin 9 2.png||500px]]<br /> <br /> The first person would therefore use a very small dictionary of chord labels with 48 different chords: 12 root positions × 4 basic chord types (major, minor, augmented, diminished). 48 or 24 dictionaries are common in chord recognition from audio data. On the other hand, the second person would use a very large chord label dictionary containing millions of labels. This is the case with the dataset to be used in this task.<br /> <br /> == Data format == <br /> <br /> Not much data exists that can be used as ground truth for harmonic analysis. Several researchers used Bach chorales ([6] and [8]) and some reported using Kostka-Payne corpus. Unfortunately, the latter is very small, too small in fact for proper model training and evaluation: it consists of 46 very short musical excerpts.<br /> <br /> === Input data ===<br /> <br /> We propose to use a dataset developed in cooperation of the members of Sagayama/Ono laboratory at the University of Tokyo and prof. Hitomi Kaneko from Toho Gakuen School of Music and her students. This dataset contains very detailed harmony labels for all of RWC database's classical pieces (almost 6 hours of music). This data will be coupled with quantized (score-like) set of MIDI files, and the latter will be converted to CSV files for easy input. The first line of such CSV file will contain information about the number of data lines per downbeat and the number of lines per upbeat (Auftakt). The rest of the lines will hold lists of notes active in the consecutive divisions of downbeat expressed by MIDI note numbers. The first two bars of Chopin's Nocturne Op. 9 No. 2 (see picture above) will therefore be encoded as:<br /> <br /> 4 1<br /> 62<br /> 39 55 58 63 67 79<br /> 51 56 59 62 68 77 79<br /> 39 55 58 63 67 77<br /> 38 55 58 63 67 70 75<br /> ...<br /> <br /> In other words, there would be 4 lines per measure, each spanning 3 eighth notes and the first line will be a 3 eighth notes of upbeat. <br /> <br /> === Ground truth ===<br /> The ground truth for the same piece will be encoded as:<br /> <br /> z<br /> E- E- G B-<br /> B- E- A- D F<br /> E- E- G B-<br /> E- D E- G B-<br /> ...<br /> <br /> Each line will consist of harmony data corresponding to one line of the input data. Harmony is given by pitch class of the root tone, followed by a list of all pitch classes belonging to the chord. Pitch classes are labeled with capital Latin letters (A through G) with flats represented by minus signs and sharps by plus signs. Non-harmony (e.g. a rest or upbeat) is marked with a special symbol 'z'. So, in the example above, “E- E- G B-” means a chord with root in E♭ (which is the tonic) that consists of three notes: E♭, G and B♭, and so it is a major triad (in its root position, although the order of the pitch classes play no role — it is straightforward to extract that from the input data).<br /> <br /> The tonal center (and therefore the structural meaning of a given chord) is not explicitly given in order to simplify the task and allow more participants to compete. Nevertheless, the algorithms will benefit much from considering e.g. tonal center movement and degrees of scale (as in functional analysis).<br /> <br /> Labels for the entire RWC's classical portion will be made available for the MIREX participants (with some copying and usage restrictions). In order to allow cross-validation of the submitted algorithms, an independent set of labels will be created (to which the participants will have no access), and the algorithms will be executed on both sets.<br /> <br /> === Output data ===<br /> <br /> The output from the algorithms is expected to comply with the above description of the ground truth data format. For example, a common 24-chord dictionary algorithm would output a series of lines from the following set (12 major and 12 minor chords):<br /> <br /> C C E G<br /> C+ C+ E+ G+<br /> D- D- F A-<br /> D D F+ A<br /> D+ D+ F A+<br /> E- E- G B-<br /> E E G+ B<br /> F F A C<br /> F+ F+ A+ C+<br /> G- G- B- D-<br /> G G B D<br /> G+ G+ B+ D+<br /> A- A- C E-<br /> A A C+ E<br /> A+ A+ C E+<br /> B- B- D F<br /> B B D+ F+<br /> C C E- G<br /> C+ C+ E G+<br /> D- D- F- A-<br /> D D F A<br /> D+ D+ F+ A+<br /> E- E- G- B-<br /> E E G B<br /> F F A- C<br /> F+ F+ A C+<br /> G- G- B D-<br /> G G B- D<br /> G+ G+ B D+<br /> A- A- C- E-<br /> A A C E<br /> A+ A+ C+ E+<br /> B- B- D- F<br /> B B D F+<br /> <br /> == Evaluation Measures ==<br /> <br /> Evaluation is a difficult problem for 2 reasons:<br /> # Ground truth is kind of an ambiguous thing in harmonic analysis, as sometimes multiple interpretations are possible.<br /> # Algorithms can output partial harmonic data (as e.g. it is the case of the 24-chord dictionary algorithm mentioned earlier) and they should be awarded partial score.<br /> <br /> Therefore, we propose to use a weighted chord distance measure along other, simpler evaluation measures (root identification accuracy, and pitch class precision, recall and F-measure). In this measure, mistaking the root will cost much more than e.g. overlooking an added ninth and mistaking major for augmented chord will be less costly than e.g. interpreting major as minor. This should enable comparison of algorithms that work with different chord dictionaries: using a simplified dictionary will decrease the estimation accuracy, but not significantly so, and an algorithm using an accurate 24-chord dictionary should outperform a poor algorithm that deals with accurate chord labels.<br /> <br /> The following formula will be used to evaluate the performance of the submitted algorithms:<br /> <br /> [[File:Evaluation.png||250px]]<br /> <br /> where:<br /> * ''t'' is the time.<br /> * ''r'' is the root of a chord (0..11).<br /> * ''N'' is the set of notes that belong to a chord.<br /> * ''W'' is the 12-dimensional weighting vector.<br /> * ''S'' is the score given obtained by an algorithm.<br /> * ''A'' is calculated for ground truth and the hat over ''A'' means it is calculated for the estimated harmony.<br /> <br /> The weighting vector is obtained from the circle of fifths:<br /> <br /> [[File:Weights.png||200px]]<br /> <br /> where ''D'' is the distance between its arguments on the circle of fifths (minimal number of steps 0..6) and ''r'' is any chord root (0..11). ''W'' is normalized to 1.<br /> <br /> [[File:Weights plot.png||700px]]<br /> <br /> The score will be equal to 1 if all the notes in the chord were identified correctly and between 0 and 1 for other cases (see pictures below).<br /> <br /> [[File:Wrong_root.png||400px]]<br /> <br /> [[File:Wrong_type.png||300px]]<br /> [[File:Wrong added.png||300px]]<br /> [[File:Wrong removed.png||300px]]<br /> <br /> == Test data ==<br /> A dataset containing harmonic data for the entire RWC database's classical part will be made available to this task's participants. During the evaluation, this set will be coupled with a new set which is being currently developed by us and which will remain unavailable to participants in order enable assesment of the ability of the submitted algorithms to perform outside the training set.<br /> <br /> == References ==<br /> #<br /> # W. B. de Haas, R. C. Veltkamp, F. Wiering, [http://ismir2008.ismir.net/papers/ISMIR2008_252.pdf “Tonal pitch step distance: a similarity measure for chord progressions,”] Proc. of 9th ISMIR, 2008<br /> # J.-F. Paiement, D. Eck, S. Bengio, [http://publications.idiap.ch/downloads/reports/2005/rr-05-58.pdf “Chord representations for probabilistic models,”] IDIAP Research report, 2005<br /> # J.-F. Paiement, D. Eck, S. Bengio, [http://ismir2005.ismir.net/proceedings/1091.pdf ”A probabilistic model for chord progressions,”] Proc. of 6th ISMIR, 2005<br /> # C. Raphael, J. Stoddard, [http://ismir2003.ismir.net/papers/Raphael.PDF “Harmonic analysis with probabilistic graphical models,”] Proc. of 4th ISMIR, 2003<br /> # P. Kröger, A. Passos, M. Sampaio, G. de Cidra, [http://classes.berklee.edu/mbierylo/ICMC08/defevent/papers/cr1516.pdf “Rameau: a system for automatic harmonic analysis,”] Proc. of ICMC, 2008<br /> # C. S. Sapp, [http://www.ccarh.org/publications/cm/vol/15/cm15-06-sapp.pdf “Computational chord-root identification in symbolic musical data: rationale, methods and applications,”] Computing in Musicology 15, 2007<br /> # H. Taube, [http://www-camil.music.uiuc.edu/Software/cc/doc/cmj.pdf “Automatic tonal analysis: toward the implementation of a music theory workbench,”] Computer Music Journal vol. 23 nr. 4, 1999 [http://www.customwrittenpaper.com/ College Essay Help]<br /> [http://www.logoinn.com/ Logo Design] [http://www.logoinn.com/web-design/ Web Design]<br /> <br /> == Potential Participants ==<br /> <br /> == Discussion for 2010 ==</div>

CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=2010:Audio_Chord_Estimationphp/Ways_To_Avoid_Web_Store_Software_Robbery_or_simply_Decline&diff=7933 2011-05-20T06:28:11Z

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CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=2010:Audio_Chord_Estimationphp/Tips_On_How_To_Create_a_web_based_Web_Store_Software&diff=7932 2011-05-20T05:27:06Z

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CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=File:Shopping1.jpg&diff=7930 2011-05-19T23:45:01Z

<p>CameronNonAdmin: </p> <hr /> <div></div>

CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=2010:MIREX_HOME&diff=7929 2011-05-19T17:53:05Z

<p>CameronNonAdmin: </p> <hr /> <div>==MIREX 2010 Deadline Dates==<br /> We have &lt;b&gt;very&lt;/b&gt; tight scheduling constraints this year because of the early convening of ISMIR 2010 in Utrecht.<br /> <br /> We have two sets of deadlines for submissions. We have to stagger the deadlines because of runtime and human evaluation considerations.<br /> [http://www.allwritingsource.co.uk/write-my-essay.php/ Write My Essay]<br /> [http://www.allwritingsource.co.uk/university-essays.php/ University Essays]<br /> <br /> <br /> <br /> ===Tasks with a '''25 June 2010''' deadline:===<br /> # Audio Classification (Train/Test) Tasks<br /> # Audio Music Similarity and Retrieval<br /> # Symbolic Melodic Similarity<br /> ===Tasks with a '''2 July 2010''' deadline:===<br /> <br /> # All remaining MIREX 2010 tasks.<br /> <br /> <br /> &lt;i&gt;&lt;b&gt;Nota Bene:&lt;/b&gt; &lt;/i&gt;In the past we have been rather flexible about deadlines. This year, however, we simply do not have the time flexibility, sorry.<br /> <br /> Please, please, please, let's start getting those submissions made. The sooner we have the code, the sooner we can start running the evaluations.<br /> <br /> PS: If you have a slower running algorithm, help us help you by getting your code in ASAP. Please do pay attention to runtime limits.<br /> <br /> ==MIREX 2010 Submission Instructions==<br /> * Be sure to read through the rest of this page<br /> * Be sure to read though the task pages for which you are submitting<br /> * Be sure to follow the [[2009:Best Coding Practices for MIREX | Best Coding Practices for MIREX]]<br /> * Be sure to follow the [[2010:MIREX 2010 Submission Instructions | MIREX 2010 Submission Instructions ]] including both the tutorial video and the text<br /> [http://logodesignmaestro.com/ Logo Design] <br /> <br /> <br /> <br /> ===MIREX 2010 Evaluation Tasks===<br /> <br /> The IMIRSEL team at UIUC solicited proposals for evaluation tasks to be performed at the Music Information Retrieval Evaluation eXchange 2010 (MIREX 2010) and polled the community on their likelihood of participation in each task. 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The Music Information Retrieval Evaluation Exchange (2005-2007):&lt;br&gt;<br /> A window into music information retrieval research.''Acoustical Science and Technology 29'' (4): 247-255. &lt;br&gt;<br /> Available at: [http://dx.doi.org/10.1250/ast.29.247 http://dx.doi.org/10.1250/ast.29.247]<br /> <br /> <br /> ===Note to All Participants===<br /> Because MIREX is premised upon the sharing of ideas and results, '''ALL''' MIREX participants are expected to:<br /> <br /> # submit a DRAFT 2-3 page extended abstract PDF in the ISMIR format about the submitted programme(s) to help us and the community better understand how the algorithm works when submitting their programme(s).<br /> # submit a FINALIZED 2-3 page extended abstract PDF in the ISMIR format prior to ISMIR 2010 for posting on the respective results pages (sometimes the same abstract can be used for multiple submissions; in many cases the DRAFT and FINALIZED abstracts are the same)<br /> # present a poster at the MIREX 2010 poster session at ISMIR 2010 (Wednesday, 11 August 2010)<br /> <br /> <br /> ===Software Dependency Requests===<br /> If you have not submitted to MIREX before or are unsure whether IMIRSEL/NEMA currently supports some of the software/architecture dependencies for your submission a [https://spreadsheets.google.com/embeddedform?formkey=dDltRjc4NDBDdkZiaF9qZXV0bU5ScUE6MA dependency request form is available]. 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This wiki (MIREX 2010 wiki) will be used to embody and disseminate task proposals, however, task related discussions should be conducted on the MIREX organization mailing list (EvalFest) rather than on this wiki, but should be summarized here. 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CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=MIREX_Impact_Citations&diff=7924 2011-05-18T08:45:49Z

<p>CameronNonAdmin: /* Submitted Citations */</p> <hr /> <div>=Introduction=<br /> <br /> Dear MIREX Participant:<br /> <br /> We are gathering evidence of impact for MIREX. We would appreciate it greatly if you would post citations to papers (yours or others) that have used MIREX data and/or results. Any acceptable citation format is OK. DOIs or URL to accessible copies especially appreciated. I have started out with some samples from IMIRSEL.<br /> <br /> In a similar vein, we are also gathering citations to MIREX-related comments as further evidence of impact for MIREX on the [[MIREX Impact Statements]] page.<br /> <br /> We are collecting these statements and citations as evidence influence and success to submit to funding agencies, research administrators and/or future collaborators. <br /> <br /> Thank you very much.<br /> <br /> J. Stephen Downie&lt;br&gt;<br /> Director, IMIRSEL&lt;br&gt;<br /> <br /> =Submitted Citations=<br /> <br /> # J.S. Downie, D. Byrd, and T. Crawford. &quot;Ten Years of ISMIR: Reflections on Challenges and Opportunities&quot;, in the 10th International Symposium on Music Information Retrieval (ISMIR), Kobe, 2009, pp. 13-18. Available: http://ismir2009.ismir.net/proceedings/keynote1.pdf<br /> # M. Bay, A.F. Ehmann and J.S. Downie, &quot;Evaluation of Multiple-F0 Estimation and Tracking Systems&quot;, in the 10th International Symposium on Music Information Retrieval (ISMIR), Kobe, 2009, pp. 315-320. Available: http://ismir2009.ismir.net/proceedings/PS2-21.pdf <br /> # E. Law, K. West, M. Mandel, M. Bay and, J. S. Downie, &quot;Evaluation of Algorithms Using Games: The Case of Music Tagging&quot;, in the 10th International Symposium on Music Information Retrieval (ISMIR), Kobe, 2009, pp. 387-392. Available: http://ismir2009.ismir.net/proceedings/OS5-5.pdf<br /> # J. S. Downie, M. Bay, A. F. Ehmann and M. C. Jones, &quot;Audio Cover Song Identification: MIREX 2006-2007 Results and analysis&quot;, in the 9th International Conference on Music Information Retrieval (ISMIR 2008), Philadelphia, 2008, pp. 468-473. Available: http://ismir2008.ismir.net/papers/ISMIR2008_265.pdf<br /> # X. Hu, J. S. Downie, C. Laurier, M. Bay and A. F. Ehmann, &quot;The 2007 MIREX Audio Mood Classification Task: Lessons learned&quot;, in the 9th International Conference on Music Information Retrieval (ISMIR 2008), Philadelphia, 2008, pp. 462-467. Available: http://ismir2008.ismir.net/papers/ISMIR2008_263.pdf<br /> # J. S. Downie, A. F. Ehmann and J. H. Lee, &quot;The Music Information Retrieval Evaluation eXchange (MIREX): Community-led formal evaluations&quot;, in the Digital Humanities 2008 , Oulu Finland, 2008, pp. 239-240.<br /> # M. McVicar and T. De Bie, &quot;Exploiting Online Resources to Improve Chord Recognition Accuracy&quot;, late-breaking abstract in the 11th International Conference on Music Information Retrieval (ISMIR 2010), Utrecht, Netherlands, 2010.<br /> # M. McVicar and T. De Bie, &quot;Enhancing chord recognition accuracy using web resources&quot;, 3rd ACM Workshop on Machine Learning and Music, October 25, 2010, Firenze, Italy.<br /> # M. McVicar, Y. Ni, R. Santos-Rodriguez, T. De Bie, &quot;Using online chord databases to enhance chord recognition&quot;, Journal of New Music Research, Special issue on Music and Machine Learning (in press).<br /> #R. Zhou , M. Mattavelli and G. Zoia, &quot;Music Onset Detection Based on Resonator Time-frequency Image&quot;, IEEE Transactions On Audio, Speech And Language Processing, vol. 16, num. 8, 2008, p. 1685-1695. <br /> #Ruohua Zhou, Joshua D. Reiss, Marco Mattavelli and Giorgio Zoia, &quot;A Computationally Efficient Method for Polyphonic Pitch Estimation&quot;, EURASIP Journal on Advances in Signal Processing, Volume 2009 (2009), Article ID 729494, 11 pages.<br /> # M. Haro and P. Herrera, “From Low-level to Song-level Percussion Descriptors of Polyphonic Music,” in 10th International Society for Music Information Retrieval Conference (ISMIR 2009), Kobe, Japan, 2009. Available: http://ismir2009.ismir.net/proceedings/PS2-9.pdf<br /> # J. Urbano, J. Morato, M. Marrero and D. Martín, &quot;Crowdsourcing Preference Judgments for Evaluation of Music Similarity Tasks&quot;, ACM SIGIR Workshop on Crowdsourcing for Search Evaluation, pp. 9-16, 2010. [http://julian-urbano.info/publications/012-crowdsourcing-preference-judgments-evaluation-music-similarity-tasks/012-paper.pdf PDF]<br /> # J. Urbano, M. Marrero, D. Martín and J. Lloréns, &quot;Improving the Generation of Ground Truths based on Partially Ordered Lists&quot;, International Society for Music Information Retrieval Conference, pp. 285-290, 2010. [http://julian-urbano.info/publications/010-improving-generation-ground-truths-based-partially-ordered-lists/010-paper.pdf PDF]<br /> # J. Urbano, J. Lloréns, J. Morato and S. Sánchez-Cuadrado, &quot;Using the Shape of Music to Compute the Similarity between Symbolic Musical Pieces&quot;, International Symposium on Computer Music Modeling and Retrieval, pp. 385-396, 2010. [http://julian-urbano.info/publications/009-using-shape-music-compute-similarity-between-symbolic-musical-pieces/009-paper.pdf PDF]<br /> # D. Bogdanov, J. Serrà, N. Wack, P. Herrera and X. Serra. Unifying low-level and high-level music similarity measures. IEEE Transactions on Multimedia. In press. [http://mtg.upf.edu/node/1689]<br /> # J. Wu, E. Vincent, S. Raczynski, T. Nishimoto, N. Ono and S. Sagayama. Multipitch estimation by joint modeling of harmonic and transient sounds. In Proc. 2011 IEEE Int. Conf. on Acoustics, Speech and Signal Processing (ICASSP), to appear. [http://hal.inria.fr/inria-00567175/PDF/wu_ICASSP11.pdf]<br /> # E. Vincent, N. Bertin and R. Badeau. Adaptive harmonic spectral decomposition for multiple pitch estimation. IEEE Transactions on Audio, Speech and Language Processing, 18(3), pp. 528-537, 2010. [http://hal.inria.fr/inria-00544094/PDF/vincent_TASLP10.pdf]<br /> # E. Benetos and S. Dixon. Multiple-instrument polyphonic music transcription using a convolutive probabilistic model. In Proc. 8th Sound and Music Computing Conf. (SMC), to appear.<br /> # B. Fields, K.Jacobson, C. Rhodes, M. d'Inverno, M. Sandler, M. Casey, &quot;Analysis and Exploitation of Musician Social Networks for Recommendation and Discovery,&quot; IEEE Transactions on Multimedia. in press. [http://dx.doi.org/10.1109/TMM.2011.2111365]<br /> # B. Fields. Contextualize Your Listening: The Playlist as Recommendation Engine, PhD Thesis, Goldsmiths, University of London, April 2011. [http://benfields.net/bfields_thesis.pdf]<br /> # B. Fields, K. Page, T. Crawford, D. De Roure, &quot;The Segment Ontology: bridging music-generic and domain-specific,&quot; in Workshop on Advances in Music Information Research (AdMIRe), co-located with the IEEE International Conference on Multimedia and Expo (ICME), Barcelona, Spain, July, 2011. [http://benfields.net/papers/admire2011.pdf]<br /> # J. Serrà, X. Serra and R. G. Andrzejak. Cross recurrence quantification for cover song identification. New Journal of Physics, vol. 11, art. 093017. September 2009. http://mtg.upf.edu/node/1390<br /> # J. Serrà, E. Gómez, P. Herrera and X. Serra. Chroma binary similarity and local alignment applied to cover song identification. IEEE Transactions on Audio, Speech and Language Processing, vol. 16, issue 6, pp. 1138-1152. August 2008. http://mtg.upf.edu/node/919<br /> # J. Serrà, E. Gómez and P. Herrera. Audio cover song identification and similarity: background, approaches, evaluation, and beyond. In Advances in Music Information Retrieval, Z. W. Ras and A. A. Wieczorkowska editors. Studies in Computational Intelligence series, Springer-Verlag Berlin / Heidelberg, vol. 274, ch. 14, pp. 307-332. March 2010. http://mtg.upf.edu/node/1389<br /> # D. Bogdanov, J. Serrà, N. Wack, P. Herrera and X. Serra. Unifying low-level and high-level music similarity measures. IEEE Transactions on Multimedia. In press. http://mtg.upf.edu/node/1689<br /> # J. Serrà, H. Kantz and R. G. Andrzejak. Model-based cover song detection via threshold autoregressive forecasts. Proc. of the ACM Multimedia, Workshop on Music and Machine Learning (MML), pp. 13-16. Firenze, Italy. October 2010. http://mtg.upf.edu/node/1704<br /> # J. Serrà, M. Zanin, C. Laurier and M. Sordo. Unsupervised detection of cover song sets: accuracy improvement and original identification. Proc. of the Int. Society for Music Information Retrieval Conf. (ISMIR), pp. 225-230. Kobe, Japan. October 2009. http://mtg.upf.edu/node/1407<br /> # J. Serrà and E. Gómez. Audio cover song identification based on tonal sequence alignment. Proc. of the IEEE Int. Conf. on Acoustics, Speech and Signal Processing (ICASSP), pp. 61-64. Las Vegas, USA. April 2008. http://mtg.upf.edu/node/78<br /> # J. Serrà. Identification of versions of the same musical composition by processing audio descriptions. PhD Thesis. Universitat Pompeu Fabra, Barcelona, Spain. March 2011. http://mtg.upf.edu/node/1951<br /> # J.-L. Durrieu, G. Richard, B. David, &quot;Singer melody extraction in polyphonic signals using source separation methods,&quot; IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), pp.169-172, March 31 2008-April 4 2008. doi: 10.1109/ICASSP.2008.4517573 [http://ieeexplore.ieee.org/stamp/stamp.jsp?tp=&amp;arnumber=4517573&amp;isnumber=4517521]<br /> # J.-L. Durrieu, G. Richard, B. David, &quot;An iterative approach to monaural musical mixture de-soloing,&quot; IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), pp.105-108, 19-24 April 2009. doi: 10.1109/ICASSP.2009.4959531 [http://ieeexplore.ieee.org/stamp/stamp.jsp?tp=&amp;arnumber=4959531&amp;isnumber=4959496] (NB: only a quick reference to some MIREX results on Audio Melody Extraction)<br /> # J.-L. Durrieu, G. Richard, B. David, C. Févotte, &quot;Source/Filter Model for Unsupervised Main Melody Extraction From Polyphonic Audio Signals,&quot; IEEE Transactions on Audio, Speech, and Language Processing, vol.18, no.3, pp.564-575, March 2010. doi: 10.1109/TASL.2010.2041114. [http://ieeexplore.ieee.org/stamp/stamp.jsp?tp=&amp;arnumber=5410055&amp;isnumber=5410050]<br /> # J.-L. Durrieu, &quot;Automatic Transcription and Separation of the Main Melody in Polyphonic Music Signals&quot;, PhD thesis, Institut Telecom, Telecom ParisTech, CNRS LTCI, Paris, France, May 2010. [http://hal.archives-ouvertes.fr/index.php?halsid=nhip2qdh6k6cskqdh4q9go9ai1&amp;view_this_doc=tel-00560018&amp;version=1]<br /> # Rainer Typke, Frans Wiering, Remco C. Veltkamp. Transportation Distances and Human Perception of Melodic Similarity. Musicae Scientiae, Discussion Forum 4A, 2007 (special issue on similarity perception in listening to music), 153-182. [http://www.cs.uu.nl/groups/MG/multimedia/publications/art/musicaescientiae07.pdf]<br /> # Rainer Typke, Remco C. Veltkamp, Frans Wiering. A Measure for Evaluating Retrieval Techniques Based on Partially Ordered Ground Truth Lists. In: Proceedings International Conference on Multimedia &amp; Expo (ICME) 2006. [http://www.cs.uu.nl/groups/MG/multimedia/publications/art/icme06.pdf]<br /> # Rainer Typke, Frans Wiering, Remco C. Veltkamp. A Survey of Music Information Retrieval Systems. In: Proceedings of the Fifth International Conference on Music Information Retrieval (ISMIR 2005), pp 153-160. [http://www.cs.uu.nl/groups/MG/multimedia/publications/art/ismir05.pdf]<br /> # Gouyon, F., Herrera, P., Gómez, E., Cano, P., Bonada, J., Loscos, A., Amatriain, X., Serra, X. (2008). Content Processing of Music Audio Signals. In Polotti, P., Rochesso, D. (Eds.), &quot;Sound to Sense, Sense to Sound: A State of the Art in Sound and Music Computing&quot;. Logos Verlag, Berlin, pp. 83-160. [http://smcnetwork.org/files/S2S2BOOK1.pdf]<br /> # Herrera, P., Celma, O., Massaguer, J., Cano, P., Gómez, E., Gouyon, F., Koppenberger, M., García, D., García-Mahedero, J., Wack, N. (2005). &quot;Mucosa: a music content semantic annotator&quot;. Proceedings of the 6th International Conference on Music Information Retrieval (ISMIR-2005). London, United Kingdom. [http://mtg.upf.edu/files/publications/189652-ISMIR-2005-Herrera.pdf]<br /> # Hazan, A., Marxer, R., Brossier, P., Purwins, H., Herrera, P., Serra, X. (2009). &quot;What/when causal expectation modelling applied to audio signals&quot;. Connection Science. 21(2-3), 199-143. [http://www.mtg.upf.es/files/publications/whatwhen_connection.pdf]<br /> # Fuhrmann, F., Herrera, P. (2010). &quot;Polyphonic instrument recognition for exploring semantic similarities in music&quot;. Proceedings of the International Conference on Digital Audio Effects (DAFx). [http://mtg.upf.edu/files/publications/ffuhrmann_dafx10_final_0.pdf]<br /> # T. Lidy, R. Mayer, A. Rauber, P.J. Ponce de León, A. Pertusa, and J.M. Iñesta. &quot;A Cartesian Ensemble of Feature Subspace Classifiers for Music Categorization&quot;, in Proc. of the 11th International Symposium for Music Information Retrieval (ISMIR 2010), pp. 279-284, Utrecht, Netherlands, 2010. [http://grfia.dlsi.ua.es/repositori/grfia/pubs/246/ismir2010.pdf]<br /> # A. Pertusa and J.M. Iñesta. &quot;Multiple Fundamental Frequency estimation using Gaussian smoothness&quot;. Proc. of the IEEE Int. Conf. on Acoustics, Speech, and Signal Processing, ICASSP 2008, pp. 105-108, Las Vegas, USA, 2008. [http://ieeexplore.ieee.org/xpls/abs_all.jsp?arnumber=4517557&amp;tag=1]<br /> # A. Pertusa. &quot;Computationally efficient methods for polyphonic music transcription&quot; PhD Thesis, Universidad de Alicante, 2010. [http://grfia.dlsi.ua.es/repositori/grfia/pubs/244/pertusaphd.pdf]<br /> # Hung-Yi Lo, Ju-Chiang Wang, Hsin-Min Wang, and Shou-De Lin, Cost-sensitive Multi-label Learning for Audio Tag Annotation and Retrieval, IEEE Transaction on Multimedia, 13 (3), pp. 518-529, 2011. [http://dx.doi.org/10.1109/TMM.2011.2129498 Official Version] [http://www.iis.sinica.edu.tw/~hungyi/TMM_CSML_Double.20110426.pdf Local Version]</div>

CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=MIREX_Impact_Citations&diff=7923 2011-05-18T08:44:41Z

<p>CameronNonAdmin: /* Submitted Citations */</p> <hr /> <div>=Introduction=<br /> <br /> Dear MIREX Participant:<br /> <br /> We are gathering evidence of impact for MIREX. We would appreciate it greatly if you would post citations to papers (yours or others) that have used MIREX data and/or results. Any acceptable citation format is OK. DOIs or URL to accessible copies especially appreciated. I have started out with some samples from IMIRSEL.<br /> <br /> In a similar vein, we are also gathering citations to MIREX-related comments as further evidence of impact for MIREX on the [[MIREX Impact Statements]] page.<br /> <br /> We are collecting these statements and citations as evidence influence and success to submit to funding agencies, research administrators and/or future collaborators. <br /> <br /> Thank you very much.<br /> <br /> J. Stephen Downie&lt;br&gt;<br /> Director, IMIRSEL&lt;br&gt;<br /> <br /> =Submitted Citations=<br /> <br /> # J.S. Downie, D. Byrd, and T. Crawford. &quot;Ten Years of ISMIR: Reflections on Challenges and Opportunities&quot;, in the 10th International Symposium on Music Information Retrieval (ISMIR), Kobe, 2009, pp. 13-18. Available: http://ismir2009.ismir.net/proceedings/keynote1.pdf<br /> # M. Bay, A.F. Ehmann and J.S. Downie, &quot;Evaluation of Multiple-F0 Estimation and Tracking Systems&quot;, in the 10th International Symposium on Music Information Retrieval (ISMIR), Kobe, 2009, pp. 315-320. Available: http://ismir2009.ismir.net/proceedings/PS2-21.pdf <br /> # E. Law, K. West, M. Mandel, M. Bay and, J. S. Downie, &quot;Evaluation of Algorithms Using Games: The Case of Music Tagging&quot;, in the 10th International Symposium on Music Information Retrieval (ISMIR), Kobe, 2009, pp. 387-392. Available: http://ismir2009.ismir.net/proceedings/OS5-5.pdf<br /> # J. S. Downie, M. Bay, A. F. Ehmann and M. C. Jones, &quot;Audio Cover Song Identification: MIREX 2006-2007 Results and analysis&quot;, in the 9th International Conference on Music Information Retrieval (ISMIR 2008), Philadelphia, 2008, pp. 468-473. Available: http://ismir2008.ismir.net/papers/ISMIR2008_265.pdf<br /> # X. Hu, J. S. Downie, C. Laurier, M. Bay and A. F. Ehmann, &quot;The 2007 MIREX Audio Mood Classification Task: Lessons learned&quot;, in the 9th International Conference on Music Information Retrieval (ISMIR 2008), Philadelphia, 2008, pp. 462-467. Available: http://ismir2008.ismir.net/papers/ISMIR2008_263.pdf<br /> # J. S. Downie, A. F. Ehmann and J. H. Lee, &quot;The Music Information Retrieval Evaluation eXchange (MIREX): Community-led formal evaluations&quot;, in the Digital Humanities 2008 , Oulu Finland, 2008, pp. 239-240.<br /> # M. McVicar and T. De Bie, &quot;Exploiting Online Resources to Improve Chord Recognition Accuracy&quot;, late-breaking abstract in the 11th International Conference on Music Information Retrieval (ISMIR 2010), Utrecht, Netherlands, 2010.<br /> # M. McVicar and T. De Bie, &quot;Enhancing chord recognition accuracy using web resources&quot;, 3rd ACM Workshop on Machine Learning and Music, October 25, 2010, Firenze, Italy.<br /> # M. McVicar, Y. Ni, R. Santos-Rodriguez, T. De Bie, &quot;Using online chord databases to enhance chord recognition&quot;, Journal of New Music Research, Special issue on Music and Machine Learning (in press).<br /> #R. Zhou , M. Mattavelli and G. Zoia, &quot;Music Onset Detection Based on Resonator Time-frequency Image&quot;, IEEE Transactions On Audio, Speech And Language Processing, vol. 16, num. 8, 2008, p. 1685-1695. <br /> #Ruohua Zhou, Joshua D. Reiss, Marco Mattavelli and Giorgio Zoia, &quot;A Computationally Efficient Method for Polyphonic Pitch Estimation&quot;, EURASIP Journal on Advances in Signal Processing, Volume 2009 (2009), Article ID 729494, 11 pages.<br /> # M. Haro and P. Herrera, “From Low-level to Song-level Percussion Descriptors of Polyphonic Music,” in 10th International Society for Music Information Retrieval Conference (ISMIR 2009), Kobe, Japan, 2009. Available: http://ismir2009.ismir.net/proceedings/PS2-9.pdf<br /> # J. Urbano, J. Morato, M. Marrero and D. Martín, &quot;Crowdsourcing Preference Judgments for Evaluation of Music Similarity Tasks&quot;, ACM SIGIR Workshop on Crowdsourcing for Search Evaluation, pp. 9-16, 2010. [http://julian-urbano.info/publications/012-crowdsourcing-preference-judgments-evaluation-music-similarity-tasks/012-paper.pdf PDF]<br /> # J. Urbano, M. Marrero, D. Martín and J. Lloréns, &quot;Improving the Generation of Ground Truths based on Partially Ordered Lists&quot;, International Society for Music Information Retrieval Conference, pp. 285-290, 2010. [http://julian-urbano.info/publications/010-improving-generation-ground-truths-based-partially-ordered-lists/010-paper.pdf PDF]<br /> # J. Urbano, J. Lloréns, J. Morato and S. Sánchez-Cuadrado, &quot;Using the Shape of Music to Compute the Similarity between Symbolic Musical Pieces&quot;, International Symposium on Computer Music Modeling and Retrieval, pp. 385-396, 2010. [http://julian-urbano.info/publications/009-using-shape-music-compute-similarity-between-symbolic-musical-pieces/009-paper.pdf PDF]<br /> # D. Bogdanov, J. Serrà, N. Wack, P. Herrera and X. Serra. Unifying low-level and high-level music similarity measures. IEEE Transactions on Multimedia. In press. [http://mtg.upf.edu/node/1689]<br /> # J. Wu, E. Vincent, S. Raczynski, T. Nishimoto, N. Ono and S. Sagayama. Multipitch estimation by joint modeling of harmonic and transient sounds. In Proc. 2011 IEEE Int. Conf. on Acoustics, Speech and Signal Processing (ICASSP), to appear. [http://hal.inria.fr/inria-00567175/PDF/wu_ICASSP11.pdf]<br /> # E. Vincent, N. Bertin and R. Badeau. Adaptive harmonic spectral decomposition for multiple pitch estimation. IEEE Transactions on Audio, Speech and Language Processing, 18(3), pp. 528-537, 2010. [http://hal.inria.fr/inria-00544094/PDF/vincent_TASLP10.pdf]<br /> # E. Benetos and S. Dixon. Multiple-instrument polyphonic music transcription using a convolutive probabilistic model. In Proc. 8th Sound and Music Computing Conf. (SMC), to appear.<br /> # B. Fields, K.Jacobson, C. Rhodes, M. d'Inverno, M. Sandler, M. Casey, &quot;Analysis and Exploitation of Musician Social Networks for Recommendation and Discovery,&quot; IEEE Transactions on Multimedia. in press. [http://dx.doi.org/10.1109/TMM.2011.2111365]<br /> # B. Fields. Contextualize Your Listening: The Playlist as Recommendation Engine, PhD Thesis, Goldsmiths, University of London, April 2011. [http://benfields.net/bfields_thesis.pdf]<br /> # B. Fields, K. Page, T. Crawford, D. De Roure, &quot;The Segment Ontology: bridging music-generic and domain-specific,&quot; in Workshop on Advances in Music Information Research (AdMIRe), co-located with the IEEE International Conference on Multimedia and Expo (ICME), Barcelona, Spain, July, 2011. [http://benfields.net/papers/admire2011.pdf]<br /> # J. Serrà, X. Serra and R. G. Andrzejak. Cross recurrence quantification for cover song identification. New Journal of Physics, vol. 11, art. 093017. September 2009. http://mtg.upf.edu/node/1390<br /> # J. Serrà, E. Gómez, P. Herrera and X. Serra. Chroma binary similarity and local alignment applied to cover song identification. IEEE Transactions on Audio, Speech and Language Processing, vol. 16, issue 6, pp. 1138-1152. August 2008. http://mtg.upf.edu/node/919<br /> # J. Serrà, E. Gómez and P. Herrera. Audio cover song identification and similarity: background, approaches, evaluation, and beyond. In Advances in Music Information Retrieval, Z. W. Ras and A. A. Wieczorkowska editors. Studies in Computational Intelligence series, Springer-Verlag Berlin / Heidelberg, vol. 274, ch. 14, pp. 307-332. March 2010. http://mtg.upf.edu/node/1389<br /> # D. Bogdanov, J. Serrà, N. Wack, P. Herrera and X. Serra. Unifying low-level and high-level music similarity measures. IEEE Transactions on Multimedia. In press. http://mtg.upf.edu/node/1689<br /> # J. Serrà, H. Kantz and R. G. Andrzejak. Model-based cover song detection via threshold autoregressive forecasts. Proc. of the ACM Multimedia, Workshop on Music and Machine Learning (MML), pp. 13-16. Firenze, Italy. October 2010. http://mtg.upf.edu/node/1704<br /> # J. Serrà, M. Zanin, C. Laurier and M. Sordo. Unsupervised detection of cover song sets: accuracy improvement and original identification. Proc. of the Int. Society for Music Information Retrieval Conf. (ISMIR), pp. 225-230. Kobe, Japan. October 2009. http://mtg.upf.edu/node/1407<br /> # J. Serrà and E. Gómez. Audio cover song identification based on tonal sequence alignment. Proc. of the IEEE Int. Conf. on Acoustics, Speech and Signal Processing (ICASSP), pp. 61-64. Las Vegas, USA. April 2008. http://mtg.upf.edu/node/78<br /> # J. Serrà. Identification of versions of the same musical composition by processing audio descriptions. PhD Thesis. Universitat Pompeu Fabra, Barcelona, Spain. March 2011. http://mtg.upf.edu/node/1951<br /> # J.-L. Durrieu, G. Richard, B. David, &quot;Singer melody extraction in polyphonic signals using source separation methods,&quot; IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), pp.169-172, March 31 2008-April 4 2008. doi: 10.1109/ICASSP.2008.4517573 [http://ieeexplore.ieee.org/stamp/stamp.jsp?tp=&amp;arnumber=4517573&amp;isnumber=4517521]<br /> # J.-L. Durrieu, G. Richard, B. David, &quot;An iterative approach to monaural musical mixture de-soloing,&quot; IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), pp.105-108, 19-24 April 2009. doi: 10.1109/ICASSP.2009.4959531 [http://ieeexplore.ieee.org/stamp/stamp.jsp?tp=&amp;arnumber=4959531&amp;isnumber=4959496] (NB: only a quick reference to some MIREX results on Audio Melody Extraction)<br /> # J.-L. Durrieu, G. Richard, B. David, C. Févotte, &quot;Source/Filter Model for Unsupervised Main Melody Extraction From Polyphonic Audio Signals,&quot; IEEE Transactions on Audio, Speech, and Language Processing, vol.18, no.3, pp.564-575, March 2010. doi: 10.1109/TASL.2010.2041114. [http://ieeexplore.ieee.org/stamp/stamp.jsp?tp=&amp;arnumber=5410055&amp;isnumber=5410050]<br /> # J.-L. Durrieu, &quot;Automatic Transcription and Separation of the Main Melody in Polyphonic Music Signals&quot;, PhD thesis, Institut Telecom, Telecom ParisTech, CNRS LTCI, Paris, France, May 2010. [http://hal.archives-ouvertes.fr/index.php?halsid=nhip2qdh6k6cskqdh4q9go9ai1&amp;view_this_doc=tel-00560018&amp;version=1]<br /> # Rainer Typke, Frans Wiering, Remco C. Veltkamp. Transportation Distances and Human Perception of Melodic Similarity. Musicae Scientiae, Discussion Forum 4A, 2007 (special issue on similarity perception in listening to music), 153-182. [http://www.cs.uu.nl/groups/MG/multimedia/publications/art/musicaescientiae07.pdf]<br /> # Rainer Typke, Remco C. Veltkamp, Frans Wiering. A Measure for Evaluating Retrieval Techniques Based on Partially Ordered Ground Truth Lists. In: Proceedings International Conference on Multimedia &amp; Expo (ICME) 2006. [http://www.cs.uu.nl/groups/MG/multimedia/publications/art/icme06.pdf]<br /> # Rainer Typke, Frans Wiering, Remco C. Veltkamp. A Survey of Music Information Retrieval Systems. In: Proceedings of the Fifth International Conference on Music Information Retrieval (ISMIR 2005), pp 153-160. [http://www.cs.uu.nl/groups/MG/multimedia/publications/art/ismir05.pdf]<br /> # Gouyon, F., Herrera, P., Gómez, E., Cano, P., Bonada, J., Loscos, A., Amatriain, X., Serra, X. (2008). Content Processing of Music Audio Signals. In Polotti, P., Rochesso, D. (Eds.), &quot;Sound to Sense, Sense to Sound: A State of the Art in Sound and Music Computing&quot;. Logos Verlag, Berlin, pp. 83-160. [http://smcnetwork.org/files/S2S2BOOK1.pdf]<br /> # Herrera, P., Celma, O., Massaguer, J., Cano, P., Gómez, E., Gouyon, F., Koppenberger, M., García, D., García-Mahedero, J., Wack, N. (2005). &quot;Mucosa: a music content semantic annotator&quot;. Proceedings of the 6th International Conference on Music Information Retrieval (ISMIR-2005). London, United Kingdom. [http://mtg.upf.edu/files/publications/189652-ISMIR-2005-Herrera.pdf]<br /> # Hazan, A., Marxer, R., Brossier, P., Purwins, H., Herrera, P., Serra, X. (2009). &quot;What/when causal expectation modelling applied to audio signals&quot;. Connection Science. 21(2-3), 199-143. [http://www.mtg.upf.es/files/publications/whatwhen_connection.pdf]<br /> # Fuhrmann, F., Herrera, P. (2010). &quot;Polyphonic instrument recognition for exploring semantic similarities in music&quot;. Proceedings of the International Conference on Digital Audio Effects (DAFx). [http://mtg.upf.edu/files/publications/ffuhrmann_dafx10_final_0.pdf]<br /> # T. Lidy, R. Mayer, A. Rauber, P.J. Ponce de León, A. Pertusa, and J.M. Iñesta. &quot;A Cartesian Ensemble of Feature Subspace Classifiers for Music Categorization&quot;, in Proc. of the 11th International Symposium for Music Information Retrieval (ISMIR 2010), pp. 279-284, Utrecht, Netherlands, 2010. [http://grfia.dlsi.ua.es/repositori/grfia/pubs/246/ismir2010.pdf]<br /> # A. Pertusa and J.M. Iñesta. &quot;Multiple Fundamental Frequency estimation using Gaussian smoothness&quot;. Proc. of the IEEE Int. Conf. on Acoustics, Speech, and Signal Processing, ICASSP 2008, pp. 105-108, Las Vegas, USA, 2008. [http://ieeexplore.ieee.org/xpls/abs_all.jsp?arnumber=4517557&amp;tag=1]<br /> # A. Pertusa. &quot;Computationally efficient methods for polyphonic music transcription&quot; PhD Thesis, Universidad de Alicante, 2010. [http://grfia.dlsi.ua.es/repositori/grfia/pubs/244/pertusaphd.pdf]<br /> # Hung-Yi Lo, Ju-Chiang Wang, Hsin-Min Wang, and Shou-De Lin, Cost-sensitive Multi-label Learning for Audio Tag Annotation and Retrieval, IEEE Transaction on Multimedia, 13 (3), pp. 518-529, 2011. [http://dx.doi.org/10.1109/TMM.2011.2129498 | Official Version] [http://www.iis.sinica.edu.tw/~hungyi/TMM_CSML_Double.20110426.pdf | Local Version]</div>

CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=MIREX_Impact_Citations&diff=7922 2011-05-18T08:43:47Z

<p>CameronNonAdmin: /* Submitted Citations */</p> <hr /> <div>=Introduction=<br /> <br /> Dear MIREX Participant:<br /> <br /> We are gathering evidence of impact for MIREX. We would appreciate it greatly if you would post citations to papers (yours or others) that have used MIREX data and/or results. Any acceptable citation format is OK. DOIs or URL to accessible copies especially appreciated. I have started out with some samples from IMIRSEL.<br /> <br /> In a similar vein, we are also gathering citations to MIREX-related comments as further evidence of impact for MIREX on the [[MIREX Impact Statements]] page.<br /> <br /> We are collecting these statements and citations as evidence influence and success to submit to funding agencies, research administrators and/or future collaborators. <br /> <br /> Thank you very much.<br /> <br /> J. Stephen Downie&lt;br&gt;<br /> Director, IMIRSEL&lt;br&gt;<br /> <br /> =Submitted Citations=<br /> <br /> # J.S. Downie, D. Byrd, and T. Crawford. &quot;Ten Years of ISMIR: Reflections on Challenges and Opportunities&quot;, in the 10th International Symposium on Music Information Retrieval (ISMIR), Kobe, 2009, pp. 13-18. Available: http://ismir2009.ismir.net/proceedings/keynote1.pdf<br /> # M. Bay, A.F. Ehmann and J.S. Downie, &quot;Evaluation of Multiple-F0 Estimation and Tracking Systems&quot;, in the 10th International Symposium on Music Information Retrieval (ISMIR), Kobe, 2009, pp. 315-320. Available: http://ismir2009.ismir.net/proceedings/PS2-21.pdf <br /> # E. Law, K. West, M. Mandel, M. Bay and, J. S. Downie, &quot;Evaluation of Algorithms Using Games: The Case of Music Tagging&quot;, in the 10th International Symposium on Music Information Retrieval (ISMIR), Kobe, 2009, pp. 387-392. Available: http://ismir2009.ismir.net/proceedings/OS5-5.pdf<br /> # J. S. Downie, M. Bay, A. F. Ehmann and M. C. Jones, &quot;Audio Cover Song Identification: MIREX 2006-2007 Results and analysis&quot;, in the 9th International Conference on Music Information Retrieval (ISMIR 2008), Philadelphia, 2008, pp. 468-473. Available: http://ismir2008.ismir.net/papers/ISMIR2008_265.pdf<br /> # X. Hu, J. S. Downie, C. Laurier, M. Bay and A. F. Ehmann, &quot;The 2007 MIREX Audio Mood Classification Task: Lessons learned&quot;, in the 9th International Conference on Music Information Retrieval (ISMIR 2008), Philadelphia, 2008, pp. 462-467. Available: http://ismir2008.ismir.net/papers/ISMIR2008_263.pdf<br /> # J. S. Downie, A. F. Ehmann and J. H. Lee, &quot;The Music Information Retrieval Evaluation eXchange (MIREX): Community-led formal evaluations&quot;, in the Digital Humanities 2008 , Oulu Finland, 2008, pp. 239-240.<br /> # M. McVicar and T. De Bie, &quot;Exploiting Online Resources to Improve Chord Recognition Accuracy&quot;, late-breaking abstract in the 11th International Conference on Music Information Retrieval (ISMIR 2010), Utrecht, Netherlands, 2010.<br /> # M. McVicar and T. De Bie, &quot;Enhancing chord recognition accuracy using web resources&quot;, 3rd ACM Workshop on Machine Learning and Music, October 25, 2010, Firenze, Italy.<br /> # M. McVicar, Y. Ni, R. Santos-Rodriguez, T. De Bie, &quot;Using online chord databases to enhance chord recognition&quot;, Journal of New Music Research, Special issue on Music and Machine Learning (in press).<br /> #R. Zhou , M. Mattavelli and G. Zoia, &quot;Music Onset Detection Based on Resonator Time-frequency Image&quot;, IEEE Transactions On Audio, Speech And Language Processing, vol. 16, num. 8, 2008, p. 1685-1695. <br /> #Ruohua Zhou, Joshua D. Reiss, Marco Mattavelli and Giorgio Zoia, &quot;A Computationally Efficient Method for Polyphonic Pitch Estimation&quot;, EURASIP Journal on Advances in Signal Processing, Volume 2009 (2009), Article ID 729494, 11 pages.<br /> # M. Haro and P. Herrera, “From Low-level to Song-level Percussion Descriptors of Polyphonic Music,” in 10th International Society for Music Information Retrieval Conference (ISMIR 2009), Kobe, Japan, 2009. Available: http://ismir2009.ismir.net/proceedings/PS2-9.pdf<br /> # J. Urbano, J. Morato, M. Marrero and D. Martín, &quot;Crowdsourcing Preference Judgments for Evaluation of Music Similarity Tasks&quot;, ACM SIGIR Workshop on Crowdsourcing for Search Evaluation, pp. 9-16, 2010. [http://julian-urbano.info/publications/012-crowdsourcing-preference-judgments-evaluation-music-similarity-tasks/012-paper.pdf PDF]<br /> # J. Urbano, M. Marrero, D. Martín and J. Lloréns, &quot;Improving the Generation of Ground Truths based on Partially Ordered Lists&quot;, International Society for Music Information Retrieval Conference, pp. 285-290, 2010. [http://julian-urbano.info/publications/010-improving-generation-ground-truths-based-partially-ordered-lists/010-paper.pdf PDF]<br /> # J. Urbano, J. Lloréns, J. Morato and S. Sánchez-Cuadrado, &quot;Using the Shape of Music to Compute the Similarity between Symbolic Musical Pieces&quot;, International Symposium on Computer Music Modeling and Retrieval, pp. 385-396, 2010. [http://julian-urbano.info/publications/009-using-shape-music-compute-similarity-between-symbolic-musical-pieces/009-paper.pdf PDF]<br /> # D. Bogdanov, J. Serrà, N. Wack, P. Herrera and X. Serra. Unifying low-level and high-level music similarity measures. IEEE Transactions on Multimedia. In press. [http://mtg.upf.edu/node/1689]<br /> # J. Wu, E. Vincent, S. Raczynski, T. Nishimoto, N. Ono and S. Sagayama. Multipitch estimation by joint modeling of harmonic and transient sounds. In Proc. 2011 IEEE Int. Conf. on Acoustics, Speech and Signal Processing (ICASSP), to appear. [http://hal.inria.fr/inria-00567175/PDF/wu_ICASSP11.pdf]<br /> # E. Vincent, N. Bertin and R. Badeau. Adaptive harmonic spectral decomposition for multiple pitch estimation. IEEE Transactions on Audio, Speech and Language Processing, 18(3), pp. 528-537, 2010. [http://hal.inria.fr/inria-00544094/PDF/vincent_TASLP10.pdf]<br /> # E. Benetos and S. Dixon. Multiple-instrument polyphonic music transcription using a convolutive probabilistic model. In Proc. 8th Sound and Music Computing Conf. (SMC), to appear.<br /> # B. Fields, K.Jacobson, C. Rhodes, M. d'Inverno, M. Sandler, M. Casey, &quot;Analysis and Exploitation of Musician Social Networks for Recommendation and Discovery,&quot; IEEE Transactions on Multimedia. in press. [http://dx.doi.org/10.1109/TMM.2011.2111365]<br /> # B. Fields. Contextualize Your Listening: The Playlist as Recommendation Engine, PhD Thesis, Goldsmiths, University of London, April 2011. [http://benfields.net/bfields_thesis.pdf]<br /> # B. Fields, K. Page, T. Crawford, D. De Roure, &quot;The Segment Ontology: bridging music-generic and domain-specific,&quot; in Workshop on Advances in Music Information Research (AdMIRe), co-located with the IEEE International Conference on Multimedia and Expo (ICME), Barcelona, Spain, July, 2011. [http://benfields.net/papers/admire2011.pdf]<br /> # J. Serrà, X. Serra and R. G. Andrzejak. Cross recurrence quantification for cover song identification. New Journal of Physics, vol. 11, art. 093017. September 2009. http://mtg.upf.edu/node/1390<br /> # J. Serrà, E. Gómez, P. Herrera and X. Serra. Chroma binary similarity and local alignment applied to cover song identification. IEEE Transactions on Audio, Speech and Language Processing, vol. 16, issue 6, pp. 1138-1152. August 2008. http://mtg.upf.edu/node/919<br /> # J. Serrà, E. Gómez and P. Herrera. Audio cover song identification and similarity: background, approaches, evaluation, and beyond. In Advances in Music Information Retrieval, Z. W. Ras and A. A. Wieczorkowska editors. Studies in Computational Intelligence series, Springer-Verlag Berlin / Heidelberg, vol. 274, ch. 14, pp. 307-332. March 2010. http://mtg.upf.edu/node/1389<br /> # D. Bogdanov, J. Serrà, N. Wack, P. Herrera and X. Serra. Unifying low-level and high-level music similarity measures. IEEE Transactions on Multimedia. In press. http://mtg.upf.edu/node/1689<br /> # J. Serrà, H. Kantz and R. G. Andrzejak. Model-based cover song detection via threshold autoregressive forecasts. Proc. of the ACM Multimedia, Workshop on Music and Machine Learning (MML), pp. 13-16. Firenze, Italy. October 2010. http://mtg.upf.edu/node/1704<br /> # J. Serrà, M. Zanin, C. Laurier and M. Sordo. Unsupervised detection of cover song sets: accuracy improvement and original identification. Proc. of the Int. Society for Music Information Retrieval Conf. (ISMIR), pp. 225-230. Kobe, Japan. October 2009. http://mtg.upf.edu/node/1407<br /> # J. Serrà and E. Gómez. Audio cover song identification based on tonal sequence alignment. Proc. of the IEEE Int. Conf. on Acoustics, Speech and Signal Processing (ICASSP), pp. 61-64. Las Vegas, USA. April 2008. http://mtg.upf.edu/node/78<br /> # J. Serrà. Identification of versions of the same musical composition by processing audio descriptions. PhD Thesis. Universitat Pompeu Fabra, Barcelona, Spain. March 2011. http://mtg.upf.edu/node/1951<br /> # J.-L. Durrieu, G. Richard, B. David, &quot;Singer melody extraction in polyphonic signals using source separation methods,&quot; IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), pp.169-172, March 31 2008-April 4 2008. doi: 10.1109/ICASSP.2008.4517573 [http://ieeexplore.ieee.org/stamp/stamp.jsp?tp=&amp;arnumber=4517573&amp;isnumber=4517521]<br /> # J.-L. Durrieu, G. Richard, B. David, &quot;An iterative approach to monaural musical mixture de-soloing,&quot; IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), pp.105-108, 19-24 April 2009. doi: 10.1109/ICASSP.2009.4959531 [http://ieeexplore.ieee.org/stamp/stamp.jsp?tp=&amp;arnumber=4959531&amp;isnumber=4959496] (NB: only a quick reference to some MIREX results on Audio Melody Extraction)<br /> # J.-L. Durrieu, G. Richard, B. David, C. Févotte, &quot;Source/Filter Model for Unsupervised Main Melody Extraction From Polyphonic Audio Signals,&quot; IEEE Transactions on Audio, Speech, and Language Processing, vol.18, no.3, pp.564-575, March 2010. doi: 10.1109/TASL.2010.2041114. [http://ieeexplore.ieee.org/stamp/stamp.jsp?tp=&amp;arnumber=5410055&amp;isnumber=5410050]<br /> # J.-L. Durrieu, &quot;Automatic Transcription and Separation of the Main Melody in Polyphonic Music Signals&quot;, PhD thesis, Institut Telecom, Telecom ParisTech, CNRS LTCI, Paris, France, May 2010. [http://hal.archives-ouvertes.fr/index.php?halsid=nhip2qdh6k6cskqdh4q9go9ai1&amp;view_this_doc=tel-00560018&amp;version=1]<br /> # Rainer Typke, Frans Wiering, Remco C. Veltkamp. Transportation Distances and Human Perception of Melodic Similarity. Musicae Scientiae, Discussion Forum 4A, 2007 (special issue on similarity perception in listening to music), 153-182. [http://www.cs.uu.nl/groups/MG/multimedia/publications/art/musicaescientiae07.pdf]<br /> # Rainer Typke, Remco C. Veltkamp, Frans Wiering. A Measure for Evaluating Retrieval Techniques Based on Partially Ordered Ground Truth Lists. In: Proceedings International Conference on Multimedia &amp; Expo (ICME) 2006. [http://www.cs.uu.nl/groups/MG/multimedia/publications/art/icme06.pdf]<br /> # Rainer Typke, Frans Wiering, Remco C. Veltkamp. A Survey of Music Information Retrieval Systems. In: Proceedings of the Fifth International Conference on Music Information Retrieval (ISMIR 2005), pp 153-160. [http://www.cs.uu.nl/groups/MG/multimedia/publications/art/ismir05.pdf]<br /> # Gouyon, F., Herrera, P., Gómez, E., Cano, P., Bonada, J., Loscos, A., Amatriain, X., Serra, X. (2008). Content Processing of Music Audio Signals. In Polotti, P., Rochesso, D. (Eds.), &quot;Sound to Sense, Sense to Sound: A State of the Art in Sound and Music Computing&quot;. Logos Verlag, Berlin, pp. 83-160. [http://smcnetwork.org/files/S2S2BOOK1.pdf]<br /> # Herrera, P., Celma, O., Massaguer, J., Cano, P., Gómez, E., Gouyon, F., Koppenberger, M., García, D., García-Mahedero, J., Wack, N. (2005). &quot;Mucosa: a music content semantic annotator&quot;. Proceedings of the 6th International Conference on Music Information Retrieval (ISMIR-2005). London, United Kingdom. [http://mtg.upf.edu/files/publications/189652-ISMIR-2005-Herrera.pdf]<br /> # Hazan, A., Marxer, R., Brossier, P., Purwins, H., Herrera, P., Serra, X. (2009). &quot;What/when causal expectation modelling applied to audio signals&quot;. Connection Science. 21(2-3), 199-143. [http://www.mtg.upf.es/files/publications/whatwhen_connection.pdf]<br /> # Fuhrmann, F., Herrera, P. (2010). &quot;Polyphonic instrument recognition for exploring semantic similarities in music&quot;. Proceedings of the International Conference on Digital Audio Effects (DAFx). [http://mtg.upf.edu/files/publications/ffuhrmann_dafx10_final_0.pdf]<br /> # T. Lidy, R. Mayer, A. Rauber, P.J. Ponce de León, A. Pertusa, and J.M. Iñesta. &quot;A Cartesian Ensemble of Feature Subspace Classifiers for Music Categorization&quot;, in Proc. of the 11th International Symposium for Music Information Retrieval (ISMIR 2010), pp. 279-284, Utrecht, Netherlands, 2010. [http://grfia.dlsi.ua.es/repositori/grfia/pubs/246/ismir2010.pdf]<br /> # A. Pertusa and J.M. Iñesta. &quot;Multiple Fundamental Frequency estimation using Gaussian smoothness&quot;. Proc. of the IEEE Int. Conf. on Acoustics, Speech, and Signal Processing, ICASSP 2008, pp. 105-108, Las Vegas, USA, 2008. [http://ieeexplore.ieee.org/xpls/abs_all.jsp?arnumber=4517557&amp;tag=1]<br /> # A. Pertusa. &quot;Computationally efficient methods for polyphonic music transcription&quot; PhD Thesis, Universidad de Alicante, 2010. [http://grfia.dlsi.ua.es/repositori/grfia/pubs/244/pertusaphd.pdf]<br /> # Hung-Yi Lo, Ju-Chiang Wang, Hsin-Min Wang, and Shou-De Lin, Cost-sensitive Multi-label Learning for Audio Tag Annotation and Retrieval, IEEE Transaction on Multimedia, 13 (3), pp. 518-529, 2011. [http://dx.doi.org/10.1109/TMM.2011.2129498| Official Version] [http://www.iis.sinica.edu.tw/~hungyi/TMM_CSML_Double.20110426.pdf| Local Version]</div>

CameronNonAdmin https://music-ir.org/mirex/w/index.php?title=MIREX_Impact_Citations&diff=7921 2011-05-18T08:43:04Z

<p>CameronNonAdmin: /* Submitted Citations */</p> <hr /> <div>=Introduction=<br /> <br /> Dear MIREX Participant:<br /> <br /> We are gathering evidence of impact for MIREX. We would appreciate it greatly if you would post citations to papers (yours or others) that have used MIREX data and/or results. Any acceptable citation format is OK. DOIs or URL to accessible copies especially appreciated. I have started out with some samples from IMIRSEL.<br /> <br /> In a similar vein, we are also gathering citations to MIREX-related comments as further evidence of impact for MIREX on the [[MIREX Impact Statements]] page.<br /> <br /> We are collecting these statements and citations as evidence influence and success to submit to funding agencies, research administrators and/or future collaborators. <br /> <br /> Thank you very much.<br /> <br /> J. Stephen Downie&lt;br&gt;<br /> Director, IMIRSEL&lt;br&gt;<br /> <br /> =Submitted Citations=<br /> <br /> # J.S. Downie, D. Byrd, and T. Crawford. &quot;Ten Years of ISMIR: Reflections on Challenges and Opportunities&quot;, in the 10th International Symposium on Music Information Retrieval (ISMIR), Kobe, 2009, pp. 13-18. Available: http://ismir2009.ismir.net/proceedings/keynote1.pdf<br /> # M. Bay, A.F. Ehmann and J.S. Downie, &quot;Evaluation of Multiple-F0 Estimation and Tracking Systems&quot;, in the 10th International Symposium on Music Information Retrieval (ISMIR), Kobe, 2009, pp. 315-320. Available: http://ismir2009.ismir.net/proceedings/PS2-21.pdf <br /> # E. Law, K. West, M. Mandel, M. Bay and, J. S. Downie, &quot;Evaluation of Algorithms Using Games: The Case of Music Tagging&quot;, in the 10th International Symposium on Music Information Retrieval (ISMIR), Kobe, 2009, pp. 387-392. Available: http://ismir2009.ismir.net/proceedings/OS5-5.pdf<br /> # J. S. Downie, M. Bay, A. F. Ehmann and M. C. Jones, &quot;Audio Cover Song Identification: MIREX 2006-2007 Results and analysis&quot;, in the 9th International Conference on Music Information Retrieval (ISMIR 2008), Philadelphia, 2008, pp. 468-473. Available: http://ismir2008.ismir.net/papers/ISMIR2008_265.pdf<br /> # X. Hu, J. S. Downie, C. Laurier, M. Bay and A. F. Ehmann, &quot;The 2007 MIREX Audio Mood Classification Task: Lessons learned&quot;, in the 9th International Conference on Music Information Retrieval (ISMIR 2008), Philadelphia, 2008, pp. 462-467. Available: http://ismir2008.ismir.net/papers/ISMIR2008_263.pdf<br /> # J. S. Downie, A. F. Ehmann and J. H. Lee, &quot;The Music Information Retrieval Evaluation eXchange (MIREX): Community-led formal evaluations&quot;, in the Digital Humanities 2008 , Oulu Finland, 2008, pp. 239-240.<br /> # M. McVicar and T. De Bie, &quot;Exploiting Online Resources to Improve Chord Recognition Accuracy&quot;, late-breaking abstract in the 11th International Conference on Music Information Retrieval (ISMIR 2010), Utrecht, Netherlands, 2010.<br /> # M. McVicar and T. De Bie, &quot;Enhancing chord recognition accuracy using web resources&quot;, 3rd ACM Workshop on Machine Learning and Music, October 25, 2010, Firenze, Italy.<br /> # M. McVicar, Y. Ni, R. Santos-Rodriguez, T. De Bie, &quot;Using online chord databases to enhance chord recognition&quot;, Journal of New Music Research, Special issue on Music and Machine Learning (in press).<br /> #R. Zhou , M. Mattavelli and G. Zoia, &quot;Music Onset Detection Based on Resonator Time-frequency Image&quot;, IEEE Transactions On Audio, Speech And Language Processing, vol. 16, num. 8, 2008, p. 1685-1695. <br /> #Ruohua Zhou, Joshua D. Reiss, Marco Mattavelli and Giorgio Zoia, &quot;A Computationally Efficient Method for Polyphonic Pitch Estimation&quot;, EURASIP Journal on Advances in Signal Processing, Volume 2009 (2009), Article ID 729494, 11 pages.<br /> # M. Haro and P. Herrera, “From Low-level to Song-level Percussion Descriptors of Polyphonic Music,” in 10th International Society for Music Information Retrieval Conference (ISMIR 2009), Kobe, Japan, 2009. Available: http://ismir2009.ismir.net/proceedings/PS2-9.pdf<br /> # J. Urbano, J. Morato, M. Marrero and D. Martín, &quot;Crowdsourcing Preference Judgments for Evaluation of Music Similarity Tasks&quot;, ACM SIGIR Workshop on Crowdsourcing for Search Evaluation, pp. 9-16, 2010. [http://julian-urbano.info/publications/012-crowdsourcing-preference-judgments-evaluation-music-similarity-tasks/012-paper.pdf PDF]<br /> # J. Urbano, M. Marrero, D. Martín and J. Lloréns, &quot;Improving the Generation of Ground Truths based on Partially Ordered Lists&quot;, International Society for Music Information Retrieval Conference, pp. 285-290, 2010. [http://julian-urbano.info/publications/010-improving-generation-ground-truths-based-partially-ordered-lists/010-paper.pdf PDF]<br /> # J. Urbano, J. Lloréns, J. Morato and S. Sánchez-Cuadrado, &quot;Using the Shape of Music to Compute the Similarity between Symbolic Musical Pieces&quot;, International Symposium on Computer Music Modeling and Retrieval, pp. 385-396, 2010. [http://julian-urbano.info/publications/009-using-shape-music-compute-similarity-between-symbolic-musical-pieces/009-paper.pdf PDF]<br /> # D. Bogdanov, J. Serrà, N. Wack, P. Herrera and X. Serra. Unifying low-level and high-level music similarity measures. IEEE Transactions on Multimedia. In press. [http://mtg.upf.edu/node/1689]<br /> # J. Wu, E. Vincent, S. Raczynski, T. Nishimoto, N. Ono and S. Sagayama. Multipitch estimation by joint modeling of harmonic and transient sounds. In Proc. 2011 IEEE Int. Conf. on Acoustics, Speech and Signal Processing (ICASSP), to appear. [http://hal.inria.fr/inria-00567175/PDF/wu_ICASSP11.pdf]<br /> # E. Vincent, N. Bertin and R. Badeau. Adaptive harmonic spectral decomposition for multiple pitch estimation. IEEE Transactions on Audio, Speech and Language Processing, 18(3), pp. 528-537, 2010. [http://hal.inria.fr/inria-00544094/PDF/vincent_TASLP10.pdf]<br /> # E. Benetos and S. Dixon. Multiple-instrument polyphonic music transcription using a convolutive probabilistic model. In Proc. 8th Sound and Music Computing Conf. (SMC), to appear.<br /> # B. Fields, K.Jacobson, C. Rhodes, M. d'Inverno, M. Sandler, M. Casey, &quot;Analysis and Exploitation of Musician Social Networks for Recommendation and Discovery,&quot; IEEE Transactions on Multimedia. in press. [http://dx.doi.org/10.1109/TMM.2011.2111365]<br /> # B. Fields. Contextualize Your Listening: The Playlist as Recommendation Engine, PhD Thesis, Goldsmiths, University of London, April 2011. [http://benfields.net/bfields_thesis.pdf]<br /> # B. Fields, K. Page, T. Crawford, D. De Roure, &quot;The Segment Ontology: bridging music-generic and domain-specific,&quot; in Workshop on Advances in Music Information Research (AdMIRe), co-located with the IEEE International Conference on Multimedia and Expo (ICME), Barcelona, Spain, July, 2011. [http://benfields.net/papers/admire2011.pdf]<br /> # J. Serrà, X. Serra and R. G. Andrzejak. Cross recurrence quantification for cover song identification. New Journal of Physics, vol. 11, art. 093017. September 2009. http://mtg.upf.edu/node/1390<br /> # J. Serrà, E. Gómez, P. Herrera and X. Serra. Chroma binary similarity and local alignment applied to cover song identification. IEEE Transactions on Audio, Speech and Language Processing, vol. 16, issue 6, pp. 1138-1152. August 2008. http://mtg.upf.edu/node/919<br /> # J. Serrà, E. Gómez and P. Herrera. Audio cover song identification and similarity: background, approaches, evaluation, and beyond. In Advances in Music Information Retrieval, Z. W. Ras and A. A. Wieczorkowska editors. Studies in Computational Intelligence series, Springer-Verlag Berlin / Heidelberg, vol. 274, ch. 14, pp. 307-332. March 2010. http://mtg.upf.edu/node/1389<br /> # D. Bogdanov, J. Serrà, N. Wack, P. Herrera and X. Serra. Unifying low-level and high-level music similarity measures. IEEE Transactions on Multimedia. In press. http://mtg.upf.edu/node/1689<br /> # J. Serrà, H. Kantz and R. G. Andrzejak. Model-based cover song detection via threshold autoregressive forecasts. Proc. of the ACM Multimedia, Workshop on Music and Machine Learning (MML), pp. 13-16. Firenze, Italy. October 2010. http://mtg.upf.edu/node/1704<br /> # J. Serrà, M. Zanin, C. Laurier and M. Sordo. Unsupervised detection of cover song sets: accuracy improvement and original identification. Proc. of the Int. Society for Music Information Retrieval Conf. (ISMIR), pp. 225-230. Kobe, Japan. October 2009. http://mtg.upf.edu/node/1407<br /> # J. Serrà and E. Gómez. Audio cover song identification based on tonal sequence alignment. Proc. of the IEEE Int. Conf. on Acoustics, Speech and Signal Processing (ICASSP), pp. 61-64. Las Vegas, USA. April 2008. http://mtg.upf.edu/node/78<br /> # J. Serrà. Identification of versions of the same musical composition by processing audio descriptions. PhD Thesis. Universitat Pompeu Fabra, Barcelona, Spain. March 2011. http://mtg.upf.edu/node/1951<br /> # J.-L. Durrieu, G. Richard, B. David, &quot;Singer melody extraction in polyphonic signals using source separation methods,&quot; IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), pp.169-172, March 31 2008-April 4 2008. doi: 10.1109/ICASSP.2008.4517573 [http://ieeexplore.ieee.org/stamp/stamp.jsp?tp=&amp;arnumber=4517573&amp;isnumber=4517521]<br /> # J.-L. Durrieu, G. Richard, B. David, &quot;An iterative approach to monaural musical mixture de-soloing,&quot; IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), pp.105-108, 19-24 April 2009. doi: 10.1109/ICASSP.2009.4959531 [http://ieeexplore.ieee.org/stamp/stamp.jsp?tp=&amp;arnumber=4959531&amp;isnumber=4959496] (NB: only a quick reference to some MIREX results on Audio Melody Extraction)<br /> # J.-L. Durrieu, G. Richard, B. David, C. Févotte, &quot;Source/Filter Model for Unsupervised Main Melody Extraction From Polyphonic Audio Signals,&quot; IEEE Transactions on Audio, Speech, and Language Processing, vol.18, no.3, pp.564-575, March 2010. doi: 10.1109/TASL.2010.2041114. [http://ieeexplore.ieee.org/stamp/stamp.jsp?tp=&amp;arnumber=5410055&amp;isnumber=5410050]<br /> # J.-L. Durrieu, &quot;Automatic Transcription and Separation of the Main Melody in Polyphonic Music Signals&quot;, PhD thesis, Institut Telecom, Telecom ParisTech, CNRS LTCI, Paris, France, May 2010. [http://hal.archives-ouvertes.fr/index.php?halsid=nhip2qdh6k6cskqdh4q9go9ai1&amp;view_this_doc=tel-00560018&amp;version=1]<br /> # Rainer Typke, Frans Wiering, Remco C. Veltkamp. Transportation Distances and Human Perception of Melodic Similarity. Musicae Scientiae, Discussion Forum 4A, 2007 (special issue on similarity perception in listening to music), 153-182. [http://www.cs.uu.nl/groups/MG/multimedia/publications/art/musicaescientiae07.pdf]<br /> # Rainer Typke, Remco C. Veltkamp, Frans Wiering. A Measure for Evaluating Retrieval Techniques Based on Partially Ordered Ground Truth Lists. In: Proceedings International Conference on Multimedia &amp; Expo (ICME) 2006. [http://www.cs.uu.nl/groups/MG/multimedia/publications/art/icme06.pdf]<br /> # Rainer Typke, Frans Wiering, Remco C. Veltkamp. A Survey of Music Information Retrieval Systems. In: Proceedings of the Fifth International Conference on Music Information Retrieval (ISMIR 2005), pp 153-160. [http://www.cs.uu.nl/groups/MG/multimedia/publications/art/ismir05.pdf]<br /> # Gouyon, F., Herrera, P., Gómez, E., Cano, P., Bonada, J., Loscos, A., Amatriain, X., Serra, X. (2008). Content Processing of Music Audio Signals. In Polotti, P., Rochesso, D. (Eds.), &quot;Sound to Sense, Sense to Sound: A State of the Art in Sound and Music Computing&quot;. Logos Verlag, Berlin, pp. 83-160. [http://smcnetwork.org/files/S2S2BOOK1.pdf]<br /> # Herrera, P., Celma, O., Massaguer, J., Cano, P., Gómez, E., Gouyon, F., Koppenberger, M., García, D., García-Mahedero, J., Wack, N. (2005). &quot;Mucosa: a music content semantic annotator&quot;. Proceedings of the 6th International Conference on Music Information Retrieval (ISMIR-2005). London, United Kingdom. [http://mtg.upf.edu/files/publications/189652-ISMIR-2005-Herrera.pdf]<br /> # Hazan, A., Marxer, R., Brossier, P., Purwins, H., Herrera, P., Serra, X. (2009). &quot;What/when causal expectation modelling applied to audio signals&quot;. Connection Science. 21(2-3), 199-143. [http://www.mtg.upf.es/files/publications/whatwhen_connection.pdf]<br /> # Fuhrmann, F., Herrera, P. (2010). &quot;Polyphonic instrument recognition for exploring semantic similarities in music&quot;. Proceedings of the International Conference on Digital Audio Effects (DAFx). [http://mtg.upf.edu/files/publications/ffuhrmann_dafx10_final_0.pdf]<br /> # T. Lidy, R. Mayer, A. Rauber, P.J. Ponce de León, A. Pertusa, and J.M. Iñesta. &quot;A Cartesian Ensemble of Feature Subspace Classifiers for Music Categorization&quot;, in Proc. of the 11th International Symposium for Music Information Retrieval (ISMIR 2010), pp. 279-284, Utrecht, Netherlands, 2010. [http://grfia.dlsi.ua.es/repositori/grfia/pubs/246/ismir2010.pdf]<br /> # A. Pertusa and J.M. Iñesta. &quot;Multiple Fundamental Frequency estimation using Gaussian smoothness&quot;. Proc. of the IEEE Int. Conf. on Acoustics, Speech, and Signal Processing, ICASSP 2008, pp. 105-108, Las Vegas, USA, 2008. [http://ieeexplore.ieee.org/xpls/abs_all.jsp?arnumber=4517557&amp;tag=1]<br /> # A. Pertusa. &quot;Computationally efficient methods for polyphonic music transcription&quot; PhD Thesis, Universidad de Alicante, 2010. [http://grfia.dlsi.ua.es/repositori/grfia/pubs/244/pertusaphd.pdf]<br /> # Hung-Yi Lo, Ju-Chiang Wang, Hsin-Min Wang, and Shou-De Lin, Cost-sensitive Multi-label Learning for Audio Tag Annotation and Retrieval, IEEE Transaction on Multimedia, 13 (3), pp. 518-529, 2011. [http://dx.doi.org/10.1109/TMM.2011.2129498|Official Version] [http://www.iis.sinica.edu.tw/~hungyi/TMM_CSML_Double.20110426.pdf|Local Version]</div>

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